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Ten original essays examine the transactions between real places and the literary imagination, including the reinvention of real places in literary form, from 1800 to the present day. They deal with different kinds of locations (islands, countries, cities), the topoi writers use to articulate a sense of place (maps, ruins, landscape, history), their generic manifestations in fiction, travel writing, topography, (auto)biography and poetry, and the theoretical and methodological issues which arise. The focus moves outwards from local to regional and national issues, covering questions of cultural identity, space, representation, historicity, and modernity in England, Scotland, Ireland, France, Germany, the United States, and the South Pacific. The contributors are drawn from both sides of the Atlantic, and include established scholars as well as newer voices.
Inhabiting Contemporary Southern and Appalachian Literature by Casey Clabough Pdf
The idea of place--any place--remains one of our most basic yet slippery concepts. It is a space with boundaries whose limits may be definite or indefinite; it can be a real location or an abstract mental, spiritual, or imaginary construction. Casey Clabough’s thorough examination of the importance of place in southern literature examines the works of a wide range of authors, including Fred Chappell, George Garrett, William Hoffman, Julien Green, Kelly Cherry, David Huddle, and James Dickey. Clabough expands the definition of "here" beyond mere geography, offering nuanced readings that examine tradition and nostalgia and explore the existential nature of "place." Deeply concerned with literature as a form of emotional, intellectual, and aesthetic engagement with the local and the regional, Clabough considers the idea of place in a variety of ways: as both a physical and metaphorical location; as an important factor in shaping an individual, informing one of the ways the person perceives the world; and as a temporal as well as geographic construction. This fresh and useful contribution to the scholarship on southern literature explains how a text can open up new worlds for readers if they pay close enough attention to place.
Literature and Place 1800-2000 by John Robert Arnone Pdf
Us and Them chronicles the depth to which Canada and Canadians were part of The Beatles' story-their formation, growth and break up. Entertaining and well researched, Us and Them places John, Paul, George and Ringo as a band and as solo artists in a uniquely Canadian setting; it blends rich stories, facts, analysis, and even dabbles in several plausible but little known accounts that create a new ripple in The Beatles' history. After consuming Us and Them, readers will never again listen to albums Sgt. Pepper's Lonely Hearts Club Band and the White Album, or singles "Come Together", "Give Peace a Chance", "All Things Must Pass", "Imagine" and "Mull of Kintyre" without thinking about these masterworks in a Canadian context. Us and Them is a thorough account of the Fab Four's relationship with Canada, filling an important gap in their narrative and discography.
Literature by David Damrosch,Gunilla Lindberg-Wada,Anders Pettersson,Theo D'haen,Bo Utas,Zhang Longxi,Djelal Kadir,As'ad Khairallah,Harish Trivedi,Eileen Julien Pdf
LITERATURE A WORLD HISTORY An exploration of the history of the world’s literatures and the many varieties of literary expression Literature: A World Historyencompasses all the world’s major literary traditions, emphasizing the interrelationship of local and national cultures over time. Spanning global literature from the beginnings of recorded history to the present day, this expansive four-volume set examines the many varieties of the world’s literatures in their social and intellectual contexts. Its four volumes are devoted to literature before 200 CE, from 200 to 1500, from 1500 to 1800, and from 1800 to 2000, with four dozen contributors providing new insights into the art of literature, and addressing the situation of literature in the world today. Organized throughout in six broad regions—Africa, the Americas, East Asia, Europe, South Asia, Southeast Asia, and Oceania, and West and Central Asia—Literature: A World History offers readers a clear and consistent treatment of diverse forms of literary expression across time and place. Throughout the text, particular emphasis is placed on literary institutions within different regional and linguistic cultures and on the relations between literature and a spectrum of social, political, and religious contexts. Features work by an international panel of leading scholars from around the globe, in Africa, the Middle East, South and East Asia, Australia and New Zealand, Europe, and the United States Provides a balanced overview of national and global literature from all major regions of the world from antiquity to the present Highlights the specificity of regional and local cultures throughout much of literary history, together with cross-cutting essays on topics such as different writing systems, court cultures, and utopias Literature: A World History is an invaluable reference work for undergraduate and graduate students as well as scholars looking for a wide-ranging overview of global literary history.
Animals and Humans in German Literature, 1800-2000 by Lorella Bosco,Micaela Latini Pdf
The recent emergence of the discipline of literary animal studies regards literature in itself as constitutive element of a history of knowledge. The discipline has led not only to the expansion of the corpus of texts traditionally connected with animals, but also established new concepts and methods for revising conventional cultural dichotomies (subject and object, human and animal). The 10 essays collected in this volume are devoted to a wide range of case studies on the relationship between animality and poetics in German-language literature since the 19th century. They display a variety of theoretical and methodological approaches to a number of texts packed with references to animals, considered not primarily as objects of literature, but as agents endowed with an active role in the production of literature, and which have left repressed or forgotten traces in texts.
