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Love, Loss, and Longing in Kashmir by Sahba Husain Pdf
In this personal and passionate account, activist and researcher Sahba Husain documents her deeply engaged and empathetic involvement with the politicised terrain of Kashmir. As she meets people that she speaks with and, more importantly, listens to, she begins to question her own ‘Indian’ identity. Recognizing the anger, despair and helplessness of a people caught in conflict and violence, Husain forms deep friendships during her time working in the state. It is these relationships that form the backdrop of this book, in which Husain focuses on certain key areas: the health of a people, militancy and its changing meanings for local people and the state, impunity and the search for justice, migration and the longing for homes left behind, and women’s activism in the faultlines of nation-state and community. A book of surprising beauty in its engagement with human relationships, of love for a land and a people and of hope for a future free of violence, Love, Loss, and Longing in Kashmir is a compelling and necessary read. PUBLISHER’S NOTE: As this book goes to press, there is news of the abrogation, by the Indian government, of Article 370 of the Indian Constitution that grants special status to the state of Jammu and Kashmir. Major changes that affect the lives of people in Kashmir are being put in place. Currently, there is a heavy presence of the armed forces, curfew is in place, telephone and internet lines have been suspended, people are in fear and there is huge bewilderment, confusion, anger. No one knows what the future will hold. This book, the result of long years of engagement with Kashmir, ends on a note of hope. It is our hope and belief too that whatever the future holds, it is the people of Kashmir who will shape it for their state and their world.
Love, Loss, and Longing in Kashmir by Sahba Husain Pdf
"In this personal and passionate account, activist and researcher Sahba Husain documents her deeply engaged and empathetic involvement with the politicised terrain of Kashmir. As she meets people that she speaks with and, more importantly, listens to, she begins to question her own 'Indian' identity. Recognizing the anger, despair and helplessness of a people caught in conflict and violence, Husain forms deep friendships during her time working in the state. It is these relationships that form the backdrop of this book, in which Husain focuses on certain key areas: the health of a people, militancy and its changing meanings for local people and the state, impunity and the search for justice, migration and the longing for homes left behind, and women's activism in the faultlines of nation-state and community. A book of surprising beauty in its engagement with human relationships, of love for a land and a people and of hope for a future free of violence, Love, Loss, and Longing in Kashmir is a compelling and necessary read." --Publisher's description.
“Remarkable . . . Vijay traces the fault lines of history, love, and obligation running through a fractured family and country.” —Anthony Marra, New York Times–bestselling author Winner of the 2019 JCB Prize for Literature Gorgeously tactile and sweeping in historical and socio-political scope, Pushcart Prize–winner Madhuri Vijay’s The Far Field follows a complicated flaneuse across the Indian subcontinent as she reckons with her past, her desires, and the tumultuous present. In the wake of her mother’s death, Shalini, a privileged and restless young woman from Bangalore, sets out for a remote Himalayan village in the troubled northern region of Kashmir. Certain that the loss of her mother is somehow connected to the decade-old disappearance of Bashir Ahmed, a charming Kashmiri salesman who frequented her childhood home, she is determined to confront him. But upon her arrival, Shalini is brought face to face with Kashmir’s politics, as well as the tangled history of the local family that takes her in. And when life in the village turns volatile and old hatreds threaten to erupt into violence, Shalini finds herself forced to make a series of choices that could hold dangerous repercussions for the very people she has come to love. With rare acumen and evocative prose, in The Far Field Madhuri Vijay masterfully examines Indian politics, class prejudice, and sexuality through the lens of an outsider, offering a profound meditation on grief, guilt, and the limits of compassion. “A chance to glimpse the lives of distant people captured in prose gorgeous enough to make them indelible—and honest enough to make them real.” —The Washington Post “A singular story of mother and daughter.” —Entertainment Weekly
`With delicately drawn characters, Shahnaz Bashir tells the heartbreaking story of one woman?s battle for life, dignity and justice.? ? Mirza Waheed, author of The Collaborator `The night is tired now, the old moon, hanging in the dark sky, is tired too? It is the 1990s, and Kashmir?s long war has begun to claim its first victims. Among them are Ghulam Rasool Joo, Haleema?s father, and her teenage son Imran, who is picked up by the authorities only to disappear into the void of Kashmir?s missing people. The Half Mother is the story of Haleema ? a mother and a daughter yesterday, a `half mother? and an orphan today; tormented by not knowing whether Imran is dead or alive, torn apart by her own lonely existence. While she battles for answers and seeks out torture camps, jails and morgues for any signs of Imran, Kashmir burns in a war that will haunt it for years to come. Heart-wrenching, deeply troubling and written in lyrical prose, The Half Mother marks the debut of a bold new voice from Kashmir.'
