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Math Murder in Media Manufactured Madness by Bhaskaran Raman Pdf
For 2.5 years since the declaration of the Covid-19 pandemic, people have felt extreme fear. Reason, rationality, basic math and logic have taken a severe beating. This book documents the math murder in the mad fear largely manufactured by relentless propaganda in the media. It is meant for those who want to reflect on the planet-wide panic surrounding Covid-19, to examine if it was justified, to sift truth from propaganda, to learn how we can possibly prevent such mistakes in the future. It is especially meant for the next generation, who were affected least by the virus itself, yet affected most by the irrational measures in the name of public health. They must know how the adults on the planet abandoned reason for madness, rationality for fear, and basic math for obvious absurdity. Most parts are meant to be understandable with only a secondary-school or high-school mathematics background.
Math Murder in Media Manufactured Madness by Raman Bhaskaran Pdf
For 2.5 years since the declaration of the Covid-19 pandemic, people have felt extreme fear. Reason, rationality, basic math and logic have taken a severe beating. This book documents the math murder in the mad fear largely manufactured by relentless propaganda in the media. It is meant for those who want to reflect on the planet-wide panic surrounding Covid-19, to examine if it was justified, to sift truth from propaganda, to learn how we can possibly prevent such mistakes in the future. It is especially meant for the next generation, who were affected least by the virus itself, yet affected most by the irrational measures in the name of public health. They must know how the adults on the planet abandoned reason for madness, rationality for fear, and basic math for obvious absurdity. Most parts are meant to be understandable with only a secondary-school or high-school mathematics background.
Rethinking Popular Culture and Media by Elizabeth Marshall,Özlem Sensoy Pdf
A provocative collection of articles that begins with the idea that the "popular" in classrooms and in the everyday lives of teachers and students is fundamentally political. This anthology includes articles by elementary and secondary public school teachers, scholars and activists who examine how and what popular toys, books, films, music and other media "teach." The essays offer strong critiques and practical pedagogical strategies for educators at every level to engage with the popular.
In the wrong hands, math can be deadly. Even the simplest numbers can become powerful forces when manipulated by politicians or the media, but in the case of the law, your liberty -- and your life -- can depend on the right calculation. In Math on Trial, mathematicians Leila Schneps and Coralie Colmez describe ten trials spanning from the nineteenth century to today, in which mathematical arguments were used -- and disastrously misused -- as evidence. They tell the stories of Sally Clark, who was accused of murdering her children by a doctor with a faulty sense of calculation; of nineteenth-century tycoon Hetty Green, whose dispute over her aunt's will became a signal case in the forensic use of mathematics; and of the case of Amanda Knox, in which a judge's misunderstanding of probability led him to discount critical evidence -- which might have kept her in jail. Offering a fresh angle on cases from the nineteenth-century Dreyfus affair to the murder trial of Dutch nurse Lucia de Berk, Schneps and Colmez show how the improper application of mathematical concepts can mean the difference between walking free and life in prison. A colorful narrative of mathematical abuse, Math on Trial blends courtroom drama, history, and math to show that legal expertise isn't't always enough to prove a person innocent.
Investigating the way Hollywood scoops up notorious criminals and turns them into legends, this entertaining who's-who guide provides thumbnail sketches of such killers as Ma Barker, Black Beard, Al Capone, John Wesley Hardin, and Charles Starkweather. Noting that some figures are glamorized in popular culture (Jesse James), while others are demonized (Charles Manson), this encyclopedic collection explores the legends' emotional truths as depicted in movies, stories, and songs. Facts of the real cases behind these notorious criminals are also presented, including the landmark rulings that pioneered new approaches to criminal justice.
A Madness Shared by Two, is not only the true untold story about the lives of Sabina and Ursula Eriksson, alongside the murder of Glenn Hollinshead, based on a critique re-examination of the BBC's Madness in the Fast Lane documentary that had 7 million viewers [with a conservative estimate of around a further 15 million people having since watched this film via the internet and on websites such as YouTube], glued to their TV screens watching the twin sisters propelling themselves into the fast lane of the oncoming traffic on the UK's-M6 motorway, as Ursula manages to throw herself under the wheels of a 40ft articulated lorry travelling at 60mph, that seems to swallow her up and spit her lifeless looking body back out of its rear end. It is also the result of a thorough investigation into what might have really happened on those fateful days that led up to this tragic slaying of an innocent man. We challenge the "Official Storyline" and expose a 'cover-up' and what really occurred just hours before M6 dash, for it is here for the first time we expose the Eriksson sisters were "arrested" under the Mental Health Act, though this vital caught on film evidence was edited out of the original BBC films. This will come as a great surprise to many people who questioned; '...how was it possible Sabina could have been released from hospital after only five hours' following their 'suicide attempt' on the M6? We also reveal that the coroner's report shows that the injuries inflicted on Glenn, was done so by 'two' weapons, it's always been believed "Sabina" used one, and that it's highly likely there were more than one person who killed him and that Sabina could be totally innocent. Yet this obvious evidence seems to have been brushed under the carpet, or at the very least, it was never challenged. We explain how these twins were very likely embroiled in some kind of major drugs smuggling ring and that they had been under "Obbo" [police observation] prior to the M6 incident and was probably so for quite some period of time. As a result of our findings, legal action is now being sought and brought against the police and other related authoritative bodies by the Hollinshead family.
