Marketing Modernism In Fin De Siècle Europe

Marketing Modernism In Fin De Siècle Europe Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Marketing Modernism In Fin De Siècle Europe book. This book definitely worth reading, it is an incredibly well-written.

Marketing Modernism in Fin-de-Siècle Europe

Robert Jensen
Marketing Modernism in Fin de Si cle Europe Book PDF

Author : Robert Jensen
Publisher : Princeton University Press
Page : 376 pages
File Size : 52,6 Mb
Release : 2022-02-08
Category : Art
ISBN : 9780691241951

Get Book

Marketing Modernism in Fin-de-Siècle Europe by Robert Jensen Pdf

In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters. In describing the canon-building of modern dealerships, Jensen considers the new "ideological dealer" and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and "independent art" and through such institutional structures as the retrospective. His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as "true heirs" of Impressionism, and his look at a new form of art history emerging in Germany further expose a linear, dealer- oriented history of modernist art constructed by or through the modernists themselves.

Theatre, Politics, and Markets in Fin-de-Siècle Paris

S. Charnow
Theatre Politics and Markets in Fin de Si cle Paris Book PDF

Author : S. Charnow
Publisher : Springer
Page : 268 pages
File Size : 54,8 Mb
Release : 2016-09-23
Category : Performing Arts
ISBN : 9781137054586

Get Book

Theatre, Politics, and Markets in Fin-de-Siècle Paris by S. Charnow Pdf

Since the Enlightenment, French theatre has occupied a prominent place within French thought, society and culture, but as a subject of study it has remained a purview of theatre historians, literary scholars and aestheticians. They focus on the emergence of the modern theatre as change generated from within bourgeois literary drama but ignore theatre as a complex social practice. Theatre, Politics, and Markets in Fin-de-Siècle Paris investigates the dynamic relationships among the avant-garde, official culture and the commercial sphere, arguing against the neat divide of 'high' and 'low' culture by showing how cultural forms of varying social origins influenced each other.

Foreign Currency Volatility and the Market for French Modernist Art

David Challis
Foreign Currency Volatility and the Market for French Modernist Art Book PDF

Author : David Challis
Publisher : BRILL
Page : 274 pages
File Size : 47,5 Mb
Release : 2021-08-04
Category : Art
ISBN : 9789004468719

Get Book

Foreign Currency Volatility and the Market for French Modernist Art by David Challis Pdf

Foreign Currency Volatility and the Market for French Modernist Art examines how the collapse of the French franc in the decades following the First World War impacted the supply and demand dynamics of the market for French modernist art.

Painting outside the Lines

David W. Galenson
Painting outside the Lines Book PDF

Author : David W. Galenson
Publisher : Harvard University Press
Page : 270 pages
File Size : 50,7 Mb
Release : 2009-06-30
Category : Art
ISBN : 9780674037472

Get Book

Painting outside the Lines by David W. Galenson Pdf

In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of more than 100 modern painters to disclose a fascinating relationship between age and artistic creativity.

"Marketing Art in the British Isles, 1700 to the Present "

Charlotte Gould
Marketing Art in the British Isles 1700 to the Present Book PDF

Author : Charlotte Gould
Publisher : Routledge
Page : 303 pages
File Size : 53,6 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351559126

Get Book

"Marketing Art in the British Isles, 1700 to the Present " by Charlotte Gould Pdf

A cultural history of the first truly modern art market, Marketing Art in the British Isles, 1700 to the Present furthers the burgeoning exploration of Britain's struggle to carve a niche for itself on the international art scene. Bringing together scholars from the UK, US, Europe, and Asia, this collection sheds new light on such crucial notions as the internationalization of the art market; the emergence of an increasingly complex exhibition culture; issues of national rivalry and emulation; artists' individual and collective strategies for their own promotion and survival; the persistent anti-commercialism of an elite group of art lovers and critics and accusations of philistinism levelled at the middle classes; as well as an unquestionable native British genius at reconciling jarring discourses. Essays explore the unresolved tension between artistic aspirations and commercial interest - a tension that has come to shape Britain's national artistic tradition - from the perspectives of artists, dealers and (super-) collectors, and the upwardly mobile middle classes whose consumerism gave rise to the British art market as it is known today. Specific case studies include Whistler, Roger Fry, Damien Hirst, and Charles Saatchi; essays consider art markets from London and Manchester to Paris and Flanders.

