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This book recounts a series of "case-studies" of fourteen artists ranging from William Blake to Agnes Martin. The theme of artistic "possession" is explored.
Analyst and author Ann Belford Ulanov draws on her years of clinical work and reflection to make the point that madness and creativity share a kinship, an insight that shakes both analysand and analyst to the core, reminding us as it does that the suffering places of the human psyche are inextricably—and, often inexplicably—related to the fountains of creativity, service, and even genius. She poses disturbing questions: How do we depend on order, when chaos is a necessary part of existence? What are we to make of evil—both that surrounding us and that within us? Is there a myth of meaning that can contain all the differences that threaten to shatter us? Ulanov’s insights unfold in conversation with themes in Jung’s Red Book which, according to Jung, present the most important experiences of his life, themes he explicated in his subsequent theories. In words and paintings Jung displays his psychic encounters from1913–1928, describing them as inner images that “burst forth from the unconscious and flooded me like an enigmatic stream and threatened to break me.” Responding to some of Jung’s more fantastic encounters as he illustrated them, Ulanov suggests that our problems and compulsions may show us the path our creativity should take. With Jung she asserts that the multiplicities within and around us are, paradoxically, pieces of a greater whole that can provide healing and unity as, in her words, “every part of us and of our world gets a seat at the table.” Taken from Ulanov’s addresses at the 2012 Fay Lectures in Analytical Psychology, Madness and Creativity stands as a carefully crafted presentation, with many clinical examples of human courage and fulfillment.
Eighteen psychiatrists, psychologists, and other mental health professionals describe the work, lives, and personalities of sixteen famous artists, writers, and musicians, examining their art from an esthetic viewpoint and also as reflections of the artists' emotional lives.
Intrigued by history's list of "troubled geniuses,"Albert Rothenberg investigates how two such opposite conditions—outstanding creativity and psychosis—could coexist in the same individual. Rothenberg concludes that high-level creativity transcends the usual modes of logical thought—and may even superficially resemble psychosis. But he also discovers that all types of creative thinking generally occur in a rational and conscious frame of mind, not in a mystically altered or transformed state. Far from being the source—or the price—of creativity, Rothenberg discovers, psychosis and other forms of mental illness are actually hindrances to creative work. Disturbed writers and absent-minded professors make great characters in fiction, but Rothenberg has uncovered an even better story—the virtually infinite creative potential of healthy human beings.
Eighteen psychiatrists, psychologists, and other mental health professionals describe the work, lives, and personalities of sixteen famous artists, writers, and musicians, examining their art from an esthetic viewpoint and also as reflections of the artists' emotional lives.
How to Go Mad Without Losing Your Mind by La Marr Jurelle Bruce Pdf
La Marr Jurelle Bruce ponders the presence of "madness" in black literature, music, and performance since the early twentieth century, showing how artist ranging from Kendrick Lamar and Lauryn Hill to Nina Simone and Dave Chappelle activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition.
Anger, Madness, and the Daimonic by Stephen A. Diamond Pdf
Explores the links between anger, rage, violence, evil, and creativity and describes a dynamic therapeutic approach that can help channel anger and violent impulses into constructive and creative activity.
