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Laughing with Medusa by Vanda Zajko,Miriam Leonard Pdf
Laughing with Medusa explores a series of interlinking questions, including: Does history's self-positioning as the successor of myth result in the exclusion of alternative narratives of the past? How does feminism exclude itself from certain historical discourses? Why has psychoanalysis placed myth at the centre of its explorations of the modern subject? Why are the Muses feminine? Do the categories of myth and politics intersect or are they mutually exclusive? Does feminism's recourse to myth offer a script of resistance or commit it to an ineffective utopianism? Covering a wide range of subject areas including poetry, philosophy, science, history, and psychoanalysis as well as classics, this book engages with these questions from a truly interdisciplinary perspective. It includes a specially commisssioned work of fiction, `Iphigeneia's Wedding', by the poet Elizabeth Cook.
The concept of Ecriture Feminine in Helene Cixous’s "The Laugh of the Medusa" by Simon Wortmann Pdf
Essay from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 1,7, Christian-Albrechts-University of Kiel, language: English, abstract: In the year 1975 the French feminist author Helene Cixous published an essay called “The Laugh of the Medusa”. In it, she develops an entirely new theoretical concept with the aim of giving rise to feminist voice. The central ideas of Ecriture Feminine, literally “women’s writing”, are going to be presented in this paper. In the first part, a brief description of Cixous’s intellectual milieu is given in order to show the actual reason that led her to come up with a new notion of liberating women from patriarchy. In this context, an elaboration on poststructuralism, the philosophical current Cixous belonged to, follows. Closely related to that is the authors skepticism towards Sigmund Freud’s language philosophy. Specifically speaking, Freud’s statements on the penis envy theory. Primary attention is paid to the theory of phallocentrism, which can be seen as one of the main reasons for Cixous’s writings. For a better understanding of this term, the concept of logocentrism is also explained, as well. Logocentrism can be seen as a pillar of the theory of phallocentrism and therefore it deserves to be mentioned at this point. In the second part, we deal with the question of what is actually meant by “women’s writing”. Furthermore, we will analyze which role the female body and sexuality plays in this context. This excursion is highly interesting as it is crucial for the understanding of her concept. Since the female body is considered a key for women to resist masculinist thinking and, hence, the systematic repression of women. Apart from that, we try to show whether features of Ecriture Feminine are evident in the “The Laugh of the Medusa”. Moreover, a different viewpoint on Cixous’s theory is shown in the chapter “Criticism” in which arguments for and against her theory are shown. In point five “Conclusion” the main aspects of this paper are summed up. When writing this paper, the main source of information were essays on women’s writing and French feminist writing, dating from 1987 to 1986. Besides, secondary literature on literary and cultural theory as well as feminist practice and poststructuralist theory were used. Recent research on Cixous’s work, however, could not be found. The only source dealing particularly with her writings dates from 1991.
Uncovering an archive of laughter, from the forbidden giggle to the explosive guffaw. Most of our theories of laughter are not concerned with laughter. Rather, their focus is the laughable object, whether conceived of as the comic, the humorous, jokes, the grotesque, the ridiculous, or the ludicrous. In Laughter, Anca Parvulescu proposes a return to the materiality of the burst of laughter itself. She sets out to uncover an archive of laughter, inviting us to follow its rhythms and listen to its tones. Historically, laughter—especially the passionate burst of laughter—has often been a faux pas. Manuals for conduct, abetted by philosophical treatises and literary and visual texts, warned against it, offering special injunctions to ladies to avoid jollity that was too boisterous. Returning laughter to the history of the passions, Parvulescu anchors it at the point where the history of the grimacing face meets the history of noise. In the civilizing process that leads to laughter's “falling into disrepute,” as Nietzsche famously put it, we can see the formless, contorted face in laughter being slowly corrected into a calm, social smile. How did the twentieth century laugh? Parvulescu points to a gallery of twentieth-century laughers and friends of laughter, arguing that it is through Georges Bataille that the century laughed its most distinct laugh. In Bataille's wake, laughter becomes the passion at the heart of poststructuralism. Looking back at the century from this vantage point, Parvulescu revisits four of its most challenging projects: modernism, the philosophical avant-gardes, feminism, and cinema. The result is an overview of the twentieth century as seen through the laughs that burst at some of its most convoluted junctures.
Little Medusa's Hair Do-Lemma by Jennifer Buchet Pdf
Little Medusa comes from a long line of snake-loving, serpentine-wearing Gorgons. When she receives her very first snake, Little Medusa discovers that having a snake slither and slide through her hair isn't so great after all. And to make matters more difficult, she begins questioning if she really wants to scare her friends to stone with her new forever friend. Using her imagination and heart, Little Medusa tries her best to please her family, her best-pet snake, and herself. Based on Greek Mythology, Little Medusa features Common Core Connections and explores the universal themes of following family tradition and staying true to oneself.
