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Author : Maurizio Buora
Publisher : L'ERMA di BRETSCHNEIDER
Page : 164 pages
File Size : 43,5 Mb
Release : 2006
Category : Art
ISBN : 8882654109
At head of title: Comune di Udine. Assessorato alla cultura. Civici musei di storia ed arte, Gabinetto numismatico.
Author : Maurizio Buora,Civici Musei di Udine
Publisher : Unknown
Page : 155 pages
File Size : 40,8 Mb
Release : 2006
Category : Electronic
ISBN : OCLC:739665603
Author : Stefan Krmnicek,Hadrien Rambach
Publisher : Taylor & Francis
Page : 238 pages
File Size : 42,5 Mb
Release : 2023-03-10
Category : History
ISBN : 9781000843668
This second part of the 2 volume collection comprises a collection of essays in English by leading scholars on 19th century institutions and individuals presenting the latest developments in international scholarship on the numismatic world in the long 19th century. In the 19th century, developments in the study and collection of coins set the cornerstone for modern numismatics. This volume comprises a collection of essays in English by international leading scholars that highlight significant figures of 19th century research and the state of the numismatic trade in their time. Centering around collectors and scholars of ancient, medieval, modern, as well as on non-Western coinage and medals against the backdrop of the political, cultural, economic, and social changes of the era, this book presents the latest scholarship on numismatics’ contribution to the cultural history of the 19th century. This volume is essential for students and scholars alike interested in 19th century history and the history of coins.
Author : Elna Matamoros
Publisher : Alexander Verlag Berlin
Page : 479 pages
File Size : 42,7 Mb
Release : 2021-07-01
Category : Art
ISBN : 9783895815577
The subTexte series of the IPF-Institute for the Performing Arts and Film, is dedicated to presenting original research within two fields of inquiry: Performative Practice and Film. The series offers a platform for the publication of texts, images, or digital media emerging from research on, for, or through the performative arts or film. The series contributes to promoting practice-based art research beyond the ephemeral event and the isolated monograph, to reporting intermediate research findings, and to opening up comparative perspectives. www.zhdk.ch/forschung/ipf
Author : Susanne Anderson-Riedel
Publisher : Cambridge Scholars Publishing
Page : 275 pages
File Size : 54,5 Mb
Release : 2010-02-19
Category : Art
ISBN : 9781443820202
The study investigates the engravers’ rise within the French academic system and demonstrates their success in transforming a reproductive medium into a creative and original art genre. In the nineteenth century, graphic artists developed an artistic language that was independent and on par with the original model that they reproduced. The Académie royale de peinture et de sculpture welcomed graphic artists into its ranks in 1655. As talented reproductive artists were able to disseminate works of art produced at the Academy, engravers rose to occupy administrative positions at the compagnie in the eighteenth century. Their success notwithstanding, graphic artists remained unable to overcome the perception of being reproductive artisans rather than creative and original fine artists. The proof of their predicament was the continuous refusal of advanced artistic training for graphic artists within the French academic system. The Section de Gravure at the Institut de France, established in 1803, was the first academic institution that distinguished between imitative and creative artistic execution in the reproductive graphic arts. Through patronage, the supervision of competitions, and the administration of the Prix de Rome program for graphic artists, the Engraving Department established specific guidelines for artistic reproduction and encouraged the formulation of an independent, artistic language in the reproductive arts. Finally, it defined the characteristics of fine engraving as a creative art medium. The Prix de Rome for engraving was crucial in consolidating the new understanding of engraving as an original art form. The engravers’ participation in the Grand Prix competition transformed their artisanal training practice in the master’s workshop into an artistic and academic education of graphic artists in the engraving ateliers. Furthermore, their sojourn at the French Academy in Rome encouraged the collegial collaboration between painters, sculptors, and engravers, leading engravers to develop a free and graphic interpretation of their model. The reproductive engraver was now able to rival painters and sculptors and, consequently, he emerged as a creative and original artist.
