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Life, Death, and Growing Up on the Western Front by Anthony Fletcher Pdf
This book was inspired by the author’s discovery of an extraordinary cache of letters from a soldier who was killed on the Western Front during the First World War. The soldier was his grandfather, and the letters had been tucked away, unread and unmentioned for many decades. Intrigued by the heartbreak and history of these family letters, Fletcher sought out the correspondence of other British soldiers who had volunteered for the fight against Germany. This resulting volume offers a vivid account of the physical and emotional experiences of seventeen British soldiers whose letters survive. Drawn from different regiments, social backgrounds, and areas of England and Scotland, they include twelve officers and five ordinary “Tommies.” The book explores the training, journey to France, fear, shellshock, and life in the trenches as well as the leisure, love, and home leave the soldiers dreamed of. Fletcher discusses the psychological responses of 17- and 18-year-old men facing appalling realities and considers the particular pressures on those who survived their fallen comrades. While acknowledging the horror and futility the soldiers of the Great War experienced, the author shows another side to the story, focusing new attention on the loyal comradeship, robust humor, and strong morale that uplifted the men at the Front and created a powerful bond among them.
The First World War was an unprecedented crisis, with communities and societies enduring the unimaginable hardships of a prolonged conflict on an industrial scale. In Belgium and France, the terrible capacity of modern weaponry destroyed the natural world and exposed previously held truths about military morale and tactics as falsehoods. Hundreds of thousands of soldiers suffered some of the worst conditions that combatants have ever faced. How did they survive? What did it mean to them? How did they perceive these events? Whilst the trenches of the Western Front have come to symbolise the futility and hopelessness of the Great War, Alex Mayhew shows that English infantrymen rarely interpreted their experiences in this way. They sought to survive, navigated the crises that confronted them, and crafted meaningful narratives about their service. Making Sense of the Great War reveals the mechanisms that allowed them to do so.
Five Children on the Western Front by Kate Saunders Pdf
An epic, heart-wrenching follow-on from E. Nesbit's Five Children and It stories. The five children have grown up and World War I has begun in earnest. Cyril is off to fight, Anthea is at art college, Robert is a Cambridge scholar and Jane is at high school. The Lamb is the grown up age of 11, and he has a little sister, Edith, in tow. The sand fairy has become a creature of stories ... until, for the first time in 10 years, he suddenly reappears. The siblings are pleased to have something to take their minds off the war, but this time the Psammead is here for a reason, and his magic might have a more serious purpose. Before this last adventure ends, all will be changed, and the two younger children will have seen the Great War from every possible viewpoint - factory-workers, soldiers and sailors, nurses and ambulance drivers, and the people left at home, and the war's impact will be felt right at the heart of their family.
Why do so many writers and audiences turn to theatre to resolve overwhelming topics of pain and suffering? This collection of essays from international scholars reconsiders how theatre has played a crucial part in encompassing and preserving significant human experiences. Plays about global issues, including terrorism and war, are increasing in attention from playwrights, scholars, critics and audiences. In this contemporary collection, a gathering of diverse contributors explain theatre's special ability to generate dialogue and promote healing when dealing with human tragedy. This collection discusses over 30 international plays and case studies from different time periods, all set in a backdrop of war. The four sections document British and American perspectives on theatres of war, global perspectives on theatres of war, perspectives on Black Watch and, finally, perspectives on The Great Game: Afghanistan. Through this, a range of international scholars from different disciplines imaginatively rethink theatre's unique ability to mediate the impacts and experiences of war. Featuring contributions from a variety of perspectives, this book provides a wealth of revealing insights into why authors and audiences have always turned to the unique medium of theatre to make sense of war.
