Managing Copyright

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Managing Copyright

Author : Rudolf Leška
Publisher : Kluwer Law International B.V.
Page : 192 pages
File Size : 43,9 Mb
Release : 2023-05-30
Category : Law
ISBN : 9789403507675

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Managing Copyright by Rudolf Leška Pdf

Managing Copyright brings together prominent contributors in a collection of academic papers as well as business oriented reports which encompasses our current knowledge in the field of collective management of authors’ and related rights. This volume, published in cooperation with the Association littéraire et artistique internationale, is an output of the 2019 ALAI Congress held in Prague where scholars and practitioners met to discuss outstanding issues related to collective management. In the book, the reader finds large studies by well-known copyright scholars (Gervais, Drexl, Nérisson, Synodinou, Ficsor, Axhamn and others) and reports on every issue in this highly dynamic field of copyright law. The book is essential for policy makers, scholars and practitioners in the field of collective management of copyright and neighbouring rights around the globe if they want to keep pace with the new developments in the field. Features: · Extensive report on dozens of national laws on collective management of rights · Conflict of laws, the music industry and collective management · European and global comparison of different national regulatory approaches · Reports on experience and transposition of the EU Collective Management Directive · Presentation of alternative models of copyright management, independent management entities and beyond · Reciprocal agreements between collective management organizations · Regulation of competition in the copyright administration · Territoriality, cyberspace, metadata, geoblocking and digital content portability · Tariff litigation · Outline of future policy development (WIPO, EU and individual countries) Benefits: · Getting informed about current research problems, policy considerations and regulatory challenges in collective management · Overview of national legislations from dozens of countries and all continents · Combination of scholarly studies and business-oriented reports from the industry insiders

Managing Copyright in Higher Education

Author : Donna L. Ferullo
Publisher : Rowman & Littlefield
Page : 207 pages
File Size : 49,9 Mb
Release : 2014-10-30
Category : Language Arts & Disciplines
ISBN : 9780810891494

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Managing Copyright in Higher Education by Donna L. Ferullo Pdf

As more and more colleges and universities establish copyright offices and/or assign the responsibilities of copyright education and advisory services to specific individuals within the institution, many times librarians, there is a paucity of resources available on how to manage that responsibility. Most works on copyright discuss the law and court cases interpreting the law but few address the situational application of it and the management and coordination of copyright efforts on a campus. Here is a complete, one-stop, guide to managing copyright at all levels—community college, college, and university. Complete chapters are devoted to: The university culture The role of a copyright office How to establish a copyright office Copyright services for librarians Copyright services for faculty Copyright services for administrators and staff Copyright services for students Written by the director of the University Copyright Office at Purdue University who holds both law and library science degrees, this is complete, authoritative guide is a must-purchase for every institution of higher education seeking to comply with the copyright law and thus avoid potential liability exposure.

Collective Management of Copyright and Related Rights

Author : World Intellectual Property Organization
Publisher : WIPO
Page : 252 pages
File Size : 42,7 Mb
Release : 2022-12-22
Category : Law
ISBN : 9789280534658

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Collective Management of Copyright and Related Rights by World Intellectual Property Organization Pdf

This third edition of Collective Management of Copyright and Related Rights presents an in-depth revision with invaluable updates on the different systems, legislative options and best practices of CMOs worldwide. As with previous editions, the book is written to reach a wide audience, with a special focus on questions that might emerge for governments as they prepare, adopt and apply collective management norms and regulations. The edition also sheds light on new copyright and related rights developments, including digital, technological and business trends, from all over the world. Additionally, there is detailed discussion on topics such as aspects of competition, national treatment, and different models of collective management.

A Guide to Copyrights

Author : Canada. Industry Canada,Canadian Intellectual Property Office
Publisher : Unknown
Page : 24 pages
File Size : 44,5 Mb
Release : 1994
Category : Copyright
ISBN : MINN:31951D01158918N

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A Guide to Copyrights by Canada. Industry Canada,Canadian Intellectual Property Office Pdf

Collective Management of Music Copyright

Author : Qinqing Xu
Publisher : Taylor & Francis
Page : 204 pages
File Size : 43,5 Mb
Release : 2023-04-17
Category : Law
ISBN : 9781000867206

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Collective Management of Music Copyright by Qinqing Xu Pdf

