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Modernist poet-painters Mina Loy and Baroness Elsa von Freytag-Loringhoven had many friends in common (including Djuna Barnes and Marcel Duchamp), yet there is no record that the two ever met. Their non-relationship presents a curious “absent presence” in modernist history. Zelazo weaves lines of poetry by both women into an imaginary conversation, exploring the way their work has been suppressed, stitched, spliced, and edited by male editors and arbiters of taste.
A Companion to Modernist Literature and Culture by David Bradshaw,Kevin J. H. Dettmar Pdf
The Companion combines a broad grounding in the essentialtexts and contexts of the modernist movement with the uniqueinsights of scholars whose careers have been devoted to the studyof modernism. An essential resource for students and teachers of modernistliterature and culture Broad in scope and comprehensive in coverage Includes more than 60 contributions from some of the mostdistinguished modernist scholars on both sides of the Atlantic Brings together entries on elements of modernist culture,contemporary intellectual and aesthetic movements, and all thegenres of modernist writing and art Features 25 essays on the signal texts of modernist literature,from James Joyce’s Ulysses to Zora NealHurston’s Their Eyes Were Watching God Pays close attention to both British and Americanmodernism
Twenty-First Century Marianne Moore by Elizabeth Gregory,Stacy Carson Hubbard Pdf
This collection represents a new range of critical awareness and marks the burgeoning of what is a twenty-first-century Marianne Moore renaissance. The essays explore Moore’s participation in modernist movements and communities, her impact on subsequent generations of artists, and the dynamics of her largely disregarded post-World War II career. At the same time, they track the intersection of the evolution of her poetics with cultural politics across her career. Drawing on fresh perspectives from previously unknown biographical material and new editions and archives of Moore’s work, the essays offer particularly interesting insights on Moore’s relationships and her late career role as a culture icon.
By Design is a study of instances of poets enacting literary history by the ways they use and alter key elements of earlier poems, sometimes the work of predecessors, sometimes their own poems, in order to create new designs.
Marianne Moore and the Cultures of Modernity by Dr Victoria Bazin Pdf
Victoria Bazin examines the poetry of Marianne Moore as it is shaped by and responsive to the experience of being a modern woman, of living in the aftermath of the First World War, of being interpellated as a modern consumer and of writing in "the age of mechanical reproduction." She argues that Moore's textual collages and syllabic sculptures are based on the cultural clutter or debris of modernity, on textual extracts and reproductions, on the phantasmagoria of city life revealing something modernism worked hard to conceal: its relation to modernity, more specifically its relation to the new emerging and expanding mass consumer culture. Drawing extensively on archival resources to trace Moore's influences and to describe her own distinctive modernist aesthetic, this book argues that it was her feminist adaptation of pragmatism that shaped her poetic response to modernity. Moore's use of the quoted fragment is conceptualised in relation not only to Walter Benjamin's philosophical history but also to William James's image of the world as a series of "partial stories." As such, this account of Marianne Moore not only contributes to a greater understanding of the poet and her work, but it also offers up a more politicized and historically nuanced understanding of poetic modernism between the wars, one that retains a sense of the formal complexities of poetic language and the poet's own ethical imperatives whilst also recognising the material impact of modernity upon the modernist poem. This book will appeal, therefore, not only to scholars already familiar with Moore's poetry but more widely to those interested in modernism and American culture between the wars.
Marianne Moore's Observations stands with T. S. Eliot's The Waste Land, Ezra Pound's early Cantos, and Wallace Stevens's Harmonium as a landmark of modern poetry. But to the chagrin of many admirers, Moore eliminated a third of its contents from her subsequent poetry collections while radically revising some of the poems she retained. This groundbreaking book has been unavailable to the general reader since its original publication in the 1920s. Presented with a new introduction by Linda Leavell, the author of the award-winning biography Holding On Upside Down: The Life and Work of Marianne Moore, this reissue of Observations at last allows readers to experience the untamed force of Moore's most dazzling innovations. Her fellow modernists were thrilled by her originality, her "clear, flawless" language--to them she was "a rafter holding up . . . our uncompleted building." Equally forceful for subsequent generations, Observations was an "eye-opener" to the young Elizabeth Bishop, its poems "miracles of language and construction." John Ashbery has called "An Octopus" the finest poem of "our greatest modern poet." Moore's heroic open-mindedness and prescient views on multiculturalism, biodiversity, and individual liberty make her work uniquely suited to our times. Impeccably precise yet playfully elusive, emotionally complex but stripped of all sentiment, the poems in Observations show us one of America's greatest poets at the height of her powers.
