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Author : Anonim
Publisher : Unknown
Page : 1264 pages
File Size : 45,8 Mb
Release : 1857
Category : Electronic
ISBN : HARVARD:32044089248801
Author : Anonim
Publisher : Unknown
Page : 646 pages
File Size : 52,6 Mb
Release : 1858
Category : Great Britain
ISBN : PRNC:32101075393569
Author : Anonim
Publisher : Unknown
Page : 838 pages
File Size : 45,8 Mb
Release : 1821
Category : Electronic
ISBN : NYPL:33433115473476
Author : William Jerdan,William Ring Workman,Frederick Arnold,John Morley,Charles Wycliffe Goodwin
Publisher : Unknown
Page : 860 pages
File Size : 42,6 Mb
Release : 1819
Category : Electronic
ISBN : UOM:39015030329794
Author : Anonim
Publisher : Unknown
Page : 858 pages
File Size : 53,6 Mb
Release : 1837
Category : Great Britain
ISBN : PRNC:32101075393387
Author : Samuel Hubbard Scudder
Publisher : Unknown
Page : 750 pages
File Size : 40,5 Mb
Release : 1879
Category : Science
ISBN : UIUC:30112024880608
Author : Samuel Hubbard Scudder
Publisher : Unknown
Page : 388 pages
File Size : 43,5 Mb
Release : 1879
Category : Electronic
ISBN : OXFORD:590892026
Author : Samuel Hubbard Scudder
Publisher : Unknown
Page : 384 pages
File Size : 44,8 Mb
Release : 1879
Category : Electronic
ISBN : ONB:+Z267542302
Author : Patrick R. O'Malley
Publisher : University of Virginia Press
Page : 278 pages
File Size : 47,7 Mb
Release : 2023-12-20
Category : Literary Criticism
ISBN : 9780813950556
This book analyzes the role of Irishness in nineteenth-century constructions of race and racialization, both in the British Isles and in the United States. Focusing on the years immediately preceding the American Civil War, Patrick O’Malley interrogates the bardic verse epic, the gothic tale, the realist novel, the stage melodrama, and the political polemic to ask how many mid-nineteenth-century Irish nationalist writers with liberationist politics declined to oppose race-based chattel enslavement in the United States and the structures of white supremacy that underpinned and ultimately outlived it. Many of the writers whose work O’Malley examines drew specifically upon the image of Black suffering to generate support for their arguments for Irish political enfranchisement; yet in doing so, they frequently misrepresented the fundamental differences between Irish and Black experience under the regimes of white supremacy, which has had profound consequences.
Author : Anonim
Publisher : Unknown
Page : 424 pages
File Size : 53,7 Mb
Release : 1819
Category : Electronic
ISBN : SRLF:A0004035176
Author : Harvard University. Library
Publisher : Unknown
Page : 384 pages
File Size : 52,6 Mb
Release : 1879
Category : Bibliography
ISBN : UOM:39015031738597
Author : Anonim
Publisher : Unknown
Page : 942 pages
File Size : 44,7 Mb
Release : 2024-05-03
Category : Books on microfilm
ISBN : WISC:89126213016
Author : Indiana University. Libraries
Publisher : Unknown
Page : 1200 pages
File Size : 54,7 Mb
Release : 1985
Category : Periodicals
ISBN : IND:30000043087406
Author : Anonim
Publisher : Unknown
Page : 2012 pages
File Size : 52,9 Mb
Release : 1995
Category : Periodicals
ISBN : UIUC:30112078952311
A union list of serials commencing publication after Dec. 31, 1949.
Author : A. Robert Lee
Publisher : BRILL
Page : 543 pages
File Size : 50,5 Mb
Release : 2009-01-01
Category : Literary Criticism
ISBN : 9789401206600
Gothic to Multicultural: Idioms of Imagining in American Literary Fiction, twenty-three essays each carefully revised from the past four decades, explores both range and individual register. The collection opens with considerations of gothic as light and dark in Charles Brockden Brown, war and peace in Cooper’s The Spy, Antarctica as world-genesis in Poe’s The Narrative of Arthur Gordon Pym, the link of “The Custom House” and main text in Hawthorne’s The Scarlet Letter, reflexive codings in Melville’s Moby-Dick and The Confidence-Man, Henry James’ Hawthorne as self-mirroring biography, and Stephen Crane’s working of his Civil War episode in The Red Badge of Courage. Two composite lineages address apocalypse in African American fiction and landscape in women’s authorship from Sarah Orne Jewett to Leslie Marmon Silko. There follow culture and anarchy in Henry James’ The Princess Casamassima, text-into-film in Edith Wharton’s The Age of Innocence, modernist stylings in Fitzgerald, Faulkner and Hemingway, and roman noir in Cornell Woolrich. The collection then turns to the limitations of protest categorization for Richard Wright and Chester Himes, autofiction in J.D. Salinger’s The Catcher in the Rye, and the novel of ideas in Robert Penn Warren’s late fiction. Three closing essays take up multicultural genealogy, Harlem, then the Black South, in African American fiction, and the reclamation of voice in Native American fiction.