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Compelling, multifarious and essential.' - Don Watson 'Drink in its wisdom.' - Andrew Leigh, MP On this ancient continent, waves of people have made their mark on the landscape; in turn, it too has shaped them. If we look afresh at our history through the land we live on, might Indigenous and non-Indigenous Australians find a path to a shared future? An epic exploration of our relationship with this country, Landscapes of Our Hearts takes us from the Great Barrier Reef to the Central Desert, the High Country to Canberra's Limestone Plains. It is a book of hope and offers the possibility that a renewed connection to the landscape and to each other could pave the way towards reconciliation. It will change the way you see this land.
On this ancient continent, waves of people have made their mark on the landscape; in turn, it too has shaped them. If we look afresh at our history through the land we live on, might Indigenous and non-Indigenous Australians find a path to a shared future? An epic exploration of our relationship with this country, Landscapes of Our Hearts takes us from the Great Barrier Reef to the Central Desert, the High Country to Canberra's Limestone Plains. It is a book of hope and offers the possibility that a renewed connection to the landscape and to each other could pave the way towards reconciliation. It will change the way you see this land.
In this book, teacher and psychotherapist Juliet Grayson gives us privileged access to her unique client sessions. Following several couples' journeys through psychosexual therapy to more loving relationships, we witness her rich blend of life-changing approaches, including Pesso Boyden System Psychomotor (PBSP), the potent new methodology she has helped to pioneer in the UK. Exploring both the practical and theoretical aspects of her work, Juliet shakes our assumptions and shows ways to improve and ultimately heal our most intimate relationships. This is a ground-breaking book, valuable for lay readers and therapists alike.
"Margaret Silf explores nine landscapes of prayer, both classic and modern ... All are fruitful areas for self-discovery, inviting us to connect with the mystery of God in our lives. Prayer can have its own sense of place -- landscapes that we can inhabit and explore, and meet God as tangibly as we might meet a fellow traveller"--Publisher.
An important long overdue monograph on the preeminent Chinese contemporary ink painter Li Huayi, with a comprehensive critical contribution by the art critic and curator Kuiyi Shen. This exquisite volume is a definitive retrospective of his most celebrated works. The book documents Li Huayi's artistic evolution, surveying his career through a selection of the most representative works from every period of his life. His paintings reveal how the great tradition of Chinese art, through the talented hands of the artist and his innovative mind, is able to interact with Western contemporary trends and provide a fascinating visual insight into the universe of a man suspended between two cultures.
When Candace Savage and her partner buy a house in the romantic little town of Eastend, she has no idea what awaits her. At first she enjoys exploring the area around their new home, including the boyhood haunts of the celebrated American writer Wallace Stegner, the backroads of the Cypress Hills, the dinosaur skeletons at the T. Rex Discovery Centre, the fossils to be found in the dust-dry hills. She also revels in her encounters with the wild inhabitants of this mysterious land -- two coyotes in a ditch at night, their eyes glinting in the dark; a deer at the window; a cougar pussy-footing it through a gully a few minutes' walk from town. But as Savage explores further, she uncovers a darker reality -- a story of cruelty and survival set in the still-recent past -- and finds that she must reassess the story she grew up with as the daughter, granddaughter, and great-granddaughter of prairie homesteaders.
In the early 1970s, empowered by the civil rights and women's movements, a new group of women writers began speaking to the American public. Their topic, broadly defined, was the postmodern American West. By the mid-1980s, their combined works made for a bona fide literary groundswell in both critical and commercial terms. However, as Krista Comer notes, despite the attentions of publishers, the media, and millions of readers, literary scholars have rarely addressed this movement or its writers. Too many critics, Comer argues, still enamored of western images that are both masculine and antimodern, have been slow to reckon with the emergence of a new, far more "feminine," postmodern, multiracial, and urban west. Here, she calls for a redesign of the field of western cultural studies, one that engages issues of gender and race and is more self-conscious about space itself_especially that cherished symbol of western "authenticity," open landscape. Surveying works by Joan Didion, Wanda Coleman, Maxine Hong Kingston, Leslie Marmon Silko, Barbara Kingsolver, Pam Houston, Louise Erdrich, Sandra Cisneros, and Mary Clearman Blew, Comer shows how these and other contemporary women writers have mapped new geographical imaginations upon the cultural and social spaces of today's American West.
