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Author : David Thomas
Publisher : Unknown
Page : 142 pages
File Size : 55,9 Mb
Release : 1970
Category : Impressionism (Art)
ISBN : PSU:000021641824
Author : Lionello Venturi
Publisher : New York : Scribner's
Page : 408 pages
File Size : 45,9 Mb
Release : 1973
Category : Art
ISBN : PSU:000028566458
Author : Lionello Venturi
Publisher : Unknown
Page : 244 pages
File Size : 44,8 Mb
Release : 1950
Category : Painters
ISBN : OCLC:219869311
Author : Robert L. Herbert
Publisher : Yale University Press
Page : 216 pages
File Size : 42,7 Mb
Release : 2001-01-01
Category : Art
ISBN : 0300071310
"This collection of the most influential of Herbert's writings on Seurat, long out of print, bear out the praise he has received for "his ability to mix a deep knowledge of paintings and drawings as physical objects with an acute awareness of the way they embody ideas and can be understood as social documents". This book will appeal both to the general reader and to the student of French nineteenth-century art."--BOOK JACKET.
Author : T.J. Clark
Publisher : Knopf
Page : 338 pages
File Size : 45,9 Mb
Release : 2017-06-28
Category : Art
ISBN : 9780525520511
From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafés, parks, Great Exhibitions, and suburban pleasure grounds—the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootless, these men and women flocked to the bars and nightclubs of Paris, went boating on the Seine at Argenteuil, strolled the island of La Grande-Jatte—enacting a charade of community that was to be captured and scrutinized by Manet, Degas, and Seurat. It is Clark's cogently argued (and profusely illustrated) thesis that modern art emerged from these painters' attempts to represent this new city and its inhabitants. Concentrating on three of Manet's greatest works and Seurat's masterpiece, Clark traces the appearance and development of the artists' favorite themes and subjects, and the technical innovations that they employed to depict a way of life which, under its liberated, pleasure-seeking surface, was often awkward and anxious. Through their paintings, Manet and the Impressionists ask us, and force us to ask ourselves: Is the freedom offered by modernity a myth? Is modern life heroic or monotonous, glittering or tawdry, spectacular or dull? The Painting of Modern Life illuminates for us the ways, both forceful and subtle, in which Manet and his followers raised these questions and doubts, which are as valid for our time as for the age they portrayed.
Author : Raymond Cogniat
Publisher : Crescent
Page : 214 pages
File Size : 43,8 Mb
Release : 1978
Category : Art
ISBN : 0517013207
Author : Metropolitan Museum of Art (New York, N.Y.),Charles S. Moffett
Publisher : Metropolitan Museum of Art
Page : 256 pages
File Size : 45,6 Mb
Release : 1985
Category : Impressionism (Art)
ISBN : 9780870993176
Author : James D. Herbert
Publisher : University of Chicago Press
Page : 162 pages
File Size : 44,5 Mb
Release : 2015-11-16
Category : Art
ISBN : 9780226272153
No pictorial device in nineteenth-century French painting more clearly represented the free-ranging self than the loose brushstroke. From the romantics through the impressionists and post-impressionists, the brushstroke bespoke autonomous artistic individuality and freedom from convention. Yet the question of how much we can credit to the individual brushstroke is complicated—and in Brushstroke and Emergence, James D. Herbert uses that question as a starting point for an extended essay that draws on philosophy of mind, the science of emergence, and art history. Brushstrokes, he reminds us, are as much creatures of habit and embodied experience as they are of intent. When they gather in great numbers they take on a life of their own, out of which emerge complexity and meaning. Analyzing ten paintings by Courbet, Manet, Cézanne, Monet, Seurat, and Picasso, Herbert exposes vital relationships between intention and habit, the singular and the complex. In doing so, he uncovers a space worthy of historical and aesthetic analysis between the brushstroke and the self.
Author : Robert L. Herbert,Georges Seurat,Galeries nationales du Grand Palais (France)
Publisher : Metropolitan Museum of Art
Page : 462 pages
File Size : 54,8 Mb
Release : 1991
Category : Dots (Art)
ISBN : 9780810964105
A volume which embodies an entire generation of scholarship on the artist. Seurat's brief but brilliant career is traced from his early academic drawings of the 1870s to the paintings of popular entertainments and the serene landscapes of his final years.