Author : Anonim
Publisher : K.G. Saur Verlag
Page : 910 pages
File Size : 50,8 Mb
Release : 2010-06-15
Category : Reference
ISBN : 3598694539
Reviews are an important aspect of scholarly discussion because they help filter out which works are relevant in the yearly flood of publications and are thus influential in determining how a work is received. The IBR, published again since 1971 as an interdisciplinary, international bibliography of reviews, it is a unique source of bibliographical information. The database contains entries on over 1.2 million book reviews of literature dealing primarily with the humanities and social sciences published in 6,820, mainly European scholarly journals. Reviews of more than 560,000 scholarly works are listed. The database increases every year by 60,000 entries. Every entry contains the following information: On the work reviewed: author, title On the review: reviewer, periodical (year, edition, page, ISSN), language, subject area (in German, English, Italian) Publisher, address of journal
Author : Anonim
Publisher : Unknown
Page : 638 pages
File Size : 49,7 Mb
Release : 1978
Category : Archaeology
ISBN : UOM:39015051784448
Author : Martin Henig,Dimitris Plantzos
Publisher : British Archaeological Reports Oxford Limited
Page : 248 pages
File Size : 52,9 Mb
Release : 1999
Category : Art
ISBN : UVA:X006094341
The desire for things which are inspired by, imitate, or indeed are Greek, or Greco-Roman has been felt throughout history. The twenty contributions in this volume explore the presence and diffusion of what they term 'The Classical Taste' from the 5th century BC to the 20th century focusing on the methods and media through which this occurs.
Author : Anonim
Publisher : Unknown
Page : 364 pages
File Size : 47,8 Mb
Release : 2002
Category : Venice (Italy)
ISBN : STANFORD:36105123840972
Author : Maurizio Buora,Arnaldo Marcone
Publisher : Unknown
Page : 468 pages
File Size : 42,6 Mb
Release : 2007
Category : Design
ISBN : UOM:39015081402672
Author : John Boardman
Publisher : Oxford University Press, USA
Page : 392 pages
File Size : 47,9 Mb
Release : 2009-10-29
Category : Art
ISBN : STANFORD:36105215282497
A publication, richly illustrated in colour, of an important and hitherto virtually unknown collection of engraved gems and their mounts, from ancient Greek and Roman, through Renaissance, to neo-classical in style and date, with studies of their subjects and collecting.
Author : Giuliana M. Facchini
Publisher : ET Edizioni
Page : 152 pages
File Size : 49,7 Mb
Release : 2009
Category : Antiques & Collectibles
ISBN : 8886752369
Author : Cristina Piacenti Aschengreen,John Boardman
Publisher : Royal Collection Trust
Page : 310 pages
File Size : 53,5 Mb
Release : 2008
Category : Antiques & Collectibles
ISBN : UCSD:31822037253499
"This catalogue is the first comprehensive study of the 328 objects that make up this little-known area of the Royal Collection. The ancient gems and intaglios have been catalogued by John Boardman, and although they are few in number, they include the magnificent Claudius cameo that was once in the collection of Charles I. The later, post-Renaissance pieces have been studied by Kirsten Aschengreen Piacenti, and these include the great Tudor portrait cameos, a superb series of Italian sixteenth-century portrait cameos of North Italian 'Beauties', the group of exquisite eighteenth-century Italian carnelians bought by George III from Consul Smith in 1762 and a fine selection of Garter badges, several bearing the signature of the gem-engravers Marchant and Burch." "Close examination by gemmologists has produced an accurate technical analysis of all the stones and settings, and newly commissioned photographs bring out the distinctive features of each piece. Casts are illustrated wherever possible, and close-tip images of signatures, inscriptions and hallmarks support the detailed descriptions in the text. Research into the collection has resulted in new information concerning the mounts of many of the gems, and this is summarised in an illustrated appendix. Also published in full, and for the first time, is the collection of intaglios once owned by Henry, Prince of Wales, which was recorded in a series of wax impressions made by Elias Ashmole at the request of Charles II in June 1660."--BOOK JACKET.
Author : Vereeniging Antieke Beschaving (Netherlands)
Publisher : Unknown
Page : 314 pages
File Size : 44,5 Mb
Release : 1999
Category : Art, Greek
ISBN : STANFORD:36105021412015
