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Masculinity in Lesbian “Pulp” Fiction by Paul Thompson Pdf
This book looks specifically and in depth, for the first time, at masculinity in cheap, lesbian-themed paperbacks of the two decades after WW2. It challenges established critical assumptions about the readership, and sets the masculinity imagined in these novels against the “masculinity crisis” of the era in which they were written. The key issue of these novels is couplehood as much as sexuality, and the instability of masculinity leads to the instability of the couple. Thompson coins the term “heteroemulative” to describe the struggle that both heterosexual and homosexual couples have in conforming to heteronormativity. As several of these novels have been republished and remain in print, they have taken on a new relevance to issues of sexuality and gender in the twentyfirst century, and this study will attract readers within that area of interest. A valuable read for sociologists studying gender roles, and social historians of the cold war period in the United States. It is suitable for readers of all academic levels, from undergraduate, through postgraduate, to scholars and researchers, but also for a general readership.
Masculinity in Lesbian "pulp" Fiction by Paul Thompson Pdf
"This book looks specifically and in depth, for the first time, at masculinity in cheap, lesbian-themed paperbacks of the two decades after WW2. It challenges established critical assumptions about the readership, and sets the masculinity imagined in these novels against the "masculinity crisis" of the era in which they were written. The key issue of these novels is couplehood as much as sexuality, and the instability of masculinity leads to the instability of the couple. Thompson coins the term "heteroemulative" to describe the struggle that both heterosexual and homosexual couples have in conforming to heteronormativity. As several of these novels have been republished and remain in print, they have taken on a new relevance to issues of sexuality and gender in the twenty-first century, and this study will attract readers within that area of interest. A valuable read for sociologists studying gender roles, and social historians of the cold war period in the United States. It is suitable for readers of all academic levels, from undergraduate, through postgraduate, to scholars and researchers, but also for a general readership"--
How does a man win back a woman he's lost to another woman? A lesbian pulp fiction classic, back in print for the first time in over sixty years. Declared "indecent" in 1961 by National Organization for Decent LiteratureThey called themselves the "fringe society." Wealthy, attractive, smart, young women who fled to the Bahamas to pursue a difference lifestyle. Were they tired of compromising with life? Were they seeking freedom? If so, freedom to do what?Photojournalist Ralph Thayer, tired of New York and his fiance, heads to the Bahamas for a vacation...but instead meets Alison Adams, who introduces him to the forbidden secrets of her female circle...and finds himself fighting for her affections with another woman. Using all of his masculine charms, and he has many, he engages in an all out war with striking Maxine Carpenter for Alison's heart and body. With savage fury, born of jealousy and envy, Maxine frantically lashes back. "Man Among Women accommodates the genre's insistence on male voyeurism but resists the male power that traditionally accompanies it... The male protagonist is allowed to look at lesbians but always with painful consequences." Yvonne Keller, American Quarterly "Randy Salem has written another top-notch lesbian paperback. Surprisingly, the story line is male-oriented but despite this drawback, it is a superior paperback, full of well-drawn convincing lesbians." Gene Damon, Ladder"Randy Salem" was the pseudonyn for Pat Purdue, a major name in lesbian pulp fiction...and the longtime lover of Sally Singer, also a prolific author of lesbian pulp fiction under the pseudonum "March Hastings." Salem's other ground-breaking books include Chris, Tender Torment, The Unfortunate Flesh, The Soft Sin, and The Sex Between.
Designated the "queen of lesbian pulp fiction" for authoring five landmark novels, Ann Bannon's work defined lesbian fiction for the pre-Stonewall generation. Unlike many writers of the period, however, Bannon broke through the shame and isolation typically portrayed in lesbian pulps, offering instead women characters who embrace their sexuality against great odds. With Beebo Brinker, Bannon introduces the title character, a butch 17-year-old farm girl newly arrived in New York after she is driven from her Wisconsin home town for wearing drag to the State Fair. Befriended by the gay Jack Mann, a father figure with a weakness for runaways, Beebo sets out to find love. She never knew what she wanted — until she came to Greenwich Village and found the love that smolders in the shadows of the twilight world. The 880-page Beebo Brinker Omnibus includes the novels Beebo Brinker, I Am a Woman, Journey to a Woman, Odd Girl Out, and Women in the Shadows. Sexy, dangerous, and often touching, the paperbacks sold millions. Chronicling the reality of 1950s lesbian life, Beebo Brinker is an astounding and engaging read.
