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Masterworks of George Enescu by Pascal Bentoiu Pdf
Often considered Romania's greatest musical force and a significant mind of the 20th century, composer George Enescu (1881-1955) achieved international fame and succeeded in incorporating Romanian spirituality into worldwide culture. Masterworks of George Enescu provides a profound and very detailed analysis of more than 25 of this important composer's most representative works. Translated from musicologist Pascal Bentoiu's Romanian publication, Lory Wallfisch presents this vital work for the first time to English-speaking audiences, providing the worldwide public with the tools to understand and enjoy Enescu's music. Bentoiu presents a kind of travel diary through Enescu's creative legacy, offering a comprehensive, well-documented, knowledgeable, and generously illustrated analytical study of the composer's greatest masterpieces. Works such as the Romanian Rhapsodies, the Second Suite for Orchestra, Vox Maris, Impressions d'Enfance, his opera Oedipe, and several sonatas and quartets are carefully examined and admired for their substance and their ability to add dignity to the musical world. The works are presented chronologically, considering their conceptual realization as well as their inception and completion. Illustrated with more than 400 musical examples, this impressive study is a perfect guide toward the thorough enjoyment of Enescu's masterpieces.
Notes for Flutists: A Guide to the Repertoire offers important historical and analytical information about three dozen of the best-known pieces written for the instrument. Its contextual and theoretical insights make it an essential resource for professional, amateur, and student flutists. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and informative analyses to help flutists gain a more complete understanding of J. S. Bach's Sonata in B minor, Reinecke's Undine Sonata, Fauré's Fantaisie, Hindemith's Sonata for Flute and Piano, Copland's Duo for Flute and Piano, and 30 other masterpieces. Offering a faithful and comprehensive guide to understanding the contexts in which the repertoire was composed, Notes for Flutists details in clear, chronological order flute repertoire from Telemann, Mozart, and Enescu to Prokofiev, Poulenc, and Muczynski. Kyle Dzapo includes biographical information on each composer and highlights history's impact on the creation and performance of important works for flute. Intended as a starting point for connecting performance studies with scholarship, Dr. Dzapo's analysis will help flutists gain a more complete picture of a given work. Its valuable insights make it essential to musicians preparing and presenting programs, and its detailed historical information about the work and composer will encourage readers to explore other works in a similarly analytical way. Covering concertos, chamber pieces, and works for solo flute, Kyle Dzapo presents Notes for Flutists, an indispensable handbook for students and professionals alike.
Notes for Violists: A Guide to the Repertoire offers historical and analytical information about thirty-five of the best-known pieces for the instrument, making it an essential resource for professional, amateur, and student violists alike. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and insightful analyses that help violists gain a more complete understanding of pieces like Béla Bartók's Concerto for Viola and Orchestra, Rebecca Clarke's Sonata for Viola and Piano, Robert Schumann's Märchenbilder for Viola and Piano, op. 113, Carl Stamitz's Concerto for Viola and Orchestra in D Major, Igor Stravinsky's Élégie for Viola or Violin Unaccompanied, and thirty other masterpieces. This comprehensive guide to key pieces from the viola repertoire from the eighteenth through the twentieth century covers concertos, chamber pieces, and works for solo viola by a wide range of composers, including Bach, Telemann, Mozart, Hoffmeister, Walton, and Hindemith. Author David M. Bynog not only offers clear structural analyses of these compositions but also situates them in their historical contexts as he highlights crucial biographical information on composers and explores the circumstances of the development and performance of each work. By connecting performance studies with scholarship, this indispensable handbook for students and professionals allows readers to gain a more complete picture of each work and encourages them to approach other compositions in a similarly analytical manner.