A profile of the history of sex work and the sexual economy in Mumbai, India's cultural and financial capital. In Intimate City, Manjima Bhattacharjya examines how globalization and technology have changed where and how sexual commerce is transacted. She maps offline and online geographies of sex work and unearths new perspectives: from changing red-light areas to the world of escort services; from the experiences of massage boys to men in search of casual encounters cruising the internet highways. Through these fascinating narratives, Bhattacharjya analyzes how the internet has reconfigured intimacies in the digital age. In doing so, she offers a new lens to look at long-held feminist understandings of sex work, choice, consent, and agency against the backdrop of the "maximum city" of Mumbai.
The politics of mourning -- The politics of democracy -- The killable Kashmiri body -- The politics of visibility -- Enforced disappearance of the other kind -- Militarizing humanitarianism -- Retelling and remembering -- Obliteration and transmutation.
WINNER: BRIT WRITERS AWARDS 2012 BEST UNPUBLISHED NOVEL CATEGORY Shifting between the cosmopolitan city of London and the ghostly backdrop of war-torn Kashmir, a beautiful valley in northern India and site of the world's most militarised territorial dispute, Liyana struggles to retrieve the lost White House of her childhood. No longer the colourful playground of the past, Kashmir decays with conflict while the rest of the world progresses forward at a dizzying pace. With the loss of childhood innocence comes the growing pains of a divided world and Liyana's struggle to reaffirm harmony. The White House is a story of love, loss and longing - a modern day odyssey that explores the challenge of finding 'home' in the twenty first century.
The first autobiography in Bengali was written by an upper-caste rural housewife called Rashundari Debi (1809–1899). Published when she was 88 years old, Amar Jiban (My Life) is a fascinating first-hand account of life for women in Bengal at that time. Mother to eleven children, Debi reflects on her experiences and her spiritual development across almost an entire century. Words to Win incorporates translations of major sections of this remarkable autobiography. Tanika Sarkar studies the making of an early modern subject – the woman who wants to compose a life of her own, who wishes to present it in the public sphere and eventually accomplishes her goal: for it is her words that win out in the end. Published by Zubaan.
The Goddess and the Nation by Sumathi Ramaswamy Pdf
Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.
Crafting the Word by Thingnam Anjulika Samom, (ed.) Pdf
Manipur has a rich tradition of folk and oral narratives, as well as written texts dating from as early as in 8th Century AD. It was however only in the second half of the twentieth century that women began writing and publishing their works. Today, women’s writing forms a vibrant part of Manipuri literature, and their voices are amplified through their coming together as an all-woman literary group. Put together in discussions and workshops by Thingnam Anjulika Samom, Crafting the Word captures a region steeped in conservative patriarchy and at the centre of an armed conflict. It is also a place, however, where women’s activism has been at the forefront of peace-making and where their contributions in informal commerce and trade hold together the economy of daily life.
