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A detailed study of Tudor textiles, highlighting their extravagant beauty and their impact on the royal court, fashion, and taste At the Tudor Court, textiles were ubiquitous in decor and ceremony. Tapestries, embroideries, carpets, and hangings were more highly esteemed than paintings and other forms of decorative art. Indeed, in 16th-century Europe, fine textiles were so costly that they were out of reach for average citizens, and even for many nobles. This spectacularly illustrated book tells the story of textiles during the long Tudor century, from the ascendance of Henry VII in 1485 to the death of his granddaughter Elizabeth I in 1603. It places elaborate tapestries, imported carpets, lavish embroidery, and more within the context of religious and political upheavals of the Tudor court, as well as the expanding world of global trade, including previously unstudied encounters between the New World and the Elizabethan court. Special attention is paid to the Field of the Cloth of Gold, a magnificent two-week festival—and unsurpassed display of golden textiles—held in 1520. Even half a millennium later, such extraordinary works remain Tudor society’s strongest projection of wealth, taste, and ultimately power.
New in paperback, this colourful book takes the reader on an international textile tour with a fabric-collecting fashion designer. Pieced together much like the fine garments it portrays, this book presents in glorious photographs, samples and sketches a raft of remarkable clothing from all over the world. Taking the reader from Vietnam to Benin, from Central America to northern India, the book is brimful of stunning costumes, vibrant fabrics and breathtaking detail. All designers and anyone who loves fashion will find this volume a huge source of inspiration, as will all fans of off-thebeaten- track travel destinations.'Fabulous to dip in to, full of inspiration and intrigue, you'll feel like you've made the journey yourself!' - Craftsman Magazine 'Fantastically vibrant ... bright turbans and intricate embroidery galore' - Wanderlust 'Lovely ... a wealth of illustrations of people and their finery all over the world' - The Irish Times
Fabric for Fashion: The Complete Guide by Amanda Johnston,Clive Hallett Pdf
Fabric for Fashion: The Complete Guide is the only book specifically for fashion designers to explain the behaviour and properties of different fabrics. Fashion design is largely determined by how the fabrics work, move, feel and look. The most successful fashion designers are those who understand their materials, who match design skill with technical knowledge. This book bridges that gap by providing a mix of practical information and industry vocabulary, visually examining generic fabric types, discussing the characteristics of fabrics and showing how to exploit materials to push the boundaries of design. With stunning colour photographs that show how fashion designers, both past and present, have worked with fabrics, the book’s prime objective is to stimulate creative exploration of the relationship of fabrics to fashion.
Smart Textiles for Designers by Rebeccah Pailes-Friedman Pdf
We are on the cusp of a revolution, where the intersection of technology, the human body and everyday objects will become completely seamless. Smart textiles are a key part of this revolution. Smart Textiles for Designers introduces the different qualities and properties that can be embedded in, integrated with, and applied to fabrics and looks at the different contexts in which these smart textiles can be used, from healthcare to haute couture, firefighting to sportswear. A survey of specific fabrics grouped by properties provides a core reference section and a palette for the designer to work from. The book also examines five different design approaches and features interviews with leading designers and design teams, showing their processes and working methods. The first book to look at this exciting and quickly developing area of technology through the eyes of a designer, this is both a core reference work and an inspirational guide for students and professionals alike.
This major textbook is designed for students studying textiles and fashion at higher and undergraduate level, as well as those needing a comprehensive and authoritative overview of textile materials and processes. The first part of the book reviews the main types of natural and synthetic fibres and their properties. Part two provides a systematic review of the key processes involved first in converting fibres into yarns and then transforming yarns into fabrics. Part three discusses the range of range of finishing techniques for fabrics. The final part of the book looks specifically at the transformation of fabric into apparel, from design and manufacture to marketing. With contributions from leading experts in their fields, this major book provides the definitive one-volume guide to textile manufacture. Provides comprehensive coverage of the types and properties of textile fibres to yarn and fabric manufacture, fabric finishing, apparel production and fashion Focused on the needs of college and undergraduate students studying textiles or fashion courses Each chapter ends with a summary to emphasise key points, a comprehensive self-review section, and project ideas are also provided
A practical and inspirational guide to help embroiderers and textile artists make the most of sketchbooks to inform their creative work. The artist’s sketchbook offers an exciting platform to explore a host of mixed media techniques. Using a combination of paper, textiles, found objects, pencil, ink and paint, Shelley Rhodes shows how a sketchbook can act as an illustrated diary, a visual catalogue of a journey or experience or as a starting point for more developed work. Whether out on location or in the studio, Rhodes explores every stage of the creative process, from initial inspiration to overcoming the fear of a blank page, manipulating paper and images and incorporating ‘found’ objects to build a sketchbook that is both beautiful and inspiring. Sketchbook Explorations is the ideal companion for everyone from the beginner to the more experienced artist looking for exciting techniques to expand their repertoire in mixed media. The book explores: Why work in sketchbooks? The importance and joy of working in a sketchbook. Ways of recording and investigating ideas that inspire. Techniques in mixed media from found objects and layers to three-dimensional sketching. Creating on location. Using electronic devices to develop ideas.
Textiles Now celebrates international contemporary textile design, focusing on fabric and fiber designs from the past five years that have been created for use in decorative art, fashion, and interior design. Lavishly illustrated with photographs showing the textiles and, where appropriate, their end use in context. Clear captions provide information on the contributing artists, their techniques and inspirations, enabling a deeper critical understanding and appreciation of the medium. Organized into three sections embracing constructed textiles, dyed, painted and printed textiles, and stitched and mixed-media textiles, the images are arranged to make an impressive visual statement. The book includes over 400 images from around 100 textile and fiber artists ranging from new graduates to experienced practitioners, making an indispensable reference for anyone with a passion for textileswhether student, professional, or hobbyist. It will also appeal to those with an interest in color and pattern, including artists and graphic designers.