Two of the objectives of the Chinese Copyright Law are to protect the copyright of authors to their literary and artistic works and encourage the creation and dissemination of works. In practice, however, in spite of the existence of the Music Copyright Society of China ('MCSC') that was established to assist with exercising copyright, music creators in China remain in need of help to protect and manage their fragmented copyright. The MCSC was the first collective management organisation ('CMO') in mainland China and is the only CMO in the field of musical works. While there is a large music industry and copyright business in China, the MCSC only had 11,356 members at the end of 2021. The third amendment of the Chinese Copyright Law was initiated in 2011 and came into effect in June 2021 after a long debate for almost ten years. The discussion of the third amendment has highlighted the controversial topic of collective management of copyright. This book explores the adequacy of the MCSC as an intermediary representing rights for music creators. The main argument developed in this study is that the work of the MCSC for individual composers and lyricists is hampered by shortcomings in the regulatory regime as well as by a lack of members’ rights to participate in the management of their own rights and by the ineffective international cooperation between the MCSC and other musical CMOs overseas. The analysis is undertaken through a case study approach, comparing the collective management systems of music copyright in China, the United States and Australia and addressing the question of how musical CMOs operate in these countries. Specifically, three perspectives are examined: the regulatory systems designed to limit the misuse of those CMOs’ monopoly, members’ rights in the organisations, and international cooperation between these CMOs. Overall, the main findings of this book suggest that the MCSC in China could work more effectively to protect music creators’ interests. In contrast, although the operational frameworks of the American Society of Composers, Authors and Publishers ('ASCAP') and the Broadcasting Broadcast Music, Inc. ('BMI') in the United States and the Australasian Performing Right Association ('APRA') in Australia are not perfect models, the systems in these two countries may at least provide reference points for potential improvement of the regime of the MCSC. The research recommends three courses of action: strengthening the regulatory design overseeing the MCSC’s monopoly, clarifying the relationship between the MCSC and its members while providing the members with the right to manage their own copyright, and improving the international cooperation between the MCSC and CMOs in other countries.

Copyright Collective Management in Music

Author : DR. ULRICH UCHTENHAGEN,World Intellectual Property Organization
Publisher : WIPO
Page : 138 pages
File Size : 55,9 Mb
Release : 2011
Category : Law
ISBN : 9789280514605

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Copyright Collective Management in Music by DR. ULRICH UCHTENHAGEN,World Intellectual Property Organization Pdf

Presented in the form of a theoretical and practical guide, this posthumous publication by the late Dr. Ulrich Uchtenhagen concerns the stages in the setting-up of a collective management society in the field of music and the society's operation. The work describes the essential activities and mechanisms as well as the fundamental principles required for sound collective management. It provides clear explanations of the complex notions of a system which is essential for authors, composers and music publishers throughout the world who seek protection and wish to be rewarded for their work.

Collective Management of Copyright and Related Rights

Author : Mihály Ficsor
Publisher : WIPO
Page : 167 pages
File Size : 45,9 Mb
Release : 2002
Category : Law
ISBN : 9789280511031

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Collective Management of Copyright and Related Rights by Mihály Ficsor Pdf

In this book the rationale and functions of collective management and other systems of joint exercise of rights are presented.

Collective Management of Copyright and Related Rights

Author : Daniel Gervais
Publisher : Kluwer Law International B.V.
Page : 538 pages
File Size : 53,7 Mb
Release : 2015-11-19
Category : Law
ISBN : 9789041154699

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Collective Management of Copyright and Related Rights by Daniel Gervais Pdf

In the course of the last two decades, collective management organizations (CMOs) have become the nerve centres of copyright licensing in virtually every country. Their expertise and knowledge of copyright law and management have proven essential to make copyright work in the digital age. However, they have also been at the centre of debates about their efficiency, their transparency and their governance. This book, an extensively revised and updated edition of the major work on the legal status of CMOs, offers an in-depth analysis of the various operating CMO models, their rights and obligations vis-à-vis both users and members, acquisition of legal authority to license, and (most important) the rights to license digital uses of protected material and build (or improve current) information systems to deal with ever more complex rights management and licensing tasks. All the chapters have been updated since the 2010 edition. New chapters on Africa, China, Central Europe and New Zealand (together with Australia, which is no longer discussed in the separate chapter on Canada) have been added. Factors considered include the following: • role of 'families' such as the International Confederation of Societies of Authors and Composers (CISAC) and the International Federation of Reproduction Rights Organizations (IFRRO); • cases where the unavailability of adequating options makes authorized use difficult or impossible taking transaction costs into account; • growing importance of extended repertoire systems (also known as extended collective licensing); • relationship among collective management, rights to remuneration, and the ways in which CMOs acquire authority to license; • transnational licensing and the possible role of multi-territorial licensing; and • threat of monopolies or regional oligopolies for the management of online music rights. Legal underpinnings covered in the course of the analysis include the 1996 WIPO Copyright Treaties, the US Digital Millennium Copyright Act, the Napster case, the Santiago Agreement, relevant EU Papers and the 2014 Copyright Directive, and work done by the UN Committee on Economic, Social and Cultural Rights. Part I presents a number of horizontal issues that affect collective management in almost every country. Part II is divided on a geographical basis, focusing on systems representative of the principal models applied in various countries and regions. Each country specific or region-specific chapter provides a historical overview and a presentation of existing CMOs and their activities, gives financial information where available, describes how CMOs are supervised or controlled by legislation, and offers thoughts about the challenges facing CMOs in the country or region concerned. Many of these national and regional commentaries are the only such information sources available in English. Whatever the future of copyright holds, it is clear that users will continue to want access and the ability to reuse material lawfully, and authors and other rights holders will want to ensure that they can put some reasonable limits on those uses, including an ability to monetize commercially relevant uses. CMOs are sure to be critical intermediaries in this process. The second edition of this important resource, with its key insights into the changing nature of collective management, will be of immeasurable value to all concerned with shaping policy towards collective management or working with the ever more complex legal issues arising in digital age copyright matters.