All Quiet on the Western Front by Erich Maria Remarque Pdf
The classic tale of a young soldier's harrowing experiences in the trenches, widely acclaimed as the greatest war novel of all time—featuring an Introduction by historian Norman Stone. Now a Netflix Film. When twenty-year-old Paul Bäumer and his classmates enlist in the German army during World War I, they are full of youthful enthusiam. But the world of duty, culture, and progress they had been taught to believe in shatters under the first brutal bombardment in the trenches. Through the ensuing years of horror, Paul holds fast to a single vow: to fight against the principle of hate that meaninglessly pits young men of the same generation but different uniforms against one another. Erich Maria Remarque's classic novel not only portrays in vivid detail the combatants' physical and mental trauma, but dramatizes as well the tragic detachment from civilian life felt by many upon returning home. Remarque's stated intention—“to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war"—remains as powerful and relevant as ever, a century after that conflict's end." Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
'Outstanding . . . thought-provoking, readable and informative' Soldier One hundred years on... On 18 July 1917, a heavy artillery barrage was unleashed by the Allied forces against an entrenched German army outside the town of Ypres. it was to be the opening salvo of one of the most ferociously fought and debilitating encounters of the First World War. Few battles would encapsulate the utter futility of the war better that what became known as the Battle of Passchendaele. By the time the British and Canadian forces finally captured Passchendaele village on 6 November, the Allies had suffered over 271,000 casualties and the German army over 217,000. Passchendaele: Requiem for Doomed Youth shows how ordinary men on both sides endured this constant state of siege, with a very real awareness that they were being gradually, deliberately felled. Here, Paul Ham tells the story of an army caught in the grip of an extraordinary power struggle – both global and national. As Prime Minister Lloyd George and Commander Haig’s relationship deteriorated beyond repair, so a terrible battle of attrition was needlessly and painfully prolonged. Ham lays down a powerful challenge to the ways in which we have previously seen this monumental battle. Through an examination of the culpability of governments and military commanders in a catastrophe that destroyed the best part of a generation, Paul Ham argues that Passchendaele, far from being a breakthrough moment, was the battle that nearly lost the Allies the war. ‘Paul Ham brings new tools to the job, unearthing fresh evidence of a deeply disturbing sort. He has a magpie eye for the telling detail.’ Ben Macintyre, The Times
Writing War, Writing Lives by Kate McLoughlin,Lara Feigel,Nancy Martin Pdf
War affects life writing and lives affect war writing. The traditional forms of life writing—memoir, biography, letters, diaries—buckle under the strain of war. War writing has fewer traditional forms but exists at a similar extreme. The eight chapters in this book, written by leading and up-and-coming scholars in the field, illuminate the creative innovations, improvisations, and implosions which happen when the demands of writing war and writing lives collide. Central to all is the question of authenticity: how can wars and lives be known and who can speak of them with authority? This volume has a generous chronological and generic range, beginning in the early 1800s and stretching to 21st-century texts, and covering letters, diaries, fiction, ‘fakeries’, poetry, biography, testimony, songs, objects, and digital media. The mix of authors is similarly varied: Thomas Hardy, W. H. Auden and Elizabeth Bowen rub shoulders with Yousif M. Qasmiyeh (a contemporary Palestinian poet), Farah Baker (a Gazan teenager) and the writers behind the pen-names Araki Yasusada and Jiri Kajanë. This book was originally published as a special issue of Textual Practice.
War Time by Louis Halewood,Adam Luptak,Hanna Smyth Pdf
The International Society for First World War Studies’ ninth conference, ‘War Time’, drew together emerging and leading scholars to discuss, reflect upon, and consider the ways that time has been conceptualised both during the war itself and in subsequent scholarship. War Time: First World War Perspectives on Temporality, stemming from this 2016 conference, offers its readers a collection of the conference’s most inspiring and thought-provoking papers from the next generation of First World War scholars. In its varied yet thematically-related chapters, the book aims to examine new chronologies of the Great War and bring together its military and social history. Its cohesive theme creates opportunities to find common ground and connections between these sub-disciplines of history, and prompts students and academics alike to seriously consider time as alternately a unifying, divisive, and ultimately shaping force in the conflict and its historiography. With content spanning land and air, the home and fighting fronts, multiple nations, and stretching to both pre-1914 and post-1918, these ten chapters by emerging researchers (plus an introductory chapter by the conference organisers, and a foreword by John Horne) offer an irreplaceable and invaluable snapshot of how the next generation of First World War scholars from eight countries were innovatively conceptualising the conflict and its legacy at the midpoint of its centenary.
Previously unpublished letters and a private journal provide an intimate view of World War I through the eyes of an ordinary soldier from western New York. The United States entered World War I in April 1917, and by the end of the conflict two million American soldiers were fighting on French soil. One of them was Private Frederick A. Kittleman, who was born in the small city of Olean in western New York. After being drafted in 1918, Kittleman was sent to France as a part of an artillery regiment. While overseas, he participated in several of the large battles in the final stages of the war, including the Meuse-Argonne Offensive. Throughout this time, he wrote regularly to his family. In Somewhere in France, Thomas J. Schaeper transcribes these letters, which show a young man proud to join the army and excited about his adventures. The letters are contrasted with Kittlemans journal, which recounts the gritty details of battle that he shielded from his family in their correspondence. Schaeper provides detailed annotations of the journal and letters, which, together with a number of illustrations, paint a vivid picture of the experiences of a private in WWI, his opinion on Americas participation in the final, bloody campaigns of the war, and the psychological and physical effects that the war had on him. The combination of Private Kittlemans letters to his family and his personal journal offer a fascinating portrait of one young mans poignant journey from eager recruit to seasoned veteran. These letters, elegantly annotated by Thomas Schaeper, tell Americas story during WWI, revealing how the war permanently altered the