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Lee Lockwood. Castro's Cuba. 1959-1969 by Lee Lockwood,Saul Landau Pdf
Between 1959 and 1969, photojournalist Lee Lockwood documented Cuba and its victorious revolutionary Fidel Castro with unprecedented freedom and access, including a marathon seven-day interview with Castro himself. This volume includes Lockwood's evocative photographs of Cuba and Castro, his many insightful observations, and extensive excerpts...
First published over 20 years ago, this book remains the definitive study of Fidel Castro. Based on interviews conducted between 1958 and 1966, the book covers a wide range of topics, including aid to other revolutions, relations with the United States and the Soviet Union, and individual freedom in a Communist society. For this edition the author
"Mr. Lockwood's exciting book...holds many surprises for the reader who has seen the Cuban reality up to now only through the distorting prism of propaganda.... [During Mr. Lockwood's latest, 14-week visit to Cuba in 1965] he had 'a seven-day marathon conversation' with [Fidel], the transcription of which, with excellent photographs, constitutes the heart of the book.... A first-rate psychological document, this book is also an historical one in that it contains information necessary to the understanding of several conversional questions, such as the priority given agriculture in the development of the Cuban economy, the dissension between Moscow and Havana, or even the intellectual road by which Castro came to Marxism. Moreover, it provides particulars up to now unknown." Claude Julien, 'The New York Times Book Review' "Lockwood gives us crowds, posters, individual studies, Fidel in every possible mood; the cities, farms, country towns - most of Cuba is in the photographs.... Lockwood's text consists mainly of excerpts from several interviews he got from Fidel in 1965.... In one way or another Fidel touches on all the events of crucial importance from the beginning of the insurrection until 1965, and the interviews thus become an explanation of the revolution that we badly need." Jose Yglesias, 'The New Republic' "The author's questions [to Fidel] are tough and penetrating and they elicited the same kind of answers.... The lively record deserves and encourages serious study." K. G. Jackson, 'Harper's Magazine' "Given the paucity of scholarly work on contemporary Cuba and the difficulty of visiting the island, the photographs, interview materials, and interpretations of this gifted journalist must go high on the reading list of anyone, professional or lay person, who maintains a serious interest in Cuban affairs and in that most dramatic and important of twentieth-century Latin American leaders, Fidel Castro." Richard Fagan, 'Hispanic American Historical Review'
Today they stand as enemies, but in the 1950s, few countries were as closely intertwined as Cuba and the United States. Thousands of Americans (including Ernest Hemingway and Errol Flynn) lived on the island, and, in the United States, dancehalls swayed to the mambo beat. The strong-arm Batista regime depended on Washington's support, and it invited American gangsters like Meyer Lansky to build fancy casinos for U.S. tourists. Major league scouts searched for Cuban talent: The New York Giants even offered a contract to a young pitcher named Fidel Castro. In 1955, Castro did come to the United States, but not for baseball: He toured the country to raise money for a revolution. Thomas Paterson tells the fascinating story of Castro's insurrection, from that early fund-raising trip to Batista's fall and the flowering of the Cuban Revolution that has bedeviled the United States for more than three decades. With evocative prose and a swift-moving narrative, Paterson recreates the love-hate relationship between the two nations, then traces the intrigue of the insurgency, the unfolding revolution, and the sources of the Bay of Pigs invasion, CIA assassination plots, and the missile crisis. The drama ranges from the casino blackjack tables to Miami streets; from the Eisenhower and Kennedy White Houses to the crowded deck of the Granma, the frail boat that carried the Fidelistas to Cuba from Mexico; from Batista's fortified palace to mountain hideouts where Rau'l Castro held American hostages. Drawing upon impressive international research, including declassified CIA documents and interviews, Paterson reveals how Washington, fixed on the issue of Communism, failed to grasp the widespread disaffection from Batista. The Eisenhower administration alienated Cubans by supplying arms to a hated regime, by sustaining Cuba's economic dependence, and by conspicuously backing Batista. As Batista self-destructed, U.S. officials launched third-force conspiracies in a vain attempt to block Castro's victory. By the time the defiant revolutionary leader entered Havana in early 1959, the foundation of the long, bitter hostility between Cuba and the United States had been firmly laid. Since the end of the Cold War, the futures of Communist Cuba and Fidel Castro have become clouded. Paterson's gripping and timely account explores the origins of America's troubled relationship with its island neighbor, explains what went wrong and how the United States "let this one get away," and suggests paths to the future as the Clinton administration inches toward less hostile relations with a changing Cuba.
