Download Full eBooks in PDF
Leopoldo Méndez Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Leopoldo Méndez book. This book definitely worth reading, it is an incredibly well-written.
Author : Deborah Caplow
Publisher : University of Texas Press
Page : 356 pages
File Size : 50,8 Mb
Release : 2007-12-01
Category : Art
ISBN : 0292712502
Monografie over leven en werk van de Mexicaanse prentkunstenaar (1902-1969), met de nadruk op de jaren dertig en veertig waarin hij politiek zeer actief was. Ook de invloeden van en naar andere kunstenaars uit zijn tijd komen aan bod.
Author : Leopoldo Méndez,Jules Heller
Publisher : Unknown
Page : 72 pages
File Size : 48,5 Mb
Release : 1999
Category : Mexico
ISBN : UTEXAS:059173013774720
Author : Stephanie J. Smith
Publisher : UNC Press Books
Page : 293 pages
File Size : 44,9 Mb
Release : 2017-11-14
Category : History
ISBN : 9781469635699
Stephanie J. Smith brings Mexican politics and art together, chronicling the turbulent relations between radical artists and the postrevolutionary Mexican state. The revolution opened space for new political ideas, but by the late 1920s many government officials argued that consolidating the nation required coercive measures toward dissenters. While artists and intellectuals, some of them professed Communists, sought free expression in matters both artistic and political, Smith reveals how they simultaneously learned the fine art of negotiation with the increasingly authoritarian government in order to secure clout and financial patronage. But the government, Smith shows, also had reason to accommodate artists, and a surprising and volatile interdependence grew between the artists and the politicians. Involving well-known artists such as Frida Kahlo, Diego Rivera, and David Alfaro Siqueiros, as well as some less well known, including Tina Modotti, Leopoldo Mendez, and Aurora Reyes, politicians began to appropriate the artists' nationalistic visual images as weapons in a national propaganda war. High-stakes negotiating and co-opting took place between the two camps as they sparred over the production of generally accepted notions and representations of the revolution's legacy—and what it meant to be authentically Mexican.
Author : Jean Moss
Publisher : Courier Corporation
Page : 130 pages
File Size : 45,6 Mb
Release : 2010-09-16
Category : Art
ISBN : 9780486480268
Presents a collection of historical engravings depicting costumed skeletons representing the Mexican celebration of of Dia de los Muertos.
Author : Rebecca Mina Schreiber
Publisher : U of Minnesota Press
Page : 333 pages
File Size : 45,7 Mb
Release : 2008
Category : Social Science
ISBN : 9780816643073
The onset of the Cold War in the 1940s and 1950s precipitated the exile of many U.S. writers, artists, and filmmakers to Mexico. Rebecca M. Schreiber illuminates the work of these cultural exiles in Mexico City and Cuernavaca and reveals how their artistic collaborations formed a vital and effective culture of resistance.
Author : John Lear
Publisher : University of Texas Press
Page : 391 pages
File Size : 42,7 Mb
Release : 2017-01-10
Category : History
ISBN : 9781477311509
In the wake of Mexico’s revolution, artists played a fundamental role in constructing a national identity centered on working people and were hailed for their contributions to modern art. Picturing the Proletariat examines three aspects of this artistic legacy: the parallel paths of organized labor and artists’ collectives, the relations among these groups and the state, and visual narratives of the worker. Showcasing forgotten works and neglected media, John Lear explores how artists and labor unions participated in a cycle of revolutionary transformation from 1908 through the presidency of Lázaro Cárdenas (1934–1940). Lear shows how middle-class artists, radicalized by the revolution and the Communist Party, fortified the legacy of the prerevolutionary print artisan José Guadalupe Posada by incorporating modernist, avant-garde, and nationalist elements in ways that supported and challenged unions and the state. By 1940, the state undermined the autonomy of radical artists and unions, while preserving the image of both as partners of the “institutionalized revolution.” This interdisciplinary book explores the gendered representations of workers; the interplay of prints, photographs, and murals in journals, in posters, and on walls; the role of labor leaders; and the discursive impact of the Spanish Civil War. It considers “los tres grandes”—Rivera, Siquieros, and Orozco—while featuring lesser-known artists and their collectives, including Saturnino Herrán, Leopoldo Méndez, Santos Balmori, and the League of Revolutionary Writers and Artists (LEAR). The result is a new perspective on the art and politics of the revolution.
