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At the end of the war MI5 suspected him of espionage and interrogated him but he did not confess. Nevertheless they kept James, his wife Jean and their young family under close surveillance for a number of years, regularly intercepting their mail and recording their telephone conversations. Only after James's death did the true significance of what he might have revealed become clear: in his wartime office role, James had access to the plans for Operation Overlord, D-Day. In this book, James's son Hamish tells the story of his parents, their interaction with the communist party and their flirtation with wartime espionage. It is a unique portrait of two very ordinary people caught up in the extraordinary events of World War Two and the Cold War.
Notes from the Life of a Total Genius by Stacey Matson Pdf
A new year, a new controversy and another way to make Kennedy mad . . . Arthur A. Bean is back! With Robbie in another city (thank goodness for texting) and Kennedy as his co-editor of the school newspaper, Arthur s final year at Terry Fox Jr. High is off to a rocky start. A chance to produce his own play gives him visions of fame and (finally!) the respect he is sure he deserves, but that s all dashed when the new principal challenges the content of Arthur s play. Never one to take no for an answer, Arthur uses his wit and his own column in the school paper to skewer censorship. He so irks the principal that now the grad dance is in danger of being cancelled much to Kennedy s dismay. In typical fashion, Arthur won t back down, even when Kennedy pleads with him. Torn between the wishes of his fellow students and his own best chance for fame, what will Arthur decide?
Conor McCarthy shows how outlaw literature and espionage literature critique the use of legal exclusion as a means of supporting state power. Texts discussed range from the medieval Robin Hood ballads, Shakespeare's BG plays and the Ned Kelly story to John le Carré, Don DeLillo, Ciaran Carson and William Gibson.
Defending Democracy in an Age of Sharp Power by William J. Dobson,Tarek Masoud,Christopher Walker Pdf
Explores how authoritarian regimes are deploying "sharp power" to undermine democracies from within by weaponizing universities, institutions, media, technology, and entertainment industries. The world's dictators are no longer content with shoring up control over their own populations—they are now exploiting the openness of the free world to spread disinformation, sow discord, and suppress dissent. In Defending Democracy in an Age of Sharp Power, editors William J. Dobson, Tarek Masoud, and Christopher Walker bring together leading analysts to explain how the world's authoritarians are attempting to erode the pillars of democratic societies—and what we can do about it. Popular media, entertainment industries, universities, the tech world, and even critical political institutions are being manipulated by dictators who advance their regimes' interests by weakening democracies from within. Autocrats' use of "sharp power" constitutes one of the gravest threats to liberal, representative government today. The optimistic, early twenty-first-century narrative of how globalization, the spread of the internet, and the rise of social media would lead to liberalization everywhere is now giving way to the realization that these same forces provide inroads to those wishing to snuff out democracy at the source. And while autocrats can do much to wall their societies off from democratic and liberal influences, free societies have not yet fully grasped how they can resist the threat of sharp power while preserving their fundamental openness and freedom. Far from offering a counsel of despair, the international contributors in this collection identify the considerable resources that democracy provides for blunting sharp power's edge. With careful case studies of successful resistance efforts in such countries as Australia, the Czech Republic, and Taiwan, this book offers an urgent message for anyone concerned with the defense of democracy in the twenty-first century. Contributors: Ketty W. Chen, Sarah Cook, William J. Dobson, John Fitzgerald, Martin Hála, Samantha Hoffman, Aynne Kokas, Edward Lucas, Tarek Masoud, Nadège Rolland, Ruslan Stefanov, Glenn Tiffert, Martin Vladimirov, Christopher Walker
Uncle John's Absolutely Absorbing Bathroom Reader by Bathroom Readers' Institute Pdf
It’s one of Uncle John’s most popular editions! More than 500 pages of absolutely absorbing material are at your fingertips. Divided for your convenience into short, medium, and long articles, this book has it all: humor, history, pop culture, politics, wordplay, quotations, blunders, facts, and more. Settle in and read about… * The world’s rarest rock ’n’ roll record * The secret history of the lava lamp * Da Vinci’s unfinished masterpiece * Famous unsolved disappearances * Animals famous for 15 minutes * The world’s luckiest accident * The birth of the T-shirt * Big, bad Barbie * Cereal flops And much, much more!