Designated the ?Queen of Lesbian Pulp” for her series of landmark novels beginning in 1957, Ann Bannon defined lesbian fiction for the pre-Stonewall generation. Following the release of Cleis Press's new editions of Beebo Brinker and Odd Girl Out, Women in the Shadows finds Laura in love among the lesbian bohemia of Greenwich Village. This edition features a new introduction by the author. ?Sex. Sleaze. Depravity. Oh, the twisted passions of the twilight world of lesbian pulp fiction.” ? Chicago Free Press ?Shameless tales of wanton dyke lust are finally unveiled!” ? Out magazine
Long before the rise of the modern gay movement, an unnoticed literary revolution was occurring between the covers of the cheaply produced lesbian pulp paperbacks of the post–World War II era. In 1950, publisher Fawcett Books founded its Gold Medal imprint, inaugurating the reign of lesbian pulp fiction. These were the books that small-town lesbians and prurient men bought by the millions — cheap, easy to find in drugstores, and immediately recognizable by their lurid covers: often a hard-looking brunette standing over a scantily clad blonde, or a man gazing in tormented lust at a lovely, unobtainable lesbian. For women leading straight lives, here was confirmation that they were not alone and that darkly glamorous, "gay" places like Greenwich Village existed. Some — especially those written by lesbians — offered sympathetic and realistic depictions of "life in the shadows," while others (no less fun to read now) were smutty, sensational tales of innocent girls led astray. In the overheated prose typical of the genre, this collection documents the emergence of a lesbian subculture in postwar America.
“The rare work of fiction that has changed real life . . . If you don’t yet know Molly Bolt—or Rita Mae Brown, who created her—I urge you to read and thank them both.”—Gloria Steinem Winner of the Lambda Literary Pioneer Award | Winner of the Lee Lynch Classic Book Award A landmark coming-of-age novel that launched the career of one of this country’s most distinctive voices, Rubyfruit Jungle remains a transformative work more than forty years after its original publication. In bawdy, moving prose, Rita Mae Brown tells the story of Molly Bolt, the adoptive daughter of a dirt-poor Southern couple who boldly forges her own path in America. With her startling beauty and crackling wit, Molly finds that women are drawn to her wherever she goes—and she refuses to apologize for loving them back. This literary milestone continues to resonate with its message about being true to yourself and, against the odds, living happily ever after. Praise for Rubyfruit Jungle “Groundbreaking.”—The New York Times “Powerful . . . a truly incredible book . . . I found myself laughing hysterically, then sobbing uncontrollably just moments later.”—The Boston Globe “You can’t fully know—or enjoy—how much the world has changed without reading this truly wonderful book.”—Andrew Tobias, author of The Best Little Boy in the World “A crass and hilarious slice of growing up ‘different,’ as fun to read today as it was in 1973.”—The Rumpus “Molly Bolt is a genuine descendant—genuine female descendant—of Huckleberry Finn. And Rita Mae Brown is, like Mark Twain, a serious writer who gets her messages across through laughter.”—Donna E. Shalala “A trailblazing literary coup at publication . . . It was the right book at the right time.”—Lee Lynch, author of Beggar of Love
Explores the communities and social norms on eBay, discussing gender, race, and sexuality and how stereotypes about them are reinforced by the online auction site.
Encyclopedia of Contemporary LGBTQ Literature of the United States [2 volumes] by Emmanuel S. Nelson Pdf
In this two-volume work, hundreds of alphabetically arranged entries survey contemporary lesbian, gay, bisexual, transgendered, and queer American literature and its social contexts. Comprehensive in scope and accessible to students and general readers, Encyclopedia of Contemporary LGBTQ Literature of the United States explores contemporary American LGBTQ literature and its social, political, cultural, and historical contexts. Included are several hundred alphabetically arranged entries written by expert contributors. Students of literature and popular culture will appreciate the encyclopedia's insightful survey and discussion of LGBTQ authors and their works, while students of history and social issues will value the encyclopedia's use of literature to explore LGBTQ American society. Each entry is written by an expert contributor and lists additional sources of information. To further enhance study and understanding, the encyclopedia closes with a selected general bibliography of print and electronic resources for student research.
Masculinities without Men? by Jean Bobby Noble Pdf
Conventional ideas about gender and sexuality dictate that people born with male bodies naturally possess both a man's identity and a man's right to authority. Recent scholarship in the field of gender studies, however, exposes the complex political technologies that construct gender as a supposedly unchanging biological essence with self-evident links to physicality, identity, and power. In Masculinities without Men? Jean Bobby Noble explores how the construction of gender was thrown into crisis during the twentieth century, resulting in a permanent rupture in the sex/gender system, and how masculinity became an unstable category, altered across time, region, social class, and ethnicity.
Examines the intersection of shame, gender and writing in contemporary literatureConsiders the particular intersection of shame, gender and writing in literature produced since the 1990sViews shame as a constitutive factor in the social construction and experience of femininityAnalyses a diverse range of texts from pulp to literary fiction to life writing and autofiction, with a self-reflexive focus on the formal disjunctions produced by/in the writing of shame, and on the shame attending the act of writing itselfOffers political readings of neglected genres (lesbian pulp fiction), highly topical texts (like Kraus's I Love Dick and Knausgaard's My Struggle), and established authors (such as Mary Gaitskill, A.M. Homes, Rupert Thomson)Through readings of an array of recent texts - literary and popular, fictional and autofictional, realist and experimental - this book maps out a contemporary, Western, shame culture. It unpicks the complex triangulation of shame, gender and writing, and intervenes forcefully in feminist and queer debates of the last three decades. Starting from the premise that shame cannot be overcome or abandoned, and that femininity and shame are utterly and necessarily imbricated, Writing Shame examines writing that explores and inhabits this state of shame, considering the dissonant effects of such explorations on and beyond the page.
