Masks Of The Muse

Author : Veronica Cummer
Publisher : Pendraig Publishing
Page : 305 pages
File Size : 53,8 Mb
Release : 2009-02
Category : Body, Mind & Spirit
ISBN : 9780982031834

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Masks of the Muse by Veronica Cummer Pdf

Who is the Muse? Why do we need Her? How do we tap into that shining current of inspiration and create something never before seen, something beautiful and terrible, fantastical and infinitely real. The Muse is as vital to our lives today as She was in ancient times. She changes as we change and Her Arts are continually in flux, Arts that we simply cannot live without...or that we wouldn't want to. Among other things, they are tools to make and re-make our world even as we work with Fate to weave the web of life and death, of creation and destruction. Through four faces, four masks of the Muse, this book explores different aspects of inspiration, creativity, and magick. Aphrodite, Cerridwen, Ariadne, and the Lady of the Lake await--each to teach us of the Arts and what we are capable of at our very best. By the poetry, prayer, invocation, and ritual contained within we can come to know the Muse and so know ourselves and the gifts we all have within us that demand recognition and expression. The path of the Muse may not always be an easy or a safe one, but anything worth having is worth paying the price for. Who is the Muse? Who are we? This book is a journey, one that we must dare to take and dare to take hold of what is revealed.. As we must return to the well of memory, the depths of the ocean, and the currents below the earth, there to claim what was ours all along.

Author : Geste Publishing Company
Publisher : Unknown
Page : 160 pages
File Size : 53,6 Mb
Release : 2001-02-01
Category : Electronic
ISBN : 0925360163

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The Masks of My Muse by Geste Publishing Company Pdf

Author : Andrew R. Reynolds,Bonnie Roos
Publisher : Unknown
Page : 0 pages
File Size : 50,5 Mb
Release : 2016
Category : Art and globalization
ISBN : 0813061644

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Behind the Masks of Modernism by Andrew R. Reynolds,Bonnie Roos Pdf

"A wide-ranging collection that allows the mask-as artifact, metaphor, theatrical costume, fetish, strategy for self-concealment, and treasured cultural object-to clarify modernity's relationship to history."--Carrie J. Preston, author of Modernism's Mythic Pose: Gender, Genre, Solo Performance "Covering an impressive range of geographies, cultures, and time periods, these carefully researched essays explore the fascinating role of masks and masking in mediating the relationship between tradition and modernity in both art and literature."--Paul Jay, author of The Humanities "Crisis" and the Future of Literary Studies Behind the Masks of Modernism reconsiders the meaning of "modernism" by taking an interdisciplinary approach and stretching beyond the Western modernist canon and the literary scope of the field. The essays in this diverse collection explore numerous regional, national, and transnational expressions of modernity through art, history, architecture, drama, literature, and cultural studies around the globe. Masks--both literal and metaphorical--play a role in each of these artistic ventures, from Brazilian music to Chinese film and Russian poetry to Nigerian masquerade performance. The contributors show how artists and writers produce their works in moments of emerging modernity, aesthetic sensibility, and deep societal transformations caused by modern transnational forces. Using the mask as a thematic focus, the volume explores the dialogue created through regional modernisms, emphasizes the local in describing universal tropes of masks and masking, and challenges popular assumptions about what modernism looks like and what modernity is.

Author : Bernice Schachter
Publisher : AuthorHouse
Page : 328 pages
File Size : 41,7 Mb
Release : 2005-10
Category : Biography & Autobiography
ISBN : 9781418405717

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The Masks of My Muse by Bernice Schachter Pdf