Winner of the Restless Books Prize for New Immigrant Writing "Guest workers of the United Arab Emirates embody multiple worlds and identities and long for home in a fantastical debut work of fiction, winner of the inaugural Restless Books Prize for New Immigrant Writing.… The author's crisp, imaginative prose packs a punch, and his whimsical depiction of characters who oscillate between two lands on either side of the Arabian Sea unspools the kind of immigrant narratives that are rarely told. An enchanting, unparalleled anthem of displacement and repatriation." —Kirkus Reviews, starred review In the United Arab Emirates, foreign nationals constitute over 80 percent of the population. Brought in to construct and serve the towering monuments to wealth that punctuate the skylines of Abu Dhabi and Dubai, this labor force is not given the option of citizenship. Some ride their luck to good fortune. Others suffer different fates. Until now, the humanitarian crisis of the so-called “guest workers” of the Gulf has barely been addressed in fiction. With his stunning, mind-altering debut novel Temporary People, Deepak Unnikrishnan delves into their histories, myths, struggles, and triumphs. Combining the linguistic invention of Salman Rushdie and the satirical vision of George Saunders, Unnikrishnan presents twenty-eight linked stories that careen from construction workers who shapeshift into luggage and escape a labor camp, to a woman who stitches back together the bodies of those who’ve fallen from buildings in progress, to a man who grows ideal workers designed to live twelve years and then perish—until they don’t, and found a rebel community in the desert. With this polyphony of voices, Unnikrishnan maps a new, unruly global English and gives personhood back to the anonymous workers of the Gulf. "Guest workers of the United Arab Emirates embody multiple worlds and identities and long for home in a fantastical debut work of fiction, winner of the inaugural Restless Books Prize for New Immigrant Writing.… The author's crisp, imaginative prose packs a punch, and his whimsical depiction of characters who oscillate between two lands on either side of the Arabian Sea unspools the kind of immigrant narratives that are rarely told. An enchanting, unparalleled anthem of displacement and repatriation." —Kirkus Reviews, Starred Review "Inventive, vigorously empathetic, and brimming with a sparkling, mordant humor, Deepak Unnikrishnan has written a book of Ovidian metamorphoses for our precarious time. These absurdist fables, fluent in the language of exile, immigration, and bureaucracy, will remind you of the raw pleasure of storytelling and the unsettling nearness of the future." —Alexandra Kleeman, author of You Too Can Have a Body Like Mine “Inaugural winner of the Restless Books Prize for New Immigrant Writing, this debut novel employs its own brand of magical realism to propel readers into an understanding and appreciation of the experience of foreign workers in the Arab Gulf States (and beyond). Through a series of almost 30 loosely linked sections, grouped into three parts, we are thrust into a narrative alternating between visceral realism and fantastic satire.... The alternation between satirical fantasy, depicting such things as intelligent cockroaches and evil elevators, and poignant realism, with regards to necessarily illicit sexuality, forms a contrast that gives rise to a broad critique of the plight of those known euphemistically as ‘guest workers.’ VERDICT: This first novel challenges readers with a singular inventiveness expressed through a lyrical use of language and a laserlike focus that is at once charming and terrifying. Highly recommended.” —Henry Bankhead, Library Journal, Starred Review “Unnikrishnan’s debut novel shines a light on a little known world with compassion and keen insight. The Temporary People are invisible people—but Unnikrishnan brings them to us with compassion, intelligence, and heart. This is why novels matter.” —Susan Hans O’Connor, Penguin Bookshop (Sewickley, PA) “Deepak Unnikrishnan uses linguistic pyrotechnics to tell the story of forced transience in the Arabian Peninsula, where citizenship can never be earned no matter the commitment of blood, sweat, years of life, or brains. The accoutrements of migration—languages, body parts, passports, losses, wounds, communities of strangers—are packed and carried along with ordinary luggage, blurring the real and the unreal with exquisite skill. Unnikrishnan sets before us a feast of absurdity that captures the cruel realities around the borders we cross either by choice or by force. In doing so he has found what most writers miss: the sweet spot between simmering rage at a set of circumstances, and the circumstances themselves.” —Ru Freeman, author of On Sal Mal Lane “Deepak writes brilliant stories with a fresh, passionate energy. Every page feels as if it must have been written, as if the author had no choice. He writes about exile, immigration, deportation, security checks, rage, patience, about the homelessness of living in a foreign land, about historical events so strange that, under his hand, the events become tales, and he writes tales so precisely that they read like history. Important work. Work of the future. This man will not be stopped.” —Deb Olin Unferth, author of Revolution “From the strange Kafka-esque scenarios to the wholly original language, this book is amazing on so many different levels. Unlike anything I've ever read, Temporary People is a powerful work of short stories about foreign nationals who populate the