From the author of the bestselling Prozac Nation comes one of the most entertaining feminist manifestos ever written. In five brilliant extended essays, she links the lives of women as demanding and disparate as Amy Fisher, Hillary Clinton, Margaux Hemingway, and Nicole Brown Simpson. Wurtzel gives voice to those women whose lives have been misunderstood, who have been dismissed for their beauty, their madness, their youth. Bitch is a brilliant tract on the history of manipulative female behavior. By looking at women who derive their power from their sexuality, Wurtzel offers a trenchant cultural critique of contemporary gender relations. Beginning with Delilah, the first woman to supposedly bring a great man down (latter-day Delilahs include Yoko Ono, Pam Smart, Bess Myerson), Wurtzel finds many biblical counterparts to the men and women in today's headlines. She finds in the story of Amy Fisher the tragic plight of all Lolitas, our thirst for their brief and intense flame. She connects Hemingway's tragic suicide to those of Sylvia Plath, Edie Sedgwick, and Marilyn Monroe, women whose beauty was an end, ultimately, in itself. Wurtzel, writing about the wife/mistress dichotomy, explains how some women are anointed as wife material, while others are relegated to the role of mistress. She takes to task the double standard imposed on women, the cultural insistence on goodness and society's complete obsession with badness: what's a girl to do? Let's face it, if women were any real threat to male power, "Gennifer Flowers would be sitting behind the desk of the Oval Office," writes Wurtzel, "and Bill Clinton would be a lounge singer in the Excelsior Hotel in Little Rock." Bitch tells a tale both celebratory and cautionary as Wurtzel catalogs some of the most infamous women in history, defending their outsize desires, describing their exquisite loneliness, championing their take-no-prisoners approach to life and to love. Whether writing about Courtney Love, Sally Hemings, Bathsheba, Kimba Wood, Sharon Stone, Princess Di--or waxing eloquent on the hideous success of The Rules, the evil that is The Bridges of Madison County, the twisted logic of You'll Never Make Love in This Town Again--Wurtzel is back with a bitchography that cuts to the core. In prose both blistering and brilliant, Bitch is a treatise on the nature of desperate sexual manipulation and a triumph of pussy power.
This is the first truly representative collection of texts by Helene Cixous. The substantial pieces range broadly across her entire oeuvre, and include essays, works of fiction, lectures and drama. Arranged helpfully in chronological order, the extracts span twenty years of intellectual thought and demonstrate clearly the development of one of the most creative and brilliant minds of the twentieth century. With a foreword by Jacques Derrida, a preface by Cixous herself, and first-class editorial material by Susan Sellers, The Helene Cixous Reader is destined to become a key text of feminist writing.
Medusa the Mean by Joan Holub,Suzanne Williams Pdf
Seeking to become immortal like the other Goddess Girls, Medusa searches for a magical necklace, an effort that is compromised by her mean reputation, her snaky hair, and unexpected consequences.
An updated edition of the Sunday Times Bestseller Britain's best-known classicist Mary Beard, is also a committed and vocal feminist. With wry wit, she revisits the gender agenda and shows how history has treated powerful women. Her examples range from the classical world to the modern day, from Medusa and Athena to Theresa May and Hillary Clinton. Beard explores the cultural underpinnings of misogyny, considering the public voice of women, our cultural assumptions about women's relationship with power, and how powerful women resist being packaged into a male template. A year on since the advent of #metoo, Beard looks at how the discussions have moved on during this time, and how that intersects with issues of rape and consent, and the stories men tell themselves to support their actions. In trademark Beardian style, using examples ancient and modern, Beard argues, 'it's time for change - and now!' From the author of international bestseller SPQR: A History of Ancient Rome.
A dazzling, lyrical YA retelling of Greek myth, from Jessie Burton, internationally bestselling author of The Miniaturist and The Muse. "A powerfully feminist, elegiac, and original twist on this old story." -Madeline Miller, bestselling author of The Song of Achilles If I told you that I'd killed a man with a glance, would you wait to hear the rest? The why, the how, what happened next? Exiled to a far-flung island by the whims of the gods, Medusa has little company except the snakes that adorn her head instead of hair. But when a charmed, beautiful boy called Perseus arrives on the island, her lonely existence is disrupted with the force of a supernova, unleashing desire, love, betrayal . . . and destiny itself. With stunning, full-color illustrations and a first person narrative illuminating the fierce, vulnerable, determined girl behind the myth, this astonishing retelling is perfect for readers of Circe, and brings the story of Medusa to life for a new generation.
A Handbook to the Reception of Classical Mythology by Vanda Zajko,Helena Hoyle Pdf
A Handbook to the Reception of Classical Mythology presents a collection of essays that explore a wide variety of aspects of Greek and Roman myths and their critical reception from antiquity to the present day. Reveals the importance of mythography to the survival, dissemination, and popularization of classical myth from the ancient world to the present day Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Offers a series of carefully selected in-depth readings, including both popular and less well-known examples
Introduction to Greek Mythology for Kids by Richard Marcus,Natalie Buczynsky,Jonathan Shelnutt Pdf
Discover the exciting and fascinating world of Greek and Roman gods, goddesses, monsters, and heroes, from Zeus and Athena to Hercules, Medusa, and more! Take a journey through Mount Olympus, Ancient Greece, and Ancient Rome with this collection of the greatest tales found in Greek and Roman mythology. From origin stories to family drama, you’ll learn about the most powerful Olympic gods including Zeus, Hera, Poseidon, Athena, Apollo, Artemis, Aphrodite, Hades, and more. But this book has more than just gods and goddesses! You’ll also discover the dangerous and intriguing world of ancient monsters, fantastical creatures, and mortal heroes that populate some of the most awesome stories from the time, including: Atlas, who carries the weight of the world on his shoulders Kronos, a Titan who swallows his newborn children Persephone, a kidnapped goddess who becomes queen of the Underworld Minotaur, a half-bull, half-man imprisoned in a labyrinth Hydra, a poisonous serpent who grows two heads when one is severed Sirens, sea nymphs whose irresistible singing lures sailors to their doom All of these tales and more are written in a fun, kid-friendly manner, perfect for children interested in history or for fans of the Percy Jackson series.
