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Louis C. Tiffany's Glass-bronzes-lamps by Robert Koch Pdf
A complete or definitive catalogue of the products of Tiffany Studios that would include all the objects associated with Louis C. Tiffany, the founder of the firm, can never be compiled. The extraordinarily prolific character of this artist and designer, described in detail in his biography, Rebel in glass, led him to venture into a very wide variety of materials and media and to employ many other artists and designers to carry out his ideas. -- pg. 13.
The Lamps of Louis Comfort Tiffany by Louis Comfort Tiffany,Martin Eidelberg Pdf
This is the first book devoted to Tiffany lamps in more than 20 years. Experts in the field have made a selection of exceptional lamps-many of which have rarely been seen or published-and each one has been newly photographed with the latest photographic techniques to reveal in extraordinary detail the artistic quality and high craftsmanship of these masterpieces of decorative art. Martin Eidelberg and Alice Cooney Frelinghuysen have contributed essays on the history of the lamps, enlarging our understanding of Louis Comfort Tiffany's achievement. They have also drawn upon a host of previously unpublished photographs, paintings, and watercolors by Tiffany and other artists in his employ, as well as on working drawings and studio photographs, to evoke the lost gardens and interiors of Tiffany's country estate, Laurelton Hall, that so inspired him. They outline the development and manufacture of the Tiffany lamp from freehand sketch to the finished form, as well as the chief decorative themes in Tiffany's glass masterpieces and their relation to the work of other fin de sihcle glassmakers. In this book, light, color, and the inspiration of nature co-mingle to produce a deliciously sensuous experience.
Three classic books on Louis C. Tiffanys brilliant Art Nouveau works are combined here in one volume. Louis C. Tiffany Rebel in Glass*, Louis C. Tiffanys Glass- Bronzes-Lamps*, and Louis C. Tiffanys Art Glass* by Robert Koch are presented with original text and photographs and additional pieces for this edition. Windows, lamps, vases, and more are included. Every art student, museum professional, historian, antique dealer, and art collector will be dazzled by the variety and exquisite craftsmanship displayed here.
In a portrait filled with surprises, we learn about the life and work of Louis Comfort Tiffany, whose magnificent stained-glass lamps were created to shield the harsh rays of Edison's just-invented lightbulbs. Those lamps, and Tiffany's vases, jewelry, furniture, and other works, sell for millions today and are eagerly sought after by museums.
Author : Charles De Kay Publisher : Parkstone International Page : 188 pages File Size : 53,9 Mb Release : 2023-11-16 Category : Art ISBN : 9781781609811
Louis Comfort Tiffany and artworks by Charles De Kay Pdf
A jeweler with an established reputation through the world, Louis Comfort Tiffany was the spearhead of the Art Nouveau movement in the United States. At a time and in a country in perpetual growth, Tiffany succeeded in elevating the decorative to the rank of fine art. Glass was the field of expertise of Tiffany’s workshops. There they developed groundbreaking techniques of treatment which produced beautiful effects on glass. Following the examples of Gallé or Daum, Tiffany made the most of this material: playing with colors, opaqueness and transparency... However, his most famous success is his lamps in mosaic of glass, similar to the cathedral’s stained glass window. Diving into this prism of colors, the author makes us dream again of the birth of this enduring company.
A large-scale exhibition catalog focuses on Tiffany's work in religious and secular stained glass, vases, and lamps and includes an examination of the artist's techniques and sketches which offer a glimpse into his creative process.
The Art of Louis Comfort Tiffany by Vivienne Couldrey Pdf
Includes lamps, glassware, stained glass and interiors showing Tiffany's innovative design skills, techniques and the dramatic story of his rise and fall. Illus., color.
Masterworks of Louis Comfort Tiffany by Alastair Duncan,Martin P. Eidelberg,Neil Harris Pdf
Because Louis Comfort Tiffany is best known for his masterpieces of glass, his prodigious talents in other mediums often go unappreciated. Here, the problem is corrected. Stunning illustrations and expert commentary reveal the artist's complete range for the first time. 125 illustrations, 72 in full color.
Alice Cooney Frelinghuysen,Metropolitan Museum of Art (New York, N.Y.)
Author : Alice Cooney Frelinghuysen,Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 101 pages File Size : 41,9 Mb Release : 1998 Category : Decoration and ornament ISBN : 9780810965355
Louis Comfort Tiffany by Alastair Duncan,Louis Comfort Tiffany Pdf
Tiffany's ecclesiastical and secular windows are examined in depth and pictured in lush color, as are many of his most elaborate and beautiful lampshades, vases, and smaller objects. Important works in private collections, rarely or never before pictured, are reproduced here.
The Grove Encyclopedia of Decorative Arts by Gordon Campbell Pdf
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Objects, Audiences, and Literatures by Carma Gorman,David Raizman Pdf
In Objects, Audiences, and Literatures: Alternative Narratives in the History of Design, five art historians tap a variety of unexpected literary sources to reveal the dynamic relationship between intention and reception in architecture, interior design, costume, and the decorative arts. The essays consider both handcrafted and serially produced objects from the eighteenth to the mid-twentieth centuries, including a japanned high chest from colonial Boston, German and Austrian Artistic Dress, Tiffany lamps, the architecture of the 1925 Exposition Internationale des Arts Décoratifs et Industriels in Paris, and the “dream homes” portrayed in two popular postwar American films. The five chapters demonstrate that a complex and even contradictory mixture of stakeholders determines the meanings of designed objects. Each author examines popular forms of literature in order to reveal the preconceptions that viewers brought with them to the experience of looking at and using objects. The authors’ attentiveness to viewers’ class and gender provides a methodological model for approaching the study of reception within the field of design history. "Objects, Audiences, and Literatures introduces a new generation of historians of design and decorative arts with five superb case studies. Looking beyond the laconic historical data that has formed the backbone of scholarship in this field these authors plumb popular culture—films, advertisements, and especially novels—to understand contemporaneous meanings of objects. Using these polyglot sources with an eye particularly on narrative and gender they suss out heretofore unnoticed dissonances between the prescriptive pronouncements of avant-garde “insiders” and the reception that design innovation found in broader publics. These wide-ranging essays are marked by imagination, exuberance, and acuity; I look forward to using it in my teaching." —Margaretta M. Lovell, University of California, Berkeley "This is a welcome addition to the literature that addresses the growing scholarly and popular interest in design and design history. Drawing on an impressive array of examples, the authors explore how class, gender, and cultural context shaped the reception of architecture, interior design, costume, and the decorative arts at various moments in the modern era. The collection is noteworthy for the way each of the contributors draws upon literary sources for insights into design and material culture that transcend the specific examples under review. Models of methodological rigor, these essays should appeal to scholars in multiple disciplines." —Dennis P. Doordan, University of Notre Dame
