Martial Arts In Asia Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Martial Arts In Asia book. This book definitely worth reading, it is an incredibly well-written.
The reawakening of Asian martial arts is a distinct example of cultural hybridity in a global setting. This book deals with history of Asian martial arts in the contexts of tradition, religion, philosophy, politics and culture. It attempts to deepen the study of martial arts studies in their transformation from traditional to modern sports. It is also important that this book explores how Asian martial arts, including Shaolin martial arts and Taekwondo, have worked as tools for national advocate of identities among Asians in order to overcome various national hardships and to promote nationalism in the modern eras. The Asian martial arts certainly have been transformed in both nature and content into unique modern sports and they have contributed to establishing cultural homogeneity in Asia. This phenomenon can be applied to the global community. The chapters in this book were originally published as a special issue in the International Journal of the History of Sport.
Author : D. S. Farrer,John Whalen-Bridge Publisher : State University of New York Press Page : 265 pages File Size : 46,9 Mb Release : 2011-12-01 Category : Sports & Recreation ISBN : 9781438439686
Martial Arts as Embodied Knowledge by D. S. Farrer,John Whalen-Bridge Pdf
This landmark work provides a wide-ranging scholarly consideration of the traditional Asian martial arts. Most of the contributors to the volume are practitioners of the martial arts, and all are keenly aware that these traditions now exist in a transnational context. The book's cutting-edge research includes ethnography and approaches from film, literature, performance, and theater studies. Three central aspects emerge from this book: martial arts as embodied fantasy, as a culturally embedded form of self-cultivation, and as a continuous process of identity formation. Contributors explore several popular and highbrow cultural considerations, including the career of Bruce Lee, Chinese wuxia films, and Don DeLillo's novel Running Dog. Ethnographies explored describe how the social body trains in martial arts and how martial arts are constructed in transnational training. Ultimately, this academic study of martial arts offers a focal point for new understandings of cultural and social beliefs and of practice and agency.
Comprehensive Asian Fighting Arts by Donn F. Draeger,Robert W. Smith Pdf
This guide to all of the main fighting arts of Asia introduces and comparesighting methods and techniques, ranging from the artful Chinese "t'ai chi"nd Japanese "jujutsu", to the lethal "pentjak-silat" of Indonesia.
The first book to focus on the intersection of Western philosophy and the Asian martial arts, Striking Beauty comparatively studies the historical and philosophical traditions of martial arts practice and their ethical value in the modern world. Expanding Western philosophy's global outlook, the book forces a theoretical reckoning with the concerns of Chinese philosophy and the aesthetic and technical dimensions of martial arts practice. Striking Beauty explains the relationship between Asian martial arts and the Chinese philosophical traditions of Confucianism, Buddhism, and Daoism, in addition to Sunzi's Art of War. It connects martial arts practice to the Western concepts of mind-body dualism and materialism, sports aesthetics, and the ethics of violence. The work ameliorates Western philosophy's hostility toward the body, emphasizing the pleasure of watching and engaging in martial arts, along with their beauty and the ethical problem of their violence.
Politics and Identity in Chinese Martial Arts by Lu Zhouxiang Pdf
Chinese martial arts is considered by many to symbolise the strength of the Chinese and their pride in their history, and has long been regarded as an important element of Chinese culture and national identity. Politics and Identity in Chinese Martial Arts comprehensively examines the development of Chinese martial arts in the context of history and politics, and highlights its role in nation building and identity construction over the past two centuries. ? This book explores how the development of Chinese martial arts was influenced by the ruling regimes’ political and military policies, as well as the social and economic environment. It also discusses the transformation of Chinese martial arts into its modern form as a competitive sport, a sport for all and a performing art, considering the effect of the rapid transformation of Chinese society in the 20th century and the influence of Western sports. The text concludes by examining the current prominence of Chinese martial arts on a global scale and the bright future of the sport as a unique cultural icon and national symbol of China in an era of globalisation. Politics and Identity in Chinese Martial Arts is important reading for researchers, students and scholars working in the areas of Chinese studies, Chinese history, political science and sports studies. It is also a valuable read for anyone with a special interest in Chinese martial arts.
