Measina A Samoa 2003 2005 Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Measina A Samoa 2003 2005 book. This book definitely worth reading, it is an incredibly well-written.
Measina a Samoa 2003 & 2005 by Asofou (ed.) So'o Pdf
"Measina a Sāmoa Conference is a biennial university forum which aims to bring together sons and daughters of Sāmoa along with scholars and practitioners of various disciplines to discuss, debate and reflect on pertinent matters concerning Sāmoa"--Publisher website.
O le tafatolu o au measina by Fepulea'i Seuao F. Taeao Salua Pdf
"The book captures forever the ancient oral tradition of Samoa... divided into three main sections; ancient tributations of the country... the districts and all the villages. Proper tributations awarded to paramount chiefs, high chiefs and orators; descriptions and proper sayings used during the presentation of fine mats to holders of paramount chiefly titles and high title families; honorary sayings associated with deaths of title holders, funeral rites protocol from ancient times"--P. 14.
Author : James Hou-fu Liu Publisher : Victoria University Press Page : 308 pages File Size : 42,5 Mb Release : 2005 Category : History ISBN : 0864735170
Social scientists attached to the Centre for Applied Cross Cultural Research at Victoria University of Wellington examine issues of New Zealand identity.
Author : Lucas Lixinski,Lucie K. Morisset Publisher : Taylor & Francis Page : 683 pages File Size : 42,7 Mb Release : 2024-02-14 Category : Art ISBN : 9781003852261
The Routledge Handbook of Heritage and the Law by Lucas Lixinski,Lucie K. Morisset Pdf
The Routledge Handbook of Heritage and the Law sheds light on the relationship between the two fields and analyses how the law shapes heritage and heritage practice in both expected and unexpected ways. Including contributions from 41 authors working across a range of jurisdictions, the volume analyses the law as a transnational phenomenon and uses international and comparative legal methodologies to distil lessons for broad application. Demonstrating that the law is fundamentally a language of power and contestation, the Handbook shows how this impacts our views of heritage. It also shows that, to understand the ways in which the law impacts key aspects of heritage practice, it is important to tap into the possibilities of heritage as points of convergence of identity, struggles over resources, and the distribution of power. Framing heritage as a driver for legal engagement rather than a passive regulatory object, the book first reviews the legal fields or mechanisms that can shape action in the heritage field, then questions how these enable authority and give power to those who seize heritage, and finally envisions how the discussion between heritage and the law can lay new grounds in both those fields. Lifting the mists that often render the law opaque in heritage studies, the Handbook showcases the law as a medium through which the culture and the power of heritage are expressed and might be shared. The Routledge Handbook of Heritage and the Law presents a view of the law that is aimed at those who wish to reflect on how law has changed, or could change, what heritage is and how it can support social, cultural, local, or other development. It will be of interest to scholars, students, policymakers, and practitioners working in the areas of museum studies, heritage studies, and urban studies, as well as in cultural intervention and planning.
A Return to the Object by Susanne Kuechler,Timothy Carroll Pdf
This book draws on the work of anthropologist Alfred Gell to reinstate the importance of the object in art and society. Rather than presenting art as a passive recipient of the artist's intention and the audience's critique, the authors consider it in the social environment of its production and reception. A Return to the Object introduces the historical and theoretical framework out of which an anthropology of art has emerged, and examines the conditions under which it has renewed interest. It also explores what art 'does' as a social and cultural phenomenon, and how it can impact alternative ways of organising and managing knowledge. Making use of ethnography, museological practice, the intellectual history of the arts and sciences, material culture studies and intangible heritage, the authors present a case for the re-orientation of current conversations surrounding the anthropology of art and social theory. This text will be of key interest to students and scholars in the social and historical sciences, arts and humanities, and cognitive sciences.
Author : Steven Hooper Publisher : University of Hawaii Press Page : 296 pages File Size : 43,9 Mb Release : 2006-06-30 Category : Art ISBN : 0824830849
Pacific Encounters brings together for the first time many stunning Polynesian objects collected by voyagers and missionaries during the eighteenth and nineteenth centuries. Illustrated are over 270 items gathered from the major regions of Polynesia. Many are from the British Museum, which houses fine and rare material from the expeditions of Captain Cook, Captain Vancouver, and members of the London Missionary Society. Ranging from massive images of gods to small fish hooks, they are discussed in the contexts of their local use and meanings, and their journeys to museums all over the world. These pieces have remarkable stories to tell of encounters between humans and their gods, between Polynesians and Europeans, their respective chiefs and priests, beliefs, and technologies. Pacific Encounters is a groundbreaking book that conveys the wonder and excitement not only of the objects themselves, but of the fascinating Polynesian cultures that produced them.
Tattoo by Nicholas Thomas,Anna Cole,Bronwen Douglas Pdf
The popularity of tattoos today is a revival of a practice begun in the late eighteenth century, when Westerners first made contact with the native peoples of the Pacific. The term ‘tattoo’ entered Europe with the publication of Captain Cook’s voyages in the 1770s, and Pacific tattoos became fashionable in the West as sailors, whalers and explorers brought home tattoos from Tahiti, the Marquesas, New Zealand and Polynesia. In recent years these early contacts have been revived, as native tattooists from Oceania have begun tattooing non-Polynesians in Europe, the USA and elsewhere. Tattoo is both a fascinating book about these early Oceanic–European exchanges, that also documents developments up to the present day, and the first to look at the history of tattooing in Oceania itself. Documenting these complex cultural interactions in the first part of the book, the authors move from issues of encounter, representation and exchange to the interventions of missionaries and the colonial state in local tattoo practices. Highly illustrated with many previously unseen images, for example the original voyage sketches of the first Russian circumnavigation of 1803–6, this is a fascinating account of early tattooing and cultural exchange in Oceania, and will appeal to the wide audience interested in the history of tattooing.
