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Mary Cassatt: Painter of Modern Women (Second) (World of Art) by Griselda Pollock Pdf
This groundbreaking study, the definitive introduction to the work of artist Mary Cassatt, places her work in the wider context of nineteenth-century feminism and art theory and is now updated with color illustrations. This groundbreaking study redefines the status of the beloved American artist Mary Cassatt, placing her work in the wider context of nineteenth- century feminism and art theory. Mary Cassatt looks at the artist’s work in light of her time as an advocate for women’s intellectual life and political emancipation. Esteemed by her contemporaries for her commitment to what she and her radical colleagues in Paris termed “the new art”—now called impressionism—Cassatt brought her discerning gaze and compositional inventiveness to the study of the subtle, often psychological, social interactions of women in public and private spaces. Focusing on key moments of engagement and change over the artist’s long career, art historian Griselda Pollock discusses Cassatt’s artistic training across Europe, her profound study of the Old Masters, and places fresh emphasis on the artist’s interest in Manet and other contemporary French and Spanish painters as well as her influence on American collections of French modernism. Now revised with a new preface, updates to the bibliography, and color illustrations throughout, this book offers a reevaluation of the work of this important artist as seen through the frames of class, gender, space, and difference.
A study of many facets of the artist's work redefines her status in the Parisian avant-garde and in American art, and places her work in the context of nineteenth-century feminism and art theory
Mary Cassatt was a headstrong, determined girl. She wanted to be an artist in 1860, a time when proper girls certainly weren't artists. It wasn't polite. But Mary herself wasn't polite. She pursued art with a passion, moving to Paris to study, painting what she saw. Her work was rejected by the Salon judges time and time again. One day, the great painter Edgar Degas invited her to join him and his group of independent artists, those who flouted the rules and painted as they pleased-the Impressionists. Mary was on her way. "I began to live," said Mary. Today, her paintings hang in museums around the world and she is recognized as one of the most celebrated female artists of all time.
This monograph of American artist Mary Cassatt’s work celebrates fifty stunning portraits of mothers with their children in everyday life. Mary Cassatt’s tender and profound paintings redefined portraiture and broke down barriers for women in art—both as artists and as subjects. This collection focuses on Cassatt’s insightful portrayal of women and children living their everyday lives. Fifty magnificent images cover the scope of Cassatt’s work, from her early interest in Japanese woodblocks all the way to her exploration of Modernist techniques. Two essays contextualize her as a pioneering female artist and as the American face of Impressionist painting. • Captures the love between mothers and children • A luminous, robust, and timely celebration of an artist with a unique legacy Fans of The Private Lives of the Impressionists, In Montmartre, and Mary Cassatt: An American Impressionist in Paris will love this book./
One of the few women Impressionists, Mary Cassatt (1844-1926) had a life of paradoxes: American born, she lived and worked in France; a classically trained artist, she preferred the company of radicals; never married, she painted exquisite and beloved portraits of mothers and children. This book provides new insight into the personal life and artistic endeavors of this extraordinary woman. "Brilliant, lively life of long lived American Impressionist."--Kirkus Reviews "Rich in historical and archeological detail, thoroughgoing in its resurrection of the contexts and conditions of Cassatt's life as an artist."--Carol Armstrong, New York Times Book Review "Mathews informatively and entertainingly documents Cassatt's tumultuous relations with various members of both the American and Parisian avant-garde. . . . An impressive biography."--Siri Huntoon, New York Newsday "A superb piece of scholarship."--Ruth Johnstone Wales, Christian Science Monitor "In this admirable biography, art historian Mathews . . . presents a compelling portrait of this contradictory woman."--Publishers Weekly "Authoritative, unsentimental, clear as a bell, this is a model of the new biography by and about talented women."--Kennedy Fraser "This will probably be the definitive biography for our generation."--John Wilmerding, Princeton University
Mary Cassatt: 109 Paintings by Margarita Esters Pdf
Mary Cassatt was an American impressionist painter who depicted the lives of women, chiefly the intimate bond between mother and child. Degas and Pissarro would later become her mentors and fellow painters. She began studying art seriously at the age of 15, at a time when only around twenty percent of all arts students were female. Unlike many of the other female students, she was determined to make art her career, rather than just a social skill. She was disappointed at her art education in the United States, and moved to Paris to study art under private tutors in Paris. Her mother and family friends traveled with her to France, acting as chaperones. In Europe, Cassatt’s paintings were better received, increasing her prospects, and exhibited in the Salon of 1872, selling a painting. She exhibited every year at the Paris Salon until 1877, when all her works were rejected. Distraught at her rejection, she turned to the Impressionists, who welcomed her with welcome arms. Deciding early in her career that marriage was not an option, Cassatt never married, and spent much of her time with her sister Lydia, until her death in 1882, which left Mary unable to work for a short time. As her career progressed, her critical reputation grew, and she was often touted, along with Degas, as the one of the best exhibitors at the Impressionist Salon. She was awarded the French Legion of Honor in 1906.
This volume presents the life and works of American painter Mary Cassatt (1844-1926), with over 50 color plates of her artwork. In a Victorian age when most women were confined to the circumscribed world of marriage, homemaking and motherhood, Cassatt blazed like a shooting star across the firmament of the male dominated international art world. She was the only American, male or female, to become a member of the French Impressionists.