new economy in the United Arab Emirates. With inventive language and darkly satirical plot lines, Unnikrishnan provides an important view of relentless nature of a global economy and its brutal consequences for human lives. Prepare to be wowed by the immensely talented new voice.” —Hilary Gustafson, Literati Bookstore (Ann Arbor, MI) “Absolutely preposterous! As a debut, author Unnikrishnan shares stories of laborers, brought to the United Arab Emirates to do menial and everyday jobs. These people have no rights, no fallback if they have problems or health issues in that land. The laborers in Temporary People are sewn back together when they fall, are abandoned in the desert if they become inconvenient, and are even grown from seeds. As a collection of short stories, this is fantastical, imaginative, funny, and even more so, scary, powerful, and ferocious.” —Becky Milner, Vintage Books (Vancouver WA)
Love and The Turning Seasons by Andrew Schelling Pdf
For thousands of years, India has excelled at erotic love poetry, and the genius of its devotional poetry often harnesses great energy and mystical insight. It is in fact often hard to tell whether the poets are offering poems of spiritual longing using the garment of love poetry, or writing erotic poems in the guise of devotion. Perhaps, in a country where erotic sculpture routinely ornaments its many temples and the gods are known for their explosive sexuality, this question has little meaning to these remarkable writers. In their devotional traditions, eroticism and mysticism seem inseparable. This wonderful selection spans 2,500 years, and includes work originally sung or recited by their well–known bards: Kabir, Mirabai, Lal Ded, Vidyapati and Tagore. There are also poems from the Upanishad, from ancient Sanskrit poetry and Punjab folk lyrics. The poets have largely emerged from the ranks of the dispossessed: leather workers, refuse collectors, maidservants, women, & orphans. Their vision is of a democratic society in which all voices count, much like American gospel and blues, Shaker songs, or the grand vision of Walt Whitman. Often they faced persecution for speaking candidly, or daring to speak of spiritual matters at all. The notes include profiles of these legendary lives. Several of these poets simply vanished, absorbed into a deity, or disappeared in a flash of purple lightening. A few produced miracles—most of them have clouds of mystery around them. Andrew Schelling has drawn on the work of 24 other translators, including Ezra Pound, Robert Bly, W. S. Merwin, Jane Hirschfield and Denise Levertov, to build what will be the finest anthology of India's erotic and spiritual poetry for the general read ever assembled.
The Great Weaver From Kashmir by Halldor Laxness Pdf
From Nobel Prize winner Halldór Laxness “Laxness brought the Icelandic novel out from the ‘sagas' shadow…to read Laxness is also to understand why he haunts Iceland—he writes the unearthly prose of a poet cased in the perfection of a shell of plot, wit, and clarity.” — The Guardian “Finally, finally, an imposing work of fiction, which rises like a cliff from the flatness of Icelandic poetry and fiction of recent years!” —Kristján Albertsson, Vaka 1927 The Great Weaver from Kashmir is Laxness’ first major novel, the book that propelled Icelandic literature into the modern world. Shortly after World War One, Steinn Elliði, a young philosopher-poet dandy, leaves the physical and cultural confines of Iceland’s shores for mainland Europe, seeking to become “the most perfect man on earth.” His journey leads us through a wide range of moral, philosophical, religious, political, and social realms, from hedonism to socialism to aestheticism to Benedictine monasticism. Upon his return to Iceland, Steinn finds himself more conflicted than before, torn between love of the beauty and traditions of his homeland, longing and regret for his great adolescent love, Diljá, and his newfound monastic ideal, forcing him to make choices with fateful consequences. Published when Laxness was only twenty-five years old, The Great Weaver from Kashmir’s radical experimentation caused a stir in Iceland, which would soon reverberate throughout Europe. The Great Weaver is much more than a first major work by a literary master—it is a groundbreaking modernist classic.
On Feb 6th 2003, Anjum Zamarud Habib, a young woman political activist from Kashmir, was arrested in Delhi and jailed under the Prevention of Terrorism Act (POTA). Her crime? Being in the wrong place at the wrong time. And being the Chairperson of the Muslim Khawateen Markaz and in that capacity, a member of the Hurriyat Conference. In this passionate and moving account of her days in prison, Anjum Zamarud Habib describes the shock and bewilderment of arrest, the pain of realizing that there is no escape for not days, not weeks, but years, the desperation for contact with the outside world and the sense of deep betrayal at being abandoned by her political comrades. Her story is both a searing indictment of draconian state policies and expedient political practices, and a moving account of one woman’s extraordinary life. “Prisoner No 100 illuminates the darkest corners of Kashmir’s political experience. A brilliant critique of patriarchy in politics, a searing tale of the terrible humiliations visited upon political prisoners, a poignant story of a woman who dedicated her life to political change in Kashmir, a passionate love letter to Kashmir. Everyone interested in Kashmir should read it.” —Basharat Peer, author of Curfewed Nights Published by Zubaan.
