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The Legends of King Arthur: The Sword in the Stone by Tracey Mayhew Pdf
When two boys save an old man from robbers, they learn of a competition in Londinium to decide the next king of Britain. The elder, Kay, is determined to prove himself worthy as a knight or a king. The younger is Arthur, a farm boy through and through - until he sees the sword in the stone.
An investigation of the evidence for King Arthur based on the earliest written sources rather than later myths and legends. This book differs from the usual Arthur theories in that it favors no particular conjecture simply analyses and clarifies the evidence presenting it all in chronological order. Starting from Roman Britain, the evidence shows how the legend evolved and at what point concepts such as Camelot, Excalibur and Merlin were added. It covers the historical records from the end of Roman Britain using contemporary sources such as they are, from 400-800, including Gallic Chronicles, Gildas and Bede. It details the first written reference to Arthur in the Historia Brittonum c.800 and the later Annales Cambriae in the tenth century showing the evolution of the legend in later Welsh and French stories. While not starting from or aiming at a specific person, the book compares the possibility of Arthur being purely fictional with a historical figure alongside a list of possible suspects. The evidence is presented and the reader is invited to make up their own mind before a discussion of the author’s own assessment. “What impressed me about this book is Sullivan’s passion for this subject and his willingness to go the extra mile to show both sides of the argument . . . It was extremely fascinating to see how he treated this book like a criminal investigation, using different fields of study to figure out the origins of the legend, how it evolved, and whether or not there was a king named Arthur.” —Adventures of a Tudor Nerd
The image of Arthur has haunted the poets and writers of western Europe for nearly nine centuries, and there is no sign of an end to the reign of the "once and future king" in the world of literature. The Arthurian epic is as popular a subject now as it was when it was first fashioned, and the stories about Arthur and the heroes associated with him come in a bewildering number of guises. The sheer variety of the legends, both in style and content, is extraordinary; and this collection attempts to present, in a small space, something of this diversity. Sir Thomas Malory, half a millennium ago, plundered a whole range of sources to create his masterpiece, Le Morte Darthur; but he did so to weld them together within the framework of Arthur's own career. Legends of Arthur draws on different sources, but emphasizes the way in which writers have created new stories around the great heroes, or have told the stories in different ways. So there are two versions of each hero's exploits. Arthur is shown as emperor and warlord, and as the triumphant and tragic king of the romances, betrayed by Lancelot and Guinevere. Gawain is the central figure of the wonderful adventures of a Dutch romance, and the courtly and subtle hero of the English masterpiece Sir Gawain and the Green Knight. Tristan appears as the single-minded lover of Iseult in the original version of his story, and then as a knight of the Round Table whose devotion to chivalry is almost as great as his passion for his beloved. In these differing versions, we can see how the Arthurian romances held the medieval world spellbound for so long, in all their color and variety.
King Arthur & the Legends of Camelot by Molly Perham Pdf
The legends of King Arthur and his knights of the Round Table have been told and retold for more than 800 years. Now, new generations of readers will be drawn into the excitement of the Camelot tournaments and the mystical quest for the Holy Grail. 58 full-color paintings. 30 pen and ink illus.
DigiCat Publishing presents to you this special edition of "The Once and Future King" by T. H. White. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Legends of King Arthur and His Knights by James Knowles Pdf
Arthurian expert Sir James Knowles brings together fourteen tales of King Arthur and his knights, inspired by Alfred, Lord Tennyson's first four 'Idylls of the King'. Here is a fascinating journey through the land of ancient England where magic, mystery and warring factions come together in cataclysmic fashion. Beginning with the finding of the wizard Merlin, Sir James recounts the discovery of the legendary sword Excalibur, King Arthur's victory over the Saxons and his marriage to the beautiful Guinevere, as well as his battles against armies from Europe and his evasion of Queen Morgan's attempts to kill him with a magic garment. Tales include: • The Prophecies of Merlin and the Birth of Arthur • The Miracle of the Sword and Stone • The Lady of the Lake • The Founding of the Round Table • The Adventures of Sir Gawain Revealing the escapades of the Knights of the Round Table, such as Lancelot, Bedivere, Bors, Modred, Tristram and Galahad, as they seek to protect Arthur's kingdom, we discover how these fabled figures found their destiny. ABOUT THE SERIES: Arcturus Classic Myths and Legends brings together beautiful retellings of mythologies from different traditions, from Celtic to Native American.
Enter a world of duels and jousting, where knights battle to protect the honour of fair maidens and defend King Arthur's castle. Knights meet in fellowship at Camelot, and are entertained with feasting and pageantry. Honour and chivalry are valued above all else, and courageous knights fight strange, unearthly foes to prove themselves worthy of a place at King Arthur's table. These ancient tales have been told since the fifth century when Welsh bards travelled the country entertaining lords and ladies with stories and songs. They were retold in verse by Chretien de Troyes in his twelfth-century Le Morte d'Arthur, and in prose by Sir Thomas Malory in the fifteenth century. Now, renowned storyteller Isabel Wyatt presents her own fresh retelling of a selection of these fascinating legends.
From the twelfth century onwards the legends of King Arthur and his knights, including the Tristan legend, spread across Europe, producing a vast range of adaptations and new stories. German and Dutch literature were of central importance in this expansion of Arthurian material from the 12th to 16th century. This title deals with this topic.
