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Author : Walter Wilson Greg
Publisher : Ardent Media
Page : 180 pages
File Size : 44,6 Mb
Release : 2024-07-04
Category : Electronic
ISBN : 8210379456XXX
Author : Gerald Eades Bentley
Publisher : Cambridge University Press
Page : 526 pages
File Size : 43,8 Mb
Release : 1967-04-02
Category : Literary Collections
ISBN : 0521054559
The English court masque was one of the most extravagant and spectacular forms of entertainment ever produced, the most important period being between 1600 and 1640 when the writers included some of the best-known poets and dramatists of the age. This volume, first published in 1967, was the first selection of masques to be published in England in the twentieth century. It consists of fourteen masques, each specially edited with an introduction and commentary by a different scholar, including Ben Jonson, James Shirley, Samuel Daniel, Thomas Campion, Francis Beaumont, William Browne, Thomas Middleton, Thomas Nabbes and William Davenant. Professor Gerald Eades Bentley examines the masque as Jonson conceived it and the clash that took place between Jonson and his collaborator as designer, Inigo Jones. There is also a final essay on the influence of the masque on the drama of the period. A group of 48 plates has been prepared many of them reproducing designs by Inigo Jones.
Author : Walter Wilson Greg
Publisher : Ardent Media
Page : 176 pages
File Size : 48,5 Mb
Release : 1982
Category : English drama
ISBN : 8210379456XXX
Author : Roger Savage
Publisher : Boydell & Brewer Ltd
Page : 404 pages
File Size : 49,5 Mb
Release : 2014
Category : Music
ISBN : 9781843839194
Masques, Mayings and Music-Dramas comprises a sequence of in-depth case-studies of significant aspects of early twentieth-century English music-theatre. Vaughan Williams forms a central thread in this discussion, and Stratford-upon-Avon serves as a geographical focus-point for mediating conflicting visions of an English musical tradition. But the reach of the book is much wider, shedding new light on English Wagnerism (at Glastonbury especially) and on the reception of Wagner's ideas as a point of emulation and resistance. No less significant is the discussion of Purcell and the seventeenth-century masque - one of the primary sources for re-imagining an English dramatic tradition - and the more familiar images of the May festival, the Mummers' play and the pageant play, which are tellingly re-contextualised. The book also looks at the associations between Vaughan Williams, the theatre artist Edward Gordon Craig and the impresario Serge Diaghilev. The sequence is framed by the image of the pilgrim-vagabond Vaughan Williams's setting of the poetry of Matthew Arnold and Robert Louis Stevenson as a metaphor and paradigm for his creative career and personal progress. The book not only sheds light on the activities and ambitions of principal agents but also illuminates a particularly dynamic moment in the re-emergence of a distinctively English music-theatrical practice: one especially concerned with calling on aspects of the past to help to secure a worthwhile future. Notions of Englishness turn out to be less insular than sometimes thought and the idea of a 'musical renaissance' more complex when the case-studies are understood in their proper historical context. Scholars and students of twentieth-century English music, theatre and opera will find this volume indispensable. Roger Savage is Honorary Fellow in English Literature at the University of Edinburgh. He has published widely on theatre and its interface with music from the baroque to the twentieth century in leading journals and books.
Author : Ben Jonson
Publisher : Unknown
Page : 466 pages
File Size : 52,5 Mb
Release : 1890
Category : Electronic
ISBN : STANFORD:36105002482219
Author : Patricia Briggs
Publisher : Penguin
Page : 252 pages
File Size : 40,7 Mb
Release : 2010-09-28
Category : Fiction
ISBN : 9781101443590
Experience the fantasy and adventure of #1 New York Times bestselling author Patricia Brigg's first published novel—the thrilling start of the Sianim series... After an upbringing of proper behavior and oppressive expectations, Aralorn fled her noble birthright for a life of adventure as a mercenary spy. But her latest mission involves more peril than she ever imagined. Agents of Sianim have asked her to gather intelligence on the increasingly popular and powerful sorcerer Geoffrey ae'Magi. Soon Aralorn comes to see past the man's striking charisma—and into a soul as corrupt and black as endless night. And few have the will to resist the sinister might of Geoffrey and his minions. So Aralorn, aided by her enigmatic companion, Wolf, join the growing rebellion against the ae'Magi. But in a war against an enemy armed with the powers of illusion, how do you know who the true enemy is—or where he will strike next?
