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Author : Juliette R. Stapanian
Publisher : Unknown
Page : 248 pages
File Size : 45,6 Mb
Release : 1986
Category : Cubism
ISBN : UCSC:32106008326354
Author : Anonim
Publisher : Routledge
Page : 736 pages
File Size : 45,5 Mb
Release : 2013-05-13
Category : Music
ISBN : 9781136806193
A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
Author : Günter Berghaus,Oleh S. Ilnytzkyj,Gabriella Elina Imposti,Christina Lodder
Publisher : Walter de Gruyter GmbH & Co KG
Page : 592 pages
File Size : 43,6 Mb
Release : 2019-12-16
Category : Literary Criticism
ISBN : 9783110646238
The ninth volume of the International Yearbook of Futurism Studies is dedicated to Russian Futurism and gathers ten studies that investigate the impact of F.T. Marinetti’s visit to Russia in 1914; the neglected region of the Russian Far East; the artist and writers Velimir Khlebnikov, Vasily Kamensky, Maria Siniakova and Vladimir Mayakovsky; the artistic media of advertising, graphic arts, cinema and artists’ books.
Author : Tim Harte
Publisher : Univ of Wisconsin Press
Page : 341 pages
File Size : 49,8 Mb
Release : 2009-11-24
Category : Literary Criticism
ISBN : 9780299233235
Life in the modernist era not only moved, it sped. As automobiles, airplanes, and high-speed industrial machinery proliferated at the turn of the twentieth century, a fascination with speed influenced artists—from Moscow to Manhattan—working in a variety of media. Russian avant-garde literary, visual, and cinematic artists were among those striving to elevate the ordinary physical concept of speed into a source of inspiration and generate new possibilities for everyday existence. Although modernism arrived somewhat late in Russia, the increased tempo of life at the start of the twentieth century provided Russia’s avant-garde artists with an infusion of creative dynamism and crucial momentum for revolutionary experimentation. In Fast Forward Tim Harte presents a detailed examination of the images and concepts of speed that permeated Russian modernist poetry, visual arts, and cinema. His study illustrates how a wide variety of experimental artistic tendencies of the day—such as “rayism” in poetry and painting, the effort to create a “transrational” language (zaum’) in verse, and movements seemingly as divergent as neo-primitivism and constructivism—all relied on notions of speed or dynamism to create at least part of their effects. Fast Forward reveals how the Russian avant-garde’s race to establish a new artistic and social reality over a twenty-year span reflected an ambitious metaphysical vision that corresponded closely to the nation’s rapidly changing social parameters. The embrace of speed after the 1917 Revolution, however, paradoxically hastened the movement’s demise. By the late 1920s, under a variety of historical pressures, avant-garde artistic forms morphed into those more compatible with the political agenda of the Russian state. Experimentation became politically suspect and abstractionism gave way to orthodox realism, ultimately ushering in the socialist realism and aesthetic conformism of the Stalin years.
Author : Catriona Kelly,Stephen Lovell
Publisher : Cambridge University Press
Page : 340 pages
File Size : 44,8 Mb
Release : 2000-03-09
Category : Literary Criticism
ISBN : 0521661919
In the Russian modernist era, literature threw itself open to influences from other art forms, most particularly the visual arts. Collaborations between writers, artists, designers, and theatre and cinema directors took place more intensively and productively than ever before or since. Equally striking was the incursion of spatial and visual motifs and structures into verbal texts. Verbal and visual principles of creation joined forces in an attempt to transform and surpass life through art. Yet willed transcendence of the boundaries between art forms gave rise to confrontation and creative tension as well as to harmonious co-operation. This collection of essays by leading British, American and Russian scholars, first published in 2000, draws on a rich variety of material - from Dostoevskii to Siniavskii, from writers' doodles to cabarets, from well-known modernists such as Akhmatova, Malevich, Platonov and Olesha to less well-known figures - to demonstrate the creative power and dynamism of Russian culture 'on the boundaries'.
Author : Anna M. Lawton,Herbert Eagle
Publisher : New Academia Publishing, LLC
Page : 376 pages
File Size : 54,5 Mb
Release : 2005
Category : Literary Criticism
ISBN : 0974493473
In her extensive Introduction, Lawton has highlighted the historical development of the movement and has related futurism both to the Russian national scene and to avant-garde movements worldwide.