The insanity defense is one of the oldest fixtures of the Anglo-American legal tradition. Though it is available to people charged with virtually any crime, and is often employed without controversy, homicide defendants who raise the insanity defense are often viewed by the public and even the legal system as trying to get away with murder. Often it seems that legal result of an insanity defense is unpredictable, and is determined not by the defendants mental state, but by their lawyers and psychologists influence. From the thousands of murder cases in which defendants have claimed insanity, Doctor Ewing has chosen ten of the most influential and widely varied. Some were successful in their insanity plea, while others were rejected. Some of the defendants remain household names years after the fact, like Jack Ruby, while others were never nationally publicized. Regardless of the circumstances, each case considered here was extremely controversial, hotly contested, and relied heavily on lengthy testimony by expert psychologists and psychiatrists. Several of them played a major role in shaping the criminal justice system as we know it today. In this book, Ewing skillfully conveys the psychological and legal drama of each case, while providing important and fresh professional insights. For the legal or psychological professional, as well as the interested reader, Insanity will take you into the minds of some of the most incomprehensible murderers of our age.
How the Light Gets In is the ninth Chief Inspector Gamache Novel from #1 New York Times bestselling author Louise Penny. "There is a crack in everything. That's how the light gets in." —Leonard Cohen Christmas is approaching, and in Québec it's a time of dazzling snowfalls, bright lights, and gatherings with friends in front of blazing hearths. But shadows are falling on the usually festive season for Chief Inspector Armand Gamache. Most of his best agents have left the Homicide Department, his old friend and lieutenant Jean-Guy Beauvoir hasn't spoken to him in months, and hostile forces are lining up against him. When Gamache receives a message from Myrna Landers that a longtime friend has failed to arrive for Christmas in the village of Three Pines, he welcomes the chance to get away from the city. Mystified by Myrna's reluctance to reveal her friend's name, Gamache soon discovers the missing woman was once one of the most famous people not just in North America, but in the world, and now goes unrecognized by virtually everyone except the mad, brilliant poet Ruth Zardo. As events come to a head, Gamache is drawn ever deeper into the world of Three Pines. Increasingly, he is not only investigating the disappearance of Myrna's friend but also seeking a safe place for himself and his still-loyal colleagues. Is there peace to be found even in Three Pines, and at what cost to Gamache and the people he holds dear? One of Publishers Weekly's Best Mystery/Thriller Books of 2013 One of The Washington Post's Top 10 Books of the Year An NPR Best Book of 2013
It is well known that American culture is a dominant force at home and abroad; our exportation of everything from movies to junk food is a well-documented phenomenon. But is it possible America's most troubling impact on the globalizing world has yet to be accounted for? In Crazy Like Us, Ethan Watters reveals that the most devastating consequence of the spread of American culture has not been our golden arches or our bomb craters but our bulldozing of the human psyche itself: We are in the process of homogenizing the way the world goes mad. America has been the world leader in generating new mental health treatments and modern theories of the human psyche. We export our psychopharmaceuticals packaged with the certainty that our biomedical knowledge will relieve the suffering and stigma of mental illness. We categorize disorders, thereby defining mental illness and health, and then parade these seemingly scientific certainties in front of the world. The blowback from these efforts is just now coming to light: It turns out that we have not only been changing the way the world talks about and treats mental illness -- we have been changing the mental illnesses themselves. For millennia, local beliefs in different cultures have shaped the experience of mental illness into endless varieties. Crazy Like Us documents how American interventions have discounted and worked to change those indigenous beliefs, often at a dizzying rate. Over the last decades, mental illnesses popularized in America have been spreading across the globe with the speed of contagious diseases. Watters travels from China to Tanzania to bring home the unsettling conclusion that the virus is us: As we introduce Americanized ways of treating mental illnesses, we are in fact spreading the diseases. In post-tsunami Sri Lanka, Watters reports on the Western trauma counselors who, in their rush to help, inadvertently trampled local expressions of grief, suffering, and healing. In Hong Kong, he retraces the last steps of the teenager whose death sparked an epidemic of the American version of anorexia nervosa. Watters reveals the truth about a multi-million-dollar campaign by one of the world's biggest drug companies to change the Japanese experience of depression -- literally marketing the disease along with the drug. But this book is not just about the damage we've caused in faraway places. Looking at our impact on the psyches of people in other cultures is a gut check, a way of forcing ourselves to take a fresh look at our own beliefs about mental health and healing. When we examine our assumptions from a farther shore, we begin to understand how our own culture constantly shapes and sometimes creates the mental illnesses of our time. By setting aside our role as the world's therapist, we may come to accept that we have as much to learn from other cultures' beliefs about the mind as we have to teach.
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
Author : Noam Chomsky,Edward S. Herman Publisher : South End Press Page : 416 pages File Size : 51,7 Mb Release : 1979 Category : History ISBN : 0896081001
New York Times Bestseller: The “compelling” story of Frances Schreuder, who persuaded her son to kill her multimillionaire father, Franklin Bradshaw (The Washington Post Book World). In August of 1983 Shana Alexander, acclaimed journalist and chronicler of the lives and criminal trials of Jean Harris and Patty Hearst, wrote to New York City ballet patron Frances Schreuder on the eve of her murder trial. Schreuder stood accused of unlawfully causing the death of her father, Franklin Bradshaw, and of soliciting, encouraging, and aiding her prep school–student son in the homicide in the hope of financial gain. Alexander never received a response, but she flew to Salt Lake City and met with Schreuder’s mother, the matriarch of the Mormon dynasty—eighty-year-old Berenice Bradshaw. Nutcracker is the true story of this crime—the twisting four-year police investigation, the derailed cover-up and conspiracy, the dramatic trials. It is also the tale of a family riven by greed and madness. Drawing on interviews with all the major players, Alexander paints a powerful portrait of a psychopathic woman driven by avarice, so depraved that she persuaded her own son to commit grand-patricide. A finalist for the Edgar Award for Best Fact Crime, Nutcracker is “a Chekovian family tragedy [that] builds in intensity around this uniquely twisted woman” (The Washington Post Book World).