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Man's Picture of His World and Three Papers by Roger Money-Kyrle Pdf
This new edition of Roger Money-Kyrle's classic work is published together with three of his late papers, 'Cognitive development', 'The aim of psychoanalysis', and 'On being a psychoanalyst'. Its intention is to introduce new readers to this key Kleinian thinker, whose influence has been quiet and uncontroversial but deep and formative. The book also includes Donald Meltzer's discussion of the paper on 'Cognitive development'.
John Gray has become one of our liveliest and most influential political philosophers. This current volume is a sequel to his Liberalisms: Essays in Political Philosophy. The earlier book ended on a sceptical note, both in respect of what a post-liberal political philosophy might look like, and with respect to the claims of political philosophy itself. John Gray's new book gives post-liberal theory a more definite content. It does so by considering particular thinkers in the history of political thought, by criticizing the conventional wisdom, liberal and socialist, of the Western academic class, and most directly by specifying what remains of value in liberalism. The upshot of this line of thought is that we need not regret the failure of foundationalist liberalism, since we have all we need in the historic inheritance of the institutions of civil society. It is to the practice of liberty that these institutions encompass, rather than to empty liberal theory, that we should repair.
Clarence H. White and His World by Anne McCauley Pdf
Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered.
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
This is the first book-length study of dub poetry, the musical talkover that has been an important part of the reggae scene in Canada, Britain and of course the Caribbean since the 1970's. Christian Habekost 's qualifications for writing such a book are beyond dispute. He is a German poet who has been involved with the dub movement since it began and knows most of its leading figures. As Ranting Chako, he is featured on the LP Dread Poets Society. The bibliography indicates that he has interviewed many of the 43 poet-performers mentioned, often on several occasions. Verbal Riddim, based on his doctoral dissertation at the University of Mannheim, is a successful blend of the performer and the researcher.
Hayao Miyazaki's World Picture by Dani Cavallaro Pdf
Hayao Miyazaki has gained worldwide recognition as a leading figure in the history of animation, alongside Walt Disney, Milt Kahl, Tex Avery, Chuck Jones, Yuri Norstein and John Lasseter. In both his films and his writings, Miyazaki invites us to reflect on the unexamined beliefs that govern our lives. His eclectic body of work addresses compelling philosophical and political questions and demands critical attention. This study examines his views on contemporary culture and economics from a broad spectrum of perspectives, from Zen and classical philosophy and Romanticism, to existentialism, critical theory, poststructuralism and psychoanalytic theory.
The world knows Freud as a thinker--one of the founding giants of modern culture. Now Lydia Flem paints a unique and unforgettable portrait of Frued the man: a father, husband, and friend, a secular Jew with passion for classical antiquity and European culture, torn between his need to be fully accepted in an anitsemitic society while remaining fatihful to his orgins. Flem enters into the depths of Freud's creativity, showing how his thinking is connected to his immersion in the arts, the history of religions, and mythology. The intimate details of his daily life, his relationships with women, his poetic gifts, his travels, his dreams, his letters to family, friends, and colleagues: all reveal his vision of the unconscious. We accompany Freud on his walks through Vienna and Rome; look over his shoulder as he writes to his fiancee; learn the significance of the Greek, Roman, and Egyptian figurines that stand before him on his desk as he conceives his groundbreaking ideas; and discover the books, read in childhood, that later shape his self-analysis and his theoretical development. Flem draws on an unusually broad range of sources, but she wears her learning lightly: her biography of Freud reads like a novel, full of vivid details and captivating human interest. From the 6-year-old gleefully tearing up a book illustrated with pictures of Persia; to the young doctor balancing his scientific training with his love of Shakespeare; to the psychoanalyst in his prime, conquering the resistance to his theories; to the old man, ravaged by illness, forced to flee into exile in England, Lydia Flem leads us deep into the life of a genius.
Hafed, prince of Persia: his experiences, being spirit communications received through D. Duguid, with an appendix [compiled by H. Nisbet]. by David Duguid Pdf
The Lanny Budd Novels Volume Two by Upton Sinclair Pdf
Books four through six in the Pulitzer Prize–winning series of historical novels about an international spy in the first half of the twentieth century. An ambitious and entertaining mix of history, adventure, and romance, Upton Sinclair’s Pulitzer Prize–winning Lanny Budd novels are a testament to the breathtaking scope of the author’s vision and his singular talents as a storyteller. “Few works of fiction are more fun to read; fewer still make history half as clear, or as human” (Time). In these three novels, as the threat of Nazism grows in the 1930s, Lanny progresses from international art dealer to international spy. Wide Is the Gate: When his arms dealer father strikes a business agreement with Hermann Göring, Lanny uses the opportunity and his art world reputation to move easily among the Nazi high command and gather valuable information he can transmit back to those who are dedicated to the destruction of Nazism and Fascism. He’s playing a dangerous—albeit necessary—game, which will carry him from Germany to Spain on a life-and-death mission on the eve of the Spanish Civil War. The Presidential Agent: In 1937, Lanny’s boss from the Paris Peace Conference—now one of Roosevelt’s top advisors—connects him to the president. Appointed Presidential Agent 103, he embarks on a secret assignment that takes him back into the Third Reich as the Allied powers prepare to cede Czechoslovakia to Adolf Hitler in a futile attempt to avoid war. But Lanny’s motivations are not just political: The woman he loves has fallen into the brutal hands of the Gestapo, and Lanny will risk everything to save her. Dragon Harvest: Lanny has earned the trust of Adolf Hitler and his inner circle, who are convinced the American art dealer is a “true believer” committed to their Fascist cause. But when Roosevelt’s secret agent learns of the Führer’s plans for conquest, his dire warnings to Neville Chamberlain and other reluctant European leaders fall on deaf ears. The bitter seeds sown decades earlier with the Treaty of Versailles are now bearing fruit, and there will be no stopping the Nazi war machine as it rolls relentlessly on toward Paris.
Perfectionism is one of the leading moral views of the Western tradition. Defined broadly, it holds that what is right is whatever most promotes certain objective human goods such as knowledge, achievement, and deep personal relations.
David Newsome's monumental history, The Victorian World Picture, takes a good, long look at the Victorian age and what distinguishes it so prominently in the history of both England and the world. The Victorian World Picture presents a vivid canvas of the Victorians as they saw themselves and as the rest of the world saw them.