Author : N. A. Gurʹi︠a︡nova,Nina Gurianova
Publisher : Routledge
Page : 258 pages
File Size : 44,8 Mb
Release : 2000
Category : Artists
ISBN : 9789057011924
This is an examination of the paintings, books, poetry and theoretical work of Russian avant-garde artist, Olga Rozanova. The text assesses Rozanova's life and work, aiming to recreate the spirit of the counterculture milieu that contributed to the transformation of 20th-century art.
Author : Neil Cornwell
Publisher : Routledge
Page : 1020 pages
File Size : 52,7 Mb
Release : 2013-12-02
Category : Literary Criticism
ISBN : 9781134260775
First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
Author : Vahan D. Barooshian
Publisher : Walter de Gruyter
Page : 176 pages
File Size : 51,7 Mb
Release : 2012-02-13
Category : Literary Criticism
ISBN : 9783110872194
Author : Nina Gourianova
Publisher : Univ of California Press
Page : 356 pages
File Size : 43,6 Mb
Release : 2012-03-06
Category : Art
ISBN : 9780520268760
"In this meticulously-researched, in-depth examination of anarchism and modernism, Gurianova provides a new and compelling interpretation of the early Russian avant-garde. Her study has major implications for our understanding of some of the twentieth century’s most important modernists and is an important contribution to the history and theory of radical political thought."— Allan Antliff, author of Anarchist Modernism: Art, Politics, and the First American Avant-Garde. “Gurianova is the first scholar to study the early Russian avant-garde not as a precursor to the Constructivism of the 1920s, but as a distinctive movement in its own right. In this important book, she identifies an “aesthetics of anarchy” that characterized the movement’s politics and poetics—a concept with provocative implications for our understanding of the relationship between word and image. This is a work of original and compelling scholarship that will profoundly alter our understanding of the Russian avant-garde.”— Nancy Perloff, Getty Research Institute (Los Angeles), curator of the exhibit Tango with Cows: Book Art of the Russian Avant-Garde (1910-1917).
Author : Kris Manjapra
Publisher : Taylor & Francis
Page : 211 pages
File Size : 53,5 Mb
Release : 2020-11-29
Category : History
ISBN : 9781000083644
This is a work of South Asian intellectual history written from a transnational perspective and based on the life and work of M.N. Roy, one of India’s most formidable Marxist intellectuals. Swadeshi revolutionary, co-founder of the Mexican Communist Party, member of the Communist International Presidium, and a major force in the rise of Indian communism, M.N. Roy was a colonial cosmopolitan icon of the interwar years. Exploring the intellectual production of this important thinker, this book traces the historical context of his ideas from 19th-century Bengal to Weimar Germany, through the tumultuous period of world politics in the 1930s and 1940s, and on to post-Independence India. In this book the author makes a number of valuable theoretical contributions. He argues for the importance of conceiving the ‘deterritorial’ zones of thought and action through which Indian anti-colonial political thought operated, and advances a new periodisation for Swadeshi on this basis. He also argues against viewing ‘international communism’ of the 1920s as a single monolith by highlighting the fractures and contestations that influenced colonial politics worldwide. A fresh and insightful perspective on the history of India in the interwar years, this book will be of great interest to scholars and students of the modern history of South and East Asia, America and Europe, and to those interested in anti-colonial struggles, Communist politics and trajectories of Marxist thought in the 20th century.
Author : Ari Ofengenden
Publisher : Walter de Gruyter GmbH & Co KG
Page : 234 pages
File Size : 43,8 Mb
Release : 2015-03-10
Category : Poetry
ISBN : 9783110350722
The poet Abraham Shlonsky (1900–1973) can be regarded as the main architect of Jewish Modernism and Hebrew secular culture. In his crucial contribution, Ari Ofengenden disentangles Shlonsky’s work from Zionist readings and shows how his poetics redeem experiences of radical political displacement, exile and alienation through the use of a precise, chiseled yet playfully enigmatic style. Writing on immigrants, refugees and urban outcasts following the traumatic events of the First World War and the Civil War in Russia, his poetry constitutes a fusion of Modernist European poetry with biblical and rabbinic sources with the influences of Georg Trakl and Rimbaud. The book situates Shlonsky’s poetry in the context of his “rebellion” against the romantic poetry of C.N. Bialik and as an active participant in the European styles of Symbolism and Expressionism. The book is indispensable for understanding Modern Hebrew and Jewish culture, and more generally as an exemplar of today's more prevalent hybridizations of tradition and modernity.