nation and the lives of the wartime generation. Jennifer D. Keene, author of Doughboys, the Great War, and the Remaking of America PRAISE FOR SOMEWHERE IN FRANCE Schaeper presents an intimate look at New York doughboy, Frederick A. Kittleman. Throughout the book, Schaeper offers the appropriate context while allowing Kittlemans voice the lead during his training, travel overseas, combat experience, and postwar activities. Kittlemans faith and family fortified him with the strength necessary to endure and survive the Western Fronta century later, it would behoove us to learn from Kittlemans character. Schaeper provides us with a superb representation of the doughboy. Edward A. Gutiérrez, author of Doughboys on the Great War: How American Soldiers Viewed Their Military Experience Located in the space where personal and national history intersect, Somewhere in France places us with Frederick Kittleman in training camp and on the front lines in ways battle histories seldom do. Routine details of Sunday menus and army inoculations come alive through Fredericks entertaining voice, preserving a historical moment which shaped the twentieth century. Schaepers skillful editing creates a cohesive narrative linked by his own informative and engaging comments. Kudos to Schaeper for recognizing the value of this fascinating look into the life of an ordinary soldier. I couldnt put it down. Celia M. Kingsbury, author of For Home and Country: World War I Propaganda on the Home Front
A New York Times Book Review Editor's Choice and Nominated for the 2017 PEN/Bograd Weld Prize for Biography A captivating exploration of A. E. Housman and the influence of his particular brand of Englishness A. E. Housman’s A Shropshire Lad made little impression when it was first published in 1896 but has since become one of the best-loved volumes of poetry in the English language. Its evocation of the English coun - tryside, thwarted love, and a yearning for things lost is as potent today as it was more than a century ago, and the book has never been out of print. In Housman Country, Peter Parker explores the lives of A. E. Housman and his most famous book, and in doing so shows how A Shropshire Lad has permeated English life and culture since its publication. The poems were taken to war by soldiers who wanted to carry England in their pockets, were adapted by composers trying to create a new kind of English music, and have influ - enced poetry, fiction, music, and drama right up to the present day. Everyone has a personal “land of lost content” with “blue remembered hills,” and Housman has been a tangible and far-reaching presence in a startling range of work, from the war poets and Ralph Vaughan Williams to Inspector Morse and Morrissey. Housman Country is a vivid exploration of England and Englishness, in which Parker maps out terrain that is as historical and emotional as it is topographical.
Trauma, Primitivism and the First World War by Joy Porter Pdf
This book examines the extraordinary life of Frank “Toronto” Prewett and the history of trauma, literary expression, and the power of self-representation after WWI. Joy Porter sheds new light on how the First World War affected the Canadian poet, and how war-induced trauma or “shell-shock” caused him to pretend to be an indigenous North American. Porter investigates his influence of, and acceptance by, some of the most significant literary figures of the time, including Siegfried Sassoon, Edmund Blunden, Wilfred Owen and Robert Graves. In doing so, Porter skillfully connects a number of historiographies that usually exist in isolation from one another and rarely meet. By bringing together a history of the WWI era, early twentieth century history, Native American history, the history of literature, and the history of class Porter expertly crafts a valuable contribution to the field.
Commitment and Sacrifice by Marilyn Shevin-Coetzee,Frans Coetzee Pdf
For years, those who attempted to understand the devastation of World War I looked to the collections of diplomatic documents, the stirring speeches, and the partisan memoirs of the leading participants. However, those accounts offered little by way of the intimate history, or the individual experiences of those involved in the Great War. In Commitment and Sacrifice, Marilyn Shevin-Coetzee and Frans Coetzee provide just such an "intimate look" by bringing together previously unpublished diaries of five participants in the First World War and restoring to publication the diary of a sixth that has long been out of print. The six diaries address the war on the Western front and the Mediterranean, as well as behind the lines on the home front. Together, these diarists form a diverse group: John French, a British sapper who dug precarious tunnels beneath the trenches of the Western Front; Henri Desagneaux, a French infantry officer embroiled in years of bloody combat; Philip T. Cate, an idealistic American volunteer ambulance driver who sought to save lives rather than take them; Willy Wolff, a German businessman caught in England upon the war's outbreak and interned there for the duration; James Douglas Hutchison, a New Zealand artilleryman fighting thousands of miles from home; and Felix Kaufmann, a German machine gunner, captured and held as a prisoner of war. Through the personal reflections of these young men, we are transported into many of the iconic episodes of the war, from the upheaval of mobilization through the great battles of Gallipoli, Verdun, and the Somme, as well as the less familiar "other ordeal" of internment and captivity. As members of the so-called Generation of 1914 (each was between nineteen and twenty-four years old), they shared an unwavering commitment to their countries' cause, and possessed a steadfast determination to persevere despite often appalling circumstances. Collectively, these diaries illuminate the sacrifices of war, whether willingly volunteered or stoically endured. That the diarists had the desire and the ingenuity to record their experiences, whether for their families, posterity, or simply their own personal satisfaction, gives readers the ability to eavesdrop on horrors long past. A century later, we are fortunate that they were both willing and able to set pencil to paper.
For anyone interested in crime fiction and television, or for those wanting to understand America's idolization of the good guy with a gun, Detectives in the Shadows is essential reading.
Communicating the Middle Ages by Iris Shagrir,Benjamin Kedar,Michel Balard Pdf
This volume is a collection of nineteen original essays by leading specialists on the history, historiography and memory of the Crusades, the social and cultural aspects of life in the Latin East, as well as the military orders and inter-religious relations in the Middle Ages. Intended to appeal to scholars and students alike, the volume honours Professor Sophia Menache of the Department of History, University of Haifa, Israel. The contributions reflect the richness of Professor Menache's research interests - medieval communications, the Church and the Papacy in the central and later Middle Ages, the Crusades and the military orders, as well as the memory and historiography of the Crusades.