The seeds for this book were germinated in the beautiful region of Tuscany. Here in Italy I lived my own three-dimensional life of discovery, dedication and discipline as a sculptor. I write about this community that spiritually embraced me with my own passion for the marvels of marble. It shows any reader how to nourish the mind and the spirit and motivates one to develop original ideas in any media of choice. Sculpture is only used as a metaphor or stepping stones to help find your own path for self-actualization and self-expression. With each passing year, more and more books and articles about the creative process are published. So why would I want to write another? And why might you be interested in reading what I have to say? This book was compiled in my years of teaching and researching the nature of creativity. It encompasses many of the theories, both past and present in a distillation of the many diverse writings on the subject. I believe that creativity can be taught and I have developed a unique method of doing it through my eyes as a sculptor using "Creative I's as explained in the Workbook section of this book. The focuses of the suggested activities are provocative words beginning with the letter I that will motivate you to discover new ideas for yourself. In summary, this book is for people who are open to discovering new perspectives and new ideas to stimulate their minds by keeping their creativity flowing. You do not need special ability or talent to participate in the thrill of a satisfactory creative experience or to enjoy the "Aha " discovering something for yourself or even about yourself. By sharing your joy with others in a group or workshop you might find your own "fifteen minutes of fame" if only with your peers, networks, classes, friends, or family. Perhaps even an anxious world might be receptive of your newest innovative thing. GO FOR IT

Author : James H. Johnson
Publisher : Univ of California Press
Page : 334 pages
File Size : 44,8 Mb
Release : 2017-01-10
Category : History
ISBN : 9780520294653

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Venice Incognito by James H. Johnson Pdf

"The entire town is disguised," declared a French tourist of eighteenth-century Venice. And, indeed, maskers of all ranks—nobles, clergy, imposters, seducers, con men—could be found mixing at every level of Venetian society. Even a pious nun donned a mask and male attire for her liaison with the libertine Casanova. In Venice Incognito, James H. Johnson offers a spirited analysis of masking in this carnival-loving city. He draws on a wealth of material to explore the world view of maskers, both during and outside of carnival, and reconstructs their logic: covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history. This vivid account goes beyond common views that masking was about forgetting the past and minding the muse of pleasure to offer fresh insight into the historical construction of identity.

Author : Gauri Viswanathan
Publisher : Columbia University Press
Page : 241 pages
File Size : 43,9 Mb
Release : 2014-12-16
Category : Literary Criticism
ISBN : 9780231539579

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Masks of Conquest by Gauri Viswanathan Pdf

A classic work in postcolonial studies, Masks of Conquest describes the introduction of English studies in India under British rule and illuminates the discipline's transcontinental movements and derivations, showing that the origins of English studies are as diverse and diffuse as its future shape. In her new preface, Gauri Viswanathan argues forcefully that the curricular study of English can no longer be understood innocently of or inattentively to the imperial contexts in which the discipline first articulated its mission.

Author : Tejumola Olaniyan
Publisher : Oxford University Press
Page : 209 pages
File Size : 52,8 Mb
Release : 1995-06-22
Category : Literary Criticism
ISBN : 9780195357509

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Scars of Conquest/Masks of Resistance by Tejumola Olaniyan Pdf

This original work redefines and broadens our understanding of the drama of the English-speaking African diaspora. Looking closely at the work of Amiri Baraka, Nobel prize-winners Wole Soyinka and Derek Walcott, and Ntozake Shange, the author contends that the refashioning of the collective cultural self in black drama originates from the complex intersection of three discourses: Eurocentric, Afrocentric, and Post-Afrocentric. From blackface minstrelsy to the Trinidad Carnival, from the Black Aesthetic to the South African Black Consciousness theatres and the scholarly debate on the (non)existence of African drama, Olaniyan cogently maps the terrains of a cultural struggle and underscores a peculiar situation in which the inferiorization of black performance forms is most often a shorthand for subordinating black culture and corporeality. Drawing on insights from contemporary theory and cultural studies, and offering detailed readings of the above writers, Olaniyan shows how they occupy the interface between the Afrocentric and a liberating Post-Afrocentric space where black theatrical-cultural difference could be envisioned as a site of multiple articulations: race, class, gender, genre, and language.