An increasing amount of waste is generated each year from textiles and their production. For economic and environmental reasons it is necessary that as much of this waste as possible is recycled instead of being disposed of in landfill sites. In reality the rate of textile recycling is still relatively low. On average, approximately ten million tonnes of textile waste is currently dumped in Europe and America each year. Considering the diversity of fibrous waste and structures, many technologies must work in concert in an integrated industry in order to increase the rate of recycling. Recycling in textiles shows how this can be achieved. The first part of the book introduces the subject by looking at the general issues involved and the technologies concerned. Part Two explores the chemical aspects of textile recycling. Part Three focuses on recycled textile products, including nonwovens and alternative fibres. Finally, the last part of the book discusses possible applications of recycled textiles, including using recycled products in the operating theatre, for soil stabilisation and in concrete reinforcement. Recycling in textiles presents several promising technologies and ideas for recycling systems. This is the first book of its kind to bring together textile recycling issues, technology, products, processes and applications. It will prove an invaluable guide to all those in the industry who are now looking for ways to recycle their textile waste. Provides extensive coverage of this hot topic An invaluable guide for all in the textile industry Learn how to increase the rate of recycling
An inspirational and practical guide to the potential of heat tools for textile artists. Soldering irons, heat guns and household irons can add texture and variety to textile work – whether it's hand embroidery, machine embroidery, quilting or felting. Stunning work can be produced with a variety of materials: hot and cold foiling; painted and plain Bondaweb (fusible webbing) on wood, paper, fabric and pelmet Vilene; making beads from synthetic fabrics, Tyvek and Kunin felt; melting and distorting plastic bags and cellophane; working in three dimensions; and embossing powders. With step-by-step instructions, full health and safety advice and stunning photography, this is an important book for all textile artists. Following on the bestselling Fusing Fabric and Surfaces for Stitch, it demonstrates the latest techniques wanted by all those involved in textiles. Back in paperback for 2018.
This study shows how fiction that makes use of textiles as an essential element utilizes synaesthetic writing and synaesthetic metaphor to create an affective link to, and response in, the reader. These links and responses are examined using affect theory from Silvan Tomkins and Brian Massumi and work on synaesthesia by Richard Cytowic, Lawrence Marks, and V.S. Ramachandran, among others. Synaesthetic writing, including synaesthetic metaphors, has been explored in poetry since the 1920s and, more recently, in fiction, but these studies have been general in nature. By narrowing the field of investigation to those novels that specifically employ three types of hand-crafted textiles (quilt-making, knitting and embroidery), the book isolates how these textiles are used in fiction. The combination of synaesthesia, memory, metaphor and, particularly, synaesthetic metaphor in fiction with textiles in the text of the case studies selected, shows how these are used to create affect in readers, enhancing their engagement in the story. The work is framed within the context of the history of textile production and the use of textiles in fiction internationally, but concentrates on Australian authors who have used textiles in their writing. The decision to focus on Australian authors was taken in light of the quality and depth of the writing of textile fiction produced in Australia between 1980 and 2005 in the three categories of hand-crafted textiles – quilt-making, knitting and embroidery. The texts chosen for intensive study are: Kate Grenville’s The Idea of Perfection (1999, quilting); Marele Day’s Lambs of God (1997, knitting) and Anne Bartlett’s Knitting (2005, knitting); Jessica Anderson’s Tirra Lirra by the River (1978, embroidery) and Marion Halligan’s Spider Cup (1990, embroidery).
Almost from the moment of our birth, clothing acts as our second skin, yet we rarely consider where our clothes come from, or the effects they might have on the environment. This beautifully photographed is about easily achievable ways to care for the planet by living a little simpler regarding cloth and clothing. Get a handle on how cloth consumption affects nature on a larger scale. Look at what textiles are really made from, and examine their properties with an emphasis on those derived from natural sources. In no time you'll have the tools to make informed choices regarding clothing--including deciding how much clothing a person really needs. Second Skin also covers how to mend and maintain clothing, re-purpose fashion, dye clothing, and when all else fails, what it takes to patch, piece, and felt.
Stitched Textiles: Nature by Stephanie Redfern Pdf
An inspiring step-by-step guide to creating contemporary textile artworks themed on nature. Stitched Textiles: The Natural World is the fourth title in this successful theme-based series. It contains an extensive section on techniques, featuring step-by-step guides to machine- and hand-stitching, attaching embellishments and found objects to your work; painting and printing on fabrics including cotton, silk and Khadi paper; and using objects found in nature, such as leaves, to make unique and iconic prints. The book includes four inspirational projects based on different facets of the natural world: Ocean, Rainforest, Botany, Birds and Animals. Stitched Textiles: The Natural World also features examples of the author, Steph Redfern's own intricate and detailed works based on nature, exploring the means by which the pieces have been created, and the wonderful stories behind Steph's journey as an artist. The wealth of information and visual stimuli in Stitched Textiles: The Natural World is intended to inspire the reader to create their own works inspired by nature, beginning by exploring the use of sketchbooks and study pages, progressing to picking out iconic elements from sketches and photographs, and eventually assembling a stunning, personal piece of stitched textile work on fabric or on cotton-blend Khadi paper, applying handstitch in metallic threads, or machine stitch in whimsical and beautiful patterns, and embellishing with natural beads or found objects.