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After Hurricane Sandy, Nick Fowler, a writer, stranded alone in a Manhattan apartment without power, begins to contemplate disaster. Months later, at an artist residency in upstate New York, Nick finds his subject in disaster itself and the communities shaped by it, where crisis animates both hope and denial, unacknowledged pasts and potential futures. As he travels to Los Angeles and London on assignment, Nick discovers that outsiders - their lives and histories disturbed by sex, loss, and bad weather - are often better understood by what they have hidden from the world than what they have revealed.
A captivating, emotionally taut novel about the complexities of a friendship between two women—and how it shapes, and reshapes, both of their lives "Filled with gorgeous prose and deep emotion . . . Explores what it means to be an artist, delves into the vicissitudes of life and death, and takes us on journey through the splendor (and sometimes ugliness) of the American West—with dollops of Flaubert, Faulkner, Chekhov, Collette, and Chandler along the way."—Lisa See, author of The Island of Sea Women Jolene and Verna share complicated ties that have crystallized over time. Beginning when they were girls discovering their needs and desires, their ongoing stories have been inextricably linked. But when Verna marries Vincent, Jolene’s ex-husband, their paths may have finally, permanently diverged. A successful and provocative feminist artist, Jolene travels the world, attracting attention wherever she goes. Verna, a writer, works from her home near MacArthur Park in Los Angeles, where she and Vincent plan to spend the rest of their lives in a contemplative, intimate routine. Then Jolene asks one more favor of Verna—to take a road trip with her to their small hometown in Utah. It’s a journey that will force them to confront both the truths and falsehoods of their memories of each other and of the very beginnings of their friendship, and to reckon with the meaning of love, of time itself, of the bonds that matter most to us, and with what we owe one another.
Known as Westlake Park for its first 60 years, MacArthur Park is considered one of Los Angeles's original parks. Throughout its history, it has endured countless challenges as the neighborhood and city that surround it grew to become the current metropolis. Born out of progressive vision and drought, MacArthur Park, due to its elegant design and cultural programming, has been referred as a "civic jewel" and the West Coast version of Central Park. Like many urban parks, it has also been burdened with a negative image due to its many decades of neglect, crime, and municipal disinvestment. Today, MacArthur Park has survived as a critical green and cultural space for one of the most densely populated neighborhoods in the country. More importantly, MacArthur Park has served as an authentic democratic space for local stakeholders and visitors to gather, play, and protest.
The humorist asked his readers to share their least favorite tunes and chronicles the hilarious responses. When funnyman Dave Barry asked readers about their least favorite tunes, he thought he was penning just another installment of his weekly syndicated humor column. But the witty writer was flabbergasted by the response when over 10,000 readers voted. “I have never written a column that got a bigger response than the one announcing the Bad Song Survey,” Barry wrote. Based on the results of the survey, Dave Barry’s Book of Bad Songs is a compilation of some of the worst songs ever written. Dave Barry fans will relish his quirky take. Music buffs too will appreciate this humorous stroll through the world’s worst lyrics. The only thing wrong with this book is that readers will find themselves unable to stop mentally singing the greatest hits of Gary Puckett. Praise for Dave Barry’s Book of Bad Songs “Barry is his usual puckish self, but the real surprise here is how funny many of the survey respondents are.” —Kirkus Reviews “Who can resist such a book?” —Publishers Weekly
“Each wears his cynicism like a bulletproof jockstrap—each has his horror story, his bad dream, his nightshriek. He is afraid of his friends—he is afraid of himself.”—New York Times Partners in the Los Angeles Police Department, they’re haunted by terrifying dark secrets of the nightwatch–shared predawn drink and sex sessions they call choir practice. “A master storyteller . . . authenticity oozes from this book . . . freewheeling and chilling and certainly Wambaugh's best.”—Houston Chronicle