A Brief History of the Martial Arts by Jonathan Clements Pdf
Folk tales of the Shaolin Temple depict warrior monks with superhuman abilities. Today, dozens of East Asian fighting styles trace their roots back to the Buddhist brawlers of Shaolin, although any quest for the true story soon wanders into a labyrinth of forgeries, secret texts and modern retellings. This new study approaches the martial arts from their origins in military exercises and callisthenics. It examines a rich folklore from old wuxia tales of crime-fighting heroes to modern kung fu movies. Centre stage is given to the stories that martial artists tell themselves about themselves, with accounts (both factual and fictional) of famous practitioners including China's Yim Wing-chun, Wong Fei-hong, and Ip Man, as well as Japanese counterparts such as Kano Jigoro, Itosu Anko and So Doshin. The history of martial arts encompasses secret societies and religious rebels, with intimate glimpses of the histories of China, Korea and Japan, their conflicts and transformations. The book also charts the migration of martial arts to the United States and beyond. Special attention is paid to the turmoil of the twentieth century, the cross-cultural influence of Japanese colonies in Asia, and the post-war rise of martial arts in sport and entertainment - including the legacy of Bruce Lee, the dilemma of the ninja and the global audience for martial arts in fiction.
A classic text treasured by martial artists for over twenty years, Karate's History & Traditions was long recognized as the most authoritative source on martial arts history and technique. Now Bruce Haines, historian and martial artist, has updated this rich source to reflect changes that have taken place in the last two decades. This detailed but well–rounded martial arts guide covers the history of the Asian fighting arts from antiquity to modern times, answering many of the questions currently being debated by martial artists around the world. Each chapter describes the fighting arts of masters in many areas, including: Okinawa Japan China India Indonesia Malaysia Thailand Cambodia Vietnam Korea The Philippines Undertaking years of arduous research using the most reliable historical data, Haines has filled in many of the gaps in the histories of the fighting arts and has proven false many popular myths.
Chinese Martial Arts: Changing Views and Practices by Michael DeMarco Pdf
Since ancient times, some observant people have made the revered Book of Change (Yijing) their lifelong study. Change is the fundamental principle found in every aspect of our lives. Change is the Way of the universe. Confucian and Daoist texts are filled with anecdotal and philosophic discourse related to this theme. There is little wonder why we find the concept of change in the diverse Chinese martial traditions. This anthology presents articles from the Journal of Asian Martial Arts that are related to the theme of change. This does not mean that the authors are writing solely about philosophic ideas such as yin-yang, taiji, five phases (wuxing), or the eight hexagrams (bagua). From the content of these articles you will see how the views, needs, purposes and understandings of Chinese martial arts have changed over the centuries. By expounding on these themes, each author demonstrates how the actual practice of martial arts has changed in tandem with these fluctuating views. Supported by in depth research, interviews, and field experience, the nine articles included here offer us a view of Chinese martial arts from many angles. Of course effectiveness is one of the criteria for skills that are valued as being truely martial. To improve the effectiveness, some leading practitioners gained insights from nature, particularly from the animal kingdom. Also, in both ancient and modern times, Chinese practitioners borrowed from other styles. The concept of “mixed martial arts” is nothing new.There have been spinoffs to the warrior arts. Even centuries ago the martial arts were utilized in entertaining “flowery’ performances, as in Peking opera. The variety of martial movements were certainly conducive for good health so there is a long tradition of incorporating these in exercises practices solely for health and longevity. In the early twentieth century, martial arts became a political tool for boosting the spirit of country, vitalizing the “sick man of Asia.” Perhaps the most notable change in Chinese martial arts can be seen in the modern sportification of it. Motivated by rank, trophies, and money, the combative elements have been forsaken in favor of competition and show. Orignally practical, techniques have been transformed into pure acrobatics. This special anthology provides an encompassing overview of the development and variety of Chinese martial arts. You will come to appreciate the ancient roots and the forces that have influenced how and why these arts are practiced today.
Asian Martial Arts: Constructive Thoughts & Practical Applications represents an international gathering of friends who happen to be highly qualified martial art scholars and practitioners. This martial arts book is a collection of articles from practitioners who have come together in celebration of the 20-plus years that Journal of Asian Martial Arts has inspired scholarship to higher academic standards while encouraging all aspects of responsible practice. Each article was written specifically for Asian Martial Arts, with topics representing the rich variety found in the Asian martial traditions.