Author : Lionello Venturi
Publisher : Unknown
Page : 408 pages
File Size : 50,7 Mb
Release : 1973
Category : Painters
ISBN : UVA:X000646623
Author : John Rewald
Publisher : Unknown
Page : 548 pages
File Size : 41,8 Mb
Release : 1955
Category : Art, French
ISBN : UOM:39015000944614
Author : Germain Bazin
Publisher : London : Thames and Hudson
Page : 346 pages
File Size : 50,5 Mb
Release : 1963
Category : Impressionism (Art)
ISBN : UCSD:31822007595747
Author : Russell T. Clement,Annick Houze
Publisher : Bloomsbury Publishing USA
Page : 414 pages
File Size : 43,8 Mb
Release : 1999-09-30
Category : Art
ISBN : 9780313032189
This reference provides biographical, historical, and critical information on Neo-Impressionist painting and its most significant painters. Neo-Impressionism, also called Divisionism and Pointillism, was one of the most innovative and startling late 19th-century French avant-garde styles. Over 2,000 books, articles, manuscripts, and audiovisual materials as well as chronologies, biographical sketches, and exhibition lists are cited. Also provided are both primary and secondary bibliographies for each artist. Secondary bibliographies capture details about each artist's life and career, relationships with other artists, work in various media, iconography, critical reception and interpretation, archival sources and more. Art scholars will appreciate the comprehensive bibliographic research contained in this one volume. Entries on Neo-Impressionism in general, on exhibitions, and the primary and secondary bibliographies of artists follow an introduction about Neo-Impressionism and a Neo-Impressionism chronology that spans the years 1881 to 1905. An index of art works and an index of personal names complete the volume.
Author : Maria Tsaneva
Publisher : Osmora Incorporated
Page : 40 pages
File Size : 43,5 Mb
Release : 2015-03-20
Category : Art
ISBN : 9782765912224
Claude Monet was an important figure in the Impressionism that changed painting in the end of the 19 century. During his livelihood, he constantly painted the landscape and leisure time behavior of Parisians and its surrounding area in addition to the Normandy coast. He traces the approach to 20-century modernism by mounting a distinctive method that strove to imprison on canvas the extremely act of perceiving nature. Follow in the pathway of the Barbizon, Monet accepted and widened their dedication to close up observation and naturalistic depiction. While the Barbizon artists painted only brief sketches en plein air, Monet frequently worked openly on significant canvases outdoors, then reworked and finished them in his studio. His pursuit to capture nature more precisely also provoked him to reject European conventions leading composition, color, and perspective. He brought a vibrant vividness to his paintings by unmediated colors, adding a variety of tones to his shadows, and preparing canvases with pale primers as a replacement for of the shady grounds used in conventional landscape paintings.
Author : Marc Chagall,Abram Markovich ?fros,Benjamin Harshav,Barbara Harshav
Publisher : Stanford University Press
Page : 244 pages
File Size : 48,6 Mb
Release : 2003
Category : Art
ISBN : 0804748314
Marc Chagall (1887-1985) traversed a long route from a boy in the Jewish Pale of Settlement, to a commissar of art in revolutionary Russia, to the position of a world-famous French artist. This book presents for the first time a comprehensive collection of Chagall's public statements on art and culture. The documents and interviews shed light on his rich, versatile, and enigmatic art from within his own mental world. The book raises the problems of a multi-cultural artist with several intersecting identities and the tensions between modernist form and cultural representation in twentieth-century art. It reveals the travails and achievements of his life as a Jew in the twentieth century and his perennial concerns with Jewish identity and destiny, Yiddish literature, and the state of Israel. This collection includes annotations and introductions of the Chagall texts by the renowned scholar Benjamin Harshav that elucidate the texts and convey the changing cultural contexts of Chagall's life. Also featured is the translation by Benjamin and Barbara Harshav of the first book about Chagall's work, the 1918 Russian The Art of Marc Chagall.
