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Author : Robert Greer Cohn,Gerald Gillespie
Publisher : Fairleigh Dickinson Univ Press
Page : 316 pages
File Size : 51,5 Mb
Release : 1998
Category : Literary Collections
ISBN : 0838637957
Essays on various aspects of the work of the French poet Stephane Mallarme on the centenary of his death (1998).
Author : D. Hampton Morris
Publisher : Unknown
Page : 128 pages
File Size : 44,9 Mb
Release : 1977
Category : Electronic
ISBN : OCLC:65941531
Author : Drewry H. Morris
Publisher : Unknown
Page : 0 pages
File Size : 46,9 Mb
Release : 1978
Category : Electronic
ISBN : LCCN:lc77000708
Author : Drewry Hampton Morris
Publisher : Unknown
Page : 108 pages
File Size : 40,5 Mb
Release : 1989
Category : Literary Criticism
ISBN : UOM:39015015449781
Author : Anna Sigrídur Arnar
Publisher : Unknown
Page : 0 pages
File Size : 55,8 Mb
Release : 2011
Category : Artists' books
ISBN : 0226027015
Anna Sigrídur Arnar explores how the book became a stretegic site for encouraging a modern public to actively partake in the creative act, an idea that informed later 20-century developments such as conceptual and performance art.
Author : Trevor Stark
Publisher : National Geographic Books
Page : 0 pages
File Size : 53,8 Mb
Release : 2020-06-02
Category : Art
ISBN : 9780262043717
How cubism and Dada radically reimagined the social nature of language, following the utopian poetic vision of Stéphane Mallarmé. At the outset of the twentieth century, language became a visual medium and a philosophical problem for European avant-garde artists. In Total Expansion of the Letter, art historian Trevor Stark offers a provocative history of this “linguistic turn,” centered on the radical doubt about the social function of language that defined the avant-garde movements. Major cubists and Dadaists—including Pablo Picasso, Marcel Duchamp, and Tristan Tzara—appropriated bureaucratic paperwork, newspapers, popular songs, and advertisements, only to render them dysfunctional and incommunicative. In doing so, Stark argues, these figures contended with the utopian vision of the late nineteenth-century poet Stéphane Mallarmé, who promised a “total expansion of the letter.” In his poems, Mallarmé claimed, “the act of writing was scrutinized down to its origins.” This scrutiny, however, delivered his work into an indeterminate zone between mediums, social practices, and temporalities—a paradox that reverberates through Stark's wide-ranging case studies in the history of the avant-garde. Stark examines Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the cubists' “hope of an anonymous art,” expressed in newspaper collages and industrial colors; the collaborative, cacophonous invention of “simultaneous poems” by the Dadaists in Zurich during World War I; and Duchamp's artistic exploration of chance in gambling and finance. Each of these cases reflected the avant-garde's transformative encounter with the premise of Mallarmé's poetics: that language—the very medium of human communication and community—is perpetually in flux and haunted by emptiness.
Author : Drewry Hampton Morris
Publisher : University, Miss. : Romance Monographs, Incorporated
Page : 216 pages
File Size : 43,6 Mb
Release : 1977
Category : Literary Criticism
ISBN : UOM:39015004831031
Romance monographs ; no. 25 (er)
Author : D. Hampton Morris
Publisher : Unknown
Page : 208 pages
File Size : 42,9 Mb
Release : 1977
Category : Electronic
ISBN : OCLC:490205162
Author : Stéphane Mallarmé,Jill Anderson
Publisher : New Directions Publishing
Page : 164 pages
File Size : 53,5 Mb
Release : 2001
Category : Literary Collections
ISBN : 0811214516
A number of sections are devoted to Mallarme's great magazine of wit and opinion, La Derniere Mode, or The Latest Fashion, every page of which he wrote himself under various pseudonyms of both genders.
Author : Barnaby Norman
Publisher : Routledge
Page : 147 pages
File Size : 48,9 Mb
Release : 2017-07-05
Category : Foreign Language Study
ISBN : 9781351559454
The writings of the great Symbolist poet Stephane Mallarme (1842-1898) were to become uniquely influential in twentieth century literary criticism. For critics and philosophers such as Maurice Blanchot and Jacques Derrida, Mallarme's name came to represent a rupture in literary history, and an opening of literature onto a radically new kind of writing. Through close readings of key works, Norman retraces Mallarme's trajectory as a poet, showing in particular how he positioned his work in relation to Hegel's Aesthetics. Analysing the motif of the sunset Norman argues that Mallarme situated his work at the conclusion of the history of art, in Hegelian terms, and it is this that made him so interesting for Blanchot and Derrida. Their readings, born of their wish to subvert Hegel's totalizing impulse, give rise to an entirely new view of works now almost universally seen as masterpieces.
