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Now an HBO® Series from J.J. Abrams (Executive Producer of Westworld), Misha Green (Creator of Underground) and Jordan Peele (Director of Get Out) The critically acclaimed cult novelist makes visceral the terrors of life in Jim Crow America and its lingering effects in this brilliant and wondrous work of the imagination that melds historical fiction, pulp noir, and Lovecraftian horror and fantasy. Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George—publisher of The Safe Negro Travel Guide—and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite—heir to the estate that owned one of Atticus’s ancestors—they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours. At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn—led by Samuel Braithwhite and his son Caleb—which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his—and the whole Turner clan’s—destruction. A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of two black families, Lovecraft Country is a devastating kaleidoscopic portrait of racism—the terrifying specter that continues to haunt us today.
The Big Cinch embeds readers in a magic-laced St. Louis. Sean Joye is a disillusioned young veteran of 1922's Irish Civil War. Ignoring his magical insights since childhood, Sean hopes to escape fae attention, forget his assassin past, and make a clean new life in St. Louis but finds himself embroiled in the activities of an elite, magic-dabbling family. The youngest daughter, Lillian, is eager to share her secrets-as well as her bedroom-with Sean, but he falls hard for Lillian's fiancé, a WWI flying ace with a few secrets of his own. Soon he is on the run, a suspect in his lover's bludgeoning and a tycoon's murder. Can Sean tap the supernatural abilities he's long rejected in time to protect the innocent and save his own skin? Praise for The Big Cinch Think of The Big Cinch as the spooky love child of Dashiell Hammett's The Maltese Falcon and Stephen King's The Shining. Hammett gave us Sam Spade, a cynical investigator in the treacherous world of the 1920s San Francisco. Kathy L. Brown's cynical investigator is Sean Joye, an ex-IRA soldier in the treacherous world of the 1920s St. Louis. But her detective has to deal with ghosts as well. Enjoy this clever melding of a noir mystery an dark fantasy! - Michael A. Kahn, award-winning author of the Rachel Gold mystery series What a marvel Brown has created in Sean Joye, an IRA soldier-turned-River City-henchman with the uncanny ability to endear himself to just about anyone-man or woman, rich or poor, criminal or saintly, earthly or immaterial. There's nary a dull moment in his puckish, streetwise, surprisingly enlightened company. - Christopher Clancy, author of We Take Care of Our Own Sean Joye is a charmer guaranteed to seduce the reader of Kathy L. Brown's The Big Cinch. He is determined to find the truth, no matter how many hearts and laws he has to break along the way. He takes the reader into the very heart of Prohibition Era St. Louis, exposing scandals while riling spirits. You will love traveling along with this flirtatious sleuth as he pieces together all of the clues, proving that the bad boys really are more fun. - Charis Emanon, author of 51 Ways To End Your World The fae-touched IRA veteran-turned-St. Louis investigator Sean Joye returns with a vengeance in The Big Cinch, a daunting adventure that sees the St. Louis of old come to vivid life in Kathy L. Brown's capable hands. Sean's search for the missing baby girl of a wealthy St. Louis debutante leads him into an increasingly dangerous web of supernatural intrigue that touches on not only local history but the restrictive social mores of the early 20th century. A fascinating tale! - Daniel Waugh, author of Gangs of St. Louis With unencumbered prose and the sure-footed pace of a gumshoe hot on the case, Kathy L. Brown manages to blend a whiskey-dripping pair of fantastical worlds in her grainy new novel, The Big Cinch. Cinch follows Sean Joye, as he stalks the haunted streets of post-Great War St. Louis, a whole damn city built on top of an Ancient Indian Burial Ground. Joye's a Private Dick in the classic sense, but driven by a sensibility appropriate to the modern age. Part Chinatown, part Carnival Row, The Big Cinch delivers a pulpy dive entirely unique unto itself. - Paul d. Miller, author of Albrecht Drue, ghostpuncher and Albrecht Drue, Paranormal Dick. Old money. A missing child. Forbidden Love. Murder. The sights and sounds of 1920s St. Louis shines in this paranormal whodunit by Kathy L. Brown. Crisp writing and snappy dialogue are reminiscent of Cohen brothers' "Miller's Crossing" as Brown skillfully brings to life complex characters that leap off the pages. A late-night page turner, you won't be able to put this supernatural mystery down until the heart-stopping end. - Stephen Paul Sayers, author of A Taker of Morrows
The Negro Motorist Green Book by Victor H. Green Pdf
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
Jane Charlotte has been arrested for murder. During questioning, she tells the police that she is a member of a secret organisation. Her division, the Bad Monkeys, is an execution squad, determined to rid the world of evil people. But the man she has just killed was not on the target list. As her story becomes more bizarre the question becomes: Is Jane lying, crazy - or playing a different game altogether?