‘An intimate portrait of a woman who changed herself and Australia...Michelle Scott Tucker makes Elizabeth Macarthur step off the page.’ David Hunt , Author of Girt In 1788 a young gentlewoman raised in the vicarage of an English village married a handsome, haughty and penniless army officer. In any Austen novel that would be the end of the story, but for the real-life woman who became an Australian farming entrepreneur, it was just the beginning. John Macarthur took credit for establishing the Australian wool industry and would feature on the two-dollar note, but it was practical Elizabeth who managed their holdings—while dealing with the results of John’s manias: duels, quarrels, court cases, a military coup, long absences overseas, grandiose construction projects and, finally, his descent into certified insanity. Michelle Scott Tucker shines a light on an often-overlooked aspect of Australia’s history in this fascinating story of a remarkable woman. Michelle Scott Tucker owns and operates a management consulting company, and lives on a small farm in regional Victoria with her husband and children. Elizabeth Macarthur is her first book. ‘Tucker’s great achievement is to have scraped back the familiar historical material to uncover a fresh and compelling portrait of Elizabeth Macarthur in her own words and the words of those who knew her.’ Australian ‘In writing this lively, entertaining and profoundly empathetic biography, [Tucker] has also brought other colonial women out of the shaows and told their story too...There are not many biographies or histories of Australia that are unputdownable, but this one is. Highly recommended!’ ANZ LitLovers 'The triumphs and trials of Elizabeth Macarthur, a capable business woman and dedicated wife and mother, are given their due in this impressively researched biography.’ Brenda Niall ‘This carefully researched history is a highly interesting read that highlights the importance of women in the settlement of New South Wales.’ Otago Daily Times 'Finally, Elizabeth Macarthur steps out from the long shadow of her infamous, entrepreneurial husband. In Michelle Scott Tucker’s devoted hands, Elizabeth emerges as a canny businesswoman, charming diplomat, loving mother and indefatigable survivor. A fascinating, faithful portrait of a remarkable woman and the young, volatile colony she helped to build.’ Clare Wright ‘A nourishing, fascinating, and eye-opening read.’ Alpha Reader ‘Tucker expertly details the trials, tragedies and triumphs of the early settlement of NSW...This book is an important historical memoir documenting the incredible life of an Australian pioneer and her role as the matriarch of one of Australia’s first agricultural dynasties.’ Countryman ‘Elizabeth Macarthur: A Life at the Edge of the World is a great read. It crafts a compulsive story with good research, giving a convincing look into colonial New South Wales. It offers the pleasures of fine biography in tracing one person’s life in all its seasons, through its successes and failures, joys and miseries.’ NathanHobby blog ‘A stunning and intimate look at Elizabeth [Macarthur] and the family’s lives...Should be required reading in schools...An informative and learned look at colonial history.’ AU Review
General MacArthur Wisdom and Visions by Anonim Pdf
MacArthur's supremacy as a true conversationalist is readily documented. This work on the wisdom and sayings of MacArthur is presented as a new-classicist document in that almost every item listed came from the mouth of General MacArthur and from his writings. He wrote almost all of his own speeches with eloquence in all of them. These speeches stand out as note-worthy because they were made immediately after periods of great historical significance. In these speeches he seemed to be speaking strictly from his heart. Regardless of the individual's attitude toward politics, religion, military or civilian service, his words sound spiritual and practical.
Andrew Durbin's Mature Themes is a hybrid text of poetry, art criticism, and memoir focused on the subject of disingenuity-and what constitutes "personal experience" both online and IRL when to "go deep" in a culture of so many unreliable communication technologies is to resend a text at 3 AM. Throughout the book, Durbin's voice mutates into others in order to uncover the fading specters of meaning buried under the pristine surfaces of art and Hollywood, locating below them the other realities that structure our experience of both.
Urban Green Spaces by Viniece Jennings,Matthew H. E. M. Browning,Alessandro Rigolon Pdf
This book crosses disciplinary boundaries to investigate how the benefits of green spaces can be further incorporated in public health. In this regard, the book highlights how ecosystem services provided by green spaces affect multiple aspects of human health and well-being, offering a strategic way to conceptualize the topic. For centuries, scholars have observed the range of health benefits associated with exposure to nature. As people continue to move to urban areas, it is essential to include green spaces in cities to ensure sustained human health and well-being. Such insights can not only advance the science but also spark interdisciplinary research and help researchers creatively translate their findings into benefits for the public. The book explores this topic in the context of ‘big picture’ frameworks that enhance communication between the environmental, public health, and social sciences.
How "MacArthur Park" goes, so I sang it, giving it my best shot, and Rob laughed so hard that when I got to the part about leaving the cake out in the rain, and it took so long to bake it, and I'll never have that recipe again, Rob was on the floor."
