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An ALA Notable Book Kids ages 9-12 will “delight in [the] oddness” of this Home Alone-style tale set in the 1970s—from a prolific children’s author who captures “a magic that’s not like anyone else’s” (Neil Gaiman). With Victor’s parents out of town, he is free to investigate the mysterious lizard musicians who have recently appeared on TV . . . Things Victor loves: pizza with anchovies, grape soda, B movies aired at midnight, the evening news. And with his parents off at a resort and his older sister shirking her babysitting duties, Victor has plenty of time to indulge himself and to try a few things he’s been curious about. Exploring the nearby city of Hogboro, he runs into a curious character known as the Chicken Man (a reference to his companion, an intelligent hen named Claudia who lives under his hat). The Chicken Man speaks brilliant nonsense, but he seems to be hip to the lizard musicians (real lizards, not men in lizard suits) who’ve begun appearing on Victor’s television after the broadcast of the late-late movie. Are the lizards from outer space? From “other space”? Together Victor and the Chicken Man, guided by the able Claudia, journey to the lizards’ floating island, a strange and fantastic place that operates with an inspired logic of its own.
An ALA Notable Book Kids ages 9-12 will “delight in [the] oddness” of this Home Alone-style tale set in the 1970s—from a prolific children’s author who captures “a magic that’s not like anyone else’s” (Neil Gaiman). With Victor’s parents out of town, he is free to investigate the mysterious lizard musicians who have recently appeared on TV . . . Things Victor loves: pizza with anchovies, grape soda, B movies aired at midnight, the evening news. And with his parents off at a resort and his older sister shirking her babysitting duties, Victor has plenty of time to indulge himself and to try a few things he’s been curious about. Exploring the nearby city of Hogboro, he runs into a curious character known as the Chicken Man (a reference to his companion, an intelligent hen named Claudia who lives under his hat). The Chicken Man speaks brilliant nonsense, but he seems to be hip to the lizard musicians (real lizards, not men in lizard suits) who’ve begun appearing on Victor’s television after the broadcast of the late-late movie. Are the lizards from outer space? From “other space”? Together Victor and the Chicken Man, guided by the able Claudia, journey to the lizards’ floating island, a strange and fantastic place that operates with an inspired logic of its own.
Featured as a "This Week's Reading/What We're Loving" pick at The Paris Review Named the Best Music-Related Book of 2014 by Joel Gausten "If you're a Jesus Lizard fan or a David Yow devotee, you're sure all over this. But even if you've never heard of the band, the book stands as one of the best ways to experience being in a tight, cohesive band. You get everything except the sweat, spilled beer, and blood. It's a fun ride, and the closest thing possible to getting in the van with these guys." --Mother Jones "The Jesus Lizard Book is a beautiful document of a band that wasn't afraid to be abrasive, chaotic, brutal, and sometimes, ugly." --The Chicago Tribune/Printers Row "These guys deserve to pat themselves on the back...If the spectacular photography in The Jesus Lizard Book is to be believed, their shows resembled nothing more than that scene in Indiana Jones and the Temple of Doom where some poor dude has his still-beating heart removed in an elaborate ritual." --The Paris Review "As a reader, you don’t need to hear the songs to appreciate the story--and Book delivers the band right to your coffee table loud and clear." --BoingBoing.net "The gorgeously crafted, 176-page hardcover Book...dives deep and candidly into the Jesus Lizard's first decade and touches a bit on that 2009 coda, too. Through many thousands of words, hundreds of photos, and collected ephemera, it celebrates the sweat, menace, humor, musicianship, lasting power, and genitals of one of the best bands ever coughed up by the rock underground." --The Village Voice "Book is a valuable document that brings us back to the era when artists were conditioned to practice the art of self-defense." --Pitchfork "A series of essays and photos that illuminates the Jesus Lizard--humorous, jolting, sometimes surprisingly moving." --The Chicago Tribune "If there is any recurring theme within the 176 pages of the newly released The Jesus Lizard Book it's this: The Chicago-grown noise rockers will be remembered as one of the greatest live bands to ever grace--or very well desecrate--the stage." --Chicago Sun-Times "Impressively candid, informed and informative history of a remarkable group of musicians. A 'must read' for their legions of appreciative fans...Highly recommended." --Midwest Book Review "Even if you're unfamiliar with or disinterested with the band's music, Book makes for an intriguing exploration of the alternative music scene of the '90s--a short burst in time when a band as gloriously odd as The Jesus Lizard could do whatever they wanted to do and get a pot of gold at the end of the rainbow." --Joel Gausten The Jesus Lizard Book is a coffee table affair of exclusive photography, art, and other imagery with written pieces by all four members of the seminal indie rock band the Jesus Lizard. The layout is stylish and elegant, particularly in contrast with the harshness of much of the band's music. Included are many Polaroids by David Wm. Sims, a delicious recipe by David Yow, a concise list of every show the Jesus Lizard played, and writings by two producers who recorded the band--Steve Albini and Andy Gill. There is biographical material of each member that covers childhood to the demise of the group. Other contributors include, Mike Watt, Alexander Hacke, Steve Gullick, Rebecca Gates, Jeff Lane, Sasha Frere-Jones, KRK, Bernie Bahrmasel, and many more.
