Laylī And Majnūn Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Laylī And Majnūn book. This book definitely worth reading, it is an incredibly well-written.
This book is the first comprehensive analysis of Nezāmī's romance Laylī and Majnūn (1188). It examines key themes such as chastity, constancy and suffering through an analysis of the main characters. Majnūn's asceticism, kingship, love-madness, poetic genius, ill-fate, and love-death are treated in separate chapters. The patriarchal society in which Laylī lives, her anxieties and dilemmas, incarceration, secret love, imposed marriage and finally her death are discussed in detail. One chapter is devoted entirely to the different ways parents raise their children and the consequences. Finally, the book gives an analysis of Nezāmī's style, the narrative structure of the romance and the symbolism of time and setting.
Esoteric Images: Decoding the Late Herat School of Painting by Tawfiq Daʿadli Pdf
The way painters encoded their messages in the Late Herat School of Painting and the different layers of meaning in those paintings form the core of Esoteric Images by Tawfiq Daʿadli.
Mad/Bad/Sad: Philosophical, Political, Poetic and Artistic Reflections on the History of Madness by Gonzalo Araoz Pdf
This volume collects a series of writings exploring the notion, the experience and the representation of madness from different disciplinary perspectives and in different cultural contexts.
Jāmī in Regional Contexts by Thibaut d'Hubert,Alexandre Papas Pdf
Jāmī in Regional Contexts: The Reception of ʿAbd Al-Raḥmān Jāmī’s Works in the Islamicate World is the first attempt to present in a comprehensive manner how ʿAbd al-Raḥmān Jāmī (d. 898/1492), a most influential figure in the Persian-speaking world, reshaped the canons of Islamic mysticism, literature and poetry and how, in turn, this new canon prompted the formation of regional traditions. As a result, a renewed geography of intellectual practices emerges as well as questions surrounding authorship and authority in the making of vernacular cultures. Specialists of Persian, Arabic, Chinese, Georgian, Malay, Pashto, Sanskrit, Urdu, Turkish, and Bengali thus provide a unique connected account of the conception and reception of Jāmī’s works throughout the Eurasian continent and maritime Southeast Asia.
Martyrdom, Mysticism and Dissent by Asghar Seyed-Gohrab Pdf
This book is the first extensive research on the role of poetry during the Iranian Revolution (1979) and the Iran-Iraq War (1980-1988). How can poetry, especially peaceful medieval Sufi poems, be applied to exalt violence, to present death as martyrdom, and to process war traumas? Examining poetry by both Islamic revolutionary and established dissident poets, it demonstrates how poetry spurs people to action, even leading them to sacrifice their lives. The book's originality lies in fresh analyses of how themes such as martyrdom and violence, and mystical themes such as love and wine, are integrated in a vehemently political context, while showing how Shiite ritual such as the pilgrimage to Mecca clash with Saudi Wahhabi appreciations. A distinguishing quality of the book is its examination of how martyrdom was instilled in the minds of Iranians through poetry, employing Sufi themes, motifs and doctrines to justify death. Such inculcation proved effective in mobilising people to the front, ready to sacrifice their lives. As such, the book is a must for readers interested in Iranian culture and history, in Sufi poetry, in martyrdom and war poetry. Those involved with Middle Eastern Studies, Iranian Studies, Literary Studies, Political Philosophy and Religious Studies will benefit from this book. "From his own memories and expert research, the author gives us a ravishing account of 'a poetry stained with blood, violence and death'. His brilliantly layered analysis of modern Persian poetry shows how it integrates political and religious ideology and motivational propaganda with age-old mystical themes for the most traumatic of times for Iran." (Alan Williams, Research Professor of Iranian Studies, University of Manchester) "When Asghar Seyed Gohrab, a highly prolific academician, publishes a new book, you can be certain he has paid attention to an exciting and largely unexplored subject. Martyrdom, Mysticism and Dissent: The Poetry of the 1979 Iranian Revolution and the Iran-Iraq War (1980-1988) is no exception in the sense that he combines a few different cultural, religious, mystic, and political aspects of Iranian life to present a vivid picture and thorough analysis of the development and effect of what became known as the revolutionary poetry of the late 1970s and early 1980s. This time, he has even enriched his narrative by inserting his voice into his analysis. It is a thoughtful book and a fantastic read." (Professor Kamran Talattof, University of Arizona)
Metaphor and Imagery in Persian Poetry by Ali Asghar Seyed-Gohrab Pdf
This volume contains ten chapters on Persian metaphors, tropes, rhetorical figures, and poetic forms and genres, by some of the world's foremost scholars in the field of classical Persian poetry.