Madness and Creativity: Yes, No or Maybe? by Anna Abraham Pdf
The pervasive idea that madness and creativity are intricately linked is one that holds tremendous fascination for both scientists and the general public alike. Although this view was at first largely driven by anecdotal evidence showcasing the manifestation of mental illness in individuals who exhibited extraordinary levels of creativity in various spheres of life, it initiated a strong impetus to empirically investigate the association between mental health and creativity. A variety of approaches (and combinations of approaches) have been adopted to address this association including clinical, personality, psychometric, behavioral, cognitive, historiometric and neuroscientific. Despite the ever accumulating body of evidence over the past six decades investigating this link, what is lacking is a comprehensive overview of the disparate findings from these different approaches that will enable us to address the question of whether there is an empirically founded relationship between creativity and mental illness. And if such a link does exist, what is the nature of this association? The purpose of this Research Topic was to motivate theorists and researchers to answer this question (or at least attempt to do so) given the available evidence thus far. The themes of interest that were open to exploration in view of this topic included: (a) Which mental disorders are positively associated with creativity? (b) Which mental disorders are negatively associated with creativity? (c) The dynamics of information processing biases (positive versus negative) associated with psychiatric and high-risk populations (d) Theories regarding the madness-creativity link (e) Personality-based studies on creativity (f) Creativity, mental illness and the brain (g) Genes and creativity (h) How can studies on neurological populations inform this debate? (i) What are the areas of impact with regard to real world applications and practice? (j) Historical timeline of this question (k) Evolutionary perspectives on the madness-creativity link (l) Methodological problems associated with this field (m) Philosophical issues to bear in mind when investigating this domain (n) The usefulness of the “troubled genius” concept The invitation to contribute was open to all interested academics regardless of whether they were seasoned explorers within this field of study or just beginning to get their feet wet in its murky waters. As a result of adopting this inclusive approach, the contributions showcase a wide variety of perspectives from academic departments and institutions the world over. What is most encouraging is that so many were willing to openly take on the challenge of tackling this difficult question head on. We hope future discussions that follow through as a result of this collective effort will prove to be just as fruitful.
Genius, Creativity and Madness by Vladimir Lerner Pdf
This book deals with the complex relationship between the highest form of human activity -- creativity -- and mental illness. The heroes of this book are brilliant geniuses in various fields: three writers, four painters and three musicians. The common denominator of these figures is that they lived in Russia in the nineteenth century, a period of cultural and artistic blossoming. Besides the extraordinary creativity they had -- each in his own domain -- these great figures have another common denominator -- their tragic fate. Two committed suicide, two became disabled with severe depression, two were addicted to alcohol, and another died from the complications of brain disease. These psychopathological processes led to the decline in their creativity and to their eventual deaths. However, their struggle with their inner "demons" is also largely what gave meaning to their lives, suffering and work. The authors have demonstrated that in order to understand the nature and the complexity of their works of art, one must recognise the structure of their personalities and comprehend the various psychopathological components that affected their lives. In this book, the authors draw upon examples of many psychopathological possibilities: developmental deprivation and early loss in childhood, psychiatric disorders such as mood and psychotic disorders, the influence of organic factors like brain disease (eg: following an infection such as syphilis) or alcohol abuse, and the overall effect these factors had on the course of the subjects personal lives. It is most ironic that the artistic works of these gifted but tortured, broken souls have uplifted and inspired generations of art lovers, bringing them immense pleasure and meaning.
Madness and Creativity in Literature and Culture by Corinne Saunders,Jane Macnaughton Pdf
This collection of essays explores the relation between literature and madness from the Medieval to the Modern period. The essays examine how literature represents the experience of madness and cultural responses to it, and how madness may inspire creativity. The volume also illuminates the history of medicine, demonstrating the shifts and continuities in clinical understandings of and social attitudes to mental illness from the Middle Ages through to the "enlightened" notions of the Eighteenth Century to the development of psychoanalysis.
Rates of mental illness are hugely elevated in the families of poets, writers and artists, suggesting that the same genes, the same temperaments, and the same imaginative capacities are at work in insanity and in creative ability. Writing for the general reader, Daniel Nettle explores the nature of mental illness, the biological mechanisms that underlie it, and its link to creative genius.
Exploring the lives and achievements of over 1,000 extraordinary men and women, this book offers answers to the age-old questions about the relationship between mental illness and greatness, and also reveals factors that predict creative achievement. The book is filled with colorful stories about many of the most eminent artists, scientists, social activists, politicians, soldiers, and business people of our time. Moving beyond anecdotal accounts, The Price of Greatness is based on over 10 years of original scientific research on major 20th-century figures. Delving into many of humankind's greatest achievements and the special attributes and backgrounds of those who accomplished them, this illuminating work will interest anyone who wants to know why some people achieve fame - and what price they may pay in the process.
Is there really a thin line between madness and genius? This book provides a thorough review of the current state of knowledge on this age old idea, and presents new empirical research to put an end to this debate, but also to open up discussion about the implications of its findings.