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Lao She remains revered as one of China's great modern writers. His life and work have been the subject of volumes of critique, analysis and study. This book covers the four years the young aspiring writer spent in London between 1924 and 1929.
Lao She remains revered as one of China's great modern writers. His life and work have been the subject of volumes of critique analysis, and study. Here, Witchard reveals Lao She's encounter with British high modernism and literature from Dickens to Conrad to Joyce.
A deliciously funny and moving comedy-of-manners about a Chinese father and son's experiences at the height of London's Jazz Age 'He was in London - why be bothered looking at it? Wasn't it bad enough just being there?' Newly arrived from China, Mr Ma and his son Ma Wei run an antiques shop nestled by St Paul's Cathedral, where they try to make a living amid the smog and bustle of 1920s London. As they struggle with money, misunderstandings and the ways of the English - from the overbearing patronage of missionary Reverend Ely to their well-meaning landlady Mrs Weddeburn and her carefree daughter - can understanding, even love, blossom? Both a moving story of the Chinese immigrant experience and a bitingly funny satire on the English, Mr Ma and Son delicately portrays the dreams and disappointments of those seeking a new life in a distant land. Translated by William Dolby, with an introduction by Julia Lovell
This novel marks the peak of Lao She's career as a professional writer and registers a new approach to the representation of China in its absurdist situation. It can be read as an "epic" of modern China.
This play portrays the life of the owner of a Beijing teahouse and his customers through 50 years of upheaval in China. Spanning from 1898 to the late 1940s, scenes change from late Qing dynasty to the early days of the Republic, then after to post-1945 when Guomindang soldiers take over the city.
"If you want to write good short stories," Lao She once observed, "you have to give it everything you’ve got. The world will allow the existence of a very imperfect novel, but it won’t be that polite with a short story. Art, after all, is not like a pig—the fatter the better." Lao She’s stories proved to be very good indeed, moving and delighting readers for many years and establishing him as a master of classic modern fiction. Thankfully we now have access to a rich collection of his short stories in superb English translations. These stories showcase the varied facets of Lao She’s impressive talent and draw us effortlessly into his world-and we emerge the better for it. This is a writer eternally immersed in and fascinated by the kaleidoscope of humankind. The stories are characterized by humor and by intensely sympathetic explorations of human relationships. Some of them are unsettling. Many are poignant. Most of them make us laugh. All evoke the color and energy of life, for Lao She is also a connoisseur of the everyday with a keen appreciation of the concrete detail. A plate of steaming dumplings, the gleam of gold-capped front teeth, rickshaws dragging along alleys, punishing winter winds, rolls of bright silk, a pair of chopsticks—these things are the stuff of Lao She’s fiction and the essence of his metaphors, and he cherishes such little details of life more than the abstractions of politics or philosophy.
When a traveller from China crash-lands on Mars, he finds himself in a country inhabited entirely by Cat People. Befriended by a local cat-man, he becomes acquainted in all aspects of cat-life: he learns to speak Felinese, masters cat-poetry, and appreciates the narcotic effects of the reverie leaf - their food staple. But curiosity turns to despair when he ventures further into the heart of the country and the culture, and realizes that he is witnessing the bleak decline of a civilization. Cat Country, Lao She's only work of science fiction, is both a dark, dystopian tale of one man's close encounter with the feline kind and a scathing indictment of a country gone awry.
Routledge Handbook of Modern Chinese Literature by Ming Dong Gu Pdf
The Routledge Handbook of Modern Chinese Literature presents a comprehensive overview of Chinese literature from the 1910s to the present day. Featuring detailed studies of selected masterpieces, it adopts a thematic-comparative approach. By developing an innovative conceptual framework predicated on a new theory of periodization, it thus situates Chinese literature in the context of world literature, and the forces of globalization. Each section consists of a series of contributions examining the major literary genres, including fiction, poetry, essay drama and film. Offering an exciting account of the century-long process of literary modernization in China, the handbook’s themes include: Modernization of people and writing Realism, rmanticism and mdernist asthetics Chinese literature on the stage and screen Patriotism, war and revolution Feminism, liberalism and socialism Literature of reform, reflection and experimentation Literature of Taiwan, Hong Kong and new media This handbook provides an integration of biographical narrative with textual analysis, maintaining a subtle balance between comprehensive overview and in-depth examination. As such, it is an essential reference guide for all students and scholars of Chinese literature.
The classic London fogs—thick yellow “pea-soupers”—were born in the industrial age and remained a feature of cold, windless winter days until clean air legislation in the 1960s. Christine L. Corton tells the story of these epic London fogs, their dangers and beauty, and the lasting effects on our culture and imagination of these urban spectacles.
Thomas Burke's Dark Chinoiserie by Anne Veronica Witchard Pdf
Focusing on Thomas Burke's bestselling collection of short stories, Limehouse Nights (1916), this book contextualises the burgeoning cult of Chinatown in turn-of-the-century London. London's 'Chinese Quarter' owed its notoriety to the Yellow Perilism that circulated in Britain at the fin-de-siècle, a demonology of race and vice masked by outward concerns about degenerative metropolitan blight and imperial decline. Anne Witchard's interdisciplinary approach enables her to displace the boundaries that have marked Chinese studies, literary studies, critiques of Orientalism and empire, gender studies, and diasporic research, as she reassesses this critical moment in London's history. In doing so, she brings attention to Burke's hold on popular and critical audiences on both sides of the Atlantic. A much-admired and successful author in his time, Burke in his Chinatown stories destabilizes social orthodoxies in highly complex and contradictory ways. For example, his writing was formative in establishing the 'queer spell' that the very mention of Limehouse would exert on the public imagination, and circulating libraries responded to Burke's portrayal of a hybrid East End where young Cockney girls eat Chow Mein with chopsticks in the local cafés and blithely gamble their housekeeping money at Fan Tan by banning Limehouse Nights. Witchard's book forces us to rethink Burke's influence and shows that China and chinoiserie served as mirrors that reveal the cultural disquietudes of western art and culture.
London Gothic by Lawrence Phillips,Anne Witchard Pdf
London has taken a central role in urban Gothic, from key canonic texts like Strange Case of Dr Jekyll and Mr Hyde, The Picture of Dorian Gray and Dracula through modern Gothic texts to the 'tourist gothic' of rebranded gastropubs and ghost tours.As a specific category, London Gothic is becoming as important for understanding ourselves today as it has been for thinking about the cultural productions of the late-nineteenth century. This is the first book to focus on Gothic representations of London, offering a range of essays from established and new scholars reading London Gothic as it is manifested in a variety of media and through varied critical approaches.
Restored to print after its original run in 1968, a modernist tale on the Asian-American experience finds Fourth Jane struggling with her developing sense of self in spite of frequent family relocations throughout four continents and a loving but oppressive father. Reprint.