The Queensland Art Gallery presents UNNERVED: THE NEW ZEALAND PROJECT, the second in a series of country-specific exhibition projects focusing on its contemporary collections. Since the 1990s, the Gallery's holdings of contemporary work from New Zealand have grown rapidly, partly through increased awareness and interest in the Asia Pacific Triennial of Contemporary Art exhibitions. UNNERVED, and its accompanying publication, explores a particularly rich dark vein that recurs in New Zealand contemporary art and cinema. Psychological or physical unease pervades many works in the exhibition, with humour, parody and poetic subtlety among the strategies used by artists across generations and genres. Major sculptures by Michael Parekowhai, installations by Lisa Reihana and Michael Stevenson and photographic series by Yvonne Todd, Anne Noble and Greg Semu feature alongside video art by Sriwhana Spong and Nathan Pohio. The exhibition is accompanied by the film program, New Zealand Noir.
Vastly Ingenious by Atholl Anderson,Kaye Green,Foss Leach Pdf
Introduction. Janet M. Davidson : a museum archaeologist / Roger C. Green -- 1. Early Maori disc pendants / Nigel Prickett -- 2. An archaeological collection of gourd artefacts from the Kohika lake village / Geoffrey Irwin, Rod Wallace and Stephanie Green -- 3. Cooking with pots -- again / Helen Leach -- 4. Metal pa kahawai - a post-contact fishing lure form in northern New Zealand / Ian Smith -- 5. A cache of fishhooks from Serendipity Cave, Jackson bay, New Zealand / Foss Leach -- 6. Horticultural site complexes on stony soils of the eastern North Island: an aerial interpretation / Kevin L. Jones -- 7. Ecuadorian sailing rafts and Oceanic landfalls / Atholl Anderson, Helene Martinsson-Wallin and Karen Stothert -- 8. Arthur Kempe of H MS Adventure and Veryan, Cornwall / Peter Gathercole -- 9. Meʻa lalanga and the category Koloa: intertwining value and history in Tonga / Adrienne L. Kaeppler -- 10. Ancestral Polynesian fishing gear: archaeological insights from Tonga / David V. Burley and Richard Shutler jr -- 11. Reading Pacific pots / Geoffrey Clark and Duncan Wright -- 12. The rise of the Saudeleur: dating the Nan Madol chiefdom, Pohnpei / J. Stephen Athens -- 13. A study of gorges from the Gognga-Cove Beach Site, Tumon, Guam / Yosihiko H. Sinoto -- 14. The role of fishing lure shanks for the past people of Pohnpei, eastern Caroline Islands, Micronesia / Paul Rainbird -- 15. An assessment of shell fishhooks of the Lapita cultural complex / Katherine Szabó -- 16. The material culture of Makira / Moira White -- 17. Shalf-hole stone implements of New Britain, Papua New Guinea / Jim Specht -- 18. Pottery styles at Wañelek, Papua New Guinea / Susan Bulmer -- 19. Still vastly ingenious? Globalisation and the collecting of Pacific material cultures / Sean Mallon.
The evolution of New Zealand's national art collection is closely linked with the story of Aotearoa New Zealand itself--its places, its people, and its developing sense of identity. Art at Te Papa spans the Museum's collection from superb early European prints to exciting contemporary acquisitions. Te Papa's curators have selected more than 400 artworks, each one beautifully reproduced and accompanied by an engaging mini essay. Works by international artists--from Rembrandt to Mapplethorpe--feature alongside iconic New Zealand art by Charles Goldie, Rita Angus, Bill Hammond, and many more. Lesser-known artworks will also surprise and delight. This special deluxe edition of Art at Te Papa is a treasure to inform, inspire, and delight all New Zealanders and lovers of art.
Women, Politics, and Power by Pamela Paxton,Melanie M. Hughes,Tiffany D. Barnes Pdf
Women, Politics, and Power: A Global Perspective provides a clear, detailed introduction to women’s political participation and representation across a wide range of countries and regions. Through broad statistical overviews and detailed case-study accounts, the authors document both historical trends and the contemporary state of women’s political strength. Readers see the cultural, structural, political, and international influences on women’s access to political power, and the difference women make once in political office. The fourth edition includes the latest information available on women in politics around the world, including current events as they have unfolded across the globe. The newest thinking in the field is presented, including on violence against women in politics. Approach and Features Nine thematic chapters explain women’s access to office in the executive, legislative, and judicial branches, and why it matters. Six chapters cover women’s political power in specific geographic regions with recent research and events. The book’s intersectional perspective attends to the ways gender interacts with other forms of difference, both throughout the volume and in a dedicated chapter. A bounty of figures, maps, and tables provide visual accounts of the variations in women’s access to political power around the world, the growth in women’s political power over time, and persistent obstacles to gender equality in politics.
Tapa, or barkcloth, is called 'hiapo' in the language of Niue island in central Polynesia. Most known pieces of hiapo were produced between 1850 and 1900. They are now dispersed, largely in museum collections, all over the world. The illustrations in this book, most of which are in full colour, bring together hiapo from all over the world. The authors have worked on the project for a decade, visiting museums, collecting information, travelling to Niue, talking to old people there, trying to find out how the paintings were done and who made them.
