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Liminal Fiction at the Edge of the Millennium by Jessica A. Folkart Pdf
Liminal Fiction at the Edge of the Millennium: The Ends of Spanish Identity examines how diverse manifestations of otherness coalesce in the cultural response to shifting perceptions of identity in Spain as well as the broader context of globalization at the turn of the millennium.
Late Europeans and Melancholy Fiction at the Turn of the Millennium by Ian Ellison Pdf
This book is the first comparative study of novels by Patrick Modiano, W. G. Sebald, and Antonio Muñoz Molina. Drawing on many literary figures, movements, and traditions, from the Spanish Golden Age, to German Romanticism, to French philosophy, via Jewish modernist literature, Ian Ellison offers a fresh perspective on European fiction published around the turn of the millennium. Reflecting on what makes European fiction European, this book examines how certain novels understand themselves to be culturally and historically late, expressing a melancholy awareness of how the past and present are irreconcilable. Within this framework, however, it considers how backwards-facing, tradition-oriented self-consciousness, burdened by a sense of exhaustion in European culture and the violence of its past, may yet suggest the potential for re-enchantment in the face of obsolescence.
Migrant Frontiers by Anna Tybinko,Lamonte Aidoo,Daniel F. Silva Pdf
This book examines today’s massive migrations between Global South and Global North in light of Spain and Portugal’s complicated colonial legacies. It offers unique material on Spanish-speaking and Lusophone Africa in conjunction to transatlantic and transpacific perspectives encompassing the Americas, Asia, and the Caribbean. For the first time, these are brought together to explore how movement within and beyond these former metropoles came to define the Iberian Peninsula. The collection is composed of papers that study human mobility in Spanish-speaking or Lusophone contexts from a myriad of approaches. The project thus sheds critical light on migratory movement within the Luso-Hispanic world, and also beyond its traditional geo-linguistic parameters, through an eclectic and inter-disciplinary collection of essays, traversing anthropology, literary studies, theater, and popular culture. Beyond focusing solely on the geo-political limits of Peninsular space, several essays interrogate the legacies of Iberian colonial projects in a global perspective, and how the discursive underpinnings of these impact the politics of migration in the broader Luso-Hispanic world.
The Spanish Civil War was idealized as a poet’s war. The thousands of poems written about the conflict are memorable evidence of poetry’s high cultural and political value in those historical conditions. After Franco’s victory and the repression that followed, numerous Republican exiles relied on the symbolic agency of poetry to uphold a sense of national identity. Exilic poems are often read as claim-making narratives that fit national literary history. This Ghostly Poetry critiques this conventional understanding of literary history by arguing that exilic poems invite readers to seek continuity with a traumatic past just as they prevent their narrative articulation. The book uses the figure of the ghost to address temporal challenges to historical continuity brought about by memory, tracing the discordant, disruptive ways in which memory is interwoven with history in poems written in exile. Taking a novel approach to cultural memory, This Ghostly Poetry engages with literature, history, and politics while exploring issues of voice, time, representation, and disciplinarity.
Colonialist Gazes and Counternarratives of Blackness by Ana León-Távora,Rosalía Cornejo-Parriego Pdf
Building on the growing field of Afropean Studies, this interdisciplinary and intermedial collection of essays proposes a dialogue on Afro-Spanishness that is not exclusively tied to immigration and that understands Blackness as a non-essentialist, heterogeneous and diasporic concept. Studying a variety of twentieth- and twenty-first-century cultural products, some essays explore the resilience of the colonialist paradigms and the circulation of racial ideologies and colonial memories that promote national narratives of whitening. Others focus on Black self-representation and examine how Afro-Spanish authors, artists, and activists destabilize colonial gazes and constructions of national identity, propose decolonial views of Spain and Europe’s literature and history, articulate Afro-Diasporic knowledges, and envision Afro-descendance as an empowering tool.