Author : Lionel Gossman
Publisher : JHU Press
Page : 281 pages
File Size : 44,5 Mb
Release : 2019-12-01
Category : Literary Criticism
ISBN : 9781421430867

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Men and Masks by Lionel Gossman Pdf

Originally published in 1963. Molière's plays rank among the great comic achievements in the history of the stage. Yet few attempts have been made to understand them as expressing the historical context of the author's time. Most frequently they have been interpreted from the point of view of purely literary history, while the characters have been seen as universal comic types. Lionel Gossman reappraises Molière's comedy in the light of historical experience and interprets it in terms of the conditions from which it emerged. He brings it into the mainstream of seventeenth-century French literature and shows that Molière was concerned with the same things that concerned Descartes, Corneille, Racine, or Pascal. Five comedies (Amphitryon, Dom Juan, Le Misanthrope, Le Tartuffe, and George Dandin) are studied in the first part of the book. A number of basic structures are found to be common to all of them, and these give the author his point of departure for the second part of the book. In the second part, Gossman examines Molière's position with respect to other major seventeenth-century French writers. The comic vision of Molière, Gossman argues, no less than the tragic vision of Pascal or of Racine, expresses a particular relation to the social structure of the time. The subject matter of Molière's comedy is thus, in the author's view, not universal human nature but the men and women of the society in which Molière lived. Indeed, Gossman goes on to argue that the development of society after Molière made it difficult, and in the end impossible, for later writers to see the world in the comic light that illuminated Molière's writing. Even in certain of Molière's own works, in fact, the comic vision shades into something close to Romantic irony.

Author : Claude Calame
Publisher : Cornell University Press
Page : 276 pages
File Size : 40,9 Mb
Release : 2005
Category : History
ISBN : 0801438926

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Masks of Authority by Claude Calame Pdf

Exploring a variety of literary texts representing different poetic genres, Claude Calame, an internationally known classicist, draws the lineaments of a real history of the means used by ancient Greek poets to create in their works a fictional authorship. In this collection of essays, he shows that they made of their poems, through various discursive strategies, texts to be performed, with the collective, ritual, and pragmatic values implicit in the ideas of craft and performance. How is it possible to distinguish between the external context and reception of a discursive work and the elaborate poetic effects produced in the text itself by means of language? Clearly, the partly fictional figure of the author "constructed" by the text is not the same as the biographical author. In ancient Greece, moreover, the person of the composer of a poem was often distinct from the person of its performer.Important examples in Masks of Authority include some of the Homeric Hymns, didactic poetry by Hesiod, a bucolic poem of Theocritus, performed poetry by Sappho and mimetic poems by Callimachus, Attic tragedy and comedy in masked performances (Sophocles and Aristophanes), an iconographic inscription, an authoritative scientific discourse by Hippocrates, and an initiatory commentary to an Orphic theogony. The result is a selective history of Greek poetics from the perspective of its authorial devices and social functions, its place between oral and written traditions.

Author : Gbemisola Adeoti
Publisher : Unknown
Page : 0 pages
File Size : 43,9 Mb
Release : 2021
Category : Nigerian drama
ISBN : 9789186894

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One Muse, Many Masks by Gbemisola Adeoti Pdf

Author : Max Silverman
Publisher : Manchester University Press
Page : 206 pages
File Size : 41,5 Mb
Release : 2005
Category : Biography & Autobiography
ISBN : 0719064481

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Frantz Fanon's 'Black Skin, White Masks' by Max Silverman Pdf

"This book will be essential reading for students and researchers in the areas of postcolonial studies, French and Francophone studies, cultural studies, ethnic and racial studies, politics, literature and psychoanalysis, and all those concerned, like Fanon, with the quest for human freedom."--BOOK JACKET.