Art and Revolution in Latin America, 1910-1990 by David Craven Pdf
In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals - in Mexico (1910-40), in Cuba (1959-89), and in Nicaragua (1979-90) - were defining moments in twentieth-century life in the Americas. Craven discusses the structural logic of each movement's artistic project - by whom, how, and for whom artworks were produced -- and assesses their legacies. In each case, he demonstrates how the consequences of the revolution reverberated in the arts and cultures far beyond national borders. The book not only examines specific artworks originating from each revolution's attempt to deal with the challenge of 'socializing the arts,' but also the engagement of the working classes in Mexico, Cuba, and Nicaragua with a tradition of the fine arts made newly accessible through social transformation. Craven considers how each revolution dealt with the pressing problem of creating a 'dialogical art' -- one that reconfigures the existing artistic resource rather than one that just reproduces a populist art to keep things as they were. In addition, the author charts the impact on the revolutionary processes of theories of art and education, articulated by such thinkers as John Dewey and Paulo Freire. The book provides a fascinating new view of the Latin American revolutionaries -- from artists to political leaders -- who defined art as a fundamental force for the transformation of society and who bequeathed new ways of thinking about the relations among art, ideology, and class, within a revolutionary process.
Historical Dictionary of the 1950s by Bloomsbury Publishing Pdf
Today, Americans look back nostalgically at the 1950s, an era when television and rock and roll revolutionized popular culture, and Vietnam, race riots, drug abuse, and protest movements were still in the future. With homes in the suburbs, new automobiles, and the latest electrical gadgets, many Americans believed they were the most prosperous people on earth. Yet the era was tainted by the fear of thermonuclear war with the Soviet Union, deepening racial tensions, and discontent with rigid roles for women and the demands of corporate conformity. A sense of rebellion had begun to brew behind the facade. It manifested itself in rock and roll, the budding civil rights movement, and the appearance of a youth culture, eventually exploding in the 1960s. Providing a comprehensive overview, this book includes entries on the prominent people, major events, issues, scandals, ideas, popular culture, and court cases of the decade that gave rise to the tensions of the 1960s.
José Martí (1853-1895) is the most renowned political and literary figure in the history of Cuba. A poet, essayist, orator, statesman, abolitionist, and the martyred revolutionary leader of Cuba's fight for independence from Spain, Martí lived in exile in New York for most of his adult life, earning his living as a foreign correspondent. Throughout the 1880s and early 1890s, Martí's were the eyes through which much of Latin America saw the United States. His impassioned, kaleidoscopic evocations of that period in U.S. history, the assassination of James Garfield, the opening of the Brooklyn Bridge, the execution of the Chicago anarchists, the lynching of the Italians in New Orleans, and much more, bring it rushing back to life. Organized chronologically, this collection begins with his early writings, including a thundering account of his political imprisonment in Cuba at age sixteen. The middle section focuses on his journalism, which offers an image of the United States in the nineteenth century, its way of life and system of government, that rivals anything written by de Tocqueville, Dickens, Trollope, or any other European commentator. Including generous selections of his poetry and private notebooks, the book concludes with his astonishing, hallucinatory final masterpiece, "War Diaries", never before translated into English. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
In 1958, angry Venezuelans attacked Vice President Richard Nixon in Caracas, opening a turbulent decade in Latin American–U.S. relations. In Yankee No! Alan McPherson sheds much-needed light on the controversial and pressing problem of anti-U.S. sentiment in the world. Examining the roots of anti-Americanism in Latin America, McPherson focuses on three major crises: the Cuban Revolution, the 1964 Panama riots, and U.S. intervention in the Dominican Republic. Deftly combining cultural and political analysis, he demonstrates the shifting and complex nature of anti-Americanism in each country and the love–hate ambivalence of most Latin Americans toward the United States. When rising panic over “Yankee hating” led Washington to try to contain foreign hostility, the government displayed a surprisingly coherent and consistent response, maintaining an ideological self-confidence that has outlasted a Latin American diplomacy torn between resentment and admiration of the United States. However, McPherson warns, U.S. leaders run a great risk if they continue to ignore the deeper causes of anti-Americanism. Written with dramatic flair, Yankee No! is a timely, compelling, and carefully researched contribution to international history.
Author : Tom Miller Publisher : University of Arizona Press Page : 129 pages File Size : 42,8 Mb Release : 2017-10-10 Category : History ISBN : 9780816535866
Never before has any biographer had such close access to Fidel Castro as did Tad Szule. The outcome of a long, direct relationship, this riveting portrait reveals astonishing and exclusive information about Cuba, the revolution, and the notorious, larger-than-life leader who has ruled his country with an iron fist for more than forty years. Only Tad Szule could bring Fidel to such vivid life--the loves and losses of the man, the devious tactics of the conspirator, the triumphs and defeats of the revolutionary leader who challenged an American president and brought the world to the brink of nuclear disaster. From Jesuit schools to jungle hideouts and the Palace of the Revolution, here is Fidel...The Untold Story. Never before has any biographer had such close access to Fidel Castro as did Tad Szulc. The outcome of a long, direct relationship, this riveting portrait reveals astonishing and exclusive information about Cuba, the revolution, and the notorious, larger-than-life leader who has ruled his country with an iron fist for more than forty years. Only Tad Szulc could bring Fidel to such vivid life--the loves and losses of the man, the devious tactics of the conspirator, the triumphs and defeats of the revolutionary leader who challenged an American president and brought the world to the brink of nuclear disaster. From Jesuit schools to jungle hideouts and the Palace of the Revolution, here is FIDEL...THE UNTOLD STORY.