The critically acclaimed author of Lovecraft Country returns with a thrilling and immersive virtual reality epic—part cyberthriller, part twisted romantic comedy—that transports you to a world where identity is fluid and nothing can be taken at face value. John Chu is a “sherpa”—a paid guide to online role-playing games like the popular Call to Wizardry. For a fee, he and his crew will provide you with a top-flight character equipped with the best weapons and armor, and take you dragon-slaying in the Realms of Asgarth, hunting rogue starships in the Alpha Sector, or battling hordes of undead in the zombie apocalypse. Chu’s new client, the pseudonymous Mr. Jones, claims to be a “wealthy, famous person” with powerful enemies, and he’s offering a ridiculous amount of money for a comprehensive tour of the world of virtual-reality gaming. For Chu, this is a dream assignment, but as the tour gets underway, he begins to suspect that Mr. Jones is really North Korean dictator Kim Jong-un, whose interest in VR gaming has more to do with power than entertainment. As if that weren’t enough to deal with, Chu also has to worry about “Ms. Pang,” who may or may not be an agent of the People’s Republic of China, and his angry ex-girlfriend, Darla Jean Covington, who isn’t the type to let an international intrigue get in the way of her own plans for revenge. What begins as a whirlwind online adventure soon spills over into the real world. Now Chu must use every trick and resource at his disposal to stay one step ahead—because in real life, there is no reset button.
A mind-bending novel in which an alternate history of 9/11 and its aftermath uncovers startling truths about America and the Middle East 11/9/2001: Christian fundamentalists hijack four jetliners. They fly two into the Tigris & Euphrates World Trade Towers in Baghdad, and a third into the Arab Defense Ministry in Riyadh. The fourth plane, believed to be bound for Mecca, is brought down by its passengers. The United Arab States declares a War on Terror. Arabian and Persian troops invade the Eastern Seaboard and establish a Green Zone in Washington, D.C. . . . Summer, 2009: Arab Homeland Security agent Mustafa al Baghdadi interrogates a captured suicide bomber. The prisoner claims that the world they are living in is a mirage—in the real world, America is a superpower, and the Arab states are just a collection of "backward third-world countries." A search of the bomber's apartment turns up a copy of The New York Times, dated September 12, 2001, that appears to support his claim. Other captured terrorists have been telling the same story. The president wants answers, but Mustafa soon discovers he's not the only interested party. The gangster Saddam Hussein is conducting his own investigation. And the head of the Senate Intelligence Committee—a war hero named Osama bin Laden—will stop at nothing to hide the truth. As Mustafa and his colleagues venture deeper into the unsettling world of terrorism, politics, and espionage, they are confronted with questions without any rational answers, and the terrifying possibility that their world is not what it seems. Acclaimed novelist Matt Ruff has created a shadow world that is eerily recognizable but, at the same time, almost unimaginable. Gripping, subversive, and unexpectedly moving, The Mirage probes our deepest convictions and most arresting fears.
Voyage au pays des monstres et du Ku Klux Klan Chicago, 1954. Quand son père, Montrose, est porté disparu, Atticus, jeune vétéran de la guerre de Corée, s'embarque dans une traversée des États-Unis aux côtés de son oncle George, grand amateur de science-fiction, et d'une amie d'enfance. Pour ce groupe de citoyens noirs, il est déjà risqué de prendre la route. Mais des dangers plus terribles les attendent dans le Massachusetts, au manoir du terrible M. Braithwhite... Les trois comparses retrouvent en effet Montrose enchaîné, près d'être sacrifié par une secte esclavagiste qui communique avec des monstres venus d'un autre monde pour persécuter les Noirs. C'est la première de leurs péripéties... Dans l'Amérique ségrégationniste, Atticus et ses proches vont vivre des aventures effrayantes et échevelées, peuplées de créatures fantastiques et d'humains racistes non moins effroyables. Signé par un maître du genre, encensé par la critique outre-Atlantique, Lovecraft Country est un hommage au pulp et à la science-fiction des années 1950, un roman électrique d'une actualité déconcertante. La société HBO ne s'y est pas trompée en décidant de l'adapter pour une série sous la houlette de Jordan Peele, le réalisateur de Get Out.
