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Author : Marina Abramović,Johan Pijnappel
Publisher : John Wiley & Sons
Page : 128 pages
File Size : 51,5 Mb
Release : 1995-06-15
Category : Architecture
ISBN : UOM:39015034850373
Author : Marina Abramovic
Publisher : Unknown
Page : 128 pages
File Size : 43,7 Mb
Release : 2002
Category : Electronic
ISBN : OCLC:959128291
Author : Marina Abramovic
Publisher : Unknown
Page : 0 pages
File Size : 47,5 Mb
Release : 2003
Category : Electronic
ISBN : OCLC:1305186984
Author : Philip Peters
Publisher : John Wiley & Sons
Page : 122 pages
File Size : 45,5 Mb
Release : 1995-07-11
Category : Architecture
ISBN : PSU:000026436715
Author : James Westcott
Publisher : MIT Press
Page : 347 pages
File Size : 51,9 Mb
Release : 2014-08-29
Category : Art
ISBN : 9780262526814
The extraordinary life and death-defying work of one of the most important and pioneering performance artists in contemporary art. When Marina Abramović Dies examines the extraordinary life and death-defying work of one of the most pioneering artists of her generation—and one who is still at the forefront of contemporary art today. This intimate, critical biography chronicles Abramović's formative and until now undocumented years in Yugoslavia, and tells the story of her partnership with the German artist Ulay—one of the twentieth century's great examples of the fusion of artistic and private life. In one of many long-durational performances in the renewed solo career that followed, Abramović famously lived in a New York gallery for twelve days without eating or speaking, nourished only by prolonged eye contact with audience members. It was here, in 2002, that author James Westcott first encountered her, beginning an exceptionally close relation between biographer and subject. When Marina Abramović Dies draws on Westcott's personal observations of Abramović, his unprecedented access to her archive, and hundreds of hours of interviews he conducted with the artist and the people closest to her. The result is a unique and vivid portrait of the charismatic self-proclaimed “grandmother of performance art.”
Author : Marina Abramovic
Publisher : 24 Ore Cultura
Page : 0 pages
File Size : 40,8 Mb
Release : 2013
Category : Art
ISBN : 8866481114
On the proposed Marina Abramović Institute in Hudson, NY.
Author : Marina Abramović,Centro Galego de Arte Contemporanea Staff
Publisher : Unknown
Page : 534 pages
File Size : 53,9 Mb
Release : 2003
Category : Art
ISBN : STANFORD:36105029979015
Item documents workshops and performances, includes text by and biographies of artists involved.
Author : Frank Jewett Mather,Frederic Fairchild Sherman
Publisher : Unknown
Page : 542 pages
File Size : 49,7 Mb
Release : 1996
Category : Art
ISBN : UOM:39015035259624
Author : Marina Abramovic,Marina Abramovich,Kunstmuseum Bern
Publisher : Unknown
Page : 490 pages
File Size : 42,9 Mb
Release : 1998
Category : Art
ISBN : UCSD:31822023203367
On M. Abramovic, winner of the Leone d'Oro at the 47th Venice Biennale, 1997, and her art.
Author : Marina Abramović
Publisher : Unknown
Page : 254 pages
File Size : 51,5 Mb
Release : 2007
Category : Art
ISBN : UOM:39015064981916
Interview by Nancy Spector. Text by Marina Abramovic, Erika Fischer-Lichte, Sandra Umathum.
Author : Kathy O'Dell
Publisher : U of Minnesota Press
Page : 180 pages
File Size : 51,9 Mb
Release : 1998
Category : Art
ISBN : 0816628874
Having oneself shot. Putting out fires with the bare hands and feet. Biting the body and photographing the marks. Sewing one's own mouth shut--all in front of an audience. What do these kinds of performances tell us about the social and historical context in which they occurred? Fascinating and accessibly written, CONTRACT WITH THE SKIN addresses the question in relation to psychoanalytic and legal concepts of masochism. 34 photos.
Author : Hans Ulrich Obrist,Marina Abramović
Publisher : Walther Konig Verlag
Page : 0 pages
File Size : 43,8 Mb
Release : 2010
Category : Interviews
ISBN : 3865604757
Hans Ulrich Obrist met Marina Abramovic in various circumstances and locations, in train stations, hotels and galleries as well as in her own private studio. An astonishing closeness comes out of this: the artist, who has been making her body the centre of attention of decades, in numerous, often agonizing performances, is revealed here as a fascinating personality. She speaks openly about her childhood and her parent's strict discipline, about her artistic work and the many journeys associated with it and of course about the preparations for her epochal retrospective, which will open at MoMA, New York in March 2010. Various colleagues and companions, such as Gustav Metzger, the Old Master of action art (Conversation Series, Vol. 16), also join in the conversation on occasion, aiding further insight into the life and work of this captivating artist.
Author : Hugo Huerta Marin
Publisher : National Geographic Books
Page : 0 pages
File Size : 44,8 Mb
Release : 2021-10-05
Category : Photography
ISBN : 9783791387482
This remarkable book brings you face-to-face with an incredible selection of pioneering women who have reshaped the creative industries. From legendary visual artists Yoko Ono and Tracey Emin, to groundbreaking musicians like Annie Lennox and Debbie Harry, to fashion giants such as Miuccia Prada and Diane von Fürstenberg, this collection of original interviews and Polaroid photographs of almost 30 trailblazing women spans creative industries, nationalities and generations to bring together a never-before- published collection of leading voices. Featuring an astounding range of names including FKA Twigs, Isabelle Huppert and Rei Kawakubo, this book creates both a portrait of each individual woman and – collectively – a powerful portrait of the impact of women on the creative industries. Each pioneering creative is interviewed and photographed by the Mexican artist Hugo Huerta Marin. The women speak openly with Huerta Marin about their challenges and joys; their vulnerabilities and their triumphs. Cate Blanchett reflects on the differences between acting on stage and in film; Marina AbramoviÐ discusses her most radical piece of performance art; Annie Lennox reminisces about London in the 1970s; Carrie Mae Weems discusses the relationship between race and photography —these and other conversations are further brought to life by Huerta Marin’s candid, intimate Polaroid images. These photographs, which allow readers to lock eyes with their subjects, reflect the natural tone of each conversation, allowing the reader rare insight into the lives of these renowned artists. Inspiring and revealing, this collection of interviews and photographs gives readers an unparalleled connection with some of the most fascinating women working in the arts today.
Author : Marina Abramovic
Publisher : Hatje Cantz Publishers
Page : 272 pages
File Size : 41,8 Mb
Release : 2017-02-01
Category : Electronic
ISBN : 3775742611
At once radical, controversial and revered, Marina Abramovic is the progenitor of contemporary performance art At once radical, controversial and revered, Marina Abramovic is one of the most discussed artists today. Famous for her groundbreaking performance works, she continues to expand the boundaries of art. This publication, accompanying her first major retrospective in Europe, gives an extensive overview of her work from the earliest years until today: film, photography, paintings and objects, installations and archival material. Since the early 1970s Abramovic has explored the intersection between performing and visual art in her work and, though rarely overtly political, posed questions of power and hierarchy. In addressing fundamental issues of our existence and seeking the core of such notions as loss, memory, pain endurance and trust, she both provokes and moves.
Author : Claire Bishop
Publisher : Verso Books
Page : 483 pages
File Size : 41,9 Mb
Release : 2012-07-24
Category : Art
ISBN : 9781781683972
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.