Author : Christine Matzke,Remi Raji,Geoffrey V. Davis
Publisher : Rodopi
Page : 384 pages
File Size : 48,6 Mb
Release : 2006
Category : Biography & Autobiography
ISBN : 9789042021686

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Of Minstrelsy and Masks by Christine Matzke,Remi Raji,Geoffrey V. Davis Pdf

This collection is dedicated to a distinguished scholar and writer who for a quarter of a century wrote consistently on African literature and the arts and was a major voice in Nigerian literary circles. Ezenwa-Ohaeto made a mark in contemporary Nigerian poetry by committing pidgin to written form and, by so doing, introducing different creative patterns. He also saw himself as a 'minstrel', as someone who wanted to read, express and enact his work before an audience. First and foremost, however, Ezenwa-Ohaeto was someone who 'un-masked' ideas and meanings hidden in the folds of literary works and made them available to an international academic public. With his outstanding work on Chinua Achebe, he influenced the reception of African literary biography. His networks and connections were extensive and wide-ranging, and they are partly reflected in the essays, creative writing and personal notes assembled in this volume. In their various modes and expressions, the contributions included here constitute a tribute to Ezenwa-Ohaeto's many talents and achievements. As an extension of Ezenwa-Ohaeto's legacy, they expand on various aspects of minstrelsy and the un/masking of texts in a Nigerian and broader African context. The book is divided into six sections. "In Memoriam" contains personal tributes by long-standing colleagues, mentors and friends. "Poetry and Fiction" collects the voices of three generations of Nigerian writing from the 1960s to the present day, followed by poetic and pictorial insights into the domestic and social life of the scholar and family man. Section Four comprises two interviews, while Sections Five and Six are devoted to critical evaluations of Ezenwa-Ohaeto's work and to contemporary perspectives on Nigerian literature respectively.

Author : Maureen A. Carr
Publisher : U of Nebraska Press
Page : 402 pages
File Size : 45,5 Mb
Release : 2002-01-01
Category : Music
ISBN : 0803214766

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Multiple Masks by Maureen A. Carr Pdf

In Multiple Masks, Maureen A. Carr studies Igor Stravinsky's creative process for Oedipus Rex, Apollo, Persäphone, and Orpheus through his musical sketches and other documents?scenarios, librettos, correspondence, reviews, and philosophical commentaries, as well as previously uncited sources for Stravinsky's book Poetics of Music. A clear explanation of Stravinsky's compositional techniques within a broad cultural context emerges for each of these four significant works. Carr concludes that Stravinsky used Greek myths as filters for certain poetic ideas and musical techniques that he developed in his earlier works. At the same time the mythological story lines provided him with the objective stance that he was seeking in these neoclassical works.

Author : Olʹga Simonova-Partan
Publisher : Unknown
Page : 0 pages
File Size : 44,8 Mb
Release : 2017
Category : ART
ISBN : 1618115715

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Vagabonding Masks by Olʹga Simonova-Partan Pdf

This book explores how the Italian commedia dell'arte has profoundly affected the Russian artistic imagination for over three hundred years, providing a source of inspiration for leading artists as diverse as Nikolai Gogol, Evgenii Vakhtangov, Vladimir Nabokov and the pop star Alla Pugacheva.

Author : Angela M. Heap
Publisher : Bloomsbury Publishing
Page : 211 pages
File Size : 46,8 Mb
Release : 2019-06-13
Category : History
ISBN : 9781472528094

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Behind the Mask by Angela M. Heap Pdf

This new study of Menander casts fresh light not only on the techniques of the playwright but also on the literary and historical contexts of the plays. Menander (342/1-292/1 BCE) wrote over a hundred popular comedies, several of which were adapted by Plautus and Terence. Through them, he was a major influence on Shakespeare and Molière. However, his work survived only in excerpts and quotation until some significant texts reappeared in the nineteenth and twentieth centuries on papyrus. The mystery of their loss and rediscovery has raised key questions surrounding the transmission of these and other Greek texts. Theatrical masks from the fourth century BCE discovered on the island of Lipari now also provide important material with which this book examines how the plays were originally performed. A detailed investigation of their historical setting is offered which engages with recent debates on the importance of social status and citizenship in Menander's plays. The techniques of characterization are also examined, with particular focus on women, slaves and power relationships in his Epitrepontes. It appears that the audience was invited, sometimes subversively, behind the mask of this sophisticated comedy to discover that people do not always conform to literary expectations and social norms.