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Live Sound for Musicians by Rudy Trubitt,David Trubitt Pdf
(Book). Live Sound for Musicians shows you how to keep your band's PA system working smoothly, from set up and soundcheck right through your performance. If you're the person in the band who runs the PA, this is the book you've been waiting for!
Buick's hands-on approach covers choice and use of microphones, direct injection, mixing, monitoring and foldback, automation and MIDI, and use of effects such as EQ, compressors, reverb and delay. He also includes safety advice for live gigs.
Basic Live Sound has the answers for setting up equipment for live performance and DJ techniques. Discover how to work in different spaces with a variety of performance events, and the equipment required to get the sound just right.
If you’ve ever handled live sound, you know the recipe for creating quality live sound requires many steps. Your list of ingredients, shall we say, requires an understanding of sound and how it behaves, the know-how to effectively use a sound system), and the knowledge to choose and use your gear well. Add a dash of miking ability, stir in a pinch of thinking on your feet for when your system starts to hum or the vocals start to feed back, and mix. In practice, there really is no "recipe" for creating a quality performance. Instead, musicians and engineers who effectively use sound systems have a wealth of knowledge that informs their every move before and during a live performance. You can slowly gather that knowledge over years of live performance, or you can speed up the process with The SOS Guide to Live Sound. With these pages, you get practical advice that will allow you to accomplish your live-sound goals in every performance. Learn how to choose, set up, and use a live-performance sound system. Get the basics of live-sound mixing, save money by treating your gear well with a crash course in maintenance, and fix issues as they happen with a section on problem-solving, full of real-world situations. You’ll also get information on stage-monitoring, both conventional and in-ear, along with the fundamentals of radio microphones and wireless mixing solutions. Finally, a comprehensive glossary of terminology rounds out this must-have reference.
Live Sound Reinforcement by Scott Hunter Stark Pdf
Get ready to learn live sound reinforcement using the best-selling title on the subject available! The simple language, detailed illustrations, and concrete examples in this book are suitable for novice to intermediate-level users. "Live Sound Reinforcement" outlines all aspects of P.A. system operation and commonly encountered sound system design concerns. Topics include microphones, speaker systems, equalizers, mixers, signal processors, amplifiers, system wiring and interfaces, indoor and outdoor sound considerations and psychoacoustics.
Performing Electronic Music Live by Kirsten Hermes Pdf
Performing Electronic Music Live lays out conceptual approaches, tools, and techniques for electronic music performance, from DJing, DAWs, MIDI controllers, traditional instruments, live sound design, hardware setups, custom software and hardware, to live visuals, venue acoustics, and live show promotion. Through case studies and contrasting tutorials by successful artists, Kirsten Hermes explores the many different ways in which you can create memorable experiences on stage. Featuring interviews with highly accomplished musicians and practitioners, readers can also expand on their knowledge with hands-on video tutorials for each chapter via the companion website, performingelectronicmusic.live. Performing Electronic Music Live is an essential, all-encompassing resource for professionals, students of music production courses, and researchers in the field of creative-focused performance technology.
Enhanced by a 15,000-word technical glossary, a manual for creating quality sound for live performances covers such issues as analyzing venue needs and setting up and testing equipment.
Musical Instruments in the 21st Century by Till Bovermann,Alberto de Campo,Hauke Egermann,Sarah-Indriyati Hardjowirogo,Stefan Weinzierl Pdf
By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?
Basic Live Sound Reinforcement by Raven Biederman,Penny Pattison Pdf
Access and interpret manufacturer spec information, find shortcuts for plotting measure and test equations, and learn how to begin your journey towards becoming a live sound professional. Land and perform your first live sound gigs with this guide that gives you just the right amount of information. Don't get bogged down in details intended for complex and expensive equipment and Madison Square Garden-sized venues. Basic Live Sound Reinforcement is a handbook for audio engineers and live sound enthusiasts performing in small venues from one-mike coffee shops to clubs. With their combined years of teaching and writing experience, the authors provide you with a thorough foundation of the theoretical and the practical, offering more advanced beginners a complete overview of the industry, the gear, and the art of mixing, while making sure to remain accessible to those just starting out.
The Acoustic Musician's Guide to Sound Reinforcement & Live Recording by Mike Sokol Pdf
This book is for acoustic musicians and sound engineers that work in the live sound and recording arenas. It tells how to set up and operate a sound system and describes the techniques that must be learned to provide good performance experiences for musicians and audiences. The book teaches how to set up a stage for acoustic acts and discusses the selection and placement of critical components such as speakers, amplifiers, microphones and pickups.
