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Author : Dominique Nasta,Didier Huvelle
Publisher : Peter Lang
Page : 278 pages
File Size : 45,7 Mb
Release : 2004
Category : Art
ISBN : 9052012083
Selected papers from the Archimedia conference held Oct. 2000, Brussels.
Author : Anonim
Publisher : BRILL
Page : 338 pages
File Size : 49,7 Mb
Release : 2021-11-08
Category : History
ISBN : 9789004489738
The volume is dedicated to the memory of the late Calvin S. Brown of the University of Georgia, author of the first systematically conceived survey - Music and Literature: A Comparison of the Arts (1948) - of the branch of interart studies now generally known as Melopoetics. Part One consists of six original contributions by experts from Austria, Belgium, France, and the United States. Authored by a novelist and a composer/scholar, respectively, the first two essays - Jean Libis's “Inspiration musicale et composition littéraire: Réflexions sur un roman schubertien” and David M. Hertz's “The Composer's Musico-Literary Experience: Reflections on Song Writing” - focus, not surprisingly, on the creative process. The third piece - Francis' Claudon's review of the pertinent research done between 1970 and 1990 - complements the honoree's analogous report on the preceding decades, reprinted in the present volume, whereas the fourth - Jean-Louis Cupers' “Métaphores de l'écho et de l'ombre: Regards sur l'évolution des études musico-littéraires” - surveys the plethora of metaphorical applications, in music and literature, of two significant natural phenomena, the one acoustic and the other optical. Linked to each other, the two remaining papers - Ulrich Weisstein's ”The Miracle of Interconnectedness: Calvin S. Brown, a Critical Biography” and Walter Bernhart's “A Profile in Retrospect: Calvin S. Brown as a Musico-Literary Scholar” - offer critical accounts of the honoree's theoretical and methodological stance as viewed, in the first case, from a biographical angle and, in the second, in the light of subsequent scholarly practice. Part Two bundles eleven of Professor Brown's previously uncollected articles, covering a period of nearly half a century of significant scholarly activity in the field. The selection demonstrates Brown's poignant interest in transpositions d'art exemplifying the “musicalization” of literature in the formal and structural, rather than thematic, domain as culminating in his trenchant critique of “music in poetry” as understood, somewhat naïvely, by Mallarmé and his critics, and, to a slightly lesser extent, by his translation of Josef Weinhebers' variations on Friedrich Hölderlin's ode “An die Parzen”. Just as Professor Brown's successive anatomies of melopoetic theory and practice illustrate his steadily growing sophistication and the maturing of his mind, so his Bloomington lecture “The Writing and Reading of Language and Music: Thoughts on Some Parallels Between two Artistic Media” reflects his unique ability to assemble, and organize, vast materials and comprehensive data in such a way as to reveal the underlying pattern.
Author : Nataša Durovicová,Kathleen E. Newman
Publisher : Routledge
Page : 385 pages
File Size : 49,6 Mb
Release : 2009-09-10
Category : History
ISBN : 9781135869984
SCMS Award Winner "Best Edited Collection" The standard analytical category of "national cinema" has increasingly been called into question by the category of the "transnational." This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images.
Author : Stéphane Benoist
Publisher : BRILL
Page : 211 pages
File Size : 51,9 Mb
Release : 2012-05-25
Category : History
ISBN : 9789004231238
Fergus Millar’s works have renewed our approach of the Roman world. He had studied the functioning of the Roman Empire in the perspective of the Emperor’s activities, from Augustus to Constantine; as well as the Republic during the last two centuries BC in order to revalue the people within the institutions; and finally the Near East from Augustus to Constantine, and then to the Muslim conquest. He uses to be engaged with the whole evidence (literary, epigraphic, papyrological, juridical and archaeological) that he examines closely with revived view-points. Distinguished and younger scholars have dealt, during a seminar, with the main aspects of Millar’s research, its reception and the reactions it has raised, and proposed surveys about current inquiries, as well as perspectives for future studies.
