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This volume collects all four of the writer-performer’s legendary, award–winning solo shows. John Leguizamo rose to stardom with a series of critically acclaimed solo shows in which he embodied a diverse cast of unforgettable characters. Now all four of these classic theatrical works—Freak, Spic-o-Rama, Mambo Mouth, and Sexaholix—are available in this one essential volume. Mambo Mouth Leguizamo’s first show was an Off-Broadway sensation. In it, he portrayed seven different Latino characters in a bravura performance that earned him both Obie and Outer Critics Circle awards. Spic–O–Rama A “dysfunctional family comedy,” presents 24–hours in the life of one family. It enjoyed a sold–out run in Chicago before relocating to New York where it won its creator a Drama Desk Award. Freak Leguizamo’s Broadway debut tells his own coming–of–age story. A “demi–semi–quasi–pseudo–autobiography,” which went on to become an Emmy special on HBO. Sexaholix: A Love Story Leguizamo’s “raunchy-yet-sweet comic solo performance”—a hit on both Broadway and HBO—explores his own coming of age as he transforms into a father and family man (Washington Post).
Contemporary Latina/o Theater by Jon D. Rossini Pdf
In Contemporary Latina/o Theater, Jon D. Rossini explores the complex relationship between theater and the creation of ethnicity in an unprecedented examination of six Latina/o playwrights and their works: Miguel Piñero, Luis Valdez, Guillermo Reyes, Octavio Solis, José Rivera, and Cherríe Moraga. Rossini exposes how these writers use the genre as a tool to reveal and transform existing preconceptions about their culture. Through “wrighting”—the triplicate process of writing plays, righting misconceptions about ethnic identity, and creating an entirely new way of understanding Latina/o culture—these playwrights directly intervene in current conversations regarding ethnic identity, providing the tools for audiences to reexplore their previously held perspectives outside the theater. Examining these writers and their works in both cultural and historical contexts, Rossini reveals how playwrights use the liminal space of the stage—an area on the thresholds of both theory and reality—to “wright” new insights into Latina/o identity. They use the limits of the theater itself to offer practical explorations of issues that could otherwise be discussed only in highly theoretical terms. Rossini traces playwrights’ methods as they address some of the most challenging issues facing contemporary Latinas/os in America: from the struggles for ethnic solidarity and the dangers of a community based in fear, to stereotypes of Latino masculinity and the problematic fusion of ethnicity and politics. Rossini discusses the looming specter of the border in theater, both as a conceptual device and as a literal reality—a crucial subject for modern Latinas/os, given recent legislation and other actions. Throughout, the author draws intriguing comparisons to the cultural limbo in which many Latinas/os find themselves today. An indispensable volume for anyone interested in drama and ethnic studies, Contemporary Latina/o Theater underscores the power of theatricality in exploring and rethinking ethnicity. Rossini provides the most in-depth analysis of these plays to date, offering a groundbreaking look at the ability of playwrights to correct misconceptions and create fresh perspectives on diversity, culture, and identity in Latina/o America.
John Leguizamo went from being the class clown to a hard-working and successful actor and comedian. He has won awards from the film, TV, and theater communities, and is known for his appearances on TV's House of Buggin'; the films Spawn, Summer of Sam, and Moulin Rouge; and an updated film version of Romeo and Juliet. Newly updated, John Leguizamo, Second Edition tells the story of this versatile performer's life and career.
In Chicana/o popular culture, nothing signifies the working class, highly-layered, textured, and metaphoric sensibility known as "rasquache aesthetic" more than black velvet art. The essays in this volume examine that aesthetic by looking at icons, heroes, cultural myths, popular rituals, and border issues as they are expressed in a variety of ways. The contributors dialectically engage methods of popular cultural studies with discourses of gender, sexuality, identity politics, representation, and cultural production. In addition to a hagiography of "locas santas," the book includes studies of the sexual politics of early Chicana activists in the Chicano youth movement, the representation of Latina bodies in popular magazines, the stereotypical renderings of recipe books and calendar art, the ritual performance of Mexican femaleness in the quinceañera, and mediums through which Chicano masculinity is measured.
Called the "theater equivalent of longtime New Yorker film critic Pauline Kael" by Matinee Magazine, critic and producer Steven Suskin chronicles the 2001-2002 theater season in his latest installment in the Broadway Yearbook series. Commenting with wit and erudition on each show that opened on Broadway between May 2001 and May 2002, Suskin's vivid descriptions recall Tony winners like Thoroughly Modern Millie and Urinetown and commercial smashes like Mamma Mia! and The Graduate. A great read for theater buffs, the book is also a valuable sourcebook for critics, Broadway historians, and theater professionals, providing an array of statistics on every Broadway production of the season, as well as noteworthy off-Broadway performances. The intelligent and witty Broadway Yearbook, 2001-2002 will engage theater lovers, performers, and critics alike.
With fascinating insights into how both ordinary and famous Cuban-Americans, including Desi Arnaz, Oscar Hijuelos, Gloria Estefan, and José Kozer, have lived 'life on the hyphen', this is an expanded, updated edition of the classic, award-winning study of Cuban-American culture.