The Necropolitical Theater by Jeffrey K. Coleman Pdf
The Necropolitical Theater: Race and Immigration on the Contemporary Spanish Stage demonstrates how theatrical production in Spain since the early 1990s has reflected national anxieties about immigration and race. Jeffrey K. Coleman argues that Spain has developed a “necropolitical theater” that casts the non-European immigrant as fictionalized enemy—one whose nonwhiteness is incompatible with Spanish national identity and therefore poses a threat to the very Europeanness of Spain. The fate of the immigrant in the necropolitical theater is death, either physical or metaphysical, which preserves the status quo and provides catharsis for the spectator faced with the notion of racial diversity. Marginalization, forced assimilation, and physical death are outcomes suffered by Latin American, North African, and sub-Saharan African characters, respectively, and in these differential outcomes determined by skin color Coleman identifies an inherent racial hierarchy informed by the legacies of colonization and religious intolerance. Drawing on theatrical texts, performances, legal documents, interviews, and critical reviews, this book challenges Spanish theater to develop a new theatrical space. Jeffrey K. Coleman proposes a “convivial theater” that portrays immigrants as contributors to the Spanish state and better represents the multicultural reality of the nation today.
Home Away from Home: Immigrant Narratives, Domesticity, and Coloniality in Contemporary Spanish Culture examines ideological, emotional, economic, and cultural phenomena brought about by migration through readings of works of literature and film featuring domestic workers. In the past thirty years, Spain has experienced a massive increase in immigration. Since the 1990s, immigrants have been increasingly female, as bilateral trade agreements, migration quotas, and immigration policies between Spain and its former colonies (including the Dominican Republic, Ecuador, Equatorial Guinea, and the Philippines) have created jobs for foreign women in the domestic service sector. These migrations reveal that colonial histories continue to be structuring elements of Spanish national culture, even in a democratic era in which its former colonies are now independent. Migration has also transformed the demographic composition of Spain and has created complex new social relations around the axes of gender, race, and nationality. Representations of migrant domestic workers provide critical responses to immigration and its feminization, alongside profound engagements with how the Spanish nation has changed since the end of the Franco era in 1975. Throughout Home Away from Home, readings of works of literature and film show that texts concerning the transnational nature of domestic work uniquely provide a nuanced account of the cultural shifts occurring in late twentieth- through twenty-first-century Spain.
The chapters included in this volume examine a number of modern and contemporary travel and mobility narratives produced in the different languages of Iberia, whether they offer accounts of Iberia itself or portray other geographical or human contexts. Illustrating the diversity of forms characteristic of travel writing, the texts discussed in the book feature representations of travel and mobility as presented in novels, films and other literary and cultural manifestations such as comics, plays and journalistic chronicles. Additionally, the volume incorporates a section of creative responses to the tropes of travel and mobility by contemporary Iberian authors in English translation. Thus, the book provides critical accounts of and creative insights into a tradition that has produced canonical texts, but also unorthodox, complex and challenging narratives, particularly in more recent times. Dr Helena Buffery is Senior Lecturer in Hispanic Studies at University College Cork (Ireland). Dr Sergi Mainer is Teaching Fellow in Spanish at the University of Edinburgh (Scotland). Dr David Miranda-Barreiro is Senior Lecturer in Hispanic Studies at Bangor University (Wales). Dr Martín Veiga is Lecturer in Hispanic Studies at University College Cork (Ireland) and Director of the Irish Centre for Galician Studies./i>
Monsters and Monstrosity from the Fin de Siecle to the Millennium by Sharla Hutchison,Rebecca A. Brown Pdf
Zombies, vampires and ghosts feature prominently in nearly all forms of entertainment in the 21st century, including popular fiction, film, comics, television and computer games. But these creatures have been vital to the entertainment industry since the best-seller books of a century and half ago. Monsters don't just invade popular culture, they help sell popular culture. This collection of new essays covers 150 years of enduringly popular Gothic monsters who have shocked and horrified audiences in literature, film and comics. The contributors unearth forgotten monsters and reconsider familiar ones, examining the audience taboos and fears they embody.