Author : Marianne Kac-Vergne,Julie Assouly
Publisher : Bloomsbury Publishing
Page : 313 pages
File Size : 52,7 Mb
Release : 2022-07-14
Category : Social Science
ISBN : 9781350120181
This book explores the various issues raised by women's fraught integration into the mainstream in film and television, whether it be off screen as filmmakers and film critics or on screen in film and TV series. Marianne Kac-Vergne and Julie Assouly consider the varied representations of women in films such as Jackie Brown (1997), Marie Antoinette (2006), It's a Free World... (2007) and Wonder Woman (2017). They particularly look into the overlooked gendered aspects of voice-overs and the adverse tropes used to represent maternity in television series as well as the complex motif of the vagina dentata in contemporary film and television. The chapters analyze independent, art-house, Hollywood and TV productions often in transnational contexts, shedding light on how definitions of femininity are culturally specific yet cross national, class and racial lines. The contributors include renowned scholars such as Yvonne Tasker, Celestino Deleyto, David Roche and Nicole Cloarec, as well as emerging yet well-published film scholars.
Author : Carlo Cenciarelli
Publisher : Oxford University Press
Page : 789 pages
File Size : 54,7 Mb
Release : 2021
Category : Music
ISBN : 9780190853617
The Oxford Handbook of Cinematic Listening explores the intersection between the history of listening and the history of the moving image. Featuring established and emergent scholars from musicology, film studies, and literary studies, ethnomusicology and sound studies, popular music,sociology, media and communications, and psychology, this Handbook offers a wide range of case studies and methodological perspectives on the archaeologies, aesthetics, and extensions of cinematic listening.Chapters are structured around six themes: Part I ("Genealogies and Beginnings") considers film sound in light of pre-existing genres such as opera and shadow theatre, and explores changes in listening taking place at critical junctures in the early history of cinema. Part II ("Locations andRelocations") focuses on specific venues and presentational practices (from roadshow movies to and contemporary live-score screenings). Part III ("Representations and Re-presentations") zooms into the formal properties of specific films, analysing representations of listening on screen as well as onthe role of sound as a representational surplus. Part IV ("The Listening Body") focuses on cinematic sound as a powerful and sensual stimulus that has the power to engage the full body sensorium. Part V ("Listening again") discusses a range of ways in which film sound is encountered andreinterpreted outside the cinema, through ancillary materials like songs and soundtrack albums, in experimental conditions, and in pedagogical contexts. Part VI ("Between Media") compares the listening protocols of cinema with those of TV series and music video, promenade theatre and personalstereos, video games and Virtual Reality.
Author : Giorgio Biancorosso
Publisher : Oxford University Press
Page : 265 pages
File Size : 48,5 Mb
Release : 2016
Category : Art
ISBN : 9780195374711
'Situated Listening' urges us to abandon the image of the music listener modeled after the reverential concert goer or gallery dweller. The work redefines music listening with reference to cinematic representations of listeners
Author : Claus Tieber,Anna Katharina Windisch
Publisher : Springer
Page : 371 pages
File Size : 46,6 Mb
Release : 2014-09-30
Category : Music
ISBN : 9781137410726
The Sounds of Silent Films is a unique collection of investigatory and theoretical essays that, for the first time, unite up-to-date research on the complex historical performance practices of silent film accompaniment with in-depth analyses of relevant case studies.
Author : Charles O’Brien
Publisher : Indiana University Press
Page : 218 pages
File Size : 41,5 Mb
Release : 2019-02-08
Category : Performing Arts
ISBN : 9780253040411
An exploration of how the introduction of recorded music affected the production, viewing experience, and global export of movies. In Movies, Songs, and Electric Sound, Charles O’Brien examines American and European musical films created circa 1930, when the world’s sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films’ musical sequences. Rather than advancing a film’s plot, songs in these films were staged, filmed, and cut to facilitate the singer’s engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O’Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present. “Movies, Songs, and Electric Sound is an insightful study in the beginning of cinema’s sound era.” —popcultureshelf.com
Author : Gérard Deledalle,Michel Balat,Janice Deledalle-Rhodes
Publisher : Walter de Gruyter GmbH & Co KG
Page : 1794 pages
File Size : 48,7 Mb
Release : 2019-05-20
Category : Language Arts & Disciplines
ISBN : 9783110854572
No detailed description available for "Signs of Humanity / L'homme et ses signes".