Gardening with a Wild Heart by Judith Larner Lowry Pdf
Judith Lowry's voice and experiences make a rich matrix for essays that include discussions of wildflower gardening, the ecology of native grasses, wildland seed-collecting, principles of natural design, and plant/animal interactions. This lyrical and articulate mix of the practical and the poetic combines personal story, wildland ecology, restoration gardening practices, and native plant horticulture.
In a time of climate change and mass extinction, how we garden matters more than ever: “An outstanding and deeply passionate book.” —Marc Bekoff, author of The Emotional Lives of Animals Plenty of books tell home gardeners and professional landscape designers how to garden sustainably, what plants to use, and what resources to explore. Yet few examine why our urban wildlife gardens matter so much—not just for ourselves, but for the larger human and animal communities. Our landscapes push aside wildlife and in turn diminish our genetically programmed love for wildness. How can we get ourselves back into balance through gardens, to speak life's language and learn from other species? Benjamin Vogt addresses why we need a new garden ethic, and why we urgently need wildness in our daily lives—lives sequestered in buildings surrounded by monocultures of lawn and concrete that significantly harm our physical and mental health. He examines the psychological issues around climate change and mass extinction as a way to understand how we are short-circuiting our response to global crises, especially by not growing native plants in our gardens. Simply put, environmentalism is not political; it's social justice for all species marginalized today and for those facing extinction tomorrow. By thinking deeply and honestly about our built landscapes, we can create a compassionate activism that connects us more profoundly to nature and to one another.
Mourning Nature by Ashlee Cunsolo,Karen Landman Pdf
We are facing unprecedented environmental challenges, including global climate change, large-scale industrial development, rapidly increasing species extinction, ocean acidification, and deforestation – challenges that require new vocabularies and new ways to express grief and sorrow over the disappearance, degradation, and loss of nature. Seeking to redress the silence around ecologically based anxiety in academic and public domains, and to extend the concepts of sadness, anger, and loss, Mourning Nature creates a lexicon for the recognition and expression of emotions related to environmental degradation. Exploring the ways in which grief is experienced in numerous contexts, this groundbreaking collection draws on classical, philosophical, artistic, and poetic elements to explain environmental melancholia. Understanding that it is not just how we mourn but what we mourn that defines us, the authors introduce new perspectives on conservation, sustainability, and our relationships with nature. An ecological elegy for a time of climatic and environmental upheaval, Mourning Nature challenges readers to turn devastating events into an opportunity for positive change. Contributors include Glenn Albrecht (Murdoch University, retired); Jessica Marion Barr (Trent University); Sebastian Braun (University of North Dakota); Ashlee Cunsolo (Labrador Institute of Memorial University); Amanda Di Battista (York University); Franklin Ginn (University of Edinburgh); Bernie Krause (soundscape ecologist, author, and independent scholar); Lisa Kretz (University of Evansville); Karen Landman (University of Guelph); Patrick Lane (Poet); Andrew Mark (independent scholar); Nancy Menning (Ithaca College); John Charles Ryan (University of New England); Catriona Sandilands (York University); and Helen Whale (independent scholar).
Arts of Living on a Damaged Planet by Anna Lowenhaupt Tsing,Nils Bubandt,Elaine Gan,Heather Anne Swanson Pdf
Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent “arts of living.” Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste—in short, the wonders and terrors of an unintended epoch. Contributors: Karen Barad, U of California, Santa Cruz; Kate Brown, U of Maryland, Baltimore; Carla Freccero, U of California, Santa Cruz; Peter Funch, Aarhus U; Scott F. Gilbert, Swarthmore College; Deborah M. Gordon, Stanford U; Donna J. Haraway, U of California, Santa Cruz; Andreas Hejnol, U of Bergen, Norway; Ursula K. Le Guin; Marianne Elisabeth Lien, U of Oslo; Andrew Mathews, U of California, Santa Cruz; Margaret McFall-Ngai, U of Hawaii, Manoa; Ingrid M. Parker, U of California, Santa Cruz; Mary Louise Pratt, NYU; Anne Pringle, U of Wisconsin, Madison; Deborah Bird Rose, U of New South Wales, Sydney; Dorion Sagan; Lesley Stern, U of California, San Diego; Jens-Christian Svenning, Aarhus U.
