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A member of one of the most distinguished and honored families in Iraq, Mayada grew up surrounded by wealth and royalty. But when Saddam Hussein’s regime took power, she was thrown into cell 52 in the infamous Baladiyat prison with seventeen other nameless, faceless women from all walks of life. To ease their suffering, these “shadow women” passed each day by sharing their life stories. Now, through Jean Sasson, Mayada is finally able to tell her story—and theirs—to the world.
"Mayada Al-Askari was born into a powerful Iraqi family. One grandfather fought alongside Lawrence of Arabia, the other is acclaimed as the first Arab nationalist. Her uncle was Prime Minister for nearly forty years, her mother an important politician. When Saddam Hussein and his Ba'ath Party seized power, and instituted his reign of terror, Mayada found herself alone in Baghdad, a divorced parent of two children, earning a meagre living printing brochures. Until one morning in August 1999 she was summarily arrested and dragged to the notorious Baladiyat Prison, falsely accused of printing anti-government propaganda. There she was thrown into a stinking cell already housing seventeen other 'shadow women'. Like latter-day Schehrazades, these women passed their days, while waiting for the next interrogation and torture session, telling each other their stories. They were eager to hear Mayada's stories of her privileged former life, of the history of her proud family, of kings and queens, of meetings with Saddam himself. Not only the story of a woman intimately connected to Iraq's cultured, ancient history, this book is a powerful witness to the terror and horror wrought by Saddam
A member of one of the most distinguished and honored families in Iraq, Mayada grew up surrounded by wealth and royalty. But when Saddam Hussein's regime took power, she was thrown into cell 52 in the infamous Baladiyat prison with seventeen other nameless, faceless women from all walks of life. To ease their suffering, these shadow women passed each day by sharing their life stories. Now, through Jean Sasson, Mayada is finally able to tell her story - and theirs - to the world.
Pays attention to the fate of the oppressed Kurdish people of Iraq, recreating their plight through the eyes of Jawan, a beautiful young woman married to a Kurdish freedom fighter.
Azar Nafisi’s Reading Lolita in Tehran,Marjane Satrapi’s comics, and “Baghdad Blogger” Salam Pax’s Internet diary are just a few examples of the new face of autobiography in an age of migration, globalization, and terror. But while autobiography and other genres of life writing can help us attend to people whose experiences are frequently unseen and unheard, life narratives can also be easily co-opted into propaganda. In Soft Weapons, Gillian Whitlock explores the dynamism and ubiquity of contemporary life writing about the Middle East and shows how these works have been packaged, promoted, and enlisted in Western controversies. Considering recent autoethnographies of Afghan women, refugee testimony from Middle Eastern war zones, Jean Sasson’s bestsellers about the lives of Arab women, Norma Khouri’s fraudulent memoir Honor Lost, personal accounts by journalists reporting the war in Iraq, Satrapi’s Persepolis, Nafisi’s book, and Pax’s blog, Whitlock explores the contradictions and ambiguities in the rapid commodification of life memoirs. Drawing from the fields of literary and cultural studies, Soft Weapons will be essential reading for scholars of life writing and those interested in the exchange of literary culture between Islam and the West.
Amazing personal accounts that tell the inside story of what America has been doing in Iraq. It seems the daily headlines are always negative; in this book the stories are filled with sacrifices, courage and charity. Over 50 people contributed to bring a diverse view on what America is really doing in Iraq.
The war in Iraq has put the condition of Iraqi women firmly on the global agenda. For years, their lives have been framed by state oppression, economic sanctions and three wars. Now they must play a seminal role in reshaping their country's future for the twenty-first century. Nadje Al-Ali challenges the myths and misconceptions which have dominated debates about Iraqi women, bringing a much needed gender perspective to bear on the central political issue of our time. Based on life stories and oral histories of Iraqi women, she traces the history of Iraq from post-colonial independence, to the emergence of a women's movement in the 1950s, Saddam Hussein's early policy of state feminism to the turn towards greater social conservatism triggered by war and sanctions. Yet, the book also shows that, far from being passive victims, Iraqi women have been, and continue to be, key social and political actors. Following the invasion, Al-Ali analyses the impact of occupation and Islamist movements on women's lives and argues that US-led calls for liberation has led to a greater backlash against Iraqi women.
Since the early 1990s, Iraq (and its former dictator, Saddam Hussein) has been a fixture in Western media. However, few American adults know or understand the rich cultural history or the political forces that have shaped modern Iraq. As the future of Iraq is now being written, a clear understanding of the country's history is crucial in our new global environment. Through ten narrative chapters, Hunt delves into the rich history of this land from the earliest settlements in Mesopotamia, the introduction of the Muslim faith, and the conquest of Baghdad by the Ottomans in 1534 to the institution and eventual overthrow of British control and the rise of the Ba'athist party to Saddam Hussein's reign as president. Ideal for students and general readers, the History of Iraq is part of Greenwood's Histories of Modern Nations series.