Retells, in graphic novel form, the tale of Arthur Pendragon who, raised in obscurity, draws a legendary sword from a stone and begins the life he was born to lead, guided by the elusive wizard Merlin.
In her systematic reassessment of the remaking of the Arthurian past in nineteenth-century British fiction and non-fiction, Inga Bryden examines the Victorian Arthurian revival as a cultural phenomenon, offering insights into the relationship between social, cultural, religious, and ethnographic debates of the period and a wide range of texts. Throughout, she adopts an intertextual and historical perspective, informed by poststructuralist thinking, to reveal nineteenth-century attitudes towards the past. Starting with a review of the historical evidence available to Victorian writers and an examination of how historians of the time represented Arthur, the author connects Victorian accounts of Arthur's quest to contemporary scientific and historical searches for origins and knowledge, and to his appropriation by competing religious movements. She shows how writers explored the dynamics of heroism by recruiting Arthur and his knights to define codes of chivalric service, and to personify the psychological complexities of love. Finally, the legend of his death and transportation to Avalon is deconstructed and placed in the context of cultural attitudes towards commemorating the dead and theological debates about the afterlife. Inga Bryden engages not only with well-known Arthurian texts by Tennyson, Swinburne, Morris and Rossetti, but with lesser-known works by Bulwer-Lytton, Robert Stephen Hawker, Sebastian Evans, Diana Maria Mulock, Christiana Douglas and Joseph Shorthouse.
This book fills the Iberian linguistic and geographical gap in Arthurian studies, replacing the now-outdated work by William J. Entwistle (1925). It covers Arthurian material in all the major Peninsular Romance languages (Spanish, Portuguese, Catalan, Galician); it follows the spread of Arthurian material overseas with the seaborne expansion of Spain and Portugal from Iberia into America and Asia in the fifteenth and sixteenth centuries; and, as well as examining the specifically Arthurian texts themselves, it traces the continued influence of the medieval Arthurian material and its impact on the society, literature and culture of the Golden Age and beyond, including its presence in Don Quixote, the influential Spanish Arthurian-inspired romance Amadís de Gaula, and in Spanish ballads. Such was its influence that we find an indigenous American woman called ‘Iseo’ (Iseult); and an Arthurian story appeared in an indigenous language of the Philippines, Tagalog, as late as the nineteenth and early twentieth centuries.
The Legends of King Arthur in Art by Muriel Whitaker Pdf
"This ambitious book manages to cover the entire Arthurian tradition in art from the twelfth century through the twentieth, in media ranging from saltcellars to stained glass. Whitaker achieves this remarkable feat by remaining sensitive to the different uses that various localities and periods made of the Arthurian motif - So learned - and so fascinating." SPECULUM This is a study of works of art inspired by legends of King Arthur and his knights and produced over a period of nine centuries in western Europe, and latterly the United States and Canada. It covers illuminated manuscripts, printed books, sculpture, pavements, paintings, drawings, embroideries, tapestries, stained glass, objéts d'art, furniture, clothing, et al.. Muriel Whitaker's specialised knowledge of Arthurian texts from the middle ages to the present offers a rewarding perspective, explaining the social, political, religious and aesthetic conditions which influenced the artistic representations of the Arthurian legends in various historical periods, notably the Gothic middle ages, the Renaissance, the nineteenth century, and the present day. The late MURIEL WHITAKER was former Professor of English at the University of Alberta, Canada.
The Story of King Arthur and His Knights consists of a large series of episodes in the legend of the mythological first king of Britain King Arthur and his Knights of the Round Table. First part of the book tells how young Arthur pulled a sword out of an anvil, how he learned of his royal lineage, and how he thus became king. Second part tells the stories of Merlin, Sir Pellias, Sir Gawaine and other noble knights.
From his court at Camelot, King Arthur ruled over a unified Britain in a mythical age of peace and prosperity. His glory, however, would be short-lived. For even as he drew the sword from the stone, a doom settled over Arthur that would see his kingdom fall to betrayal and war. In this book, Daniel Mersey retells the great stories of Arthur, from his winning of Excalibur and his marriage to Guinevere, through his battle with the giant in France and his war against the army of Rome to the treachery of Mordred and his death at Camlann. Supporting this narrative is an exploration of the different facets of Arthurian myth, including the numerous conflicting theories of his historical origin, the tales of Welsh folklore and Medieval romance, and even his various portrayals in the modern media. Presented with both classic and newly commissioned artwork this book is an easy-to-read, yet highly detailed introduction to the complex body of myth and legend that surrounds Britain's greatest hero.
King Arthur is often written off as a medieval fantasy, the dream of those yearning for an age of strong, just rulers and a contented kingdom. Those who accept his existence at all generally discard the stories that surround him. This exciting new investigation argues not only that Arthur did exist, as a Dark Age chieftain, but that many of the romantic tales - of Merlin, Camelot and Excalibur - are rooted in truth. In his quest for the real King Arthur, Rodney Castleden uses up-to-date archaeological and documentary evidence to recreate the history and society of Dark Age Britain and its kings. He revives the possibility that Tintagel was an Arthurian legend, and proposes a radical new theory - that Arthur escaped alive from his final battle. A location is even suggested for perhaps the greatest mystery, the whereabouts of Arthur's grave. King Arthur: The Truth Behind the Legend offers a more complete picture of Arthur's Britain and his place in it than ever before. The book's bold approach and compelling arguments will be welcomed by all readers with an interest in Arthuriana.