These Passing Joys by George B¿jenaru,George Bajenaru Pdf
Omagiu M riei Sale, Cititorul Motto: E vreme de suflet, de ridicat un altar, / E vreme de adunat din istoria ta, pagini de sanctuar; / Ca pas rea care se-ntoarce din departe / La vechiul cuib, cuminte / Vino cu mine înapoi, s facem o carte Din aduceri aminte ( Benone Burtescu Adu- i aminte ). De-a lungul anilor, am primit multe telefoane de la cititori. i tot de la cititori p strez mald re de scrisori. Pe cei mai mul i nu i-am v zut niciodat . Le-am cunoscut îns în elepciunea i frumuse ea lor sufleteasc . Telefoanele i scrisorile primite de la ace ti sensibili consumatori de art , le-am sim it ca pe ni te bucurii trec toare, dar deosebit de stimulatoare, în acele momente ale scrisului meu. Oricât m-a str dui, nu mai pot retr i acele clipe de bucurie, cu intensitatea i ritmul b t ilor inimii mele de atunci. Faptul de a putea împ rt i o parte dintre bucuriile i gândurile transmise pe calea undelor i a scrisorilor, îmi d sentimentul utilit ii i al comuniunii, al continuit ii i al împlinirii unei datorii sacre fa de lumea în care sunt fericit c mai tr iesc. i dac ast zi, mai mult ca oricând, avem nevoie de bucurii, de ce nu am purcede a ne recrea pe noi în ine, cu ideile i bucuriile noastre, r spl tindu-ne unii pre al ii? Exilul a însemnat pentru mine, mai presus de orice, libertatea de a m exprima. Dar aceast libertate nu ar fi fost suficient , dac scrisul meu nu ar fi g sit acel imens suport din partea cititorilor. Pe ei i-am c utat de la început i m-am bucurat când i-am descoperit, în familie, printre prieteni i cunoscu i, printre editorii sensibili care m-au publicat, dar mai ales printre abona ii i cump r torii de ziare, reviste i c r i, sau pur i simplu, printre miile de necunoscu i din lumea cea mare. Scriind toate acestea, nu vreau decât s aduc un omagiu no iunii de cititor, autor sau neautor, în eles deopotriv ca spirit însetat de Adev rul con inut în Lumina Cuno tin ei . Acestor iubitori ai luminii din cuvânt, le datorez cu prisosin rândurile de fa , pe care le voi întrerupe cu subtitluri inspirate din convorbiri i scrisori memorabile. Din Youngstown, Ohio, am primit ni te cuvinte generoase, înso ite de îndemnuri, cu o delicat nuan cre tin : M-am bucurat s primesc aceste c r i de la Dumneavoastr i m-ar bucura mult s tiu c mai scrie i i l sa i muza s vorbeasc . Acum, mai mult ca oricând, to i avem nevoie de hran spiritual . Ferice de cel ales s aduc aceast hran Cu dragoste în Domnul Hristos! Pr. Remus Bleahu . V mul umesc, P rinte! Cuvintele Sfin iei Voastre m inspir i îmi dau putere s ignor propria-mi suferin i s -mi reiau scrisul, acum, dup aproape trei luni de întrerupere. C ci ce ar putea fi mai folositor pentru cei ce m citesc i pentru cei ce scriu, ca i mine, decât s le ofer o parte din bucuria bucuriei mele de a mai tr i? Au trecut mul i ani de când primesc i citesc literatur scris de exila i români de pe diferite meridiane ale planetei. Sunt profund impresionat de talentul multora dintre ace ti autori, ca i de valoarea scrierilor ce le semneaz , multe dintre ele fiind publicate în regie proprie, deci prin eforturi de renun are la priorit i de ordin personal i ignorând riscul de a nu fi recenza i la vreme, de critica literar . Iat de ce mi-am f cut eu însumi o misiune din a aduce, într'un timp cât mai scurt, asemenea autori, în aten ia publicului cititor de aici i din ar . O asemenea lucrare a avut ca efect imediat, o mai mare fluen a scrisorilor ce le-am primit. Insemn rile din aceast carte sunt rezultatul unui proiect mai vechi, cuprinzând idei de interes general, ce ar putea interesa un public mai larg, doritor s cunoasc ceva despre preocup rile spirituale din comunitatea româno-american i di alte comunit i române ti din lume.