The postwar era as seen by a master of counterespionage—with an insight into his professional downfall. Guy Liddell was the director of MI5’s counterespionage B Division throughout the Second World War, during which he wrote a confidential personal diary, detailing virtually every important event with intelligence significance. Those recently declassified diaries, which were edited by Nigel West, have now been followed by a postwar series which covers the period from the German surrender until Liddell’s sudden resignation in May 1953. These eight years contain many disturbing secrets, such as the cache of incriminating Nazi documents which was supposed to be destroyed by the SS. When these were recovered intact, the British government went to considerable lengths to keep them from being disclosed, for they provided proof of the Duke of Windsor’s contact, through a Portuguese intermediary, with the enemy during the crucial period in 1940 when the ex-king declared himself ready to fly back from the Bahamas and be restored to the throne. One of Liddell’s first tasks, at the request of Buckingham Palace, was to retrieve and suppress the damaging material. Liddell’s diaries were never intended for publication—and are filled with indiscretions that shed new light on MI5 investigations he supervised after his promotion to deputy director general. In addition to such behind-the-scenes stories, this book includes details about the end of Liddell’s career and the mistakes that led to it. Despite Liddell’s manifest failings, and his reluctance to believe in the disloyalty of men he regarded as friends, he was probably the single most influential British intelligence officer of his era. “[Nigel West’s] information is often so precise that many people believe he is the unofficial historian of the secret services.” —The Sunday Times
The Secret War Against the Arts by Richard Knott Pdf
“Reveals the extent of MI5’s methodical and implacable investigation into the lives of such people as the writer George Orwell.” —UK Historian During the 1930s, the British intelligence agencies became increasingly concerned about Communist influence in the country. They reacted by spying on thousands of ordinary British citizens. Amongst them were many artists and writers who, in tune with “the spirit of the times,” had become sympathetic to left-wing causes, most notably the Spanish Civil War. Telephones were bugged, post opened, homes searched and people encouraged to report suspicious behavior—all reminiscent of the East German Stasi. This book has been written in the light of previously secret files, now available in The National Archives, which indicate the extent of the surveillance and the consequences for those being watched. It focuses on a significant number of writers and artists who were either members of the Communist Party of Great Britain or were suspected of being “fellow travelers.” They include: George Orwell, Stephen Spender, Olivia Manning, Storm Jameson, W.H. Auden, Sylvia Townsend Warner, J.B. Priestley, Doris Lessing, Julian Trevelyan, Randall Swingler, Paul Hogarth, Clive Branson, and James Boswell. The Secret War Against the Arts is a unique account of a dramatic period of modern history, from the outbreak of the Spanish Civil War to the Hungarian uprising in 1956, revealing how MI5 was systematic, unrelenting and uncompromising in its pursuit of artists and writers throughout the period, while failing to see the much more disturbing treachery of others—Anthony Blunt, Guy Burgess and Kim Philby, for example. “A lively and thought-provoking book.” —Penniless Press
Flexner, a biographer and historian and a recipient of prestigious awards including the National Book Award and a Special Pulitzer Prize, chronicles his development as a writer, from his experiences as a journalist to his historical biographies. He reveals his methodology as a biographer, and discusses his work as an advisor to historical sites and as president of PEN and the Society of American Historians, as well as his personal relationships. Contains bandw photos. Annotation copyright by Book News, Inc., Portland, OR
Jude Lyon of MI6 has narrowly foiled the traitor Fowle's plot to level London, but the public are demanding answers. Answers the government doesn't have. As the country reels, a new populist political figure carves a stratospheric trajectory - but is he all he seems? In Moscow the President is furious. The world now knows the destructive power of the programme his people had been developing, and as the Russians scramble to understand how it got into Fowle's hands, they start to worry that perhaps it could be used against them . . . But Jude Lyon has just one question on his mind: Guy Fowle is missing, with nothing left to lose, So what is he planning next? Seething with political machinations, burning with blood-thumping action, and featuring the best returning MI6 operative since James Bond The Survivor brings the espionage novel crashing into the modern day.
Shakespeare, Marlowe, Jonson by J.R. Mulryne,Takashi Kozuka Pdf
A remarkable resurgence of interest has taken place over recent years in a biographical approach to the work of early modern poets and dramatists, in particular to the plays and poems of Shakespeare, Marlowe and Jonson. The contributors to this volume approach the topic in a manner that is at once critically and historically alert. They acknowledge that the biographical evidence for all three authors is limited, thus throwing the emphasis acutely on interpretation. In addition to new scholarship, the essays are valuable for their awareness of the challenges posed by recent redirections of critical methodology. Scepticism and self-criticism are marked features of the writing gathered here.