Now a major HBO series from J.J. Abrams, Misha Green and Jordan Peele (Director of Get Out) A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of two black families, Matt Ruff's Lovecraft Country is a devastating kaleidoscopic portrait of racism – the terrifying specter that continues to haunt us today. Chicago, 1954. When his father Montrose goes missing, twenty-two year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George – publisher of The Safe Negro Travel Guide – and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite – heir to the estate that owned one of Atticus’s ancestors – they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours. At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn – led by Samuel Braithwhite and his son Caleb – which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his – and the whole Turner clan’s – destruction. 'At every turn, Ruff has great fun pitting mid-twentieth-century horror and sci-fi clichés against the banal and ever present bigotry of the era' - New York Times Book Review.
Horror as Racism in H. P. Lovecraft by John L. Steadman Pdf
Providing a new perspective on Lovecraft's life and work, Horror as Racism in H.P. Lovecraft focuses on the overlap between the writer's personal beliefs and the racist images and narratives in his speculative fiction. Building on recent debates about Lovecraft and drawing on the concept of "white fragility," John Steadman argues that the writer's fiction reflects his feelings of resentment and anger towards non-white persons and was used to advocate for his racist, xenophobic political beliefs – that western civilization was in decline and slavery was justifiable among "superior" civilizations. In making these claims, Lovecraft's tales pit humans against extra-terrestrial aliens, developing a terrifying, futuristic vision of the Earth as a plantation planet. The familiar image of Lovecraft as a reclusive, creative genius and mentor to young writer-friends is dismantled through close readings of his fiction and nonfiction – including correspondence, essays, and poetry – and examination of his early biography. This image is replaced by that of a cruel, callous, and, at times, psychotic man, a violently vitriolic racist and white supremacist who hated most of the non-white races. While some will dismiss the author outright and others will read his fiction but ignore the racism, Horror as Racism in H.P. Lovecraft takes a middle ground: acknowledging Lovecraft's personal history and heinous intentions, it helps readers navigate the author's disturbing biography while also getting a better sense of the stories, which remain significant within American science fiction.
The Medial Afterlives of H.P. Lovecraft by Tim Lanzendörfer,Max José Dreysse Passos de Carvalho Pdf
Medial Afterlives of H.P. Lovecraft brings together essays on the theory and practice of adapting H.P. Lovecraft’s fiction and the Lovecraftian. It draws on recent adaptation theory as well as broader discourses around media affordances to give an overview over the presence of Lovecraft in contemporary media as well as the importance of contemporary media in shaping what we take Lovecraft’s legacy to be. Discussing a wide array of medial forms, from film and TV to comics, podcasts, and video and board games, and bringing together an international group of scholars, the volume analyzes individual instances of adaptation as well as the larger concern of what it is possible to learn about adaptation from the example of H.P. Lovecraft, and how we construct Lovecraft and the Lovecraftian today in adaptation. Medial Afterlives of H.P. Lovecraft is focused on an academic audience, but it will nonetheless hold interest for all readers interested in Lovecraft today.
A micro-biography of horror fiction’s most influential author and his love–hate relationship with New York City. By the end of his life and near financial ruin, pulp horror writer Howard Phillips Lovecraft resigned himself to the likelihood that his writing would be forgotten. Today, Lovecraft stands alongside J. R. R. Tolkien as the most influential genre writer of the twentieth century. His reputation as an unreformed racist and bigot, however, leaves readers to grapple with his legacy. Midnight Rambles explores Lovecraft’s time in New York City, a crucial yet often overlooked chapter in his life that shaped his literary career and the inextricable racism in his work. Initially, New York stood as a place of liberation for Lovecraft. During the brief period between 1924 and 1926 when he lived there, Lovecraft joined a creative community and experimented with bohemian living in the publishing and cultural capital of the United States. He also married fellow writer Sonia H. Greene, a Ukrainian-Jewish émigré in the fashion industry. However, cascading personal setbacks and his own professional ineptitude soured him on New York. As Lovecraft became more frustrated, his xenophobia and racism became more pronounced. New York’s large immigrant population and minority communities disgusted him, and this mindset soon became evident in his writing. Many of his stories from this era are infused with racial and ethnic stereotypes and nativist themes, most notably his overtly racist short story, “The Horror at Red Hook,” set in Red Hook, Brooklyn. His personal letters reveal an even darker bigotry. Author David J. Goodwin presents a chronological micro-biography of Lovecraft’s New York years, emphasizing Lovecraft’s exploration of the city environment, the greater metropolitan region, and other locales and how they molded him as a writer and as an individual. Drawing from primary sources (letters, memoirs, and published personal reflections) and secondary sources (biographies and scholarship), Midnight Rambles develops a portrait of a talented and troubled author and offers insights into his unsettling beliefs on race, ethnicity, and immigration.