A lonely boy’s new pet grows into a rather large dilemma—and a Thanksgiving parade offers an uplifting solution—in this charming tale from the author of The Boy and the Airplane and The Girl and the Bicycle. When Leonard takes a shortcut through the park, he finds an egg and takes it home, where it hatches into a lizard (or so Leonard thinks). Leonard names his new pet Buster and takes him all around the city: on the subway, to the library, to a baseball game, and more. But Buster keeps growing and growing—and Leonard gets the sense that Buster is longing for something Leonard can’t provide. Before long, Buster becomes too big to keep, and Leonard realizes he needs to set Buster free. So Leonard comes up with an inventive plan, one that involves all the balloons Leonard can find and the annual Thanksgiving parade, in an imaginative plot twist that will spark readers’ imaginations—and touch their hearts.
Set during Burma's military dictatorship of the mid—1990s, Karen Connelly’s exquisitely written and harshly realistic debut novel is a hymn to human resilience and love. In the sealed-off world of a vast Burmese prison known as the cage, Teza languishes in solitary confinement seven years into a twenty-year sentence. Arrested in 1988 for his involvement in mass protests, he is the nation’s most celebrated songwriter whose resonant words and powerful voice pose an ongoing threat to the state. Forced to catch lizards to supplement his meager rations, Teza finds emotional and spiritual sustenance through memories and Buddhist meditation. The tiniest creatures and things–a burrowing ant, a copper-coloured spider, a fragment of newspaper within a cheroot filter–help to connect him to life beyond the prison walls. Even in isolation, Teza has a profound influence on the people around him. His integrity and humour inspire Chit Naing, the senior jailer, to find the courage to follow his conscience despite the serious risks involved, while Teza’s very existence challenges the brutal authority of the junior jailer, perversely nicknamed Handsome. Sein Yun, a gem smuggler and prison fixer, is his most steady human contact, who finds delight in taking advantage of Teza by cleverly tempting him into Handsome's web with the most dangerous contraband of all: pen and paper. Lastly, there's Little Brother, an orphan raised in the jail, imprisoned by his own deprivation. Making his home in a tiny, corrugated-metal shack, Little Brother stays alive by killing rats and selling them to the inmates. As the political prisoner and the young boy forge a cautious friendship, we learn that both are prisoners of different orders; only one of them dreams of escape and only one of them achieves it. Barely able to speak, losing the battle of the flesh but winning the battle of the spirit, Teza knows he has the power to transfigure one small life, and to send a message of hope and resistance out of the cage. Shortlisted for both the Kiriyama Prize for Fiction and the IMPAC Dublin Literary Award, The Lizard Cage has received rave reviews nationally and internationally.
Inspired by Sherlock Holmes, an exhilarating new thriller from the bestselling author of The Girl in the Spider’s Web—a murder investigation in which two unlikely allies race to uncover a shadowy international conspiracy. Professor Hans Rekke is a world authority on interrogation techniques, capable of dizzying feats of logic and observation. He was born into wealth and power and has a picture-perfect wife and daughter. But he also has a fragile psyche that falls apart under pressure. Micaela Vargas is a street-smart police officer, daughter of Chilean political refugees, who grew up in the projects on the outskirts of Stockholm and has two brothers on the wrong side of the law. She is tenacious and uncompromising, and desperate to prove herself to her fellow cops. Micaela needs Hans’s unique mind to help her solve the case of a murdered asylum-seeker from Afghanistan. Hans needs Micaela to save him from himself. Together, they need to find the killer before they’re both silenced for good.