Arabic Belles Lettres by Joseph E. Lowry,Shawkat M. Toorawa Pdf
Arabic Belles Lettres brings together ten studies that shed light on important questions in the study of Arabic language, literature, literary history, and writerly culture. The volume is divided into three sections. Early Narratives comprises: Joseph Lowry on the Qurʾan's allusive legal language; Abed el-Rahman Tayyara on matrilineal lineages in the context of Badr and Uhụd; Ruqayya Khan on the ramifications of public courtship in ʾUdhrī romances; and Philip Kennedy on firāsah (reading for signs and traces) in medieval narrative. Medieval Authors comprises: Shawkat Toorawa on ʿUbaydallāh ibn Aḥmad ibn Abī Ṭāhir's History of Baghdād; Maurice Pomerantz and Bilal Orfali on Ibn Fāris and the origins of the maqāmah genre; Everett Rowson on al-Tawḥīdī and his predecessors (a reprint of his 1996 ZDMG article); and Ghayde Ghraowi on al-Khafājī and his Rayḥānat al-alibbāʾ. Modern Egypt comprises: Roger Allen on a cultural controversy in the Cairo newspapers of 1902; and Devin Stewart on preposterous boasting and ingenuity in on modern Egyptian Arabic.
The Routledge Companion to World Literature and World History by May Hawas Pdf
The Routledge Companion to World Literature and World History is a comprehensive and engaging volume, combining essays from historians and literary academics to create a space for productive cross-cultural encounters between the two fields. In addition to the 27 essays, the Companion includes general introductions from two of the leading scholars of history and literature, David Damrosch and Patrick Manning, as well as personal testimonies from artists working in the area, and editorials asking provocative questions. The volume includes sections on: People – with essays looking at World Literature, Intellectual Commerce, Religion, language and war, and Indigenous ethnography Networks and methods – examining maps, geography, morality and the crises of world literature Transformations – including essays on race, colonialism, and the non-human Interdisciplinary and groundbreaking, this volume brings to light various ways in which scholars of literature and history analyse, assimilate or reveal the intellectual heritage of the past, at the same moment as they try consciously to deal with an unending amount of new information and an awareness of global connections and discrepancies. Including work from leading academics in the field, as well as newer voices, the Companion is ideal for students and scholars alike.
Medieval Persian Court Poetry by Julie Scott Meisami Pdf
Dr. Meisami discloses previously neglected stylistic qualities and ethical purposes in medieval Persian court poetry, and shows that court poets were also moral instructors who examined and celebrated the values they shared with their audiences. The book also takes into account the close relationship between Persian and Arabic court poetry. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Studying Transcultural Literary History by Gunilla Lindberg-Wada Pdf
In our globalised world, literature is less and less confined to national spaces. Europe-centred frameworks for literary studies have become insufficient; academics are increasingly called upon to address matters of cultural difference. In this unique volume, leading scholars discuss the critical and methodical challenges that these developments pose to the writing of literary history. What is the object of literary history? What is the meaning of the term “world literature”? How do we compare different cultural systems of genres? How do we account theoretically for literary transculturation? What are the implications of postcolonial studies for the discipline of comparative literature? Ranging in focus from the Persian epic of Majnun Layla and Zulu praise poetry to South Korean novels and Brazilian antropofagismo, the essays offer a concise overview of these and related questions. Their aim is not to reach a consensus on these matters. They show instead what is at stake in the emergent field of global comparatism.