In Agent of Change Huda Mukbil takes us behind the curtain of a leading spy agency during a fraught time, recounting her experiences as an intelligence officer for the Canadian Security Intelligence Service. Mukbil was the first Black Arab-Canadian Muslim woman to join CSIS and was at the forefront of the fight against terrorism after 9/11. Mukbil’s mastery of four languages quickly made her a counterterrorism expert and a uniquely valuable asset to the organization. But as she worked with colleagues to confront new international threats, she also struggled for acceptance and recognition at the agency. Following the American-led invasion of Iraq in 2003 and the rise of homegrown extremism, Mukbil was framed as an inside threat. Determined to prove her loyalty, while equally concerned about the surveillance and profiling of Muslims and revelations of Western agencies’ torture and torture by proxy, Mukbil started to question CSIS’s fluctuating ethical stance in relation to its mandate. Her stellar work on a secondment to MI5, the British Security Service, earned commendation; this shielded her, but only temporarily, from the hostile workplace culture at CSIS. Ultimately, Mukbil and a group of colleagues went public about the pervasive institutional discrimination undermining CSIS and national security from within. Mukbil’s expertise in international security and her commitment to workplace transparency drove important changes at CSIS. Dazzlingly written, her account is an eye-opener for anyone wanting to understand how racism, misogyny, and Islamophobia undermine not only individuals, but institutions and the national interest – and how addressing this openly can tackle populism and misinformation.
A gripping history of the Security Service and its covert surveillance on British writers and intellectuals in the twentieth century. In the popular imagination MI5, or the Security Service, is know chiefly as the branch of the British state responsible for chasing down those who pose a threat to the country's national security--from Nazi fifth columnists during the Second World War, to Soviet spies during the Cold War and today's domestic extremists. Yet, aided by the release of official documents to the National Archives, David Caute argues in this radical and revelatory history of the Security Service in the twentieth century, suspicion often fell on those who posed no threat to national security. Instead, this 'other history' of MI5, ignored in official accounts, was often as not fuelled by the political prejudices of MI5's personnel, and involved a huge programme of surveillance against anyone who dared question the status quo. Caute, a prominent historian and expert on the history of the Cold War, tells the story of the massive state operation to track the activities of a range of journalists, academics, scientists, filmmakers, writers and others who, during the twentieth century, the Security Service perceived as a threat to the national interest. Those who were tracked include such prominent figures as Kingsley Amis, George Orwell, Doris Lessing, John Berger, Benjamin Britten, Eric Hobsbawm, Michael Foot, Harriet Harman, and others.
Recounts the decade since the September 11, 2001 terrorist attacks through the author's interviews with presidents, warlords, spies, global terrorists, and widows.
Randall Swingler (1909–67) was arguably the most significant and the best-known radical English poet of his generation. A widely published poet, playwright, novelist, editor and critic, his work was set to music by almost all the major British composers of his time. This new biography draws on extensive sources, including the security services files, to present the most detailed account yet of this influential poet, lyricist and activist. A literary entrepreneur, Swingler was founder of radical paperback publishing company Fore Publications, editor of Left Review and Our Time and literary editor of the Daily Worker; later becoming a staff reporter, until the paper was banned in 1941. In the 1930s, he contributed several plays for Unity Theatre, including the Mass Declamation Spain, the Munich play Crisis and the revues Sandbag Follies and Get Cracking. In 1936, MI5 opened a 20-year-long file on him prompted by a song he co-wrote with Alan Bush for a concert organised to mark the arrival of the 1934 Hunger March into London. During the Second World War, Swingler served in North Africa and Italy and was awarded the Military Medal for his part in the battle of Lake Comacchio. His collections The Years of Anger (1946) and The God in the Cave (1950) contain arguably some of the greatest poems of the Italian campaign. After the war, Swingler was blacklisted by the BBC. Orwell attacked him in Polemic and included him in the list of names he offered the security services in 1949. Stephen Spender vilified him in The God That Failed. The book will challenge the Cold War assumptions that have excluded Swingler’s life and work from standard histories of the period and should be of great interest to activists, scholars and those with an interest in the history of the literary and radical left.