"To most of us there have come exceptional, unworldly moments, like unsuspected deeps in a stream, when we fell through appearances - fell through ourselves - into an intuition of majesty and wonder." - Bhikkhu Nyanasobhano in Landscapes of Wonder Landscapes of Wonder deftly transports the spirit of Buddhist contemplation off the cushion and into the natural world. With a lyricism and spiritual immediacy reminiscent of Thoreau and Emerson, in eighteen meditational essays Bhikkhu Nyanasobhano considers Buddhist themes through the prism of nature. The reflections captured in these satisfying literary explorations will appeal to all who appreciate contemplation of the natural world and our place in it.
Restoring Ecological Health to Your Land by Steven I. Apfelbaum,Alan W. Haney Pdf
Restoring Ecological Health to Your Land is the first practical guidebook to give restorationists and would-be restorationists with little or no scientific training or background the “how to” information and knowledge they need to plan and implement ecological restoration activities. The book sets forth a step-by-step process for developing, implementing, monitoring, and refining on-the-ground restoration projects that is applicable to a wide range of landscapes and ecosystems. The first part of the book introduces the process of ecological restoration in simple, easily understood language through specific examples drawn from the authors’ experience restoring their own lands in southern and central Wisconsin. It offers systematic, step-by-step strategies along with inspiration and benchmark experiences. The book’s second half shows how that same “thinking” and “doing” can be applied to North America’s major ecosystems and landscapes in any condition or scale. No other ecological restoration book leads by example and first-hand experience likethis one. The authors encourage readers to champion restoration of ecosystems close to where they live . . . at home, on farms and ranches, in parks and preserves. It provides an essential bridge for people from all walks of life and all levels of experience—from land trust member property stewards to agency personnel responsible for restoring lands in their care—and represents a unique and important contribution to the literature on restoration.
Landscapes of the Metropolis of Death by Otto Dov Kulka Pdf
Otto Dov Kulka's memoir of a childhood spent in Auschwitz is a literary feat of astounding emotional power, exploring the permanent and indelible marks left by the Holocaust Winner of the JEWISH QUARTERLY-WINGATE PRIZE 2014 As a child, the distinguished historian Otto Dov Kulka was sent first to the ghetto of Theresienstadt and then to Auschwitz. As one of the few survivors he has spent much of his life studying Nazism and the Holocaust, but always as a discipline requiring the greatest coldness and objectivity, with his personal story set to one side. But he has remained haunted by specific memories and images, thoughts he has been unable to shake off. Translated by Ralph Mandel. 'The greatest book on Auschwitz since Primo Levi ... Kulka has achieved the impossible' - the panel of Judges, Jewish Quarterly-Wingate Prize
Inviting, human, capacious poems that grapple with ideas while also lightly grieving our capacity for ruin. Yellow Crane, Susan Gillis's fourth collection of poetry, is a book of many views, many voices. A long look at the changing landscape of a Montreal neighbourhood becomes at once a lament and a love poem. A sequence of poems inspired by Japanese tanka take on the cultural weather, core-drilling into the contradictions and uncertainties of the everyday. Writers, artists, thinkers, cooks, and others congregate in a hammock on the edge of a hayfield to compare notes on what we value. A bear turns up on a path near a quarry. The poems of Yellow Crane study, with a lover's tender yet critical eye, the world we occupy and the way we occupy it: art, industry, environments both built and natural; the simultaneous flux and agelessness of our daily habits; the long human story of appropriation of wilderness; the fragility, resilience, and questionable worth of what we make, especially under political, economic, and social pressures; concern about our changing times; grief over what we leave behind. This is a book that argues with itself, then rests. At once precise and loose, wise and nimble, it will make you both feel and think--and care about the world along with it. We know the tree stands for promise and for the desire, which comes much later, for atonement. We stand at the west-facing window and let the buildings opposite turn gold, then back to brick. (from "Morning Light")