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Author : William John Thomas Mitchell,W. J. T. Mitchell Publisher : University of Chicago Press Page : 396 pages File Size : 54,8 Mb Release : 2002-04-15 Category : Art ISBN : 0226532054
Landscape and Power, Second Edition by William John Thomas Mitchell,W. J. T. Mitchell Pdf
This text considers landscape not simply as an object to be seen or a text to be read, but as an instrument of cultural force, a central tool in the creation of national and social identities. This edition adds a new preface and five new essays.
Landscapes, whether in pictures or the world, have been viewed as a genre, treated as texts, interpreted as allegory. Landscape and Power goes beyond these approaches to ask not just what landscape "is" or "means" but what it does, how it works as a cultural practice. The original essays in this volume consider landscapes not merely as visual or textual symbols but as sources of social and personal identities. In the opening essay, W. J. T. Mitchell examines the ways in which the concept of landscape functions in the discourse of imperialism, from Chinese imperial landscape to views of contested territory in New Zealand and Israel. The following essays—by Ann Jensen Adams, Ann Bermingham, Elizabeth Helsinger, David Bunn, Joel Snyder, and Charles Harrison—range from Dutch landscape and the formation of national identity to picturesque landscape and the process of political silencing and legitimation. Other topics include Turner's "tourist landscapes" as reflections on the conditions of political representation, American landscape photography and the "professionalizing" of the frontier, "domestic" British landscapes transferred to South Africa in the nineteenth century, and forms of resistance to ideology in modernist landscape painting.
In the papers collected in this, the first volume of the Spatial Practices series, Englishness is reflected in the spaces it occupies or dwells in. Broadly influenced by a renewed and growing interest in questions of cultural identity, its emergence in Victorian theories and fictions of nationality, and the new cultural geography, the papers cover a rich variety of spaces and places which have been appropriated for cultural meanings: the rural countryside and farmland of the Home Counties in the early nineteenth century as Arcadian idyll in Cobbett, as the land to die for in war propaganda, and as nostalgia for a unified, organic English culture in Lawrence, Morton and Priestley’s travel writing, but also in the Shell Tourist Guides to motoring in rural England; English moorland; the sacred geographies of monuments in Hardy and others; the traditional seaside deconstructed in Martin Parr’s photography, and the sea as English Victorian imperial territory and its symbolic breezes in Froude’s travel writing. The English landscape is also a paradigm for the description of other places in D. H. Lawrence’s travel writing or for the colonial territory itself in Rushdie’s writing India, a displacement of other landscapes. This collection of papers examines the assumption that constructions of rural England provide the basis for an understanding of Englishness.
Landscape, Religion, and the Supernatural by Matthias Egeler Pdf
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on Oxford Academic and offered as a free PDF download from OUP and selected open access locations. All societies fill the geographical space in which they are living with the holy, the sacred, and the supernatural. A lively academic debate has developed in the last few decades about how human beings make the landscapes that they live in and how these landscapes work. This discussion has repeatedly referenced religion and the supernatural, but it has never engaged either in significant depth. Landscape, Religion, and the Supernatural: Nordic Perspectives on Landscape Theory presents a summa of current and classic theorizing on religion and the supernatural in relationship to the land and develops these theories further by bringing them into dialogue with a rich set of folkloristic and historical data. Focusing on many different themes, including time and memory, repeating patterns, identity formation, power and subversion, sound, home and unhomeliness, and nature and environment, author Matthias Egeler engages with a broad range of theoretical concepts and approaches from the interdisciplinary fields of landscape theory and the study of religions. He brings this theorizing into dialogue with the rich culture of local storytelling and landscape-related traditional beliefs of the Strandir district of the Icelandic Westfjords. In this rural region, landscape-related traditions have been documented since the early nineteenth century and continue to be important to this day. Confronting this vibrant heritage with the insights of landscape theory--both in and beyond the study of religions--allows important new contributions to both fields, especially through the inclusion of perspectives held by rural populations rather than the urban upper classes that have been the focus of research to date. The example of the Icelandic Westfjords shows the extreme richness of religious and supernatural approaches to the landscape that can be developed in rural communities and how they are significantly and characteristically different from the perspectives found in literature and the arts.
