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Lenin on Literature and Art by Vladimir I. Lenin Pdf
Vladimir Ilyich Lenin (1870-1924), was a Russian revolutionary, a communist politician, the main leader of the October Revolution, the first head of the Russian Soviet Socialist Republic and from 1922, the first de facto leader of the Soviet Union. He was the creator of Leninism, an extension of Marxist theory.
Author : Megan Swift Publisher : University of Toronto Press Page : 246 pages File Size : 40,7 Mb Release : 2020-05-12 Category : History ISBN : 9781442667426
Based on sources from rare book libraries in Russia and around the world, Picturing the Page offers a vivid exploration of illustrated children’s literature and reading under Lenin and Stalin – a period when mass publishing for children and universal public education became available for the first time in Russia. By analysing the illustrations in fairy tales, classic "adult" literature reformatted for children, and war-time picture books, Megan Swift elucidates the vital and multifaceted function of illustrated children’s literature in repurposing the past. Picturing the Page demonstrates that while the texts of the past remained fixed, illustrations could slip between the pages to mediate and annotate that past, as well as connect with anti-religious, patriotic, and other campaigns that were central to Soviet children’s culture after the 1917 Revolution.
Literature and Revolution [First Edition] by Leon Trotsky Pdf
Literature and Revolution, written by the founder and commander of the Red Army, Leon Trotsky, in 1924 and first published in 1925, represents a compilation of essays that Trotsky drafted during the summers of 1922 and 1923. This book is a classic work of literary criticism from the Marxist standpoint. By discussing the various literary trends that were around in Russia between the revolutions of 1905 and 1917, Trotsky analyses the concrete forces in society, both progressive as well as reactionary, that helped shape the consciousness of writers at the time. In the book, Trotsky also explains that since the dawn of civilisation art had always borne the stamp of the ruling class and was primarily a vehicle that expressed its tastes and its sensibilities. “It is difficult to predict the extent of self-government which the man of the future may reach or the heights to which he may carry his technique. Social construction and psycho-physical self-education will become two aspects of one and the same process. All the arts—literature, drama, painting, music and architecture will lend this process beautiful form. More correctly, the shell in which the cultural construction and self-education of Communist man will be enclosed, will develop all the vital elements of contemporary art to the highest point. Man will become immeasurably stronger, wiser and subtler; his body will become more harmonized, his movements more rhythmic, his voice more musical. The forms of life will become dynamically dramatic. The average human type will rise to the heights of an Aristotle, a Goethe, or a Marx. And above this ridge new peaks will rise.”—Leon Trotsky
Victor Sebestyen's riveting biography of Vladimir Ilyich Lenin—the first major biography in English in nearly two decades—is not only a political examination of one of the most important historical figures of the twentieth century but also a fascinating portrait of Lenin the man. Brought up in comfort and with a passion for hunting and fishing, chess, and the English classics, Lenin was radicalized after the execution of his brother in 1887. Sebestyen traces the story from Lenin's early years to his long exile in Europe and return to Petrograd in 1917 to lead the first Communist revolution in history. Uniquely, Sebestyen has discovered that throughout Lenin's life his closest relationships were with his mother, his sisters, his wife, and his mistress. The long-suppressed story told here of the love triangle that Lenin had with his wife, Nadezhda Krupskaya, and his beautiful, married mistress and comrade, Inessa Armand, reveals a more complicated character than that of the coldly one-dimensional leader of the Bolshevik Revolution. With Lenin's personal papers and those of other leading political figures now available, Sebestyen gives is new details that bring to life the dramatic and gripping story of how Lenin seized power in a coup and ran his revolutionary state. The product of a violent, tyrannical, and corrupt Russia, he chillingly authorized the deaths of thousands of people and created a system based on the idea that political terror against opponents was justified for a greater ideal. An old comrade what had once admired him said that Lenin "desired the good . . . but created evil." This included his invention of Stalin, who would take Lenin's system of the gulag and the secret police to horrifying new heights. In Lenin, Victor Sebestyen has written a brilliant portrait of this dictator as a complex and ruthless figure, and he also brings to light important new revelations about the Russian Revolution, a pivotal point in modern history. (With 16 pages of black-and-white photographs)
“Fascinating . . . full of insight and a perceptive portrait of Lenin’s single-mindedness and his relentless, all-consuming drive towards revolution in Russia.” —The Guardian Combining Young Lenin and On Lenin in one volume, this is a fascinating political biography by Lenin’s fellow revolutionary, Leon Trotsky. Trotsky on Lenin brings together two long-out-of-print works in a single volume for the first time, providing an intimate and illuminating portrait of the Bolshevik leader by another of the twentieth century’s greatest revolutionaries. Written shortly after its subject’s death, On Lenin covers the period of revolutionary struggle leading up to 1917 as well as the early years of Bolshevik power. We see a man totally committed to the revolutionary cause, whose legacy was later corrupted under the Soviet Union’s Stalinist degeneration. Young Lenin, meanwhile, describes his early years and conversion to Marxism, dispelling many of the myths later created by Soviet hagiography in the process. This is the essential guide for anyone wanting to understand Lenin as a thinker, active revolutionary, and personality.