London Fiction at the Millennium by Claire Allen Pdf
This book analyses London fiction at the millennium, reading it in relation to an exploration of a theoretical positioning beyond the postmodern. It explores how a selection of novels can be considered as “second-wave” or “post-postmodern” in light of their borrowing more from mainstream and classical genres as opposed to formally experimental avant-garde techniques. It considers how writers utilise the cultural capital of London in a process of relocating marginalized, subjugated or under-represented voices. The millennium provides an apt symbolic opportunity to reflect on British fiction and to consider the direction in which contemporary authors are moving. As such, key novels by Martin Amis, Bella Bathurst, Bernardine Evaristo, Mark Haddon, Nick Hornby, Hanif Kureishi, Andrea Levy, Gautam Malkani, Timothy Mo, Will Self, Ali Smith, Zadie Smith, Rupert Thomson, and Sarah Waters are used to explore writing beyond the postmodern. ‘In this significant and welcome contribution to the field, Allen provides us with a sophisticated, detailed, and rigorous study of the move in contemporary fiction beyond postmodernism as exemplified by London fiction.’ —Nick Hubble, Brunel University London, UK
Horror Culture in the New Millennium by Daniel W. Powell Pdf
Horror Culture in the New Millienium surveys horror culture in the first two decades of the new millennium through a series of critical essays on the changing character of dark storytelling. It is a journey both into the complexity of the evolution of communication and the stories we tell about what it means to be human.
After the death of his paddling companion, a German shepherd–labrador retriever mix named Jasper, Kim Trevathan began a series of solitary upstream kayaking quests in search of what he calls “liminal zones,” transitional areas where dammed reservoirs give way to the current of the rivers that feed them. For four years he scoured the rivers and lakes of America, where environmentally damaging, and now decaying, man-made structures have transformed the waterways. In this thoughtful work, he details his upriver adventures, describing the ecological and aesthetic differences between a dammed river and a free-flowing river and exploring the implications of what liminal zones represent—a reassertion of pure, unadulterated nature over engineered bodies of water. Trevathan began by exploring the rivers and creeks of his childhood: the Blood River and Clarks River in western Kentucky. He soon ventured out to the Wolf River, the Big South Fork of the Cumberland, and other waterways in Tennessee. In 2008, he looped around the country with trips to Indiana’s Tippecanoe River, Montana’s Clearwater River, Oregon’s Deschutes and Rogue Rivers, and Colorado’s Dolores River, as well as adventures on such southeastern rivers as the Edisto, the Tellico, and the Nantahala. To Trevathan, paddling upstream became a sort of religion, with a vaporous deity that kept him searching. Each excursion yielded something unexpected, from a near-drowning in the Rogue River to a mysterious fog bank that arose across the Nantahala at midday. Throughout Liminal Zones, Trevathan considers what makes certain places special, why some are set aside and protected, why others are not, and how free-flowing streams remain valuable to our culture, our history, and our physical and spiritual health. This contemplative chronicle of his journeys by water reveals discoveries as varied and complex as the rivers themselves.
Margaret Atwood: Crime Fiction Writer by Jackie Shead Pdf
Exploring how Margaret Atwood’s fiction reimagines the figure of the detective and the nature of crime, Jackie Shead shows how the author radically reworks the crime fiction genre. Shead focuses on Surfacing, Bodily Harm, Alias Grace, The Blind Assassin, Oryx and Crake and selected short fiction, showing the ways in which Atwood’s protagonists are confronted by their own collusion in hegemonic assumptions and thus are motivated to investigate and expose crimes of gender, class and colonialism. Shead begins with a discussion of how Atwood’s treatment of crime fiction’s generic elements, particularly those of the whodunit, clue puzzle and spy thriller, departs from convention. Through discussion of Atwood’s metafictive strategies, Shead also examines Atwood’s techniques for activating her readers as investigators who are offered an educative process parallel to that experienced by some of the author’s protagonists. This book also marks a significant intervention in an ongoing debate among Atwood critics that pits the author’s postmodernism against her ethical and humanistic concerns.
Twenty-First-Century British Fiction and the City by Magali Cornier Michael Pdf
The essays in this edited collection offer incisive and nuanced analyses of and insights into the state of British cities and urban environments in the twenty-first century. Britain’s experiences with industrialization, colonialism, post-colonialism, global capitalism, and the European Union (EU) have had a marked influence on British ideas about and British literature’s depiction of the city and urban contexts. Recent British fiction focuses in particular on cities as intertwined with globalization and global capitalism (including the proliferation of media) and with issues of immigration and migration. Indeed, decolonization has brought large numbers of people from former colonies to Britain, thus making British cities ever more diverse. Such mixing of peoples in urban areas has led to both racist fears and possibilities of cosmopolitan co-existence.