Art Nouveau

Charlotte Ashby
Art Nouveau Book PDF

Author : Charlotte Ashby
Publisher : Bloomsbury Publishing
Page : 272 pages
File Size : 43,5 Mb
Release : 2021-10-21
Category : Art
ISBN : 9781350061170

Get Book

Art Nouveau by Charlotte Ashby Pdf

Art Nouveau presents a new overview of the international Art Nouveau movement. Art Nouveau represented the search for a new style for a new age, a sense that the conditions of modernity called for fundamentally new means of expression. Art Nouveau emerged in a world transformed by industrialisation, urbanisation and increasingly rapid means of transnational exchange, bringing about new ways of living, working and creating. This book is structured around key themes for understanding the contexts behind Art Nouveau, including new materials and technologies, colonialism and imperialism, the rise of the 'modern woman', the rise of the professional designer and the role of the patron-collector. It also explores the new ideas that inspired Art Nouveau: nature and the natural sciences, world arts and world religions, psychology and new visions for the modern self. Ashby explores the movement through 41 case studies of artists and designers, buildings, interiors, paintings, graphic arts, glass, ceramics and jewellery, drawn from a wide range of countries.

Neo-Impressionism and Anarchism in Fin-de-Si?e France

Robyn Roslak
Neo Impressionism and Anarchism in Fin de Si e France Book PDF

Author : Robyn Roslak
Publisher : Routledge
Page : 232 pages
File Size : 51,7 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351556545

Get Book

Neo-Impressionism and Anarchism in Fin-de-Si?e France by Robyn Roslak Pdf

In Neo-Impressionism and Anarchism in Fin-de-Si?e France, Robyn Roslak examines for the first time the close relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. She focuses in particular on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, the neo-impressionists whose fidelity to anarchism, to the art of landscape and to a belief in the social potential of art was strongest. Although the neo-impressionists are best known for their rational and scientific technique, they also heeded the era's call for art surpassing the mundane realities of everyday life. By tempering their modern subjects with a decorative style, they hoped to lead their viewers toward moral and social improvement. Roslak's ground-breaking analysis shows how the anarchist theories of Elis?Reclus, Pierre Kropotkin and Jean Grave both inspired and coincided with these ideals. Anarchism attracted the neo-impressionists because its standards for social justice were grounded, like neo-impressionism itself, in scientific exactitude and aesthetic idealism. Anarchists claimed humanity would reach its highest level of social and moral development only in the presence of a decorative variety of nature, and called upon progressive thinkers to help create and maintain such environments. The neo-impressionists, who primarily painted decorative landscapes, therefore discovered in anarchism a political theory consistent with their belief that decorative harmony should be the basis for socially responsible art.

Radical Art and the Formation of the Avant-Garde

David Cottington
Radical Art and the Formation of the Avant Garde Book PDF

Author : David Cottington
Publisher : Yale University Press
Page : 418 pages
File Size : 43,9 Mb
Release : 2022-03-08
Category : Art
ISBN : 9780300265071

Get Book

Radical Art and the Formation of the Avant-Garde by David Cottington Pdf

An authoritative re-definition of the social, cultural and visual history of the emergence of the “avant-garde” in Paris and London Over the past fifty years, the term "avant-garde" has come to shape discussions of European culture and modernity, ubiquitously taken for granted but rarely defined. This ground-breaking book develops an original and searching methodology that fundamentally reconfigures the social, cultural, and visual context of the emergence of the artistic avant-garde in Paris and London before 1915, bringing the material history of its formation into clearer and more detailed focus than ever before. Drawing on a wealth of disciplinary evidence, from socio-economics to histories of sexuality, bohemia, consumerism, politics, and popular culture, David Cottington explores the different models of cultural collectivity in, and presumed hierarchies between, these two focal cities, while identifying points of ideological influence and difference between them. He reveals the avant-garde to be at once complicit with, resistant to, and a product of the modernizing forces of professionalization, challenging the conventional wisdom on this moment of cultural formation and offering the means to reset the terms of avant-garde studies.

Rethinking Vienna 1900

Steven Beller
Rethinking Vienna 1900 Book PDF

Author : Steven Beller
Publisher : Berghahn Books
Page : 256 pages
File Size : 55,9 Mb
Release : 2001
Category : Austrian literature
ISBN : 1571811397

Get Book

Rethinking Vienna 1900 by Steven Beller Pdf

Fin-de-sie`cle Vienna remains a central event in the birth of this century's modern culture. This text offers alternative ways of understanding the subject, through the concept of 'critical modernism' and the integration of previously neglected subjects.