Collective Management of Copyright and Related Rights - Brochure

Author : World Intellectual Property Organization
Publisher : WIPO
Page : 12 pages
File Size : 51,7 Mb
Release : 2000
Category : Law
ISBN : 9789280508970

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Collective Management of Copyright and Related Rights - Brochure by World Intellectual Property Organization Pdf

Canadian Copyright Law

Author : Lesley Ellen Harris
Publisher : John Wiley & Sons
Page : 0 pages
File Size : 42,8 Mb
Release : 2013-10-17
Category : Law
ISBN : 9781118078518

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Canadian Copyright Law by Lesley Ellen Harris Pdf

An updated guide to Canadian copyright law for an age of reckless infringement This fourth edition of Canadian Copyright Law brings you the latest updates according to new Canadian legislation and international agreements. Copyright infringement has always been an invisible crime. Now with near-constant access to the Internet and the mainstream explosion of digital formats, copyright is one of the most important issues for creative professionals, consumers of that media, and those who work in related industries. The line between what is protected and what is "free" is blurring further, and the copyright issues are more complex than ever. Provides a complete update on copyright issues relating to digital media. Takes the convoluted legal jargon of the Canadian Copyright Act and sets it out in everyday language. Provides concrete examples to offer further clarification of complicated matters. Whether you are a creator or user of copyright material, Canadian Copyright Law will keep you current on copyright law in Canada and its applications to your situation—to protect your creations, content, and products in these rapidly changing markets.

Finding the Public Domain: Copyright Review Management System Toolkit

Author : Melissa Levine,Richard C. Adler,Justin Bonfiglio
Publisher : University of Michigan Library
Page : 334 pages
File Size : 50,5 Mb
Release : 2016-05-26
Category : Law
ISBN : 1607853736

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Finding the Public Domain: Copyright Review Management System Toolkit by Melissa Levine,Richard C. Adler,Justin Bonfiglio Pdf

Copyright is meant to do something-several things-to accomplish socially desirable ends. One of those ends is to create a space for a free exchange of ideas that allows us to build upon a universe of expression that came before. How can I tell if something is in the public domain? This is the central question addressed daily by the Copyright Review Management System (CRMS) project. It is a special question and one essential to the social bargain that society has struck with authors and rights holders. It is also a deceptively simple question. There should be a straightforward answer, especially for books. It should be easy to know when something is-or is not-subject to copyright. And yet, in an age of absolute fluidity of media and medium, even plain old books can be highly complex embodiments of copyright. We need to make it easier to ascertain whether a work is in the public domain. If the rights of copyright holders are to be respected and valued as part of the social bargain, the public domain as a matter of copyright law should be ascertainable and enjoyed. Given this complexity, consider the determination of the copyright status of a given creative work as a design problem. How do we move the copyright status of works in the collections of our libraries, museums, and archives from confusion and uncertainty to clarity and opportunity? Working over a span of nearly eight years, the University of Michigan Library received three grants from the Institute of Museum and Library Services (IMLS) to generously fund CRMS, a cooperative effort by partner research libraries to identify books in the public domain in HathiTrust. The Toolkit is a resource that aims to allow others to understand and replicate the work done by CRMS.