Author : Stéphane Mallarmé
Publisher : Harvard University Press
Page : 313 pages
File Size : 45,7 Mb
Release : 2009-06-15
Category : Literary Criticism
ISBN : 9780674265776
"This is a book just the way I don't like them," the father of French Symbolism, Stéphane Mallarmé, informs the reader in his preface to Divagations: "scattered and with no architecture." On the heels of this caveat, Mallarmé's diverting, discursive, and gorgeously disordered 1897 masterpiece tumbles forth--and proves itself to be just the sort of book his readers like most. The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. If Mallarmé captured the tone and very feel of fin-de-siècle Paris, he went on to captivate the minds of the greatest writers of the twentieth century--from Valéry and Eliot to Paul de Man and Jacques Derrida. This was the only book of prose he published in his lifetime and, in a new translation by Barbara Johnson, is now available for the first time in English as Mallarmé arranged it. The result is an entrancing work through which a notoriously difficult-to-translate voice shines in all of its languor and musicality. Whether contemplating the poetry of Tennyson, the possibilities of language, a masturbating priest, or the transporting power of dance, Mallarmé remains a fascinating companion--charming, opinionated, and pedantic by turns. As an expression of the Symbolist movement and as a contribution to literary studies, Divagations is vitally important. But it is also, in Johnson's masterful translation, endlessly mesmerizing.
Author : Stéphane Mallarmé
Publisher : Unknown
Page : 42 pages
File Size : 47,6 Mb
Release : 1974
Category : California
ISBN : NWU:35556007905888
Author : Sta1/2phane Mallarma1/2
Publisher : Unknown
Page : 0 pages
File Size : 43,9 Mb
Release : 1994
Category : Poetry
ISBN : 0520207114
"Weinfield's versions are superb--true miracles, I believe--and give us the flavor of Mallarme's work for the first time."--Paul Auster, Editor, The Random House Book of 20th-Century French Poetry
Author : Marian Zwerling Sugano
Publisher : Stanford University Press
Page : 300 pages
File Size : 51,8 Mb
Release : 1992
Category : Poetry
ISBN : 0804719462
"Although Mallarme is commonly viewed as the high priest of the autonomous work of art, by far the bulk of his actual poetic writing was occasional verse. With few exceptions the works written after 1873 manifest a reinvestment in the world subsequent to the metaphysical crises of the 1860's. In addition to the "Tombeaux," the toasts, and certain of the "Eventails," Mallarme composed the Vers de circonstance, more than 450 quatrains and distichs inscribed on envelopes, postcards, calling cards, Easter eggs, small stones, photographs, and jugs of Calvados. This is the first comprehensive reading and analysis of the neglected late poetry, heretofore dismissed as of marginal interest." "This book has a dual purpose. By exploring the occasional verse of Mallarme, which itself thematizes the problematics of the occasion, the author seeks to rehabilitate such writing for critical study. She does this not by proclaiming its high seriousness, but by insisting on its casual, amenable, public nature. Unlike previous critics, who have often apologized for straying into the fringes of the canon, the author delights in the marginal, insisting that in a poetics of the occasion, traditional oppositions such as center/margin become skewed and break down." "The author's second purpose is to come to a better understanding of Mallarme in light of what he actually wrote, rather than the work projected in his correspondence and prose articles, which has claimed so much critical attention. Each of the chapters of the book highlights one aspect of occasional poetry through an investigation of representative texts, both canonical and occasional. The author also discusses the relationship between Mallarme's poetics and the plastic arts, tracing the changing conception of the representation of the monument from the nineteenth to the twentieth century, as well as the correspondences between the more radical aspects of Mallarme's practice of writing and the contemporary arts." "Far more than a study of a single writer, this book is the first to propose a pragmatic definition of occasional literature, to undertake a broad study of the problem of occasion in literature, and to trace the historical trajectory of occasional writing as a specific discourse. The book is illustrated with 27 halftones."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author : Stéphane Mallarmé
Publisher : Unknown
Page : 0 pages
File Size : 55,6 Mb
Release : 2024-04-16
Category : Design
ISBN : 1950268942
A contemporary and authentically designed translation of one of Stéphane Mallarmé's most famous poems.