In 1992 W. J. T. Mitchell argued for a "pictorial turn" in the humanities, registering a renewed interest in and prevalence of pictures and images in what had been understood as an age of simulation, or an increasingly extensive and diverse visual culture. However, in what is often characterized as a society of the "spectacle" we still do not know exactly what pictures or images are, what their relation to language is, how they operate on observers and the world, how their history is to be understood, and what is to be done with or about them. In this seminal collection of essays, the first to be devoted to the "pictorial turn", theorists from across the humanities and social sciences, representing the disciplines of art history, philosophy, geography, media studies, visual studies and anthropology, are brought together with a paleontologist and practising artists to consider amongst other things the relation between pictures and images, the power of landscape, the nature of political images, the status of images in the natural sciences, the "life" of images, and the pictorial uncanny. With these topics in mind, picture theory and iconology exceed in scope the objects of visual culture conventionally understood. This book was published as a special issue of Culture, Theory and Critique.
Interdisciplinary perspectives on landscape, from the philosophical to the geographical, with an emphasis on the overarching concept of place. This volume explores the conceptual "topography" of landscape: It examines the character of landscape as itself a mode of place as well as the modes of place that appear in relation to landscape. Leading scholars from a range of disciplines explore the concept of landscape, including its supposed relation to the spectatorial, its character as time-space, its relation to indigenous notions of "country," and its liminality. They examine landscape as it appears within a variety of contexts, from geography through photography and garden history to theology; and more specific studies look at the forms of landscape in medieval landscape painting, film and television, and in relation to national identity. The essays demonstrate that the study of landscape cannot be restricted to any one genre, cannot be taken as the exclusive province of any one discipline, and cannot be exhausted by any single form of analysis. What the place of landscape now evokes is itself a wide-ranging terrain encompassing issues concerning the nature of place, of human being in place, and of the structures that shape such being and are shaped by it.
Author : Sarah Phillips Casteel Publisher : University of Virginia Press Page : 260 pages File Size : 50,6 Mb Release : 2007 Category : Art ISBN : 0813926394
Diaspora studies have tended to privilege urban landscapes over rural ones, wanting to avoid the racial homogeneity, conservatism, and xenophobia usually associated with the latter. This book examines the work of various writers to show how it expresses the appeal that rural and wilderness spaces can hold for the diasporic imagination.
Power and Landscape in Atlantic West Africa by J. Cameron Monroe,Akinwumi Ogundiran Pdf
"This volume applies insights drawn from the theories and methods of landscape archaeology to contribute to our understanding of the nature if West African societies in the Atlantic Era (17th-19th Centuries AD). The authors adopt a briad set of methods and approaches to tackle how the nature and structures of African political and social relations changed across regions in this period. This is only the second volume in a decade to focus on the archeology of this period in West Africa, and the first volume in sub-Saharan Africanist archeology to be focused in the recent past in oue sub-region of the continent from a coherent methodological and theoretical standpoint"--Provided by publisher.
The Making of the American Landscape by Michael P. Conzen Pdf
The only compact yet comprehensive survey of environmental and cultural forces that have shaped the visual character and geographical diversity of the settled American landscape. The book examines the large-scale historical influences that have molded the varied human adaptation of the continent’s physical topography to its needs over more than 500 years. It presents a synoptic view of myriad historical processes working together or in conflict, and illustrates them through their survival in or disappearance from the everyday landscapes of today.
In Lawns Into Meadows, landscape designer Owen Wormser makes a case for the power and generosity of meadows. In a world where lawns have wreaked havoc on our natural ecosystems, meadows offer a compelling solution. They establish wildlife and pollinator habitats. They’re low-maintenance and low-cost. They have a built-in resilience that helps them weather climate extremes, and they can draw down and store far more carbon dioxide than any manicured lawn. They’re also beautiful, all year round. Owen describes how to plant an organic meadow that’s right for your site, whether it’s a yard, community garden, or tired city lot. He shares advice on preparing your plot, coming up with the right design, and planting—all without using synthetic chemicals. He passes along tips on building support in neighborhoods where a tidy lawn is the standard. Owen also profiles twenty-one starter grasses and flowers for beginning meadow-makers, and offers guidance on how to grow each one. To illuminate the many joys of meadow-building, Owen draws on his own stories, including how growing up off the grid in northern Maine, with no electricity or plumbing, prepared him for his work. The book, part how-to guide and part memoir, is for environmentalists and climate activists, gardeners and non-gardeners alike. Lawns Into Meadows is part of Stone Pier Press’s Citizen Gardening series, which teaches readers how to grow food and garden in ways that are good for the planet.