Designated the "Queen of Lesbian Pulp" for her series of landmark novels beginning in 1957, Ann Bannon defined lesbian fiction for the pre-Stonewall generation. Following the release of Cleis Press's new editions of Beebo Brinker and Odd Girl Out, Women in the Shadows finds Laura in love among the lesbian bohemia of Greenwich Village. This edition features a new introduction by the author. "Sex. Sleaze. Depravity. Oh, the twisted passions of the twilight world of lesbian pulp fiction." - Chicago Free Press "Shameless tales of wanton dyke lust are finally unveiled!" - Out magazine
I Am a Woman, first published in 1959, is the second installment of the lesbian pulp fiction series, The Beebo Brinker Chronicles. It follows Laura, a young woman who moves to Greenwich Village and grapples with her recently discovered identity as a lesbian. Ann Bannon, the author of I Am a Woman, did not live the free-spirited Greenwich Village life of her literary heroines. Immediately after graduating from the University of Illinois at Urbana-Champaign, she married a young engineer and settled down to start a family in Philadelphia. Although she had some suspicions of her own homosexuality during college, she-like many other young women at the time-expected that marriage would resolve those lingering doubts. After reading two popular lesbian books-1928's The Well of Loneliness and 1952's Spring Fire-she decided to explore similar themes in her own writing. But Bannon's stories were set apart from other lesbian pulp novels of the day through their optimistic tenor. Prior to Bannon's work, gay characters were generally required to meet a tragic end-either by suicide or mental breakdown. Until the mid-1950s, the U.S. Postal Service would refuse to deliver books if they depicted homosexuality in a positive light. But, by the time Bannon began publishing later in the decade, the outcome of several obscenity trials resulted in slight relaxations of this censorship, giving her the option of delivering more hopeful endings. Still, this was a time of extreme difficulty for gays and lesbians in the United States. Federal employees were terminated for "sexual perversion," which included same sex attraction. Homosexuality was included in the American Psychiatric Association's list of mental disorders, and frequent raids on gay and lesbian bars landed people in jail for "lewd behavior." I Am a Woman, finds Laura recently moved to New York City after the painful ending of her first love affair with another girl at her sorority. After dropping out of college, she escaped to Manhattan, intending to close off her life to romance. In Greenwich Village, Laura is immersed in a new environment more open to homosexuality. She makes gay friends and explores underground gay and lesbian bars. But she is still uncomfortable with who she is, and her life is further complicated by falling in love with her straight roommate, Marcie. After I Am a Woman's release, Bannon received fan mail from women all across the country thanking her for making them feel normal and giving them hope for a happy ending. The optimism in Bannon's writing was so unexpected some women even reported that the book saved their lives. Over the next few years, Bannon wrote four more novels-three in The Beebo Brinker Chronicles, and one standalone novel that is loosely related to the series. Then, in 1962, almost as soon as she began, her fiction writing stopped. Bannon earned a master's degree from Sacramento State University and a doctorate in linguistics from Stanford. She then became an English professor at Sacramento State, and later associate dean of the School of Arts & Sciences. She and her husband divorced when their two daughters reached adulthood. Immersed in her new career, Bannon didn't realize how wide an impact her works continued to have in the gay and lesbian communities. Her books provided a realistic-if melodramatic-take on the lives of gay and lesbian Americans at a time when these stories were either hidden from view or presented as lurid and tawdry.
"Your tummy's a veritable oasis for a thirsty hunter." Her head dipped again, lips moving lower. They stopped their wandering completely and settled down for an extended stay. They had apparent-ly found an abundant supply of what they were after. They opened wider, pressed tighter. The tongue flicked faster and harder. And Mary Ann completely forgot the rules of the game. She twisted, lunged, arched, clawed. She squealed, screamed, moaned, squealed again. Her body be-came an unward arched bow, supported only at head and heel, helped by the tight grip of Charlene's hands on the tensed, quivering buttocks. "Charley! Stop, please! Oh God, darling, please stop!" Satan was a Lesbian is the infamous pulp novel that launched a thousand t-shirts, and coffee mugs and posters and notecards and on and on and on. Many people have seen this cover, but few have read the book or even realized that it was a real book that was published in a simpler, more ignorant time. Following our anti-hero Charlene, Satan was a Lesbian paints of a picture of a woman who no man could resist, until they looked into her cold, black eyes. Only one person, Cynthia -- who became completely 'turned on' when she was thoroughly frightened--inspired something even remotely close to love in Charlene which of course led to a deadly end. For completists and those not easily triggered.