"This book develops a new way to think about how social advocacy works in everyday life. Varied scholarly approaches to social advocacy over the past four decades have tended to highlight skilled actors who craft rhetorical appeals and pursue resources and opportunities strategically to win their ends. Lichterman argues that this approach presents a thin view of culture and oversimplifies action as a product of collective actors whose speech and action do not vary by setting. In this study of housing advocacy, he turns the analytic lens away from the actors to the social settings and the cultural contexts of unfolding action, which allows him to develop a more precise explanation of success and failure. Lichterman draws on four years of ethnographic research on four campaigns, three coalitions, and twelve organizations that took up affordable housing, homelessness, and related problems in Los Angeles. The author follows how the actors' identities, claims and strategies unfold in specific settings as they promote new legislation, oppose gentrification, build affordable housing, and pursue health and environmental issues alongside housing problems. He finds that the discursive fields are crucial contexts that influence the work and that organization style powerfully shapes civic action. How Civic Action Works offers a new conceptual framework and research agenda for studies of social advocacy"--
Here is one of the most remarkable, ambitious, and utterly original memoirs of this generation, a story of the losing and finding of self, of sex and love and fatherhood and the joy of language, of death and failure and heartbreak, of Los Angeles and Portland and Nicaragua and Mexico, and the shifting sands of place and meaning that can make up a culture, or a community, or a home. Faced with the collapse of his son’s Little League program–consisting mostly of Latino kids in the largely Asian suburb of Monterey Park, California–Jesse Katz finds himself thrust into the role of baseball commissioner for La Loma Park. Under its lights the yearnings and conflicts of a complex immigrant community are played out amid surprising moments of grace. Each day–and night–becomes a test of Jesse’s judgment and adaptability, and of his capacity to make this peculiar pocket of L.A.’s Eastside his home. While Jesse soothes egos, brokers disputes, chases down delinquent coaches and missing equipment, and applies popsicles to bruises, he forms unlikely alliances, commits unanticipated errors, and receives the gift of unexpected wisdom. But there’s no less drama in Jesse’s complicated personal life as he grapples with a stepson who seems destined for trouble, comforts his mother (a legendary Oregon politician) when she’s stricken with cancer, and receives hard lessons in finding–and holding on to–the love of a good woman. Through it all, Jesse’s emotional mainstay is his beloved son, Max, who quietly bests his father’s brightest hopes. Over nine springs and summers with Max at La Loma, Jesse learns nothing less than what it takes to be a father, a son, a husband, a coach, and, ultimately, a man. This is an epic book, a funny book, a sexy book, a rapturously evocative and achingly poignant book. Above all it is true, in that it happened, but also in a way that transcends mere facts and cuts to the quick of what it means to be alive.
Intensely moving stories that tell of the absurd violence of war, and tenderly depict the animals and children caught in its vortex. In 1945, Akiyuki Nosaka watched the Allied firebombing of Kobe kill his adoptive parents, and then witnessed his sister starving to death. The shocking and blisteringly memorable stories of The Cake Tree in the Ruins are based on his own experiences as a child in Japan during the Second World War. They are stories of a lonely whale searching the oceans for a mate, who sacrifices himself for love; of a mother desperately trying to save her son with her tears; of a huge, magnificent tree which grows amid the ruins of a burnt-out town, its branches made from the sweetest cake imaginable. Profound, heartbreaking and aglow with a piercing beauty, they express the chaos and terror of conflict, yet also how love can illuminate even the darkest moment.
Winner, 2019 Miller Williams Poetry Prize "We are the happy riders on the stream of Padua's consciousness . . . a smart, sympathetic mind at work." --Billy Collins Drawing on the spirit of New York City in decades past, A Short History of Monsters presents the sins and obsessions of a poet nimble in beat and slam traditions. In his first full-length collection, Jose Padua wrestles with an American dream interrupted by failure, excess, and other nightmares. Often brash and unruly, these poems range from recollections of lost, drunken days to unadorned manifestations of hope. Throughout, the speaker redefines his relationship to pop culture, praising it, skewering it, and mourning it by turns. The poems that make up A Short History of Monsters tend toward both dark humor and epiphany, diving deeply into their own despair and rising up again with existential absurdity. This is a poetry that gets down into the grit and grime of the real world, digging out a space to experience being alive as miraculous in and of itself.