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Castle Key accueille le tournage d'un film, mais Savannah Shaw, l'actrice principale disparaît. Le fantôme du château l'aurait-il enlevée ? Emily fait appel à ses amis Scott et jack pour l'aider à résoudre l'énigme et à sauver Savannah. L'île de Castle Key cache bien des mystères ! Partez à l'aventure avec ces nouveaux détectives en herbe !
En vacances sur l'île de Castel Key, Jack et Scott rencontrent Emily et son chien Drift. Ils se découvrent une passion commune : résoudre énigmes et mystères avec brio et malice ! Partez à l'aventure avec ce quatuor de détectives en herbe !
Mystères à Minuit : La ville la plus hantée du monde - Collection OZ by Camille Brissot Pdf
Bienvenue à Minuit, 3 500 habitants, 736 fantômes !!! Mais pour les voir, il ne suffit pas d'y croire... Minuit est la ville la plus hantée du monde. Mais seul Victor, 12 ans, voit les fantômes pour de vrai ! Lui et son ami fantôme Balti (12 ans aussi, mais depuis plusieurs siècles) proposent leurs services de chasseurs de mystères... Pour les trouver, rendez-vous dans la cour du collège, sur le banc près de l'Arbre à foudre. Si vous l'osez !
Textual & Visual Selves by Natalie Edwards,Amy L. Hubbell,Ann Miller Pdf
Autobiography in France has taken a decidedly visual turn in recent years: photographs, shown or withheld, become evidence of what was, might have been, or cannot be said; photographers, filmmakers, and cartoonists undertake projects that explore issues of identity. Textual and Visual Selves investigates, from a variety of theoretical perspectives, the ways in which the textual and the visual combine in certain French works to reconfigure ideasãand imagesãof self-representation. Surprisingly, what these accounts reveal is that photography or film does not necessarily serve to shore up the referentiality of the autobiographical account: on the contrary, the inclusion of visual material can even increase indeterminacy and ambiguity. Far from offering documentary evidence of an extratextual self coincident with the –I” of the text, these images testify only to absence, loss, evasiveness, and the desire to avoid objectification. However, where Roland Barthes famously saw the photograph as a prefiguration of death, in this volume we see how the textual strategies deployed by these writers and artists result in work that is ultimately life-affirming.
French Science Fiction, Fantasy, Horror and Pulp Fiction by Jean-Marc Lofficier,Randy Lofficier Pdf
Connoisseurs of fantasy, science fiction, and horror have long recognized the important contributions of thousands of French authors, filmmakers, and artists. The volume is divided into two parts. Part I gives historical overviews, complete lists, descriptions, and summaries for works in film, television, radio, animation, comic books, and graphic novels. This section also includes interviews with animation director Rene Laloux and comic book artist Moebius, as well as comments from filmmaker Luc Besson. Biographies are provided for over 200 important contributors to television and graphic arts. Part II covers the major authors and literary trends of French science fiction, fantasy, and horror from the Middle Ages to the present day. (French-Canadians and Belgians are also examined.) There is a biographical dictionary of over 3,000 authors, a section on major French awards, and a complete bibliography. Many illustrations (!) illuminate this thorough presentation.
The Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Works of modern literature are commonly theorized as symptomatic responses to the trauma of history. In a climate that tends to privilege crisis over critique, Debarati Sanyal argues that it is urgent to rethink literary experience in terms that recall its contestatory potential. Examining Baudelaire's poems afresh, she shifts the focus of critical attention toward an account of modernism as an active engagement with violence, specifically the violence of history in nineteenth-century France. Sanyal analyzes a literary current that uses the traditional hallmarks of modernism—irony, intertextuality, self-reflexivity, and formalism—to challenge the historical violence of modernity. Baudelaire and the committed ironists writing in his wake teach us how to read and resist the violence of history, and thereby to challenge the melancholy tenor of our contemporary "wound culture." In a series of provocative readings, Sanyal presents Baudelaire's poetry as an aesthetic form that contests historical violence through rhetorical strategies of complicity, counterviolence, and critique. The book develops a new account of Baudelaire's significance as a modernist by dislodging him both from his traditional status as a practitioner of "art for art's sake" and from his more recent incarnation as the poet of trauma. Following her extended analysis of Baudelaire's poetry, Sanyal in later chapters considers a number of authors influenced by his strategies—including Rachilde, Virginie Despentes, Albert Camus, and Jean-Paul Sartre—to examine the relevance of their interventions for our current climate of trauma and terror. The result is a study that underscores how Baudelaire's legacy continues to energize literary engagements with the violence of modernity.
Nocturnal Fabulations by Érik Bordeleau,Adam Szymanski Ronald Rose-Antoinette Pdf
This collective project by Erik Bordeleau, Toni Pape, Ronald Rose-Antoinette and Adam Szymanski is not simply 'about' Apichatpong Weerasethakul, though it does engage his work in detail. It is a book that deeply questions what else might be at stake in setting up the conditions for collaboration across two genres - cinema and writing.
An alphabetical reference on the major film figures (stars, producers, directors, writers, et al.), past and present. Each entry provides a substantial career biography and a complete listing of all films the individual has been involved with. Annotation copyrighted by Book News, Inc., Portland, OR