The Politics of Intelligence and American Wars with Iraq by O. Seliktar Pdf
Coming at the heels of September 11, Operation Iraqi Freedom has focused the limelight on the way in which the United States predicts and manages political change. The failure to find WMD and more important, the continued violence in Iraq instead of the hoped for democracy, has engender an acrimonious debate on the motives of the Bush administration and its uses or misuses of intelligence. The question of who got what right or wrong has been fought out along ideological, and partisan lines, with supporters claiming that, given what was known about Saddam Hussein, the decision to change his regime was justified and detractors arguing that a group of largely Jewish neoconservatives, acting on behalf of Israel, manipulated intelligence in order to trick the United States into an unnecessary and costly war. The book provides a systematic and objective analysis of the problems that faced American intelligence in deciphering the behavior of the highly secretive and confusing Iraq regime and its enigmatic leader.
Ambientado no Oriente Médio, o novo livro de Jean P. Sasson - autora da trilogia 'Princesa', 'As filhas da Princesa' e 'Princesa Sultana' - 'Mayada - Filha do Iraque', relata a história real de Mayada Al-Askari. Apesar de pertencer a uma influente família iraquiana, ela foi presa e torturada pela polícia secreta de Saddam Hussein sob a falsa acusação de imprimir propaganda contra o governo em sua gráfica.
In a land where Kings still rule, I am a Princess. You must know me only as Sultana, for I cannot reveal my true name for fear that harm will come to me and my family for what I am about to tell you. Think of a Saudi Arabian princess and what do you see? A woman glittering with jewels, living a life of unbelievable luxury. She has gold, palaces, swimming-pools, servants, designer dresses galore. But in reality she lives in a gilded cage. She has no freedom, no vote, no control over her own life, no value but as a bearer of sons. Hidden behind the veil, she is a prisoner, her jailers her father, her husband, her sons. 'Sultana' is a member of the Saudi royal family, closely related to the King. For the sake of her daughters, she decided that it was time for a woman in her position to speak out about the reality of life for women in her country, whatever their rank. She tells of her own life, from her turbulent childhood to her arranged marriage - a happy one, until her husband decided to take a second wife - and of the lives of her sisters, her friends and her servants. In contrast to the affection and easy camaraderie amongst the women, she relates a history of appalling oppression against them, everyday occurrences that in any other culture would be seen as shocking human rights violations: forced marriages, servants bullied into sex slavery, summary executions. Princess is a testimony to a woman of indomitable spirit and great courage. By speaking out, 'Sultana' risked bringing the wrath of the Saudi establishment upon her head and upon the heads of her children. For this reason, she told her story anonymously.
In Princess, readers were shocked by Sultana's revelations about life in Saudi Arabia's royal family. Royal women live as virtual prisoners, surrounded by unimaginable wealth and luxury, privileged beyond belief, and yet subject to every whim of their husbands, fathers, and even their sons. Daughters of Arabia featured Sultana's teenage daughters, determined to rebel but in very different ways. And now, in Desert Royal, Sultana's fight for women's rights in a repressive, fundamentalist Islamic society, has an extra sense of urgency. The threat of world terrorism, the gathering strength of religious leaders and the discontent of impoverished Saudis are threatening to topple the comfortable world Sultana has known. But an extended family 'camping' trip in the desert brings Sultana and her relatives face to face with their nomadic roots, and nourishes her will to carry on the fight for women's rights in all Muslim countries. This updated edition contains an all-new chapter as well as a letter from Sultana herself, encouraging all women to take up the struggle for freedom for their abused sisters throughout the world.
Handbook of Research on Artificial Intelligence Applications in Literary Works and Social Media by Keikhosrokiani, Pantea,Pourya Asl, Moussa Pdf
Artificial intelligence has been utilized in a diverse range of industries as more people and businesses discover its many uses and applications. A current field of study that requires more attention, as there is much opportunity for improvement, is the use of artificial intelligence within literary works and social media analysis. The Handbook of Research on Artificial Intelligence Applications in Literary Works and Social Media presents contemporary developments in the adoption of artificial intelligence in textual analysis of literary works and social media and introduces current approaches, techniques, and practices in data science that are implemented to scrap and analyze text data. This book initiates a new multidisciplinary field that is the combination of artificial intelligence, data science, social science, literature, and social media study. Covering key topics such as opinion mining, sentiment analysis, and machine learning, this reference work is ideal for computer scientists, industry professionals, researchers, scholars, practitioners, academicians, instructors, and students.
"This is the face of war as only those who have fought it can describe it."–Senator John McCain Fallujah: Iraq’s most dangerous city unexpectedly emerged as the major battleground of the Iraqi insurgency. For twenty months, one American battalion after another tried to quell the violence, culminating in a bloody, full-scale assault. Victory came at a terrible price: 151 Americans and thousands of Iraqis were left dead. The epic battle for Fallujah revealed the startling connections between policy and combat that are a part of the new reality of war. The Marines had planned to slip into Fallujah “as soft as fog.” But after four American contractors were brutally murdered, President Bush ordered an attack on the city–against the advice of the Marines. The assault sparked a political firestorm, and the Marines were forced to withdraw amid controversy and confusion–only to be ordered a second time to take a city that had become an inferno of hate and the lair of the archterrorist al-Zarqawi. Based on months spent with the battalions in Fallujah and hundreds of interviews at every level–senior policymakers, negotiators, generals, and soldiers and Marines on the front lines–No True Glory is a testament to the bravery of the American soldier and a cautionary tale about the complex–and often costly–interconnected roles of policy, politics, and battle in the twenty-first century.