Exchanges between Literature and Science from the 1800s to the 2000s by Márcia Diana Fernandes Lemos Pdf
This collection of essays responds to the intense interest that the relations between the discourses of literature (and other cultural practices) and those of science have obtained throughout various fields of study. Spanning a period between the mid-nineteenth century and the twenty-first century, the work collected here is firmly focused on the cultural significance of scientific discoveries and practices, and especially on the manifold representations of science and scientists in literature and the arts. Its four sections develop from an initial moment of dwindling indefiniteness of borders between literature and the sciences to the historical perception of an increasing divide between “the two cultures,” to use C.P. Snow’s influential expression, as well as calls for a form of convergence or “consilience” in Edward Wilson’s words. The final section turns to the medical sciences, a porous scientific discipline in relation to the humanities, which suggests that consilience can already be found partially in specific areas. As such, this collection contributes towards critically extending that integration through the discussion of key literary representations of science, its promises, and its problems.
Irish Children's Literature and Culture by Keith O'Sullivan,Valerie Coghlan Pdf
Irish Children’s Literature and Culture looks critically at Irish writing for children from the 1980s to the present, examining the work of many writers and illustrators and engaging with major genres, forms, and issues, including the gothic, the speculative, picturebooks, ethnicity, and globalization. It contextualizes modern Irish children’s literature in relation to Irish mythology and earlier writings, as well as in relation to Irish writing for adults, thereby demonstrating the complexity of this fascinating area. What constitutes a "national literature" is rarely straightforward, and it is especially complex when discussing writing for young people in an Irish context. Until recently, there was only a slight body of work that could be classified as "Irish children’s literature" in comparison with Ireland’s contribution to adult literature in the twentieth century. The contributors to the volume examine a range of texts in relation to contemporary literary and cultural theory, and children’s literature internationally, raising provocative questions about the future of the topic. Irish Children’s Literature and Culture is essential reading for those interested in Irish literature, culture, sociology, childhood, and children’s literature. Valerie Coghlan, Church of Ireland College of Education, Dublin, is a librarian and lecturer. She is a former co-editor of Bookbird: An International Journal of Children's Literature. She has published widely on Irish children's literature and co-edited several books on the topic. She is a former board member of the IRSCL, and a founder member of the Irish Society for the Study of Children's Literature, Children's Books Ireland, and IBBY Ireland. Keith O’Sullivan lectures in English at the Church of Ireland College of Education, Dublin. He is a founder member of the Irish Society for the Study of Children’s Literature, a former member of the board of directors of Children’s Books Ireland, and past chair of the Children’s Books Ireland/Bisto Book of the Year Awards. He has published on the works of Philip Pullman and Emily Brontë.
Religion, Children's Literature, and Modernity in Western Europe, 1750-2000 by Jan de Maeyer Pdf
In this book some 25 scholars focus on the relationship between religion, children's literature and modernity in Western Europe since the Enlightenment (c. 1750). They examine various aspects of the phenomenon of children's literature, such as types of texts, age of readers, position of authors, design and illustration. The role of religion in giving meaning both in a substantive sense as well as through the institutionalised churches is studied from an interdenominational point of view (Judaism, Roman Catholicism, Protestantism and Anglicanism). Finally, the contribution of pedagogy and child psychology in the interaction between modernity, religion and children's literature is also discussed.Various articles give a broad overview of the tensions between aesthetics and ethics and the demand for cultural autonomy in the development of children's literature. Children's bibles and missionary stories played an important part in the growing diversification of children's literature, as did the publication of illustrated reviews for children. Remarkable differences are highlighted in the involvement of religious societies and institutions, episcopally approved publishing houses and supervisory bodies in the publication, distribution and supervision of children's literature. This volume adopts a comparative approach in exploring the underlying religious, ideological and cultural dimensions of children's literature in modern society.)
Mary, A Fiction and The Wrongs of Woman, or Maria by Mary Wollstonecraft Pdf
Mary Wollstonecraft wrote these two novellas at the beginning and end of her years of writing and political activism. Though written at different times, they explore some of the same issues: ideals of femininity as celebrated by the cult of sensibility, the unequal education of women, and domestic subjugation. Mary counters the contemporary trend of weak, emotional heroines with the story of an intelligent and creative young woman who educates herself through her close friendships with men and women. Darker and more overtly feminist, The Wrongs of Woman is set in an insane asylum, where a young woman has been wrongly imprisoned by her husband. By presenting the novellas in light of such texts as Wollstonecraft’s letters, her polemical and educational prose, similar works by other feminists and political reformists, the literature of sentiment, and contemporary medical texts, this edition encourages an appreciation of the complexity and sophistication of Wollstonecraft’s writing goals as a radical feminist in the 1790s.