Michael Steinberg's highly successful listener's guides--The Symphony and The Concerto--have been universally praised for their blend of captivating biography, crystal clear musical analysis, and delightful humor. Now Steinberg follows these two greatly admired volumes with Choral Masterworks, the only such guide available to this most popular of musical forms. Here are more than fifty illuminating essays on the classic choral masterworks, ranging from Handel's Messiah, Bach's Mass in B Minor, and Beethoven's Missa solemnis, to works by Haydn, Brahms, Mendelssohn, and many others. Steinberg spans the entire history of classical music, from such giants of the Romantic era as Verdi and Berlioz, to leading modern composers such as Elgar, Rachmaninoff, Vaughan Williams, and Stravinsky, to contemporary masters such as John Adams and Charles Wuorinen. For each piece, Steinberg includes a fascinating biographical account of the work's genesis, often spiced with wonderful asides. The author includes an astute musical analysis of each piece, one that casual music lovers can easily appreciate and that more serious fans will find invaluable. The book also provides basic information such as the various movements of the work, the organization of the chorus and orchestra, and brief historical notes on early performances. More than twenty million Americans perform regularly in choirs or choruses. Choral Masterworks will appeal not only to concert goers and CD collectors, but also to this vast multitude of choral performers, an especially engaged and active community. "What sets Steinberg's writing apart is its appealing mixture of impregnable authority (he knows this music) and purely personal asides (by the end of the book, we know this man). Choral Masterworks can be read by anybody, from a professional musician to any young listener newly braced by the stoic pessimism of the Brahms 'German Requiem.'" --Washington Post Book World
Viennese composer Julius Bürger (also named Burger (1897-1995)) intersected with many important figures of 20th century western classical music. Despite success in some of the world's leading opera and broadcasting houses, Burger's true path as a composer was forever altered by the National Socialism. Burger studied with Franz Schreker in Vienna and Berlin. On Bruno Walter's recommendation, Burger later joined Artur Bodanzky as assistant at the Metropolitan Opera in New York. In 1929 he became Otto Klemperer's assistant at Berlin's Kroll Opera, returning to Vienna after Hitler's appointment as Chancellor in 1933. En route to Vienna from London in 1938, Burger and his wife foresaw what lay in store for Austria and detrained in Paris, abandoning their luggage. In 1939 Burger relocated to America and in 1949 he rejoined the staff at the Metropolitan Opera, starting a close working friendship with Dimitri Mitropoulos. His mother and four of his brothers were murdered in the Holocaust. A fifth brother's fate is still unknown.
A Chronology Of Western Classical Music 1600-2000 by Jon Paxman Pdf
“A great reference tool for anyone who wants to explore the history of music.” - Philip Glass Jon Paxman's Classical Music 1600–2000: A Chronology interprets four centuries of Western classical music, considering its evolution from two different perspectives. Monumental in scope but lucid in style, this book will prove invaluable to anyone – student or enthusiast – who wants to comprehend the overwhelmingly rich and sometimes complex evolution of Western classical music. Classical Music 1600–2000: A Chronology features contributions by Terry Barfoot, Katy Hamilton, Thomas Lydon and Robert Rawson.
One of the most admired qualities of Claude Debussy’s music has been its seemingly effortless evocation and assimilation of exotic musical strains. He was the first great European composer to discern the possibilities inherent in the gamelan, the ensemble consisting mainly of tuned percussion instruments that originated in Java. Echoes from the East: The Javanese Gamelan and its Influence on the Music of Claude Debussy argues Debussy's encounter with the gamelan in 1889 at the Paris Exposition Universelle had a far more profound effect on his work and style than can be grasped by simply looking for passages and pieces in his output that sound “Asian" or “like a gamelan." Kiyoshi Tamagawa recounts Debussy’s individual experience with the music of Java and traces its echoes through his entire compositional career. Echoes from the East adds a commentary on the modern-day issue of cultural appropriation and a survey of Debussy’s contemporaries and successors who have also attempted to merge the sounds of the gamelan with their own distinctive musical styles.