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An eminently poetic book, Langrishe, Go Down (Higgins's first novel) traces the fall of the Langrishes—a once wealthy, highly respected Irish family—through the lives of their four daughters, especially the youngest, Imogen, whose love affair with a self-centered German scholar resonates throughout the book. Their relationship, told in lush, erotic, and occasionally melancholic prose, comes to represent not only the invasion and decline of this insular family, but the decline of Ireland and Western Europe as a whole in the years preceding World War II. In the tradition of great Irish writing, Higgins's prose is a direct descendent from that of James Joyce and Samuel Beckett, and nowhere else in his mastery of the language as evident as in Langrishe, Go Down, which the Irish Times applauded as "the best Irish novel since At Swim-Two-Birds and the novels of Beckett."
To the people of Celbridge, County Kildare, the name Langrishe spells money, position and respect. Yet long years of parsimony and neglect are telling on the family home and its inhabitants. Here, Imogen begins her discreet affair with Otto Beck, the German who has lived rent-free in the Langrishe farm longer than any of them can remember.
For a number of years Robin Skelton has been a major interpreter and definer of what we now mean by Anglo-Irish literature. This collection represents his own selection of fourteen of his best essays. All have been revised, several enlarged, and two are published here for the first time. Two major themes emerge from this collection: verse craftsmanship, with the language and structure of poetry; and a concern with the way that a writer can contrive to bring contraries (personal, national, aesthetic, etc.) together, fusing all the writer's themes and techniques into unity, so as to present a coherent, all-embracing "philosophy" or attitude. Most of the essays move from quite specific discussions of texts to broader generalizations about style and content in Irish writing. As always, Skelton is an extraordinarily alert and careful reader, and some of these essays contain valuable close readings of specific poems. In addition, he has the ability to draw the significant particulars into meaningful accounts of the totality of an artist's achievement. Time after time, Skelton simply makes one see new things, even in the most familiar texts, and his essays offer valuable insights both for the scholar and for the general reader of Irish literature.
The Anglo-Irish Novel and the Big House by Vera Kreilkamp Pdf
This book is a comprehensive study of the ascendancy novel from Maria Edgeworth's Castle Rackrent (I800) through contemporary reinventions of the form. Kreilkamp argues that Irish fiction needs to be rescued from the critical assumptions underlying attacks on the historical mythologies of Yeats and the Literary Revival. Exploring the uniquely Irish dimensions of colonial and post-colonial societies, Kreilkamp charts the self-critical formulations of a gentry culture facing its extinction—more often and more successfully with comic irony than nostalgia. Kreilkamp positions the Big House novels within current debates in postcolonial criticism and theory. She argues that these fictional representations of a beleaguered society provide a complex, nuanced gaze into a hybrid colonial group that distanced itself from the self-aggrandizements of the revivalists. As she examines the gothic, revisionist, and postmodern permutations of an enduring national form, she illustrates the ways ascendancy women transformed conventions of an English domestic genre into political fiction. Her attention to Edgeworth's Irish works, the fiction of the neglected Victorian novelist Charles Lever, and the gothic forms of the Big House by Sheridan Le Fanu and Charles Maturin provide a historical context for later reformulations of the genre by Somerville and Ross, Elizabeth Bowen, Molly Keane, William Trevor, Jennifer Johnston, Aidan Higgins, and John Banville.
This is a love story, set in the Irish literary world between 1986 and 2015. When they were first introduced by the poet Derek Mahon, Alannah Hopkin was an arts journalist turned full-time writer and Aidan Higgins, twenty-three years her senior, was a literary stylist, often cited as the heir to Ireland's great Modernist tradition. They wrote steadily during their twenty-nine years together, but their careers could not have been more different: while Aidan focused on fiction and memoirs, Alannah prioritised work that paid the bills. This gave Aidan the most stable and productive years of his life. But as his eyesight failed and his memory began to fade, Alannah became his carer and had to fight to keep her own writing career alive. Drawing from diaries and notebooks, and correspondence with writers such as Samuel Beckett, Alice Munro and Harold Pinter, this is a unique record of a major Irish writer. From the joyful honeymoon years - filled with launches, festivals and visits to their Kinsale home by Richard Ford, Edna O'Brien and other literary legends - to the increasingly difficult years of Aidan's decline, Hopkin tells their story candidly and without commentary. She shows us how, in spite of all, they remained the best of friends, in love until Aidan's very last breath.
In his Nobel speech, entitled Art, Truth and Politics, Harold Pinter explained how he was fighting against the «tapestry of lies». It is indeed those daily lies, lies of love or of state, that are exposed in this book, which emphasises his political agenda. In March 2007, the University of Lyon (Jean Moulin) and the ENS LSH organised VIVA PINTER, a tribute to his work centred on a key notion for the city of Lyon, the Spirit of Resistance. Pinter combined a concise, fragmented and syllogistic style with a keen perception of the metaphors of our time. The most specific instrument of this great humanist lay in his representation of power games. In this volume, scholars, stage-directors and lawyers tell us how his work is highly meaningful for them. Golden Palm winners Volker Schlöndorff and Jerry Schatzberg, film and theatre director David Jones, and BBC radio producer Barbara Bray share with us the memory of how they worked with Pinter on his major plays and films.
The Wiley Blackwell Companion to Contemporary British and Irish Literature by Richard Bradford,Madelena Gonzalez,Stephen Butler,James Ward,Kevin De Ornellas Pdf
THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. Written in four parts, The Wiley Blackwell Companion to Contemporary British and Irish Literature includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters. Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction Features a broad range of writers and topics covered by distinguished academics Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former. The Wiley Blackwell Companion to Contemporary British and Irish Literature provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.