Author : Mariana Aguirre,Rosa Sarabia,Renée M. Silverman,Ricardo Vasconcelos
Publisher : Walter de Gruyter GmbH & Co KG
Page : 583 pages
File Size : 48,8 Mb
Release : 2017-04-24
Category : Literary Criticism
ISBN : 9783110527032
Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre – periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, i.e. indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them.
Author : Ben Fallaw,Terry Rugeley
Publisher : University of Arizona Press
Page : 288 pages
File Size : 45,5 Mb
Release : 2012-10-18
Category : History
ISBN : 9780816520428
Forced Marches is a collection of innovative essays that analyze how the military experience molded Mexican citizens in the years between the initial war for independence in 1810 and the consolidation of the revolutionary order in the 1940s. The contributors—well-regarded scholars from the United States and the United Kingdom—offer fresh interpretations of the Mexican military, caciquismo, and the enduring pervasiveness of violence in Mexican society. Employing the approaches of the new military history, which emphasizes the relationships between the state, society, and the “official” militaries and “unofficial” militias, these provocative essays engage (and occasionally do battle with) recent scholarship on the early national period, the Reform, the Porfiriato, and the Revolution. When Mexico first became a nation, its military and militias were two of the country’s few major institutions besides the Catholic Church. The army and local provincial militias functioned both as political pillars, providing institutional stability of a crude sort, and as springboards for the ambitions of individual officers. Military service provided upward social mobility, and it taught a variety of useful skills, such as mathematics and bookkeeping. In the postcolonial era, however, militia units devoured state budgets, spending most of the national revenue and encouraging locales to incur debts to support them. Men with rifles provided the principal means for maintaining law and order, but they also constituted a breeding-ground for rowdiness and discontent. As these chapters make clear, understanding the history of state-making in Mexico requires coming to terms with its military past.
Author : David Craven
Publisher : Yale University Press
Page : 246 pages
File Size : 54,9 Mb
Release : 2006-01-01
Category : Art
ISBN : 030012046X
In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals - in Mexico (1910-40), in Cuba (1959-89), and in Nicaragua (1979-90) - were defining moments in twentieth-century life in the Americas. Craven discusses the structural logic of each movement's artistic project - by whom, how, and for whom artworks were produced -- and assesses their legacies. In each case, he demonstrates how the consequences of the revolution reverberated in the arts and cultures far beyond national borders. The book not only examines specific artworks originating from each revolution's attempt to deal with the challenge of 'socializing the arts,' but also the engagement of the working classes in Mexico, Cuba, and Nicaragua with a tradition of the fine arts made newly accessible through social transformation. Craven considers how each revolution dealt with the pressing problem of creating a 'dialogical art' -- one that reconfigures the existing artistic resource rather than one that just reproduces a populist art to keep things as they were. In addition, the author charts the impact on the revolutionary processes of theories of art and education, articulated by such thinkers as John Dewey and Paulo Freire. The book provides a fascinating new view of the Latin American revolutionaries -- from artists to political leaders -- who defined art as a fundamental force for the transformation of society and who bequeathed new ways of thinking about the relations among art, ideology, and class, within a revolutionary process.