Asian Martial Arts in Literature and Movies by Michael DeMarco, M.A. Pdf
Most learn about martial arts through movies and print publications, primarily fictional. "Fiction is drama, the blood of drama is conflict, and martial arts are rooted in conflict," writes James Grady in chapter one. Good fiction uses martial arts well, while poor writing skills can be plain boring! This anthology is a collection of fifteen articles that cover the richness and depth of Asian martial arts in both movies and literature. After look over the array of topics, I decided to utilize writings by James Grady for the two introductory chapters. Grady is an internationally renowned writer and investigative journalist known for his nail-biting thriller novels. His early novel was adapted to film as Three days of the Condor (1975) starring Robert Redford. Grady has since written over a dozen wonderful novels and in between wrote two excellent pieces for the Journal of Asian Martial Arts: one dealing with movies and another with literature. The following chapters are greatly enriched by the informative contents in Grady’s chapters. Details about movie-making are provided in the interview with producer Andre Morgan (Enter the Dragon, Walter Texas Ranger, Martial Law, etc.), plus the inside scoop in the publishing and film industries in the interview with multifaceted Curtis Wong. Actor/producer/kickboxing champion Don Wilson provides insights from both sides of the camera in his interview. Among the chapters are Albert Dalia’s exposition of China’s “wandering martial hero” stories that have roots reaching back two thousand years; Christopher Bates’ excerpt from Xiang Kairan’s Tales of Chivalrous and Altruistic Heroes; and Olivia Mok’s research and translations of sections of Fox Volant of the Snowy Mountain, a Louis Cha’s novel of 1959. In the latter, Mok extricates references to dianxue—the methods of attacking vital points. We also have fiction focusing on Japanese and Chinese martial traditions by John Donohue, Peter Graebner, John DeRose, and John Gilbey’s (aka, Robert W. Smith)—each highlighting combative experience, theory and technique with cultural trimmings. Interviews with Barry Eisler and Author Rosenfeld give insight into scholar/practitioners whose published novels contain text colored by their knowledge of the martial arts and culture. We hope you’ll find this book captivating, exciting, heroic, spellbinding, content rich, fascinating, penetrating . . .
"The Invention of Martial Arts examines the media history of what we now call 'martial arts' and argues that martial arts is a cultural construction that was born in film, TV and other media. It argues that 'martial arts' exploded into popular consciousness entirely thanks to the work of media. Of course, the book does not deny the existence of real, material histories and non-media dimensions in martial arts practices. But it thoroughly recasts the status of such histories, combining recent myth-busting findings in historical martial arts research with important insights into the discontinuous character of history, the widespread 'invention of tradition', the orientalism and imagined geographies that animate many ideas about history, and the frequent manipulation of history for reasons of status, cultural capital, private or public power, politics, and/or financial gain. In doing so, The Invention of Martial Arts argues for the primacy of media representation as key player in the emergence and spread of martial arts. This argument overturns the dominant belief that 'real practices' are primary, while representations are secondary. The book makes its case via historical analysis of the British media history of such Eastern and Western martial arts as Bartitsu, jujutsu, judo, karate, tai chi and MMA across a range of media, from newspapers, comics and books to cartoon, film and TV series, as well as television adverts and music videos, focusing on key but often overlooked texts such as adverts for 'Hai Karate', the 1970s disco hit 'Kung Fu Fighting', and many other mainstream and marginal media texts"--
Asian Fighting Arts by Donn F. Draeger,Robert W. Smith Pdf
Fighting arts are as old as man himself and as varied as his languages. In Asia they developed to a degree of effectiveness probably unsurpassed elsewhere in the world. This book explains the relationships between fighting arts, assesses their strengths and weaknesses, and presents new material about hitherto unknown fighting methods. Written by two of the best-known and most widely published authorities in the field, it covers fighting methods and techniques found in eleven Asian countries-fighting techniques that range from the artful Chinese tai-chi and Burmese bando to Japanese jujutsu and the lethal pentjak-silat of Indonesia. Documentation of these has been supplemented with a wealth of fascinating anecdotes. The reader learns of the daring exploits of the Japanese ninja, of Gama, perhaps the greatest of the great Indian wrestlers, of the Indonesian "trance" fighters-and hundreds of other tales that serve to illustrate some of the most deadly fighting systems that the world has known. The volume is illustrated with over two hundred photographs and drawings, many of them depicting combat styles and techniques that have never been seen in the West.
