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Lucian's Science Fiction Novel, True Histories by Aristoula Georgiadou Pdf
This is the first substantial commentary on Lucian's fantastic journey narrative, the "True Histories" - the earliest surviving example of science fiction in the Western tradition. The Introduction situates the text in Lucian's oeuvre and offers a guide to its interpretation as allegory and parody.
A selection from Lucian's dialogues, with a literal interlinear translation, accompanied by illustrative notes: on the plan recommended by Mr. Locke by Lucianus (of Samosata.) Pdf
No comic author from the ancient world features the gods as often as Lucian of Samosata, yet the meaning of his works remain contested. He is either seen as undermining the gods and criticizing religion through his humor, or as not engaging with religion at all, featuring the gods as literary characters. His humor was traditionally viewed as a symptom of decreased religiosity, but that model of religious decline in the second century CE has been invalidated by ancient historians. Understanding these works now requires understanding what it means to imagine as laughing and laughable gods who are worshipped in everyday cult. In Lucian's Laughing Gods, author Inger N. I. Kuin argues that in ancient Greek thought, comedic depictions of divinities were not necessarily desacralizing. In religion, laughter was accommodated to such an extent as to actually be constituent of some ritual practices, and the gods were imagined either to reciprocate or push back against human laughter—they were never deflated by it. Lucian uses the gods as comic characters, but in doing so, he does not automatically negate their power. Instead, with his depiction of the gods and of how they relate to humans—frivolous, insecure, callous—Lucian challenges the dominant theologies of his day as he refuses to interpret the gods as ethical models. This book contextualizes Lucian’s comedic performances in the intellectual life of the second century CE Roman East broadly, including philosophy, early Christian thought, and popular culture (dance, fables, standard jokes, etc.). His texts are analyzed as providing a window onto non-elite attitudes and experiences, and methodologies from religious studies and the sociology of religion are used to conceptualize Lucian’s engagement with the religiosity of his contemporaries.
As intimate and meticulous as his revered portraits, Lucian Freud's magnificent paintings and drawings of plant life are gathered for the first time in book form. Lucian Freud's portraits are known for their spectacular detail and unflinching gaze. Although Freud brought the same qualities to his paintings and drawings of plants, flowers, and landscapes, these are largely unknown. This elegant book shows how working with plants emboldened Freud to experiment with style and composition. Reproduced in sumptuous plates that allow readers to indulge in exquisite detail, seventy-five works--including Two Plants, Bananas, Cyclamen, The Painter's Garden, and Interior at Paddington--reveal Freud's singular approach to plant life. Readers unfamiliar with this aspect of Freud's work will find many similarities to his portraits--earthy palettes, unconventional rawness, and assiduous attention to detail. From the delicate realism of the cyclamens' petals to the bold brushstrokes that immortalize his overgrown garden, readers will appreciate Freud's ability to portray plants in new and personal ways. Comparative illustrations from throughout art history accompany essays on the history of plants in art and an appreciation of Freud's oeuvre. This monograph is a tremendous contribution to Freud's legacy, one that will enrich his admirers' discernment while also introducing his thoroughly original depictions of plants to a new audience.
A Legacy Prequel filth·y (fĭl′thē) adj. filth·i·er, filth·i·est 1. Covered or smeared with filth; disgustingly dirty. 2. Obscene or offensive. 3. Vile; dirty. adv. filth·y 1. To an extreme and often disgusting extent. Newly released from prison after serving a three-year term, Johnathan Marcello just wants to get his head straight, but he's the only one who believes he can do it. Stepping into her mother's shoes is the very last thing on Catherine Marcello's mind, but it's already too late and she's got her own games to play. The spotlight wasn't in Andino Marcello's plan, but the Capo might not be given a choice when Cosa Nostra starts looking for la famiglia's next boss.
An insider's account—the first of its kind—of the thoroughly unconventional life of one of the twentieth century's most shockingly original painters Lucian Freud's paintings are instantly recognizable: often shocking and disturbing, his portraits convey a profound yet compelling sense of discomfort. Freud was twice married and the father of at least a dozen children, and his numerous relationships with women were the subject of much gossip—but the man himself remained a mystery. An intensely private individual (during his lifetime he prevented two planned biographies from being published), Freud's life, as well as his art, invites questions that have had no answer—until now. In Breakfast with Lucian, Geordie Greig, one of a few close friends who regularly had breakfast with the painter during the last years of his life, tells an insider's account—accessible, engaging, revealing—of one of the twentieth century's most fascinating, enigmatic, and controversial artists. Greig, who has studied his subject's work at length, unravels the tangled thread of a life lived on Freud's own uncompromising terms. Based on private conversations in which Freud held forth on everything from first love to gambling debts to the paintings of Velázquez, and informed by interviews with friends, lovers, and some of the artist's children who have never before spoken publicly about their relationships with the painter, this is a deeply personal memoir that is illuminated by a keen appreciation of Freud's art. Fresh, funny, and ultimately profound, Breakfast with Lucian is an essential portrait—one worthy of one of the greatest painters of our time. An NPR Best Book of 2013
Lucian of Samosata, the prolific Greek-speaking satirist of the 2nd century AD, left us a wide range of works ranging from harsh invective against cult-leaders and philosophers to playful pastiche of Herodotus' Histories. Art and artists, teachers of rhetoric, inconsistent myths, parasites in rich households, authors seeking imperial patronage and the rich and powerful themselves all provide rich material for his wit and humour. In this volume the focus is not on the literary values of Lucian's works, but rather on what they show us about the intellectual, political, religious and everyday life of the Imperial period. The articles address themes such as the importance of Latin in the Greek-speaking eastern Empire, rituals of death and mourning, attitudes towards the lands beyond the empire and the role of politics in comedy and satire, both in Lucian's own time and in the 5th and 4th centuries BC. While Lucian's own distinctive personality is impossible to ignore, the picture that emerges is one of both the high intellectual life and everyday behaviour in this vibrant period in the history of the Mediterranean region.
No matter what age we live in, we are pretty much like our ancestors: We eat what Og ate two hundred thousand years ago, we still reproduce and love basically the same way, and most importantly, we all average three score and ten life spans. This is a little better than Og but not much in the larger scheme of things. Lucianas Place is a story of three people thrown back in time with just themselves, a huge plantation, two horses, and a self-aware computer. Two of these people are a mother and daughter. Our third unintended time traveler is the best friend of the late father and husband of the other two sole inhabitants of Earth. This story is of hope and a prediction of the miracles of science just a very few years off in our lifetime. Itas funny, loving, sexy, thrilling, and prophetic.