Author : Craig Van Gelder,Dwight J Zscheile,Alan J. Roxburgh
Publisher : Baker Academic
Page : 208 pages
File Size : 49,7 Mb
Release : 2011-05
Category : Religion
ISBN : 9780801039133
Two ministry experts map the variety of missional church visions over the past decade, opening up new horizons for extending the conversation biblically and theologically.
Author : Robert C. Reimer,Carol J. Reimer
Publisher : Rowman & Littlefield
Page : 524 pages
File Size : 53,9 Mb
Release : 2010
Category : Motion pictures
ISBN : 9780810876118
German film is diverse and multi-faceted; its history includes five distinct German governments (Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany, and the German Democratic Republic), two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as the natural inclination of artists to rebel and create new styles, allow for the construction of a narrative of German film. While the disjuncture generates distinct points of separation, it also highlights continuities between the ruptures. Outlining the richness of German film, The A to Z of German Cinema covers mainstream, alternative, and experimental film from 1895 to the present through a chronology, introductory essay, appendix of the 100 most significant German films, a bibliography, and hundreds of cross-referenced dictionary entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. The book's broad canvas will lead students and scholars of cinema to appreciate the complex nature of German film.
Author : Richard Dyer
Publisher : Bloomsbury Publishing
Page : 261 pages
File Size : 54,6 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838717360
Nino Rota is one of the most important composers in the history of cinema. Both popular and prolific, he wrote some of the most cherished and memorable of all film music – for The Godfather Parts I and II, The Leopard, the Zeffirelli Shakespeares, nearly all of Fellini and for more than 140 popular Italian movies. Yet his music does not quite work in the way that we have come to assume music in film works: it does not seek to draw us in and identify, nor to overwhelm and excite us. In itself, in its pretty but reticent melodies, its at once comic and touching rhythms, and in its relation to what's on screen, Rota's music is close and affectionate towards characters and events but still restrained, not detached but ironically attached. In this major new study of Rota's film career, Richard Dyer gives a detailed account of Rota's aesthetic, suggesting it offers a new approach to how we understand both film music and feeling and film more broadly. He also provides a first full account in English of Rota's life and work, linking it to notions of plagiarism and pastiche, genre and convention, irony and narrative. Rota's practice is related to some of the major ways music is used in film, including the motif, musical reference, underscoring and the difference between diegetic and non-diegetic music, revealing how Rota both conforms to and undermines standard conceptions. In addition, Dyer considers the issue of gay cultural production, Rota's favourte genre, comedy, and his productive collaboration with the director Federico Fellini.
Author : Alastair Phillips,Ginette Vincendeau
Publisher : Bloomsbury Publishing
Page : 350 pages
File Size : 42,9 Mb
Release : 2019-07-25
Category : Juvenile Nonfiction
ISBN : 9781838716578
A comprehensive guide to European actors in American film, this book brings together 15 chapters with A-Z entries on over 900 individuals. It includes case studies of prominent individuals and phenomena associated with the emigres, such as the stereotyping of European actresses in 'bad women' roles, and the irony of Jewish actors playing Nazis.
Author : Julie K. Allen
Publisher : University of Washington Press
Page : 296 pages
File Size : 53,6 Mb
Release : 2013-07-15
Category : History
ISBN : 9780295804361
Julie Allen utilizes the lives and friendship of the Danish literary critic George Brandes (1842-1927) and the silent film star Asta Nielsen (1881-1972) to explore questions of culture and national identity in early twentieth-century Denmark. Danish culture and politics were influenced in this period by the country's deeply ambivalent relationship with Germany. Brandes and Nielsen, both of whom lived and worked in Germany for significant periods of time, were seen as dangerously cosmopolitan by the Danish public, even while they served as international cultural ambassadors for the very society that rejected them during their lifetimes. Allen argues that they were the prototypical representatives of a socially liberal and culturally modern "Danishness" (Danskhed) that Denmark itself only gradually (and later) grew into. This lively study brings its central characters to life while offering an original, thought provoking analysis of the origins and permutations of Danish modernism and Danish national identity--issues that continue to be significant in today's multi-ethnic Denmark. Icons of Danish Modernity is a book about the uneasy waves that arise when celebrities take on national symbolism, and the beginnings of this formula in the early twentieth century.