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Leon Bakst and the Art of Ballet Russes by Léon Bakst,San Francisco Performing Arts Library and Museum Pdf
Leon Bakst became associated with the impresario Serge Diaghilev's Ballets Russes in 1909. From the start, his costumes and set designs provoked amazed delight among the troupe's Parisian audiences, and he would work ever more closely with the company over a number of years. Sumptuous, muscular, and delicately colored, Bakst's watercolor-and-gouache renderings remain profoundly sensuous today; when first published in 1913, in The Decorative Art of Leon Bakst, they must have been galvanizing.
Léon Bakst (1866-1924) was a painter, illustrator, stage and costume designer. He is universally acknowledged for representing a synthesis of creative energy in the late 19th and early 20th centuries. Bakst travelled widely throughout Europe and in 1890 joined the World of Art journal circle which numbered many artists among its members, the most famous being Benois and Diaghilev. This book illustrates the wealth of Bakst's contribution to the world of theatre and dance. His best known work includes sets for Stravinsky's Firebird, and Weber's Spectre de la Rose.
Léon Bakst by Léon Bakst,Irina Nikolaevna Pruzhan Pdf
Scarce original English-language edition printed in Austria & published in Russia/USSR (commissioned by the renowned Aurora Art based in St. Petersburg), beautifully illustrated throughout on glossy paper. Many subsequent publications on Bakst issued by various American/Western European publishers are based on this very edition.
Ballets Russes by Robert Bell,National Gallery of Australia,Christine Dixon Pdf
The Ballets Russes has engaged people for 100 years, ever sinceRussian-born Sergei Diaghilev created this dynamic avant-garde company.Diaghilev brought together some of the most important visual artists ofthe 20th century to work as costume and stage designers and workwith composers, choreographers, and dancers, infusing new life andcreative energy into the performing arts of the time. Through thecostumes, drawings, programs, and posters presented in this book, thevisual spectacle of the Ballets Russes is brought back into view for acontemporary audience to appreciate the revolution it was and theongoing influence it continues to have today.
The Ballets Russes and the Art of Design by Alston W. Purvis,Peter Rand,Anna Winestein Pdf
The Ballets Russes was unmistakably influential in its time, and its impact can still be seen in contemporary set and costume design, music, dance, choreography, and more--and with the 100th anniversary of its formation in 2009, this book is a must-have for anyone interested in today's wide-ranging arts scene.
"This illustrated book concerns Leon Bakst (!866-1924), a Russian artist and a founding member of the Mir iskusstva (World Art) association, a group organized in St Petersburg in the late 1890s by artists and art lovers, led by Alexander Benois and Sergei Diaghilev. It contains colour reproductions of his paintings, book illustrations and set designs for which he was most noted. His stage sets and costumes are known for their elements of fantasy, beauty and historical accuracy. He made a unique contribution to the promotion of Russian art in Western Europe as the leading designer for the Russian ballet."--Amazon.
This catalogue is published in conjunction with the exhibition, "A Russian's Winter in Baltimore: Leon Bakst at Evergreen, 192223," at Johns Hopkins University's Evergreen House (now Evergreen Museum & Library), February 9May 25, 2003. Bakst's connection to Evergreen House began during his tenure as a stage set and costume designer for the Ballets Russes under Sergei Diaghilev. While in Paris between 1914 and 1917, Bakst met the owners of Evergreen, Ambassador John Work Garrett and his wife, Alice Warder Garrett. In 1922, the Garretts invited Bakst to their Baltimore home to design its theater, costumes and three stage sets, newly conserved for the exhibition.
Modernism on Stage restores Serge Diaghilev?s Ballets Russes to its central role in the Parisian art world of the 1910s and 1920s. During those years, the Ballets Russes? stage served as a dynamic forum for the interaction of artistic genres - dance, music and painting - in a mixed-media form inspired by Richard Wagner?s Gesamtkunstwerk (total work of art). This interdisciplinary study combines a broad history of Diaghilev?s troupe with close readings of four ballets designed by canonical modernist artists: Pablo Picasso, Sonia Delaunay, Henri Matisse, and Giorgio de Chirico. Experimental both in concept and form, these productions redefine our understanding of the interconnected worlds of the visual and performing arts, elite culture and mass entertainment in Paris between the two world wars. This volume traces the ways in which artists working with the Ballets Russes adapted painterly styles to the temporal, three-dimensional and corporeal medium of ballet. Analyzing interactions among sets, costumes, choreography, and musical accompaniment, the book establishes what the Ballets Russes' productions looked like and how audiences reacted to them. Juliet Bellow brings dance to bear upon modernist art history as more than a source of imagery or ornament: she spotlights a complex dialogue among art forms that did not preclude but rather enhanced artists? interrogation of the limits of medium.
Born in Belarus in 1866 to modest means, Leon Bakst was already an accomplished artist when he joined the creative circle around Sergei Diaghilev, impresario of the Ballets Russes. Bakst's bold, colorful set designs and exotic costumes became integral to Fokine's innovative choreography and forever changed ballet. Bakst is a gorgeous, visual tribute to an artist every lover of ballet and theater must know.