Barricades and Borders

Robert Gildea
Barricades and Borders Book PDF

Author : Robert Gildea
Publisher : OUP Oxford
Page : 544 pages
File Size : 51,9 Mb
Release : 2003-03-06
Category : History
ISBN : 9780191081248

Get Book

Barricades and Borders by Robert Gildea Pdf

This is a comprehensive survey of European history from the coup d'etat of Napoleon Bonaparte in France to the assassination of the Archduke Ferdinand at Sarajevo, which led to the First World War. It concentrates on the twin themes of revolution and nationalism, which often combined in the early part of the century but which increasingly became rival creeds. Going beyond traditional political and diplomatic history, the book incorporates the results of recent research on population movements, the expansion of markets, the accumulation of capital, social mobility, education, changing patterns of leisure, religious practices, and intellectual and artistic developments. The work falls into three chronological sections. The first, starting in 1800 (rather than the more usual 1815) follows the build-up of the revolutionary currents which were eventually going to erupt in the `Year of Revolutions' 1848. The second, from 1850 to 1880, deals with the golden age of capitalism, the successful culmination of struggles for national unification, and the threat of anarchism. The concluding chapters look at the social and political stresses caused by socialism and national minorities, at new attempts by government to order society, imperial rivalry, and the descent into a war which was to mark the end of nineteenth-century Europe. For this third edition, Dr Gildea has substantially revised the text and maps, and completely updated the bibliography. Newly-added introductory sections guide the reader through the wealth of material in each chapter. The new edition also includes for the first time a full Chronology of the period, a list of leading state ministers, and family trees for all the major dynasties.

The Female Secession

Megan Brandow-Faller
The Female Secession Book PDF

Author : Megan Brandow-Faller
Publisher : Penn State Press
Page : 402 pages
File Size : 55,9 Mb
Release : 2020-04-21
Category : Art
ISBN : 9780271086484

Get Book

The Female Secession by Megan Brandow-Faller Pdf

Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna’s “female Secession” created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian Megan Brandow-Faller tells the story of how these artists disrupted long-established boundaries by working to dislodge fixed oppositions between “art” and “craft,” “decorative” and “profound,” and “masculine” and “feminine” in art. Tracing the history of the women’s art movement in Secessionist Vienna—from its origins in 1897, at the Women’s Academy, to the Association of Austrian Women Artists and its radical offshoot, the Wiener Frauenkunst—Brandow-Faller tells the compelling story of a movement that reclaimed the stereotypes attached to the idea of Frauenkunst, or women’s art. She shows how generational struggles and diverging artistic philosophies of art, craft, and design drove the conservative and radical wings of Austria’s women’s art movement apart and explores the ways female artists and craftswomen reinterpreted and extended the Klimt Group’s ideas in the interwar years. Brandow-Faller draws a direct connection to the themes that impelled the better-known explosion of feminist art in 1970s America. In this provocative story of a Viennese modernism that never disavowed its ornamental, decorative roots, she gives careful attention to key primary sources, including photographs and reviews of early twentieth-century exhibitions and archival records of school curricula and personnel. Engagingly written and featuring more than eighty representative illustrations, The Female Secession recaptures the radical potential of what Fanny Harlfinger-Zakucka referred to as “works from women’s hands.” It will appeal to art historians working in the decorative arts and modernism as well as historians of Secession-era Vienna and gender history.

Academics, Pompiers, Official Artists and the Arrière-garde

Natalie Adamson,Toby Norris
Academics Pompiers Official Artists and the Arri re garde Book PDF

Author : Natalie Adamson,Toby Norris
Publisher : Cambridge Scholars Publishing
Page : 255 pages
File Size : 43,8 Mb
Release : 2020-06-12
Category : Art
ISBN : 9781527554733

Get Book

Academics, Pompiers, Official Artists and the Arrière-garde by Natalie Adamson,Toby Norris Pdf

Academics, Pompiers, Official Artists and the Arrière-garde: Defining Modern and Traditional in France, 1900-1960 is a collection of eight essays and a scholarly introduction by established and emerging scholars that challenges the continuing modernist slant of twentieth-century art history. The intention is not to perpetuate the vulgar opposition between avant-garde and reactionary art that characterized early-twentieth-century discourse and has marked much subsequent historical writing, but rather to investigate the complex relationship that both innovative and conservative artists had to the concept of tradition. How did artists and art critics conceive of tradition in relation to modernity? What was the role of an artist’s institutional positioning in determining expectations for his or her art? What light is thrown on the structure of the French art world by considering artists from abroad who worked in Paris? How did the war alter modernist and avant-garde paradigms and force crucial changes upon art production in the postwar period to 1960? Particular attention is paid to the terms academic, pompier, official, and arrière-garde, originally used to situate the more conservative artists and works as second-rate or as the negative foil to the assumed radicalism of the avant-garde. By re-evaluating the work of artists pushed to the historical margins by such polemical descriptors, and by proposing alternative understandings of the aesthetic, economic, institutional and political factors that drive our ideas of avant-gardism and the modernist narrative in France, this collection of essays offers new routes to explore the terrain of twentieth-century art in France.