What is Islam? How do we grasp a human and historical phenomenon characterized by such variety and contradiction? What is "Islamic" about Islamic philosophy or Islamic art? Should we speak of Islam or of islams? Should we distinguish the Islamic (the religious) from the Islamicate (the cultural)? Or should we abandon "Islamic" altogether as an analytical term? In What Is Islam?, Shahab Ahmed presents a bold new conceptualization of Islam that challenges dominant understandings grounded in the categories of "religion" and "culture" or those that privilege law and scripture. He argues that these modes of thinking obstruct us from understanding Islam, distorting it, diminishing it, and rendering it incoherent. What Is Islam? formulates a new conceptual language for analyzing Islam. It presents a new paradigm of how Muslims have historically understood divine revelation—one that enables us to understand how and why Muslims through history have embraced values such as exploration, ambiguity, aestheticization, polyvalence, and relativism, as well as practices such as figural art, music, and even wine drinking as Islamic. It also puts forward a new understanding of the historical constitution of Islamic law and its relationship to philosophical ethics and political theory. A book that is certain to provoke debate and significantly alter our understanding of Islam, What Is Islam? reveals how Muslims have historically conceived of and lived with Islam as norms and truths that are at once contradictory yet coherent.
The encounter between Muslim and Hindu remains one of the defining issues of South Asian society today. It began as early as the 8th century, and the first Muslim kingdom in India, the Sultanate of Delhi, was established at the end of the 12th century. This power eventually reduced to vassalage almost every independent kingdom on the subcontinent. In Love's Subtle Magic, a remarkable and highly original book, Aditya Behl uses a little-understood genre of Sufi literature to paint an entirely new picture of the evolution of Indian culture during the earliest period of Muslim domination. These curious romantic tales transmit a profound religious message through the medium of adventurous stories of love. Although composed in the Muslim courts, they are written in a vernacular Indian language and involve Hindu yogis, Hindu princes and princesses, and Hindu gods. Until now, they have defied analysis. Behl shows that the Sufi authors of these charming tales sought to convey an Islamic vision via an Indian idiom. They thus constitute the earliest attempt at the indigenization of Islamic literature in an Indian setting. More important, however, Behl's analysis brilliantly illuminates the cosmopolitan and composite culture of the Sultanate India in which they were composed. This in turn compels us completely to rethink the standard of the opposition between Indian Hindu and foreign Muslim and recognize that the Indo-Islamic culture of this era was already significantly Indian in many important ways.
Persian Narrative Poetry in the Classical Era, 800-1500: Romantic and Didactic Genres by Mohsen Ashtiany Pdf
The third volume in this ground-breaking series, Persian Narrative Poetry in the Classical Era, 800-1500: Romantic and Didactic Genres, introduces masterpieces of Persian literature from these seven centuries to an international audience. In the process, it underlines the remarkable tenacity of their malleable tradition: the perennial dialogue and the interconnectedness which binds together a vast and varied literature composed of many threads, romantic and didactic, in many lands, from Anatolia and Iran to India and Central Asia. In its companion volume, Persian Lyric in the Classical Era, 800-1500, the readers of the series will have already met in passing all the mythical and historical figures who appear with far more aplomb on the stage here, with their lives narrated in detail by poets of different caliber from different perspectives. The first two chapters of this volume recount the literary history of the entire period, focusing on didactic and romantic narratives. The central chapters take a closer look at the towering figure of the poet Nezâmi Ganjavi. The final chapter takes the reader to a wider landscape tracing the footsteps of Alexander across the globe, offering insights to the cultural preoccupations refracted in so many versions past and present.