Louis Wain The Man Who Drew Cats Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Louis Wain The Man Who Drew Cats book. This book definitely worth reading, it is an incredibly well-written.
Perhaps the best loved illustrator of comic cats of the twentieth century. Born in 1860 Wain became a household name for his cat illustrations in the 1890s. 65 colour & 105 b/w illustrations
'Louis Wain invented a cat style, a cat society, a whole cat world'. Broadcast in 1925 by H.G. Wells, these words characteristically foretold the future of the Wain cat which has, once more, become the century's most recognisable image in cat art. During their heyday, in the time before the First World War, Louis Wain's cats, dressed as humans, portrayed that stylish Edwardian world having fun: at restaurants and tea parties, going to the Race and the Seaside, celebrating at Christmas and Birthdays, and disporting themselves with exuberant games of tennis, bowls, cricket and football. This is a titillating world of cats at play, uninhibited and slightly dangerous, with most group activities likely to turn into mishap, mayhem and catastrophe. This is Wain's world, funny, edgy and animated: a whole cat world. The first comprehensive exhibition of Wain's work was held at the Victoria and Albert Museum in London in 1972 and, since then, Louis Wain has steadily become more fashionable, and collected worldwide. This biography contains 300 plates of richness and variety, all of which are reproduced faithfully from the original artwork. This book is jointly published by Chris Beetles Ltd and Canongate Books.
An in-depth biographical study, rare essays by and about Wain, and 60 of his best-loved illustrations make this a must-have for fans of the cult cat artistWith a wealth of Wain's most famous drawings, as well as rare writings by and about the artist, this is an ideal book for both Wain fans and cat-lovers in general. Louis Wain drew cats: cats playing poker, boxing, playing cricket, and doing almost any human activity. His pictures are widely available today as decorative motifs and popular prints, but in his day, the man dubbed the "Hogarth of cat life" was a celebrity who sold thousands of drawings and paintings to an insatiable public. From humble beginnings, Wain became a hugely successful popular artist, creating the Louis Wain Annual series and the first ever animated cat character, later acknowledged as the inspiration for Mickey Mouse. But after he lost his fortune, he lost his mind. He ended up in a provincial asylum, sketching psychedelic cats that were more fiend-like than feline. When his fate was discovered in 1925, the Royal Family and the Prime Minister joined a national campaign to rescue Wain. The artist never entirely recovered his health, but he was eventually moved to a better home, where he continued to draw and paint almost until his death in 1939.
The Artistic Genius Of Louis Wain by John C Rigdon Pdf
Louis Wain was one of the most popular commercial illustrators in the history of England. Born in 1860, his portrayals of cats captured the imagination of the citizens, and his work helped to elevate the profile and popularity of cats to unprecedented heights. H.G. Wells once remarked. "He made the cat his own. He invented a cat style, a cat society, a whole cat world. Cats who do not live and look like Louis Wain cats are ashamed of themselves." His illustrations were so popular that throughout the beginning of the twentieth century, most homes had at least one of his famous cat annuals and many nurseries had Wain posters hanging on their walls. In the time before the First World War, Louis Wain's cats, dressed as humans, portrayed that stylish Edwardian world having fun: at restaurants and tea parties, going to the Race and the Seaside, celebrating at Christmas and Birthdays, and disporting themselves with exuberant games of tennis, bowls, cricket and football. This book tells Wain's story with full color high resolution reproductions of some of his drawings.
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
No one is more conscious of the faults of this work than the author. Therefore some self -criticism should be woven into this foreward. There are two possible methodologically pure solutions to this book's theme: a de scriptive catalog of the pictures couched in the language of natural science and accom panied by a clinical and psychopathological description of the patients, or a completely metaphysically based investigation of the process of pictorial composition. According to the latter, these unusual works, explained psychologically, and the exceptional circum stances on which they are based would be integrated as a playful variation of human expression into a total picture of the ego under the concept of an inborn creative urge, behind which we would then only have to discover a universal need for expression as an instinctive foundation. In brief, such an investigation would remain in the realm of phenomenologically observed existential forms, completely independent of psychiatry and aesthetics. The compromise between these two pure solutions must necessarily be piecework and must constantly defend itself against the dangers of fragmentation. We are in danger of being satisfied with pure description, the novelistic expansion of details and questions of principle; pitfalls would be very easy to avoid if we had the use of a clearly outlined method. But the problems of a new, or at least never seriously worked, field defy the methodology of every established subject.
Pablo Picasso, Andy Warhol, Frida Kahlo . . . so many great artists have shared one very special love: the companionship of cats. Gathered here for the first time are behind-thescenes stories of more than 50 famous artists and their feline friends. From Salvador Dali's pet ocelot Babou to John Lennon and Yoko Ono's menagerie of cats, including Salt (who was black) and Pepper (who was white), Artists and Their Cats captures these endearing friendships in charming photographs and engaging text, and reveals what creative souls and the animals best known for their independent spirits have in common. In this clever compilation, art aficionados will discover a softer side of their favorite artists, and cat lovers will enjoy a whole new way to celebrate their favorite furry friends.
A visionary new approach to the Americas during the age of colonization, made by engaging with the aural aspects of supposedly “silent” images Colonial depictions of the North and South American landscape and its indigenous inhabitants fundamentally transformed the European imagination—but how did those images reach Europe, and how did they make their impact? In Sound, Image, Silence, noted art historian Michael Gaudio provides a groundbreaking examination of the colonial Americas by exploring the special role that aural imagination played in visible representations of the New World. Considering a diverse body of images that cover four hundred years of Atlantic history, Sound, Image, Silence addresses an important need within art history: to give hearing its due as a sense that can inform our understanding of images. Gaudio locates the noise of the pagan dance, the discord of battle, the din of revivalist religion, and the sublime sounds of nature in the Americas, such as lightning, thunder, and the waterfall. He invites readers to listen to visual media that seem deceptively couched in silence, offering bold new ideas on how art historians can engage with sound in inherently “mute” media. Sound, Image, Silence includes readings of Brazilian landscapes by the Dutch painter Frans Post, a London portrait of Benjamin Franklin, Thomas Edison’s early Kinetoscope film Sioux Ghost Dance, and the work of Thomas Cole, founder of the Hudson River School of American landscape painting. It masterfully fuses a diversity of work across vast social, cultural, and spatial distances, giving us both a new way of understanding sound in art and a powerful new vision of the New World.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
You will enjoy this collection of essays about beautiful and fantastic paintings by artists throughout history. Contents: Tuscan Schools, Venetian Schools, Spanish Schools, Flemish School, Dutch School, German Schools, French School, English School, cont.