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Max Gordon by Jacob Kornhauser,Dylan Kornhauser Pdf
A left-handed batter in the NCAA's Division 1, Max Gordon still had a lot to live for, provided he would live at all. Facing a devastating loss--the death of his brother, Nick--and a life-threatening physical injury, he went on a transformative personal journey that united his family through the most difficult time they had ever faced. In this intimate narrative about the healing power of sports, a family is made whole again through the determination of a son who proves that in life as in baseball, no matter the score, as long as you have one more at bat, you're still in the game. The authors tell the story from the perspective of having shared relationships with the Gordon brothers.
Max Gordon by Jacob Kornhauser,Dylan Kornhauser Pdf
A left-handed batter in the NCAA's Division 1, Max Gordon still had a lot to live for, provided he would live at all. Facing a devastating loss--the death of his brother, Nick--and a life-threatening physical injury, he went on a transformative personal journey that united his family through the most difficult time they had ever faced. In this intimate narrative about the healing power of sports, a family is made whole again through the determination of a son who proves that in life as in baseball, no matter the score, as long as you have one more at bat, you're still in the game. The authors tell the story from the perspective of having shared relationships with the Gordon brothers.
Whether creating enormous exhibition spaces or designing living quarters for collectors and homes and studio facilities for artists, the acclaimed architect Max Gordon (1931-1990) shaped the physical settings of art in the world's major metropolises during his influential career. Following several decades of work with leading architectural firms in New York and London (during which he designed the headquarters of New Scotland Yard), in the early 1980s Gordon designed the first Saatchi Gallery in London, and went on to become celebrated and sought after as the art world's architect of choice, designing spaces for artists Elizabeth Murray, Jennifer Bartlett, Richard Serra and Joel Shapiro, and gallerists Paula Cooper, Brooke Alexander, Maeght-Lelong and Lorence-Monk in New York and Anthony d'Offay and Annely Juda in London. This first monograph offers a detailed overview of Gordon's projects for the art world, from the 100,000-square-foot exhibition space he designed for the Museo Nacional Centro de Arte Reina Sofia in Madrid to the SoHo home he remodeled for Richard Serra, demonstrating throughout his elegant use of light, space and minimal decoration, and displaying his gift for always highlighting the art.
Communists in Harlem During the Depression by Mark Naison Pdf
No socialist organization has ever had a more profound effect on black life than the Communist Party did in Harlem during the Depression. Mark Naison describes how the party won the early endorsement of such people as Adam Clayton Powell Jr. and how its support of racial equality and integration impressed black intellectuals, including Richard Wright, Langston Hughes, and Paul Robeson.This meticulously researched work, largely based on primary materials and interviews with leading black Communists from the 1930s, is the first to fully explore this provocative encounter between whites and blacks. It provides a detailed look at an exciting period of reform, as well as an intimate portrait of Harlem in the 1920s and 30s, at the high point of its influence and pride.Mark Naison is professor of African American studies and history at Fordham University. He is the author of White Boy: A Memoir and co-author of The Tenant Movement in New York City, 1940_1984.
Ultimately, the book provides a deeper view of 1950s America, not simply as the black-and-white precursor to the Technicolor flamboyance of the sixties but as a rich period of artistic expression and identity formation that blended cultural production and politics.
When Groucho Marx was well into his eighties, Charlotte Chandler approached him about writing a profile of him for a magazine. Groucho invited Charlotte to meet and that meeting grew into a friendship that lasted until Groucho's death in August 1977. Groucho was surrounded by a group of friends - some old timers like George Burns and Jack Benny - some younger comedians, like Woody Allen, who revered Groucho. Charlotte was present for most of these meetings and these conversations form the basis of HELLO, I MUST BE GOING. Some are hilarious, some are poignant, all of them are fascinating. If you ever wondered what it was like to spend some time with Groucho Marx, one of the wittiest men ever, this is your book.
A man fights to protect his family in this postapocalyptic survival novel—the first in the New World series. Young Gordon Van Zandt valued duty and loyalty to country above all, so after 9/11, he dropped out of college and joined the Marine Corps. This idealism vanished one fateful day in a war-torn city in Iraq. Ten years later, he is still struggling with the ghosts of his past when a new reality is thrust upon him and his family: North America, Europe and the Far East have all suffered a devastating Super-EMP attack, which causes catastrophic damage to the nation’s power grid and essential infrastructures. Everything from cell phones to cars to computers cease to function, putting society at a standstill. With civilization in chaos, Gordon must fight for the limited and fast dwindling resources. He knows survival requires action and cooperation with his neighbors, but as the days wear on, so does all sense of civility within his community—and so he must make some of the most difficult decisions of his life in order to ensure his family’s safety.