The Ultimate Live Sound Operator's Handbook by Bill Gibson Pdf
The third edition of The Ultimate Live Sound Operator’s Handbook offers new sections on digital concepts, wireless considerations, digital mixers, modern digital snakes, routing schemes, block diagrams, signal paths, plug-ins for live sound, and more. Any live act must sound great to be well received by today’s increasingly demanding audiences. If you’re a sound operator, teacher, musician, or even a music fan who is interested in becoming a sound operator, you know that regardless of the musical genre or venue, high-quality audio is mandatory for an artist or band’s success. This book shows you how to improve your audio skills, including how to build great sounds that form a professional-sounding mix. Revised and updated, The Ultimate Live Sound Operator’s Handbook, 3rd Edition focuses on each modern and classic aspects of live sound operation in a way that is straightforward and easy to understand—from system, component, and acoustic considerations to miking, mixing, and recording the live show. Tightly produced online videos clearly demonstrate key concepts presented in the text. These instructional videos, along with hundreds of detailed illustrations and photographs, provide an incredibly powerful and useful learning experience. An access code to the companion website is provided in the book. The Ultimate Live Sound Operator’s Handbook, 3rd Edition, features: Shaping Instrument and Vocal Sounds Creating an Excellent Mix Mixer Basics Digital Mixers and Snakes Volume Issues and Sound Theory Digital Theory Managing the Signal Path Signal Processors and Effects Modern Plug-ins Microphone Principles, Techniques, and Design Wireless Systems In-Ear versus Floor Monitors Loudspeakers and Amplifiers Acoustic Considerations Miking the Group and Sound Check
If you’ve ever handled live sound, you know the recipe for creating quality live sound requires many steps. Your list of ingredients, shall we say, requires an understanding of sound and how it behaves, the know-how to effectively use a sound system), and the knowledge to choose and use your gear well. Add a dash of miking ability, stir in a pinch of thinking on your feet for when your system starts to hum or the vocals start to feed back, and mix. In practice, there really is no "recipe" for creating a quality performance. Instead, musicians and engineers who effectively use sound systems have a wealth of knowledge that informs their every move before and during a live performance. You can slowly gather that knowledge over years of live performance, or you can speed up the process with The SOS Guide to Live Sound. With these pages, you get practical advice that will allow you to accomplish your live-sound goals in every performance. Learn how to choose, set up, and use a live-performance sound system. Get the basics of live-sound mixing, save money by treating your gear well with a crash course in maintenance, and fix issues as they happen with a section on problem-solving, full of real-world situations. You’ll also get information on stage-monitoring, both conventional and in-ear, along with the fundamentals of radio microphones and wireless mixing solutions. Finally, a comprehensive glossary of terminology rounds out this must-have reference.
(Book). This beginner's guide to the basics of live concert sound mixing and mic techniques is written by industry vet Jerry Slone, whose baptism-by-fire road experiences will teach you need-to-know stuff they simply don't teach in school! It provides easy-to-understand coverage aimed at the novice on topics such as: sound and hearing; microphone models, specs and techniques; mixers; equalization; amplifiers; speakers; the audio chain; schools and universities for continuing education; and much more. Ever since talent show appearances in his pre-teen years, Jerry Slone 's been the guy who got stuck hooking up the PA and trying to tweak it to make it sound better. After graduating from the Recording Industry program at Middle Tennessee State University (MTSU), he road-managed and mixed house audio for a touring band. Today, he works with acts signed to major labels.
"Live Sound, Theory and Practice offers practical advice on real topics important to technicians and engineers in the live sound business. In these pages sound engineers of all levels will find vital help on how to deal with real-world problems such as time-pressure, troubleshooting a rig, dealing with non-technical individuals (venue management, musicians, patrons, etc.) and their competing demands, and the limitations of their budget. Collected and expanded from Amundson's monthly column in Front of House magazine, Live Sound, Theory and Practice offers solid technical data to help you understand the theory behind the hows and whys of sound reinforcement with sections that cover speaker and amplifier configuration, power distribution and signal processing, as well as concrete practical advice you can use when the gig gets hot. It's recommended reading for anyone out on a gig who wants to get it right."--Publisher's description