Author's Note -- Part I: Last Years of the Old Empire, 1904-1914 -- Part II: The Great War : Imperial Self-Destruction -- The Great War Begins -- Germans, Jews, Armenians -- Tearing Themselves Apart -- Conflict and Collapse -- Part III: 1917 : Contest for Control -- Five Days that Shook the World -- The Provisional Government and the War -- August-September : From Putsch to Coup -- Bolshevik October -- Death of the Constituent Assembly -- Politics from Below -- Part IV: Sovereign Claims -- The Peace that Wasn't -- Treason and Terror -- Finland's Civil War -- Baltic Entanglements -- Ukrainian Drama, Act I -- Colonial Repercussions -- Part V: War Within -- The Unquiet Don -- Foreign Bodies -- Trotsky Arms, Siberia Mobilizes -- Kolchak : the Wild East -- Ukraine, Act II -- War Against the Cossacks -- Miracle on the Vistula -- War Against the Jews : 1919-1920 -- The Last Page -- War Against the Peasants -- Part VI: Victory and Retreat -- The Proletariat in the Proletarian Dictatorship -- The Revolution Turns Against Itself -- Conclusion: Revolution Against Itself
This “blistering satire” of modern China was a finalist for the Man Booker International Prize and a New York Times Editor’s Choice novel (Publishers Weekly, starred review). Lenin’s Kisses is set in modern day China, in the village of Liven. Nestled within the Balou Mountains, the people have enough food and leisure to be content—until their crops and livelihood are obliterated by a snowstorm in the middle of summer. Then a county official arrives with a peculiar plan. He wants to use the villagers to start a traveling performance troupe. Next, he’ll take the profits and buy Lenin’s embalmed corpse from Russia and install it in a mausoleum to attract tourism. But the success of the Shuanghuai County Special-Skills Performance Troupe comes at a serious price. Named a finalist for the 2013 Man Booker International Prize, Lenin’s Kisses is “a satirical masterpiece” (Kirkus) that was on Best Book of 2012 lists from the New Yorker, MacLeans, and Kirkus, and was also a New York Times Editors’ Choice.
This influential collection explores the pivotal texts and topics in the Marxist tradition. Ranging over questions of social theory, political theory, moral philosophy and literary criticism, it looks at the thought of Marx and Trotsky, Luxemburg, Lenin and Althusser. They include Geras's influential and widely-cited treatment of fetishism in Capital, his comprehensive review of recent debates on Marxism and justice, discussions on political organisation, revolutionary mass action and party pluralism, and a novel analysis of the literary power of Trotsky's writing. In close dialogue with common themes and arguments in the literature of revolutionary Marxism, Geras brings some of his persistent preoccupations to the fore; with the normative foundations and some of the epistemological assumptions of this tradition, with issues of socialist democracy, working class self-education and emancipation.
Published in the centenary year of the 1917 Russian Revolution, No Less Than Mystic is a fresh and iconoclastic history of Lenin and the Bolsheviks for a generation uninterested in Cold War ideologies and stereotypes. Although it offers a full and complete history of Leninism, 1917, the Russian Civil War and its aftermath, the book devotes more time than usual to the policies and actions of the socialist alternatives to Bolshevism – to the Menshevik Internationalists, the Socialist Revolutionaries (SRs), the Jewish Bundists and the anarchists. It prioritises Factory Committees, local Soviets, the Womens’ Zhenotdel movement, Proletkult and the Kronstadt sailors as much as the statements and actions of Lenin and Trotsky. Using the neglected writings and memoirs of Mensheviks like Julius Martov, SRs like Victor Chernov, Bolshevik oppositionists like Alexandra Kollontai and anarchists like Nestor Makhno, it traces a revolution gone wrong and suggests how it might have produced a more libertarian, emancipatory socialism than that created by Lenin and the Bolsheviks. Although the book broadly covers the period from 1903 (the formation of the Bolsheviks and Mensheviks) to 1921 (the suppression of the Kronstadt rebellion) and explains why the Bolshevik Revolution degenerated so quickly into its apparent opposite, it continually examines the Leninist experiment through the lens of a 21st century, de-centralised, ecological, anti-productivist and feminist socialism. Throughout its narrative it interweaves and draws parallels with contemporary anti-capitalist struggles such as those of the Zapatistas, the Kurds, the Argentinean “Recovered Factories”, Occupy, the Arab Spring, the Indignados and Intersectional feminists, attempting to open up the past to the present and points in between. We do not need another standard history of the Russian Revolution. This is not one.
Winner of the Pulitzer Prize One of the Best Books of the Year: The New York Times From the editor of The New Yorker: a riveting account of the collapse of the Soviet Union, which has become the standard book on the subject. Lenin’s Tomb combines the global vision of the best historical scholarship with the immediacy of eyewitness journalism. Remnick takes us through the tumultuous 75-year period of Communist rule leading up to the collapse and gives us the voices of those who lived through it, from democratic activists to Party members, from anti-Semites to Holocaust survivors, from Gorbachev to Yeltsin to Sakharov. An extraordinary history of an empire undone, Lenin’s Tomb stands as essential reading for our times.
Author : V. I. Lenin Publisher : Verso Books Page : 209 pages File Size : 42,8 Mb Release : 2024-01-30 Category : Political Science ISBN : 9781804292877
Lenin's most important and controversial theoretical text Lenin’s booklet The State and Revolution struck the world of Marxist theory like a lightning bolt. Written in the months running up to the October Revolution of 1917, Lenin turned the traditional socialist concept of the state on its head, arguing for the need to smash the organs of the bourgeois state to create a ‘semi-state’ of soviets, or workers’ councils, in which ordinary people would take on the functions of the state machine in a new and radically democratic manner. This new edition includes a substantial introduction by renowned theorist Antonio Negri, who argues for the continued relevance of these ideas.