Eugene O'Neill Remembered by Brenda Murphy,George Monteiro Pdf
Eugene O'Neill Remembered is a collection of reminiscences by O'Neill's contemporaries, friends, and family that illuminate the life of one of America's most significant playwrights.
Author : American Film Institute Publisher : Univ of California Press Page : 1198 pages File Size : 53,5 Mb Release : 1993 Category : Motion pictures ISBN : 0520079086
The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films by American Film Institute Pdf
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
"Jack Kerouac is Dead to Me is an absolutely real, raw and emotional read, and it's a book that touched my heart with every page." - Katie McGarry, critically acclaimed author of Only a Breath Apart Fifteen-year-old JL Markham’s life used to be filled with carnival nights and hot summer days spent giggling with her forever best friend Aubrey about their families and boys. Together, they were unstoppable. But they aren’t the friends they once were. With JL’s father gone on long term business, and her mother struggling with her mental illness, JL takes solace in the tropical butterflies she raises, and in her new, older boyfriend, Max Gordon. Max may be rough on the outside, but he has the soul of a poet (something Aubrey will never understand). Only, Max is about to graduate, and he's going to hit the road - with or without JL. JL can't bear being left behind again. But what if devoting herself to Max not only means betraying her parents, but permanently losing the love of her best friend? What becomes of loyalty, when no one is loyal to you? Gae Polisner’s Jack Kerouac is Dead to Me is a story about the fragility of female friendship, of falling in love and wondering if you are ready for more, and of the glimmers of hope we find by taking stock in ourselves.
A NEW YORK TIMES NOTABLE BOOK “Her technique was simple: aim for the top,” an envious colleague wrote of Clare Boothe Luce. No American woman of the twentieth century aimed so accurately, or rose so far, as this legendary playwright, politician, and social seductress. Born in New York’s Spanish Harlem, with nothing to recommend her but beauty, ferocious intelligence, and dry wit, she transformed herself into the youthful managing editor of Vanity Fair. She married two millionaires and wrote three Broadway hits, including the biting satire, The Women. Her second husband, Henry Luce—the publisher of Time, Fortune, and later at her suggestion Life—was only one of the dozens of men she entranced. Adding politics and power to journalism and drama, Clare used sex, street smarts, acid humor, and money to plot a career more improbable than anything in her own fiction. Not content with mere wealth and the acclaim of transatlantic café society, Clare Boothe Luce confessed to a “rage for fame.” This extraordinary book—the result of more than fifteen years of research by Sylvia Jukes Morris, her chosen biographer—tells how she achieved it. Praise for Rage for Fame “A model biography . . . the sort that only real writers can write.”—Gore Vidal, The New Yorker “[The] riveting first part of a two-volume biography . . . Relentlessly candid, meticulously documented, Morris’s book traces [Clare Boothe] Luce’s rocketing rise from illegitimacy and poverty to wealth, power and fame.”—Hartford Courant “Powerful and resonant, admiring at times, always critical, at times searing, but ultimately fair.”—The Philadelphia Inquirer “Crammed with enough drama for several mini-series.”—The New York Times “An important book about an important figure . . . a stunning feat of biography.”—Forbes “A dishy biography that is also a formidable work of research.”—Slate “One of those rare books where the reader dreads the final page.”—Newport News Daily Press
In this deeply emotional memoir, a longtime ESPN writer reflects on the suicide of his son Max and delves into how their complicated relationship led him to see grief as love. In February 2015, Ivan Maisel received a call that would alter his life forever: his son Max's car had been found abandoned in a parking next to Lake Ontario. Two months later, Max's body would be found in the lake. There’d been no note or obvious indication that Max wanted to harm himself; he’d signed up for a year-long subscription to a dating service; he’d spent the day he disappeared doing photography work for school. And this uncertainty became part of his father’s grief. I Keep Trying to Catch His Eye explores with grace, depth, and refinement the tragically transformative reality of losing a child. But it also tells the deeply human and deeply empathetic story of a father’s relationship with his son, of its complications, and of Max and Ivan’s struggle—as is the case for so many parents and their children—to connect. I Keep Trying to Catch His Eye is a stunning, poignant exploration of the father and son relationship, of how our tendency to overlook men’s mental health can have devastating consequences, and how ultimately letting those who grieve do so openly and freely can lead to greater healing.