Author : Ben Jonson
Publisher : Unknown
Page : 460 pages
File Size : 52,5 Mb
Release : 1816
Category : Electronic
ISBN : UGA:32108042159452
Author : Ben Jonson,William Gifford
Publisher : Unknown
Page : 468 pages
File Size : 46,5 Mb
Release : 1816
Category : Dramatists, English
ISBN : UCSD:31822008515728
Author : Curtis Craddock
Publisher : Tor Books
Page : 384 pages
File Size : 44,7 Mb
Release : 2017-08-29
Category : Fiction
ISBN : 9780765389619
An Alchemy of Masques and Mirrors is Curtis Craddock's delightful and engrossing fantasy debut featuring a genius heroine and her guardian, a royal musketeer, which Brandon Sanderson calls, "A great read!" Born with a physical disability, no magical talent, and a precocious intellect, Princess Isabelle des Zephyrs has lived her life being underestimated by her family and her kingdom. The only person who appreciates her true self is Jean-Claude, the fatherly musketeer who had guarded her since birth. All shall change, however, when an unlikely marriage proposal is offered, to the second son of a dying king in an empire collapsing into civil war. But the last two women betrothed to this prince were murdered, and a sorcerer-assassin is bent on making Isabelle the third. Isabelle and Jean-Claude plunge into a great maze of prophecy, intrigue, and betrayal, where everyone wears masks of glamour and lies. Step by dangerous step, Isabelle must unravel the lies of her enemies and discovers a truth more perilous than any deception. “A setting fabulous and strange, heroes to cheer for, villains to detest, a twisty, tricky plot — I love this novel!” —Lawrence Watt Evans “A thrilling adventure full of palace intrigue, mysterious ancient mechanisms, and aerial sailing ships!” —David D. Levine At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author : Professor Joanne Rochester
Publisher : Ashgate Publishing, Ltd.
Page : 186 pages
File Size : 51,9 Mb
Release : 2013-04-28
Category : Literary Criticism
ISBN : 9781409475828
The playwrights composing for the London stage between 1580 and 1642 repeatedly staged plays-within and other metatheatrical inserts. Such works present fictionalized spectators as well as performers, providing images of the audience-stage interaction within the theatre. They are as much enactments of the interpretive work of a spectator as of acting, and as such they are a potential source of information about early modern conceptions of audiences, spectatorship and perception. This study examines on-stage spectatorship in three plays by Philip Massinger, head playwright for the King's Men from 1625 to 1640. Each play presents a different form of metatheatrical inset, from the plays-within of The Roman Actor (1626), to the masques-within of The City Madam (1632) to the titular miniature portrait of The Picture (1629), moving thematically from spectator interpretations of dramatic performance, the visual spectacle of the masque to staged 'readings' of static visual art. All three forms present a dramatization of the process of examination, and allow an analysis of Massinger's assumptions about interpretation, perception and spectator response.
Author : Ben Jonson
Publisher : Unknown
Page : 512 pages
File Size : 52,6 Mb
Release : 1966
Category : Electronic
ISBN : UOM:39015030939576
Author : Lauren Shohet
Publisher : Unknown
Page : 314 pages
File Size : 51,5 Mb
Release : 2010-08-19
Category : History
ISBN : UOM:39076002903115
Considering masques from the point of view of reception as well as production, this work illuminates intersections of elite and public culture in 17th century England. Lauren Shohet traces the ways that both courtly and non-courtly masques circulated, and rethinks what it means to "read" a masque.
Author : Laura Estill
Publisher : Rutgers University Press
Page : 268 pages
File Size : 45,7 Mb
Release : 2015-01-21
Category : Literary Criticism
ISBN : 9781644530474
Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts (selections from plays and masques) into their commonplace books, verse miscellanies, diaries, and songbooks. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays is the first to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays. As this under-examined archival evidence shows, play readers and playgoers viewed plays as malleable and modular texts to be altered, appropriated, and, most importantly, used. These records provide information that is not available in other forms about the popularity and importance of early modern plays, the reasons plays appealed to their audiences, and the ideas in plays that most interested audiences. Tracing the course of dramatic extracting from the earliest stages in the 1590s, through the prolific manuscript circulation at the universities, to the closure and reopening of the theatres, Estill gathers these microhistories to create a comprehensive overview of seventeenth-century dramatic extracts and the culture of extracting from plays. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays explores new archival evidence (from John Milton’s signature to unpublished university plays) while also analyzing the popularity of perennial favorites such as Shakespeare’s The Tempest. The study of dramatic extracts is the study of particulars: particular readers, particular manuscripts, particular plays or masques, particular historic moments. As D. F. McKenzie puts it, “different readers [bring] the text to life in different ways.” By providing careful analyses of these rich source texts, this book shows how active play-viewing and play-reading (that is, extracting) ultimately led to changing the plays themselves, both through selecting and manipulating the extracts and positioning the plays in new contexts. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author : Sarah P. Sutherland
Publisher : New York : AMS Press
Page : 176 pages
File Size : 50,7 Mb
Release : 1983
Category : Drama
ISBN : UCAL:B4937475
Author : David Lindley
Publisher : Oxford Drama Library
Page : 344 pages
File Size : 44,9 Mb
Release : 1995
Category : Drama
ISBN : UOM:39015037445668
The masque had a brief but splendid life as the dominant mode of entertainment at the early Stuart court, and it has increasingly come to be recognized as a genre offering a fascinating insight into the culture and politics of the early seventeenth century.This selection of 18 masque for Charles I, performed just before the outbreak of civil war. It also includes examples of entertainments performed on royal progresses, as well as one domestic masque.Court masques were extravagant multi-media happenings, imbued with often arcane allegorical programmes by writers and designers, and frequently commenting on tipical political issues. In this, the most substantial available selection, readers are offered the annotation necessary for understandingthe complexities of the individual texts.Under the General Editorship of Michael Cordner, of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition to the detailed notes there is a scholarly introduction, making this edition invaluable to students ofRenaissance drama and court culture.