Taking a Stand by Jared N. Champion,Peter C. Kunze Pdf
Contributions by Jared N. Champion, Miriam M. Chirico, Thomas Clark, David R. Dewberry, Christopher J. Gilbert, David Gillota, Kathryn Kein, Rob King, Rebecca Krefting, Peter C. Kunze, Linda Mizejewski, Aviva Orenstein, Raúl Pérez, Philip Scepanski, Susan Seizer, Monique Taylor, Ila Tyagi, and Timothy J. Viator Stand-up comedians have a long history of walking a careful line between serious and playful engagement with social issues: Lenny Bruce questioned the symbolic valence of racial slurs, Dick Gregory took time away from the stage to speak alongside Martin Luther King Jr., and—more recently—Tig Notaro challenged popular notions of damaged or abject bodies. Stand-up comedians deploy humor to open up difficult topics for broader examination, which only underscores the social and cultural importance of their work. Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals draws together essays that contribute to the analysis of the stand-up comedian as public intellectual since the 1980s. The chapters explore stand-up comedians as contributors to and shapers of public discourse via their live performances, podcasts, social media presence, and political activism. Each chapter highlights a stand-up comedian and their ongoing discussion of a cultural issue or expression of a political ideology/standpoint: Lisa Lampanelli’s use of problematic postracial humor, Aziz Ansari’s merging of sociology and technology, or Maria Bamford’s emphasis on mental health, to name just a few. Taking a Stand offers a starting point for understanding the work stand-up comedians do as well as its reach beyond the stage. Comedians influence discourse, perspectives, even public policy on myriad issues, and this book sets out to take those jokes seriously.
Latino Literature by Christina Soto van der Plas,Lacie Rae Buckwalter Cunningham Pdf
Offers a comprehensive overview of the most important authors, movements, genres, and historical turning points in Latino literature. More than 60 million Latinos currently live in the United States. Yet contributions from writers who trace their heritage to the Caribbean, Central and South America, and Mexico have and continue to be overlooked by critics and general audiences alike. Latino Literature: An Encyclopedia for Students gathers the best from these authors and presents them to readers in an informed and accessible way. Intended to be a useful resource for students, this volume introduces the key figures and genres central to Latino literature. Entries are written by prominent and emerging scholars and are comprehensive in their coverage of the 19th, 20th, and 21st centuries. Different critical approaches inform and interpret the myriad complexities of Latino literary production over the last several hundred years. Finally, detailed historical and cultural accounts of Latino diasporas also enrich readers' understandings of the writings that have and continue to be influenced by changes in cultural geography, providing readers with the information they need to appreciate a body of work that will continue to flourish in and alongside Latino communities.
Author : David G. Gutiérrez Publisher : Columbia University Press Page : 521 pages File Size : 42,8 Mb Release : 2004-07-20 Category : Social Science ISBN : 9780231508414
The Columbia History of Latinos in the United States Since 1960 by David G. Gutiérrez Pdf
Latinos are now the largest so-called minority group in the United States—the result of a growth trend that began in the mid-twentieth century—and the influence of Latin cultures on American life is reflected in everything from politics to education to mass cultural forms such as music and television. Yet very few volumes have attempted to analyze or provide a context for this dramatic historical development. The Columbia History of Latinos in the United States Since 1960 is among the few comprehensive histories of Latinos in America. This collaborative, interdisciplinary volume provides not only cutting-edge interpretations of recent Latino history, including essays on the six major immigrant groups (Mexicans, Cubans, Puerto Ricans, Dominicans, Central Americans, and South Americans), but also insight into the major areas of contention and debate that characterize Latino scholarship in the early twenty-first century. This much-needed book offers a broad overview of this era of explosive demographic and cultural change by exploring the recent histories of all the major national and regional Latino subpopulations and reflecting on what these historical trends might mean for the future of both the United States and the other increasingly connected nations of the Western Hemisphere. While at one point it may have been considered feasible to explore the histories of national populations in isolation from one another, all of the contributors to this volume highlight the deep transnational ties and interconnections that bind different peoples across national and regional lines. Thus, each chapter on Latino national subpopulations explores the ambiguous and shifting boundaries that so loosely define them both in the United States and in their countries of origin. A multinational perspective on important political and cultural themes—such as Latino gender systems, religion, politics, expressive and artistic cultures, and interactions with the law—helps shape a realistic interpretation of the Latino experience in the United States.
Author : Alejandro Nava (Author on hip hop) Publisher : Univ of California Press Page : 290 pages File Size : 44,5 Mb Release : 2017-09-05 Category : MUSIC ISBN : 9780520293533
In Search of Soul by Alejandro Nava (Author on hip hop) Pdf
In Search of Soul explores the meaning of “soul” in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the “soul” revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
A landmark of postcolonial African literature, Wizard of the Crow is an ambitious, magisterial, comic novel from the acclaimed Kenyan novelist, playwright, poet, and critic. Set in the fictional Free Republic of Aburiria, Wizard of the Crow dramatizes with corrosive humor and keenness of observation a battle for the souls of the Aburirian people, between a megalomaniac dictator and an unemployed young man who embraces the mantle of a magician. Fashioning the stories of the powerful and the ordinary into a dazzling mosaic, in this magnificent work of magical realism, Ngugi wa'Thiong'o—one of the most widely read African writers—reveals humanity in all its endlessly surprising complexity.