Les Guerilleres Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Les Guerilleres book. This book definitely worth reading, it is an incredibly well-written.
One of the most widely read feminist texts of the twentieth century, and Monique Wittig’s most popular novel, Les Guérillères imagines the attack on the language and bodies of men by a tribe of warrior women. Among the women’s most powerful weapons in their assault is laughter, but they also threaten literary and linguistic customs of the patriarchal order with bullets. In this breathtakingly rapid novel first published in 1969, Wittig animates a lesbian society that invites all women to join their fight, their circle, and their community. A path-breaking novel about creating and sustaining freedom, the book derives much of its energy from its vaunting of the female body as a resource for literary invention.
This feminist novel "is an examination of childhood experiences viewed through the consciousness of a rebellious young girl in a convent school. Its unorthodox, minimally punctuated, and nonchronological narrative established Wittig’s course as a writer... The novel... is a brilliant account of the making of a feminine subject, from childhood to adolescence." --www.britannica.com.
Contemporary Feminist Utopianism by Lucy Sargisson Pdf
Contemporary Feminist Utopianismis a stimulating, original and accessible survey of some of the more complex strands of contemporary thought. Exploring current debates within utopian studies, feminist theory and poststructuralist deconstruction, Lucy Sargisson argues for utopianism as a route out of the dilemma of contemporary feminism as well as a way of conceptualizing its current situation. The author rejects approaches to utopianism which insist upon utopia as a perfect blueprint for the future. Instead, she identifies a new transgressive utopianism which destroys old certainties in favor of a new and more unsettling vision of a feminist future. This utopianism stresses process over product and is informed by contemporary poststructuralist theories of language. Such a utopianism resists closure, negating and destroying the dualistic system of thought she argues underpins the western tradition.
Drawing on narratological and feminist theory, Susan Sniader Lanser explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. She sheds light on the history of "voice" as a narrative strategy and as a means of attaining social power. She considers the dynamics in personal voice in authors such as Mary Shelley, Charlotte Brontë, Zora Neale Hurston, and Jamaica Kincaid. In writers who attempt a "communal voice"—including Mary Wollstonecraft, Elizabeth Gaskell, Joan Chase, and Monique Wittig—she finds innovative strategies that challenge the conventions of Western narrative.
Manifestoes and public spheres: probing modernity -- Manifestoes and revolutionary discourse: women in the cross fire -- Militant allies, strange bedfellows: suffragettes and vorticists before the war -- Modernists and gatekeeping manifestoes: Pound, Loy and modern sanctions -- A second-wave problematic: how to be a radical.
These political, philosophical, and literary essays mark the first collection of theoretical writing from the acclaimed novelist and French feminist writer Monique Wittig. “Among the most provocative and compelling feminist political visions since The Second Sex. These essays represent the radical extension of de Beauvoir’s theory, its unexpected lesbian future. Wittig’s theoretical insights are both precise and far-reaching, and her theoretical style is bold, incisive, even shattering.” —Judith Butler, Johns Hopkins University
"In order to write" said Simone de Beauvoir, "the first essential condition is that reality can no longer be taken for granted." She and four other French women writers of the second half of the twentieth century—Nathalie Sarraute, Marguerite Duras, Monique Wittig, and Maryse Condé—illustrate that producing autobiography is like performing a tightrope act on the slippery line between fact and fiction. Autobiographical Tightropes emphasizes the tension in the works of these major writers as they move in and out of "experience" and "literature," violating the neat boundaries between genres and confusing the distinctions between remembering and creating. Focusing on selected works, Leah D. Hewitt for the first time anywhere explores the connections among the authors. In doing so she shows how contemporary women's autobiography in France links with feminist issues, literary tradition and trends, and postmodern theories of writing. In light of these theories Hewitt offers a new reading of de Beauvoir's memoirs and reveals how her attempt to represent the past faithfully is undone by irony, by literary and "feminine" detours. Other analysts of Nathalie Sarraute's writing have dwelt mainly on formal considerations of the New Novel, but Hewitt exposes a repressed, forbidden feminine aspect in her literary innovations. Unlike Sarraute, Duras cannot be connected with just one literary movement, political stance, style, or kind of feminism because her writing, largely autobiographical, is marked by chameleon like transformations. The chapters on Wittig and Condé show how, within the bounds of feminism, lesbians and women of color challenge the individualistic premises of autobiography. Hewitt demonstrates that, despite vast differences among these five writers, all of them reveal in their autobiographical works the self's need of a fictive other.
Monique Wittig, who died in January 2003, was a leading French feminist, social theorist, prose poet, and novelist--and an activist who helped start the lesbian and women's liberation movements in France. This collection of essays by Wittig and on her work is the first sustained examination in English of her broad-ranging political, literary, and theoretical viewpoints. On Monique Wittig contains twelve essays, representing French, Francophone, and U.S. critics, including three previously unpublished pieces by Wittig herself. Among the essays is Diane Griffin Crowder's discussion of the U.S. feminist movement, Linda Zerilli's consideration of gender and will, and Teresa de Lauretis's examination of the development of lesbian theory. Together, these essays situate Wittig's work in terms of the cultural contexts of its production and reception. This volume also contains the first authenticated chronology of Wittig's life and features the first translation of "For a Movement of Women's Liberation," which Wittig published with other "militantes" in May 1970. As the first book to appear on Wittig following her death, On Monique Wittig is an indispensable tool for feminist scholars.
Annotation Writing from positions of cultural exclusion, women have faced constraints not only upon the "content" of fiction but upon the act of narration itself. Narrative voice thus becomes a matter not simply of technique but of social authority: how to speak publicly, to whom, and in whose name. Susan Sniader Lanser here explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. Drawing upon narratological and feminist theory, Lanser sheds new light on the history of "voice" as a narrative strategy and as a means of attaining social power.
Back in print, this daring novel constitutes a rhapsodic hymn to women's bodies and women's relationships. "That rare work in fiction . . . the art and the courage are of the highest level." -The Boston Globe