America’s Fascination with Asian Martial Arts by Michael DeMarco Pdf
Chapters in this book present meticulous research into the adaptation and significance of Asian combatives as infused within American society. These chapters are presented here as published according to their original chronological appearance in the Journal of Asian Martial Arts. In the first chapter Dr. John Donohue presents an anthropological perspective on what Asian martial arts represent to Americans and why Americans choose to study them. The attraction goes far beyond the physical aspects of self-defense, embracing the symbolic associations of “warrior heros,” grasping of power and skills through mythical means, and a quest for a coherent world view. Though Asian martial systems do establish high principles, their interpretation and evolution are affected by powerful societal trends, ranging from the inclination toward mutual improvement to commercialism and militarism. In chapter two, Dr. Daniel Rosenberg brings a realistic picture of the favorable and not so favorable aspects of martial art studies. In chapter three, martial arts coverage by four major-market American newspapers are analyzed by Ellen Levitt. Since the articles reflect trends and attitudes, we should be concerned with how they and their styles are presented in newspapers. Frederick Lohse’s chapter shows that by identifying, or contrasting, ourselves with shared ideas and images, we construct an identity that is both salient to ourselves and understandable to those around us. Her examines some aspects of how practitioners in the USA use the martial arts as one means of constructing their narratives of Self. In chapter five by Geoffrey Wingard, an ethnographic “snapshot” is examined to illustrate the validity of the seminal studies of martial arts and aggression. This chapter shows how students representing traditional and non-traditional martial arts engage each other, represent their arts and exhibit aggressive and non-aggressive behaviors. The final chapter by John Donohue examines how the revolution in communications technology has altered American understanding regarding the relationship between skill acquisition/training and the end result of such training. Just what attracts people to study fighting arts? What psychological needs are met when one joins an instructional class? Practitioners and scholars will find much in this anthology to broaden the perspective and understanding of why Americans are so fascinated with the Asian martial traditions.
Southeast Asian Martial Arts: Cambodia, Myanmar, Thailand, Vietnam by Michael DeMarco Pdf
What martial arts are associated with Thailand, Vietnam, Cambodia, and Myanmar (Burma)? What makes them unique when compared with other Asian martial systems? This anthology is a convienent collection that focuses on the martial arts of these areas, such as the familiar art of Muay Thai, and lesser-known arts of Than Quyen of Vietnam, Burmese bando, and Cambodian leth wei. In chapter one, the David Allan brings readers inside the Lumphini Stadium in Bangkok to witness the fighters’ kickboxing skills and etiquette through text and photographs. He also records how musicians play and the locals participate in each event, with emotional exuberance of cheering, and betting. Jeremy Skaggs wanted to go to Thailand to train with some of the top Muay Thai fighters. His chapter allows readers to relive his experience through text and superb photography. He reports on his travel to Thailand, daily training routines, daily life there, and a night at the Lumphini Stadium. Chapter three by Jason Tran presents the origin and functions of That Son Than Quyen’s “spirit forms” as inspired by real and mythic animals. This is accomplished by contrasting Than Quyen with Chinese imitation styles, tracing the development of Vietnam religion and superstitions, and exploring the impact of geographic and cultural elements. In the next chapter Scott Mallon recounts excursions he made into Myanmar and Cambodia to learn about their indigenous martial arts firsthand. He reports on the Muay Thai-like systems and their similarities and difference, along with the special cultural atmospheres where these arts are found. Excellent photo coverage highlight the martial artists. Loh Han Loong’s chapter goes beyond the common views of Thai boxing by critically examining the way Muay Thai is portrayed in nonacademic sources, such as articles and websites. The manner in which Muay Thai is framed in popular culture is not simply the result of historical facts, but is a way of creating the Thai nation myth and the uniqueness of Thai culture. The lengthy final chapter by Dr. Winborne focuses on the bando system. His chapter explores ancient Burmese fighting traditions and their evolution to modern-day martial arts practices. Bando is a seamless amalgam of striking methods, grappling techniques, weapons approaches, and healing strategies from the Southeast Asian country currently known as Myanmar. This comprehensive self-defense system is reviewed and analyzed based on documented viewpoints of prominent masters and practitioners. The philosophy and principles that undergird the bando system are discussed as well. This anthology offers a concise overview of the history, cultures, and combative systems associated with the geographic areas of Cambodia, Myanmar, Vietman, and Thailand. Familiar or not with these martial traditions, readers will be find the chapters informative and photography delightful.
Deploys martial arts as a lens to analyze performance, power, and identity within the evolving fusion of Black and Asian American cultures in history and media.