Magill S Survey Of Cinema English Language Films First Series
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Magill's Survey of Cinema--English Language Films, First Series by Frank Northen Magill Pdf
A survey of over 500 movies--from The Jazz singer to Kramer vs. Kramer--giving an account of the story line along with an examination of the directing, acting, cinematography, editing, etc. in each.
Magill's Survey of Cinema by Frank Northen Magill,Stephen L. Hanson,Patricia King Hanson Pdf
A 6-volume comprehensive critical examination of 751 major English language films released 1928-1981. Also includes cumulative indexes for both First and Second Series.
Magill's Survey of Cinema--English Language Films, First Series by Frank Northen Magill Pdf
A survey of over 500 movies--from The Jazz singer to Kramer vs. Kramer--giving an account of the story line along with an examination of the directing, acting, cinematography, editing, etc. in each.
Magill's Survey of Cinema--English Language Films, Second Series by Frank Northen Magill Pdf
A 6-volume comprehensive critical examination of 751 major English language films released 1928-1981. Also includes cumulative indexes for both First and Second Series.
Saints, Clergy and Other Religious Figures on Film and Television, 1895_ÑÐ2003 by Ann C. Paietta Pdf
The portrayal of clergy, saints, missionaries, monks, and other spiritual leaders dates back to the very beginnings of motion pictures and television. Over the years, filmmakers have portrayed religious figures as heroes and villains, sinners and saints, and nearly everything in between. Through their works, filmmakers have influenced how society viewed these religious figures and, by extension, religion itself. This work details over 900 films and television series made from the 1890s through 2003 in which a religious figure plays a prominent or recurring role, or in which a character poses as a religious figure. For each motion picture, full filmographic data are provided—including title, studio, running time, year of release, director, producer, writer, and cast—along with a synopsis focusing on the role of the religious figure. Television series are covered in a separate section. For each show, the entry includes the title under which the show was commonly known; the original broadcast network; the years the show ran, running time, and cast; and a brief discussion of the religious character’s role in the overall series. Extensively indexed.
American Film Musical Themes and Forms by Michael Dunne Pdf
The musical has been called "the most popular form of entertainment in the world." This work examines the subjects, themes, and contemporary relevance of Hollywood musicals through their long popularity, placing each show in historical and political context and analyzing it in detail. A chapter is devoted to how Golddiggers of 1933 (1933) and Stand Up and Cheer (1934) deal with the economic crises of the Depressions. Another addresses race issues by examining the prevalence of blackface minstrelsy in the 1930s and 1940s, looking at productions like Swing Time (1936) and Dixie (1943). Rock and roll culture, which started in the 1950s and threatened America with teenage sex and rebellion, is addressed through such hits as Girl Crazy (1943), Bye Bye Birdie (1963), and Grease (1978). The work also explores dance as a signifier of character, the geography of musicals (such as New York or "the South"), fantasy settings, Fred Astaire and Gene Kelly, and the musical biopic (mentioning biographies of such figures as Ziegfeld, Cohan, Rogers and Hart, Cole Porter, and Jerome Kern). A later chapter discusses intertextuality in such shows as Singin' in the Rain (1952), which refers to many earlier musicals; Kiss Me Kate (1953) which refers to Taming of the Shrew; and All That Jazz (1970) which refers to the life and work of Bob Fosse. The work concludes with an examination of the continuing popularity of the musical with such hits as Moulin Rouge (2001) and Chicago (2002). Instructors considering this book for use in a course may request an examination copy here.
Those tales of old—King Arthur, Robin Hood, The Crusades, Marco Polo, Joan of Arc—have been told and retold, and the tradition of their telling has been gloriously upheld by filmmaking from its very inception. From the earliest of Georges Méliès’s films in 1897, to a 1996 animated Hunchback of Notre Dame, film has offered not just fantasy but exploration of these roles so vital to the modern psyche. St. Joan has undergone the transition from peasant girl to self-assured saint, and Camelot has transcended the soundstage to evoke the Kennedys in the White House. Here is the first comprehensive survey of more than 900 cinematic depictions of the European Middle Ages—date of production, country of origin, director, production company, cast, and a synopsis and commentary. A bibliography, index, and over 100 stills complete this remarkable work.
Magill's Survey of Cinema--English Language Films, Second Series by Frank Northen Magill Pdf
A survey of over 750 movies (additional to 515 in 1st series) - from 1927 to 1981 - giving an account of the story line along with an examination of the directing, acting, cinematography, editing, etc. in each.
The teaching profession has a long history in motion pictures. As early as the late 19th century, films have portrayed educators of young children—including teachers, tutors, day care workers, nannies, governesses, and other related occupations—in a variety of roles within the cinematic classroom. This work provides a broad index of more than 800 films (both U.S. and foreign) which feature educators as primary characters. Organized alphabetically by title, each entry contains a short plot summary and many also include cast and crew details. A detailed subject index is also included.
Woody Allen's Manhattan Murder Mystery has been described as "a kind of Rear Window for retirees." As this quote suggests, an analysis of Alfred Hitchcock's methodical use of comedy in his films is past due. One of Turner Classic Movies' on-screen scholars for their summer 2017 online Hitchcock class, the author grew tired of misleading throwaway references to the director's "comic relief." This book examines what should be obvious: Hitchcock systematically incorporated assorted types of comedy--black humor, parody, farce/screwball comedy and romantic comedy--in his films to entertain his audience with "comic" thrillers.
Author : Stanley C. Pelkey,Anthony Bushard Publisher : Oxford University Press, USA Page : 321 pages File Size : 42,7 Mb Release : 2015 Category : Music ISBN : 9780199936175
Anxiety Muted by Stanley C. Pelkey,Anthony Bushard Pdf
"In this collection, contributors employ diverse critical methods and perspectives to explore the role of music in American film and television of the 1950s and 1960s, as well as in films from more recent years that allude to, reflect back upon, or recreate those decades. Particular attention is given to uncovering how motion picture culture and its music treated anxieties about suburbanization, conformity, the family, and gender"--Provided by publisher.
Re-Entering the Dollhouse by Heather M. Porter,Michael Starr Pdf
Premiering on Fox in 2009, Joss Whedon's Dollhouse was an innovative, contentious and short-lived science fiction series whose themes were challenging for viewers from the outset. A vast global corporation operates establishments (Dollhouses) that program individuals with temporary personalities and abilities. The protagonist assumes a different identity each episode--her defining characteristic a lack of individuality. Through this obtuse premise, the show interrogated free will, morality and sex, and in the process its own construction of fantasy and its audience. A decade on, the world is--for better or worse--catching up with Dollhouse's provocative vision. This collection of new essays examines the series' relevance in the context of today's social and political issues and media landscape.