Author : Steven H. Gale Publisher : University Press of Kentucky Page : 538 pages File Size : 44,7 Mb Release : 2014-07-11 Category : Drama ISBN : 9780813147956
Best known as one of the most important playwrights of the twentieth century, Harold Pinter has also written many highly regarded screenplays, including Academy Award-nominated screenplays for The French Lieutenant's Woman and Betrayal, collaborations with English director Joseph Losey, and an unproduced script for the remake of Stanley Kubrick's 1962 adaptation of Lolita. In this definitive study of Pinter's screenplays, Steven H. Gale compares the scripts with their sources and the resulting films, analyzes their stages of development, and shows how Pinter creates unique works of art by extracting the essence from his source and rendering it in cinematic terms. Gale introduces each film, traces the events that led to the script's writing, examines critical reaction to the film, and provides an extensive bibliography, appendices, and an index.
The Wiley Blackwell Companion to Contemporary British and Irish Literature by Richard Bradford,Madelena Gonzalez,Stephen Butler,James Ward,Kevin De Ornellas Pdf
THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. Written in four parts, The Wiley Blackwell Companion to Contemporary British and Irish Literature includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters. Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction Features a broad range of writers and topics covered by distinguished academics Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former. The Wiley Blackwell Companion to Contemporary British and Irish Literature provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.
"Something Dreadful and Grand" by Stephen Watt Pdf
Elaborate analogies between Irish and Jewish history, between Irish and Jewish subjectivities, occur with surprising frequency throughout American literature. They recall James Joyce's Leopold Bloom and episodes of Ulysses, Douglas Hyde's analogies during the Celtic Revival between learning Hebrew and learning Irish, and a myriad of claims of an unusual relationship between these peoples that goes beyond comparisons of their respective diasporic histories. But how does one describe this uncanny relationship, one often marked by hostility, affinity, and ambivalence, without essentializing people whose origins, class affiliation, educations, life experiences, and so on are enormously different? "Something Dreadful and Grand": American Literature and the Irish-Jewish Unconscious describes a complex allosemitism and allohibernianism through a variety of cultural texts with which immigrant Irish and Jewish Americans were most engaged: popular music of the Tin Pan Alley era, tenement literature from Anzia Yezierska and James T. Farrell through the posthumous publication of Henry Roth's An American Type, and proletarian and socialist-inflected drama by Elmer Rice, Clifford Odets, Eugene O'Neill, and Arthur Miller as they engaged the Irish drama of such writers as Bernard Shaw and Sean O'Casey. In an effort to trace both the genealogy and more recent trajectory of immigrant drama and fiction, chapters explore both the post-Famine melodramatic stage of the nineteenth century and a host of more contemporary texts from newer generations of immigrants. Throughout, the book argues for a "circum-North Atlantic" culture in which texts from Ireland, Britain, Irish America, and Jewish America contribute substantially to both a modern American literature and to understandings of the terms "Irish" and "Jewish." How can we really know what these terms mean as they delimit or erase totally the differences inherent to them? Borrowing a term from psychoanalytic and political theory, "Something Dreadful and Grand" explores the larger dimensions of this Irish-Jewish unconscious underlying cultural production in America, arguing for the centrality of these two diasporic groups to the development of American popular music, fiction, and especially drama.
Perversely, but perhaps appropriately, Aidan Higgins—one of the few contemporary writers worthy of comparison with Beckett and Joyce, now celebrating his 85th year—has chosen to wait until his sight has nearly left him to assemble this collection of visual treats. A commonplace book of anecdotes and cartoons—the latter never before published, though familiar to all of Higgins's correspondents from the margins of his letters and postcards—Blind Man's Bluff is a compendium of tart and comic insights into sight itself, as well as other varied indignities: personal, historical, and literary.
I can hardly believe that it is more than half a century since I first stepped on to the stage of the Old Vic Theatre and into a way of life that has brought me the most rewarding professional relationships and friendships. I cannot imagine now ever doing anything else with my life except acting..." – Judi Dench From London's glittering West End to Broadway's bright lights, from her Academy Award-winning role as Elizabeth I in Shakespeare in Love to "M" in the James Bond films, Judi Dench has treated audiences to some of the greatest performances of our time. She made her professional acting debut in 1957 with England's Old Vic theatre company playing Ophelia in Hamlet , Katherine in Henry V (her New York debut), and then, Juliet. In 1961, she joined the Royal Shakespeare Company playing Anya in The Cherry Orchard with John Gielgud and Peggy Ashcroft. In 1968, she went beyond the classical stage to become a sensation as Sally Bowles in Cabaret, adding musical comedy to her repertoire. Over the years, Dench has given indelible performances in the classics as well as some of the greatest plays and musicals of the twentieth century including Noël Coward's Hay Fever, Stephen Sondheim's A Little Night Music, Kaufman and Hart's The Royal Family and David Hare's Amy's View (for which she won the Tony Award). Recently, she made a triumphant return to A Midsummer Night's Dream as Titania, a role she first played in 1962, now played as a theatre-besotted Queen Elizabeth I. Her film career has been filled with unforgettable performances of some unforgettable women: Queen Victoria in Mrs. Brown, the terrifying schoolteacher Barbara Covett in Notes on a Scandal and the writer Iris Murdoch in Iris. And, for the BBC, Dench created another unforgettable woman when she brought her great comic timing and deeply felt emotions to the role of Jean Pargetter in the long-running BBC series As Time Goes By. And Furthermore is, however, more than the story of a great actress's career. It is also the story of Judi Dench's life: her early days as a child in a family that was in love with the theatre; her marriage to actor Michael Williams; the joy she takes in her daughter, the actress Finty Williams, and her grandson, Sammy. Filled with Dench's impish sense of humor, diamond-sharp intelligence and photos from her personal archives, And Furthermore is the book every fan of the great Judi Dench will cherish.