Management of Copyright and Related Rights in the Field of Music

Author : World Intellectual Property Organization,Tarja Koskinen-Olsson,Nicholas Lowe
Publisher : WIPO
Page : 80 pages
File Size : 44,7 Mb
Release : 2014
Category : Law
ISBN : 8210379456XXX

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Management of Copyright and Related Rights in the Field of Music by World Intellectual Property Organization,Tarja Koskinen-Olsson,Nicholas Lowe Pdf

WIPO commissioned this publication - with the support of the Norwegian Copyright Development Association (Norcode) - to be used as reference material in various training activities on collective management.

Collective Management of Copyright and Related Rights

Author : Mihaly Ficsor
Publisher : World Intellectual Property Organization
Page : 0 pages
File Size : 45,5 Mb
Release : 2022-12-22
Category : Electronic
ISBN : 9280534645

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Collective Management of Copyright and Related Rights by Mihaly Ficsor Pdf

This third edition of Collective Management of Copyright and Related Rights presents an in-depth revision with invaluable updates on the different systems, legislative options and best practices of CMOs worldwide. As with previous editions, the book is written to reach a wide audience, with a special focus on questions that might emerge for governments as they prepare, adopt and apply collective management norms and regulations. The edition also sheds light on new copyright and related rights developments, including digital, technological and business trends, from all over the world. Additionally, there is detailed discussion on topics such as aspects of competition, national treatment, and different models of collective management.

An Introduction to the Economics of Collective Management of Copyright and Related Rights

Author : World Intellectual Property Organization,Dr. Richard Watt
Publisher : WIPO
Page : 32 pages
File Size : 43,5 Mb
Release : 2016
Category : Law
ISBN : 8210379456XXX

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An Introduction to the Economics of Collective Management of Copyright and Related Rights by World Intellectual Property Organization,Dr. Richard Watt Pdf

An introduction to the economic theory surrounding collective management of copyright

Collective Management of Copyright and Related Rights

Author : Phillip Louis Landolt
Publisher : Unknown
Page : 463 pages
File Size : 40,8 Mb
Release : 2006
Category : Law
ISBN : 904112358X

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Collective Management of Copyright and Related Rights by Phillip Louis Landolt Pdf

Authors, individual and corporate, are routinely compensated For The use by others of copyrighted material. Yet relatively little attention is paid To The vast and complex system of collective management that underlies these payments capital flows that amount to ten billion euros each year. This book the first detailed analysis of the subject available in English provides an in-depth perspective on collective management of copyright and related rights And The legal framework within which this management operates. Among the salient aspects of the presentation are the following: description of the organizations that provide collective management services; suggestions how collective management can be made more efficient in the Internet age the effect of WIPO Copyright Treaties And The TRIPS Agreement; the emerging intersection of copyright management and human rights; recent developments at the European Union level; and particular analysis of the situation in various countries, including France, Germany, The UK and Ireland, The Nordic countries, Australia, Canada, and Japan, As well as general discussions relating to Asia and Latin America. With its detailed emphasis on how collective management operates in different cultural, legal and economic environments and its many insights about the future of collective management, this book is indispensable for copyright lawyers, scholars, researchers, policy makers and decision makers working with or within collective management organizations, including authors, performers, rights holders, and users of copyright material. The book was edited by Prof. Daniel Gervais of the University of Ottawa, a renowned expert and author in the field of international copyright and collective management. Dr. Gervais was successively Legal Officer at the GATT/WTO, Head of Section at the World Intellectual Property Organization (WIPO), Assistant Secretary General of the International Confederation of Societies of Authors and Composers (CISAC) and Vice-President of Copyright Clearance Center, Inc. (CCC). Dr. Gervais also authored the introductory chapter. Other contributors include (in alphabetical order): Mario Bouchard, General Counsel of the Copyright Board of Canada; Dr. Mihály Ficsor, former Assistant Director General of WIPO and author of the WIPO Guide to Collective Administration of Copyright and Related Rights; Prof. Lucie Guibault (University of Amsterdam); Prof. Lawrence Helfer (Vanderbilt University); Tarja Koskinen-Olsson, who served as Chair of the International Federation of Reproduction Rights Organizations (IFRRO) from 1993 to 1999 and is now Honorary President of IFRRO; Prof. Glynn Lunney (Tulane University); Prof. Okumura (Kyoto University); Karina Correa Pereira, LL.M. (Brazil); Nathalie Piaskowski, LL.M. (France); Dr. Jörg Reinbothe, former Head of Unit responsible for intellectual property at the European Commission; Mr. Ang Kwee Tiang (CISAC Director for Asia/Pacific); and Prof. Paul Torremans (University of Leeds and University of Ghent).