Author : British Honduras
Publisher : Unknown
Page : 398 pages
File Size : 40,7 Mb
Release : 1959
Category : Electronic
ISBN : SRLF:E0000168997
Author : Art Institute of Chicago,Diane Helen Miliotes
Publisher : Yale University Press
Page : 41 pages
File Size : 51,5 Mb
Release : 2014-01-01
Category : Art
ISBN : 9780300207781
Established in Mexico City in 1937, the Taller de Gráfica Popular (Popular Graphic Art Workshop) sought to create prints, posters, and illustrated publications that were popular and affordable, accessible and politically topical, and above all formally compelling. Founded by the printmakers Luís Arenal, Leopoldo Méndez, and American-born Pablo O'Higgins, the TGP ultimately became the most influential and enduring leftist printmaking collective of its time. The workshop was admired for its prolific and varied output and for its creation of some of the most memorable images in midcentury printmaking. Although its core membership was Mexican, the TGP welcomed foreign members and guest artists as diverse as Josef Albers and Elizabeth Catlett. The collective enjoyed international influence and renown and inspired the establishment of similar print collectives around the world. This bilingual publication features twenty-four works representing the finest linocuts and lithographs from the heyday of this important workshop. These arresting images are drawn from the significant holdings of TGP works in the collection of the Art Institute of Chicago.
Author : Gema Kloppe-Santamaría
Publisher : University of California Press
Page : 229 pages
File Size : 43,9 Mb
Release : 2020-08-18
Category : History
ISBN : 9780520344037
In the Vortex of Violence examines the uncharted history of lynching in post-revolutionary Mexico. Based on a collection of previously untapped sources, the book examines why lynching became a persistent practice during a period otherwise characterized by political stability and decreasing levels of violence. It explores how state formation processes, as well as religion, perceptions of crime, and mythical beliefs, contributed to shaping people’s understanding of lynching as a legitimate form of justice. Extending the history of lynching beyond the United States, this book offers key insights into the cultural, historical, and political reasons behind the violent phenomenon and its continued practice in Latin America today.
Author : Thomas Rath
Publisher : UNC Press Books
Page : 257 pages
File Size : 40,7 Mb
Release : 2013-04-22
Category : History
ISBN : 9781469608358
At the end of the Mexican Revolution in 1920, Mexico's large, rebellious army dominated national politics. By the 1940s, Mexico's Institutional Revolutionary Party (PRI) was led by a civilian president and claimed to have depoliticized the army and achieved the bloodless pacification of the Mexican countryside through land reform, schooling, and indigenismo. However, historian Thomas Rath argues, Mexico's celebrated demilitarization was more protracted, conflict-ridden, and incomplete than most accounts assume. Civilian governments deployed troops as a police force, often aimed at political suppression, while officers meddled in provincial politics, engaged in corruption, and crafted official history, all against a backdrop of sustained popular protest and debate. Using newly available materials from military, intelligence, and diplomatic archives, Rath weaves together an analysis of national and regional politics, military education, conscription, veteran policy, and popular protest. In doing so, he challenges dominant interpretations of successful, top-down demilitarization and questions the image of the post-1940 PRI regime as strong, stable, and legitimate. Rath also shows how the army's suppression of students and guerrillas in the 1960s and 1970s and the more recent militarization of policing have long roots in Mexican history.
Author : Susan Doyle,Jaleen Grove,Whitney Sherman
Publisher : Bloomsbury Publishing USA
Page : 592 pages
File Size : 43,5 Mb
Release : 2018-05-17
Category : Design
ISBN : 9781628927559
Winner of the 2019 CHOICE Award "The authoritative book on the origins, history, and influence of illustration. Bravo!" David Brinley, University of Delaware, USA History of Illustration covers image-making and print history from around the world, spanning from the ancient to the modern. Hundreds of color images show illustrations within their social, cultural, and technical context, while they are ordered from the past to the present. Readers will be able to analyze images for their displayed techniques, cultural standards, and ideas to appreciate the art form. This essential guide is the first history of illustration written by an international team of illustration historians, practitioners, and educators.
Author : Tatiana Flores
Publisher : Yale University Press
Page : 360 pages
File Size : 54,8 Mb
Release : 2013-01-01
Category : Art
ISBN : 9780300184488
"A groundbreaking look at avant-garde art and literature in the wake of the Mexican Revolution, illustrating Mexico City's importance as a major center for the development of modernism"--Provided by publisher.