Marianne Moore (1887-1972) has been heralded as America's greatest poet of the modernist movement. Her volume Collected Poems won the National Book Award and the Pulitzer Prize in 1952 and the Bollingen Prize in 1953. Born in St. Louis, Missouri, Moore eventually found her way to New York with her mother whom she continued to live with until her mother passed, a familial devotion so intense that William Carlos Williams complained that it was 'pathological' and prevented her from marrying any 'literary guys'. Moore never married. Linda Leavall is the first biographer to be granted access and freedom to quote from Moore's archives. More than just a standard biography, Leavall re-examines Moore's body of work to complement and enlighten the biography. Through Moore's poems and letters from T. S. Eliot, William Carlos Williams, and many others, Leavall has written what is sure to be the definitive biography of Moore.
The Philosophy of T. S. Eliot by William Skaff Pdf
T. S. Eliot's mind encompasses just about every important avant-garde intellectual movement of his time. His thought, as well as his poetry, represents an essential and original achievement within Modernism. This study presents Eliot's unique synthesis of contemporary philosophy, psychology, anthropology, and studies in mysticism, and demonstrates how it is responsible for the nature of his religious belief, the basic tenets of his literary theory, and the figurative, structural, and dramatic aspects of his verse, pervading virtually everything he wrote throughout his life. The chapters are Skepticism, Mysticism, The Unconscious, Primitive Experience, Mythic Consciousness, and A Surrealist Poetic.
Criminal Ingenuity offers both a history and a theory of the conflicted relation between poetry and painting in high and mid-century modernism, focusing on figures like T.S. Eliot, Clement Greenberg, Marianne Moore, John Ashbery and Joseph Cornell.
These notes, in turn, point readers to narrative accounts of Moore's associations with her early publishers that offer a range of historical, contextual, biographical, and bibliographic information about the publication events of Moore's poems and explore her attempts to shape her literary career in concert with some of her most famous modernist peers - Richard Aldington, H. D., Harriet Monroe, Ezra Pound, and William Carlos Williams."--BOOK JACKET.
A History of the British Army, Vol.1 (of 2) by J. W. Fortescue Pdf
The history of the British Army is commonly supposed to begin with the year 1661, and from the day, the 14th of February, whereon King Charles the Second took over Monk's Regiment of Foot from the Commonwealth's service to his own, and named it the Coldstream Guards. The assumption is unfortunately more convenient than accurate. The British standing army dates not from 1661 but from 1645, not from Monk's regiment but from the famous New Model, which was established by Act of the Long Parliament and maintained, in substance, until the Restoration. The continuity of the Coldstream regiment's existence was practically unbroken by the ceremony of Saint Valentine's day, and this famous corps therefore forms the link that binds the New Model to the Army of Queen Victoria. But we are not therefore justified in opening the history of the army with the birth of the New Model. The very name indicates the existence of an earlier model, and throws us back to the outbreak of the Civil War. There then confronts us the difficulty of conceiving how an organised body of trained fighting men could have been formed without the superintendence of experienced officers. We are forced to ask whence came those officers, and where did they learn their profession. The answer leads us to the Thirty Years' War and the long struggle for Dutch Independence, to the English and Scots, numbered by tens, nay, hundreds of thousands, who fought under Gustavus Adolphus and Maurice of Nassau. Two noble regiments still abide with us as representatives of these two schools, a standing record of our army's 'prentice years. But though we go back two generations before the Civil War to find the foundation of the New Model Army, it is impossible to pause there. In the early years of Queen Elizabeth's reign we are brought face to face with an important period in our military history, with a break in old traditions, an unwilling conformity with foreign standards, in a word, with the renascence in England of the art of war. For there were memories to which the English clung with pathetic tenacity, not in Elizabeth's day only but even to the midst of the Civil War, the memories of King Harry the Fifth, of the Black Prince, of Edward the Third, and of the unconquerable infantry that had won the day at Agincourt, Poitiers, and Creçy. The passion of English sentiment over the change is mirrored to us for all time in the pages of Shakespeare; for no nation loves military reform so little as our own, and we shrink from the thought that if military glory is not to pass from a possession into a legend, it must be eternally renewed with strange weapons and by unfamiliar methods. This was the trouble which afflicted England under the Tudors, and she comforted herself with the immortal prejudice that is still her mainstay in all times of doubt, "I tell thee herald, I thought upon one pair of English legs Did march three Frenchmen." The origin of the new departures in warfare must therefore be briefly traced through the Spaniards, the Landsknechts, and the Swiss, and the old English practice must be followed to its source. Creçy gives us no resting-place, for Edward the Third's also was a time of military reform; the next steps are to the Battle of Falkirk, the Statute of Winchester, and the Assize of Arms; and still the English traditions recede before us, till at last at the Conquest we can seize a great English principle which forced itself upon the conquering Normans, and ultimately upon all Europe. To be continue in this ebook...
"A science-fiction classic in the H. G. Wells tradition, this gripping trilogy of tales recounts the adventures of a young couple transported 1,500 years into the future. In a post-apocalyptic wasteland inhabited by the debased remnants of humanity, theymust not only survive but also lay the foundations for a new civilization. Includes a new foreword by Jess Nevins"--