Jim Morrison, lead singer of the Doors, has achieved a bizarre cult status since his death in 1971. Morrison was one of the most popular and controversial figures to emerge during the sixties; described as an 'erotic politician', poet, shaman, Dionysian drunk, his style and influence have grown steadily in the twenty years since his death, so that the real man has gradually disappeared behind the legend. Now, in The Lizard King: The Essential Jim Morrison, Morrison's biographer Jerry Hopkins, co-author of No One Here Gets Out Alive, reassesses Jim's life and provides fresh insights into him as a human being rather than the myth that he has become. But this reassessment is only part of this remarkable book. At its heart is a series of interviews with Jim Morrison by journalists including Hopkins himself, Ben Fong-Torres, John Tobler, Bob Chorush, Salli Stevenson, Richard Goldstein and the late John Carpenter, Morrison shows himself to have been articulate, intelligent and witty. Published uncut, these interviews provide a unique insight into a man who consciously created his own myth, then lived to regret it. Stripping bare the facts from the fantasies of Jim's death in Paris in 1971, and taking a long hard look at what has happened since to the people who he left behind, The Lizard King: The Essential Jim Morrison brings sharply into focus the broken dreams and unreachable ideals of one of the sixties' most enduring icons.
Author : Patrick Boschung,Katharina Reidy Publisher : Patrick Frey Edition Page : 528 pages File Size : 46,6 Mb Release : 2016-03-22 Category : Alternative rock music ISBN : 3905929988
Bad Bonn Song Book by Patrick Boschung,Katharina Reidy Pdf
Another great pop culture document from Patrick Frey! For two and a half years, artists performing at the Bad Bonn, a popular music venue in Fribourg, Switzerland, were asked to put their songs on paper. The result is an eccentric encyclopedic diary created by the artists themselves, documenting the music they played at the fair during those years. The bands represent an array of music syles from metal, anti-folk and country to electronica, indie and hip-hop. The alphabetically organized facsimile reproductions of their handwritten lyrics, scores and doodles opens a window into the psyches of musicians and songwriters. Celebrating Bad Bonns 25th anniversary, this oversized, somewhat floppy soft-cover publication rests comfortably in the lap to allow a thorough perusal of a facet of musicians creativity not visible on stage or in recordings. Songbook is an unusual publication and source book, with broad appeal not only to the music world but the worlds of art, design and popular culture.
A memoir charting thirty years of the American indie rock underground by a musician who was at its center Jon Fine spent nearly thirty years performing and recording with bands that played aggressive and challenging underground rock music, and, as he writes, at no point were any of those bands “ever threatened, even distantly, by actual fame.” Yet when the members of his 1980s post-hardcore band Bitch Magnet came together for an unlikely reunion tour in 2011, diehard fans traveled from far and wide to attend their shows, despite creeping middle-age obligations of parenthood and 9-to-5 jobs. Their devotion was testament to the remarkable staying power of indie culture. In indie rock’s pre-Internet glory days, bands like Bitch Magnet, Black Flag, Mission of Burma, and Sonic Youth—operating far outside commercial radio and major label promotion—attracted fans through word of mouth, college DJs, record stores, and zines. They found glory in all-night recording sessions, shoestring van tours, and endless appearances in grimy clubs. Some bands with a foot in this scene, like REM and Nirvana, eventually attained mainstream success. Many others, like Bitch Magnet, were beloved only by the most obsessed fans of the time. Your Band Sucks is an insider’s look at that fascinating, outrageous culture—how it emerged and evolved, how it grappled with the mainstream and vice versa, and its odd rebirth in recent years as countless bands reunited, briefly and bittersweetly. With backstage access to many key characters on the scene—and plenty of wit and sharply worded opinion—Fine delivers a memoir that affectionately yet critically portrays an important, heady moment in music history. Praise for Your Band Sucks: “Everything a cult-fave musician’s memoir should be: It’s a seductively readable book that requires no previous knowledge of the author, Bitch Magnet or any other band with which he’s played.” —Janet Maslin, The New York Times “Jon Fine has produced as evocative a portrait of the underground music scene as any wistful, graying post-punk could wish for.” —The Atlantic
When left to take care of himself, a young boy becomes involved with a community of intelligent lizards who tell him of a little known invasion from outer space.