The Vienna School of Art History

Matthew Rampley
The Vienna School of Art History Book PDF

Author : Matthew Rampley
Publisher : Penn State Press
Page : 293 pages
File Size : 44,5 Mb
Release : 2015-06-26
Category : Art
ISBN : 9780271062600

Get Book

The Vienna School of Art History by Matthew Rampley Pdf

Matthew Rampley’s The Vienna School of Art History is the first book in over seventy-five years to study in depth and in context the practices of art history from 1847, the year the first teaching position in the discipline was created, to 1918, the collapse of Austria-Hungary. It traces the emergence of art history as a discipline, the establishment of norms of scholarly inquiry, and the involvement of art historians in wider debates about the cultural and political identity of the monarchy. The so-called Vienna School plays the central role in the study, but Rampley also examines the formation of art history elsewhere in Austria-Hungary. Located in the Habsburg imperial capital, Vienna art historians frequently became entangled in debates that were of importance to art historians elsewhere in the Empire, and Rampley pays particular attention to these areas of overlapping interest. He also analyzes the methodological innovations for which the Vienna School was well known. Rampley focuses most fully, however, on the larger political and ideological context of the practice of art history—particularly the way in which art-historical debates served as proxies for wider arguments over the political, social, and cultural life of the Habsburg Empire.

Pioneers of the Global Art Market

Christel H. Force
Pioneers of the Global Art Market Book PDF

Author : Christel H. Force
Publisher : Bloomsbury Publishing USA
Page : 315 pages
File Size : 49,6 Mb
Release : 2020-11-26
Category : Antiques & Collectibles
ISBN : 9781501342783

Get Book

Pioneers of the Global Art Market by Christel H. Force Pdf

By the turn of the twentieth century, Paris was the capital of the art world. While this is usually understood to mean that Paris was the center of art production and trading, this book examines a phenomenon that has received little attention thus far: Paris-based dealers relied on an ever-expanding international network of peers. Many of the city's galleries capitalized on foreign collectors' interest by expanding globally and proactively cultivating transnational alliances. If the French capital drew artists from around the world-from Cassatt to Picasso-the contemporary-art market was international in scope. Art dealers deliberately tapped into a growing pool of discerning collectors in northern and eastern Europe, the UK, and the USA. International trade was rendered not just desirable but necessary by the devastating effects of wars, revolutions, currency devaluation and market crashes which stalled collecting in Europe. Pioneers of the Global Art Market assembles original scholarship based on a close inspection of and fresh perspective on extant dealer records. It caters to an amplified curiosity concerning the emergence and workings of our unprecedented contemporary-centric and global art market. This anthology fills a significant gap in the expanding field of art market studies by addressing how, initially, contemporary art, which is now known as historical modernism, made its way into collections: who validated what by promoting and selling it, where, and how. It includes unpublished material, concrete examples, bibliographical and archival references, and should appeal to academics, curators, educators, dealers, collectors, artists and art lovers alike. It celebrates the modern art dealer as transnational impresario, the global reach of the modern-art market, and the impact of traders on the history of collecting, and ultimately on the history of art.

Modernism and Copyright

Paul K. Saint-Amour
Modernism and Copyright Book PDF

Author : Paul K. Saint-Amour
Publisher : OUP USA
Page : 400 pages
File Size : 54,5 Mb
Release : 2011-01-27
Category : Language Arts & Disciplines
ISBN : 9780199731534

Get Book

Modernism and Copyright by Paul K. Saint-Amour Pdf

How was modernism shaped, from its beginning, by intellectual property law? What role did the law's imperial and transatlantic asymmetries play in modernism's dissemination? How did various modernists exploit, reform, anoint, and evade copyright? And how is the study of modernism today being affected by expanding copyright regimes?Modernism and Copyright is the first book to take up these questions. A truly multi-disciplinary study, it brings together essays by scholars of literature, theater, cinema, music, and law as well as by practicing lawyers and caretakers of modernist literary estates. Its contributors' methods are as diverse as the works they discuss: Ezra Pound's copyright statute and Charlie Parker's bebop compositions feature here, as do early Chaplin films, EverQuest, and the Madison Avenue memo. As our portrait of modernism expands and fragments, Modernism and Copyright locates works such as these on one of the few landscapes they all clearly share: the uneven terrain of intellectual property law.