Author : Iva Glisic
Publisher : Cornell University Press
Page : 330 pages
File Size : 44,5 Mb
Release : 2018-10-26
Category : History
ISBN : 9781609092450
Futurism was Russia's first avant-garde movement. Gatecrashing the Russian public sphere in the early twentieth century, the movement called for the destruction of everything old, so that the past could not hinder the creation of a new, modern society. Over the next two decades, the protagonists of Russian Futurism pursued their goal of modernizing human experience through radical art. The success of this mission has long been the subject of scholarly debate. Critics have often characterized Russian Futurism as an expression of utopian daydreaming by young artists who were unrealistic in their visions of Soviet society and naïve in their comprehension of the Bolshevik political agenda. By tracing the political and ideological evolution of Russian Futurism between 1905 and 1930, Iva Glisic challenges this view, demonstrating that Futurism took a calculated and systematic approach to its contemporary socio-political reality. This approach ultimately allowed Russia's Futurists to devise a unique artistic practice that would later become an integral element of the distinctly Soviet cultural paradigm. Drawing upon a unique combination of archival materials and employing a theoretical framework inspired by the works of philosophers such as Lewis Mumford, Karl Mannheim, Ernst Bloch, Fred Polak, and Slavoj Žižek, The Futurist Files presents Futurists not as blinded idealists, but rather as active and judicious participants in the larger project of building a modern Soviet consciousness. This fascinating study ultimately stands as a reminder that while radical ideas are often dismissed as utopian, and impossible, they did—and can—have a critical role in driving social change. It will be of interest to art historians, cultural historians, and scholars and students of Russian history.
Author : Joshua Malitsky
Publisher : Indiana University Press
Page : 291 pages
File Size : 42,7 Mb
Release : 2013-03-20
Category : Performing Arts
ISBN : 9780253007643
In the charged atmosphere of post-revolution, artistic and political forces often join in the effort to reimagine a new national space for a liberated people. Joshua Malitsky examines nonfiction film and nation building to better understand documentary film as a tool used by the state to create powerful historical and political narratives. Drawing on newsreels and documentaries produced in the aftermath of the Russian revolution of 1917 and the Cuban revolution of 1959, Malitsky demonstrates the ability of nonfiction film to help shape the new citizen and unify, edify, and modernize society as a whole. Post-Revolution Nonfiction Film not only presents a critical historical view of the politics, rhetoric, and aesthetics shaping post-revolution Soviet and Cuban culture but also provides a framework for understanding the larger political and cultural implications of documentary and nonfiction film.
Author : Edward James Brown
Publisher : Princeton University Press
Page : 401 pages
File Size : 40,7 Mb
Release : 2015-03-08
Category : Biography & Autobiography
ISBN : 9781400867547
An absorbing portrait of an extraordinary man, an analysis of the work of a great Russian poet, and the evocation of a crucial period in Russian cultural history—all are combined in Edward J. Brown's literary biography of Vladimir Mayakovsky. It is the only book to reveal the whole Mayakovsky, not just aspects of his tortured personality or artistic work, and will be immediately recognized as definitive. Mayakovsky contributed to the cultural life of Soviet Russia not only as a lyric poet but as a playwright, graphic artist, and satirist of the conventional art forms of his day. By examining his art in terms of his life, Edward Brown shows how intensely personal it was and how bound up in the literary and political history of his time. The intellectual turmoil of the period is skillfully re-created, especially the nature, ambience, and personalities of Russian futurism. Above all, the book reveals the man—a committed Bolshevik and a dedicated artist, but also a hypochondriac, compulsive gambler, and eventual suicide. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.