Writing World History 1800-2000 by Benedikt Stuchtey,Eckhardt Fuchs Pdf
Writing World History contributes to the highly topical debate on world history by addressing the subject comparatively. Building on the current academic as well as public interest in world history in the Western and non-Western world, and especially in the United States, this volume links a critical investigation of the traditions of world history-writing with the most recent theoretical, methodological, and ideological debates on the subject. It is original in two ways: first, it present different modern approaches to contemporary world history and its debates. Secondly, it offers a critical analysis of the historical traditions of world history over the past 200 years by providing a selection of case studies. From a transcultural perspective, these demonstrate different ideas about the world and the relationship between 'periphery' and 'centre' in various geographical areas such as the USA, Britain, Germany, France, and Russia; Africa; and China, India, and Japan. The essays make clear that interpretations of the world reflect perceptions of one's own culture, and that the notion of the world can be used to legitimize political aims. Since this field emerged in the USA and developed into a separate subdiscipline, American concepts of world history have dominated the discourse. The objective is to go beyond the comparison of Western and non-Western concepts by offering a critical evaluation of their theoretical foundations, ideological implications, and moral connotations. The volume offers a critique of a Eurocentric and an ethnocentric world history.
Literature by David Damrosch,Gunilla Lindberg-Wada,Anders Pettersson,Theo D'haen,Bo Utas,Zhang Longxi,Djelal Kadir,As'ad Khairallah,Harish Trivedi,Eileen Julien Pdf
LITERATURE A WORLD HISTORY An exploration of the history of the world’s literatures and the many varieties of literary expression Literature: A World Historyencompasses all the world’s major literary traditions, emphasizing the interrelationship of local and national cultures over time. Spanning global literature from the beginnings of recorded history to the present day, this expansive four-volume set examines the many varieties of the world’s literatures in their social and intellectual contexts. Its four volumes are devoted to literature before 200 CE, from 200 to 1500, from 1500 to 1800, and from 1800 to 2000, with four dozen contributors providing new insights into the art of literature, and addressing the situation of literature in the world today. Organized throughout in six broad regions—Africa, the Americas, East Asia, Europe, South Asia, Southeast Asia, and Oceania, and West and Central Asia—Literature: A World History offers readers a clear and consistent treatment of diverse forms of literary expression across time and place. Throughout the text, particular emphasis is placed on literary institutions within different regional and linguistic cultures and on the relations between literature and a spectrum of social, political, and religious contexts. Features work by an international panel of leading scholars from around the globe, in Africa, the Middle East, South and East Asia, Australia and New Zealand, Europe, and the United States Provides a balanced overview of national and global literature from all major regions of the world from antiquity to the present Highlights the specificity of regional and local cultures throughout much of literary history, together with cross-cutting essays on topics such as different writing systems, court cultures, and utopias Literature: A World History is an invaluable reference work for undergraduate and graduate students as well as scholars looking for a wide-ranging overview of global literary history.
Literature by David Damrosch,Gunilla Lindberg-Wada Pdf
"Literature: A World History is intended as a history of literature spanning the world's cultures from the beginnings of recorded history to the present day. In this introduction, we explain how the work is organized and why. We also offer the elements of an understanding of what we mean by literature and its history. What works from these many centuries and cultures should come under the rubric of "literature"? How can we best understand their life in their place and time and their ongoing life thereafter? What kind of history does literature have, and with what relation to broader social history? How should these literary histories be mapped across the world, with its hundreds of past and present polities and its thousands of languages? Literature: A World History proceeds in chronological fashion from antiquity onward, but it is written in awareness that in a very real sense literary history begins in the present - the present of those who deem certain facts to be literary and historical. In this sense, literary history is as revealing of the present as of the past"--
Comparative Literature in Britain by Joep Leerssen Pdf
In our globalizing, post-colonial world, Comparative Literature is on the rise; but it is not new. It emerged in the nineteenth century as a countermovement to methodological nationalism in the philologies. The chequered history of its acceptance in the British Isles throws a fascinating light on the last two centuries, amid many intellectual cross-currents: the British politics of the 'Four Nations', Imperial ethnography, and the complex relationship between literary critics and the university. Leerssen addresses both the intellectual and the institutional aspects of this history of knowledge production. The example of Continental scholarship, and of champions like Matthew Arnold, gave the comparatist approaches increasing prestige; but it became an established academic discipline only in the internationalist climate after 1945. Since then, that discipline has been both challenged and enriched by new theoretical approaches and by the decline of Eurocentrism. Joep Leerssen holds the chair of Modern European Literature at the University of Amsterdam. Among his books are Remembrance and Imagination (1996), National Thought in Europe (2006), Imagology and The Rhine (with Manfred Beller, 2007 and 2018), and Commemorating Writers in Nineteenth-Century Europe (with Ann Rigney, 2014). He is the editor of the Encyclopedia of Romantic Nationalism in Europe (2018).