Securing Wilderness Landscapes in South Africa by Harry Wels Pdf
Nick Steele has been key to the large scale development of private wildlife conservation in South and southern Africa in the politically turbulent times of the 1970s and 1980s. This book contextualises this process based on the personal archives of this politically controversial conservationist.
Author : Kate Morris Publisher : University of Washington Press Page : 210 pages File Size : 48,9 Mb Release : 2019-03-22 Category : Art ISBN : 9780295744827
A distinctly Indigenous form of landscape representation is emerging among contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers—and settlers—into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and, later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations. In Shifting Grounds, art historian Kate Morris argues that Indigenous artists are expanding and reconceptualizing the forms of the genre, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works evoke all five senses: from the overt sensuality of Kay WalkingStick’s tactile paintings to the eerie soundscapes of Alan Michelson’s videos to the immersive environments of Kent Monkman’s dioramas, this art resonates with a fully embodied and embedded subjectivity. Shifting Grounds explores themes of presence and absence, survival and vulnerability, memory and commemoration, and power and resistance, illuminating the artists’ engagement not only with land and landscape but also with the history of representation itself.
Justice, Power and the Political Landscape by Kenneth Olwig,Donald Mitchell Pdf
Landscape is now on the agenda in a new way. The increasing interest in justice, power and the political landscape expresses a sea change occurring in the meaning of landscape itself, from landscape as scenery to landscape as polity and place. As Lionella Scazzosi argues "The meaning of the term ‘landscape’ has become broader than that of a view or panorama, which characterized many national protection laws and policies until the middle of the 20th century, and that of environment or nature, to which it has often been limited during the recent years of environmentalist battles." This is reflected in the new European Landscape Convention, for which: "’Landscape’ means an area, as perceived by people." The tide thus has turned towards J. B. Jackson’s view of landscape as not "a scenic or ecological entity but as a political or cultural entity, changing in the course of history." It is in this socio-political context that it becomes necessary to consider the role of power, and the importance of justice, in the shaping of the landscape as an area of practice and performance with both cultural and environmental implications. This book was previously published as two special issues of Landscape Research.
Digital Drawing for Landscape Architecture by Bradley Cantrell,Wes Michaels Pdf
Combine traditional techniques with modern media for morecommunicative renderings Digital Drawing for Landscape Architecture: ContemporaryTechniques and Tools for Digital Representation in Site Design,Second Edition bridges the gap between traditional analog andnew digital tools by applying timeless concepts of representationto enhance design work in digital media. The book explores specifictechniques for creating landscape designs, including digitallyrendered plans, perspectives, and diagrams, and the updated secondedition offers expanded coverage of newer concepts and techniques.Readers will gain insight into the roles of different drawings,with a clear emphasis on presenting a solid understanding of howdiagram, plan, section, elevation, and perspective work together topresent a comprehensive design approach. Digital rendering is faster, more efficient, and more flexiblethan traditional rendering techniques, but the design principlesand elements involved are still grounded in hand-renderingtechniques. Digital Drawing for Landscape Architectureexploits both modalities to help designers create more beautiful,accurate, and communicative drawings in a professional studioenvironment. This second edition contains revised information onplan rendering techniques, camera matching workflow, and colorselection, along with brand new features, like: Time-based imagery and tools Workflow integration techniques Photoshop and Illustrator task automation Over 400 updated images, plus over 50 new examples ofaward-winning work The book takes a tutorial-based approach to digital rendering,allowing readers to start practicing immediately and get up tospeed quickly. Communication is a vital, but often overlookedcomponent of the design process, and designers rely upon theirdrawings to translate concepts from idea to plan. DigitalDrawing for Landscape Architecture provides the guidancelandscape designers need to create their most communicativerenderings yet.
